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Journal articles on the topic 'Modern novel'

Author: Grafiati

Published: 4 June 2021

Last updated: 24 January 2023

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1

Uspenskaya, N. A., and E. V. Iakovenko. "Modern Egyptian novel: development trends." Linguistics & Polyglot Studies 8, no. 4 (December 31, 2022): 204–18. http://dx.doi.org/10.24833/2410-2423-2022-4-33-204-218.

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The purpose of the work is to consider two trends in the development of the Egyptian novel on the examples of the works by Tawfiq al-Hakim, Yahya Haqqi, Naguib Mahfouz, Abd ar-Rahman ash-Sharkawi on the one hand, and Ibrahim Abd al-Qadir al-Mazini, and Abbas al-Akkad, on the other hand; to trace their development and manifestation in the works by famous contemporary Egyptian authors, winners of the Man Booker Prize − Bahaa Taher and Yusuf Zeidan. It is necessary to point out the main features laid down by the founders of the novel genre, are awareness of national tasks, ideas of national unity, subordination of personal interests to public ones, attention to social problems, and high spiritual content. These features were equally inherent in such works as Return of the Spirit, A Bird from the East, The Lamp of Umm Hashim, Earth and many novels by Naguib Mahfouz. The democratism of these novels, their high moral potential, focus on national themes, and patriotism are noted. On the other hand, the works Ibrahim the Writer and Sarah are considered, where the philosophy of egoism, the opposition of the individual to public interests, the ideas of free love and ‘liberation of the flesh’ are cultivated. Novels that demonstrate these two different tendencies have one thing in common − the influence of an external model, as, for example, in the novel The Writer Ibrahim of M. Artsybashev’s novel Sanin. The continuation of these two directions of the Egyptian novel is demonstrated by the example of the works Love in Exile and The Nabatean.

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2

Pardaeva, Z. "MODERN UZBEK NOVEL: DEVELOPMENT TRENDS." East European Scientific Journal 6, no. 4(68) (May 14, 2021): 47–49. http://dx.doi.org/10.31618/essa.2782-1994.2021.6.68.39.

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This article examines the development trends of the modern Uzbek novel. On the example of the novels “Fields left by my father”, “You cannot die in this world” by T. Murad, “The Beast” by Sh.Kholmirzaev, “Lives Passed in a Dream” by U. Khashimov, “Fotima and Zukhra” by U. Umarbekov, “On all four sides ”,“ Square ”by O. Mukhtar,“ Bazar ”,“ Sage Sisyphus ”by H. Dustmukhammad and others, genre-style contamination in the genre of the Uzbek novel was studied.

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3

Mews, Siegfried, and Keith Bullivant. "The Modern German Novel." German Studies Review 11, no. 2 (May 1988): 336. http://dx.doi.org/10.2307/1430012.

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4

Black, S. "Is the Novel Modern?" Eighteenth-Century Life 34, no. 2 (April 1, 2010): 114–21. http://dx.doi.org/10.1215/00982601-2009-019.

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5

Jinyoung Park. "Translated or Adapted Novels and the Language of Korean Modern Novel : A Style, Medium, and Language of Modern Novel." DAEDONG MUNHWA YEON'GU ll, no. 59 (September 2007): 37–71. http://dx.doi.org/10.18219/ddmh..59.200709.37.

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6

Lushnikova, Galina I., and Tatiana Iu Osadchaia. "Modern Existentialist Novel: Code-Mixing." Journal of Siberian Federal University. Humanities & Social Sciences 11, no. 1 (January 2018): 106–19. http://dx.doi.org/10.17516/1997-1370-0210.

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7

Eid, H. "The real(modern)ist novel." Literator 20, no. 2 (April 26, 1999): 17–30. http://dx.doi.org/10.4102/lit.v20i2.460.

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This article aims to argue that the distinction in both meaning and social function between “realism” and “modernism” lies in their different positions in the economic system of capitalism. The focus point of the article is “modernism” as the cultural logic of monopoly, imperialist capitalism - a logic that never meant a “break away” from “realism”. The article's dialectical and historical approach to James Joyce's modern text A Portrait of the Artist as a Young Man never accepts the internal modernist logic of the text, i.e. the complete autonomy of a work of art.Drawing on Fredric Jameson’s hermeneutics of ideology and Edward Said’s dialectical criticism, the article focuses on the ideological components of A Portrait and will explore its modernity in relation to the political economy of the world that has produced it. Moreover, it will show how A Portrait, as a modernist text, has affiliations with wider fields of power and action.

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8

Scodel, Joshua, and Katie Trumpener. "Preface:Modern Philologyand the Modern Novel." Modern Philology 100, no. 3 (February 2003): 325–29. http://dx.doi.org/10.1086/376654.

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9

Lewis, Pericles. "Churchgoing in the Modern Novel." Modernism/modernity 11, no. 4 (2004): 669–94. http://dx.doi.org/10.1353/mod.2005.0008.

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10

Kippur, S. "Beckett and the Modern Novel." French Studies 68, no. 1 (January 1, 2014): 122. http://dx.doi.org/10.1093/fs/knt247.

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11

Townsend, Michael J. "Book Reviews : The Modern Novel." Expository Times 96, no. 7 (April 1985): 222–23. http://dx.doi.org/10.1177/001452468509600725.

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12

Sokolova, Irina Vsevolodovna, Irina Alekseevna Shishkova, and Elena Alimovna Keshokova. "The Modern English-Language Novel." Filologičeskie nauki. Voprosy teorii i praktiki, no. 12 (December 2022): 3794–99. http://dx.doi.org/10.30853/phil20220666.

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13

Pujiharto, Pujiharto. "Perubahan yang Dominan dalam Novel-Novel Putu Wijaya." ATAVISME 11, no. 1 (June 30, 2008): 83–94. http://dx.doi.org/10.24257/atavisme.v11i1.327.83-94.

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The aim of this paper is to express Putu Wijaya's novels transition from mimetic, in this paper we called it as modern novel, by taking Pabrik as sample, to the unm imetic novels that we cal led as postmodern novelsby taking Telegram and Stasiun as the sample. The research approach based on Mc Hale Theory (Postmodernist Fiction, 1991 ). Accoeding to him, the transition from modern to pascarnodern novel is signed by a dominant change: from epistemological dominant to ontological dominant. Pabrik rises accessibility. reliability or unreliability, circulation issues and knowledge transmission about factory world through its characters. This novel expresses the mistery of Tirtoatmojo family, the factory director. But, in the gap of cpystemological dominant, in chapter Ill appears the ontological dorn in ant. Ontological dominant appears only once in Pabrik, but in Telegram and Stasiun ontological dominant and epystcmological. dominant eppear by change. The appear of ontological dominant characteristic in Putu Wijaya's novels have similar relationship with pluralistic ontologism landscape that is the character of post modern condition. The reality in this condition is named unreality by Mc Hale.

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14

Jones, Margaret E. W., and Ricardo Landeira. "The Modern Spanish Novel, 1898-1936." South Atlantic Review 51, no. 3 (September 1986): 96. http://dx.doi.org/10.2307/3199654.

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15

Moreland, Richard C., and William R. Thickstun. "Visionary Closure in the Modern Novel." South Central Review 6, no. 1 (1989): 94. http://dx.doi.org/10.2307/3189508.

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16

Brooke, Patricia, and Patrick W. Shaw. "The Modern American Novel of Violence." South Central Review 19, no. 4 (2002): 163. http://dx.doi.org/10.2307/3190149.

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17

Lauter, Paul, and Linda Wagner-Martin. "The Modern American Novel, 1914-1945." American Literature 62, no. 4 (December 1990): 724. http://dx.doi.org/10.2307/2927097.

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18

Ross, Stephen M., and Virginia V. James Hlavsa. "Faulkner and the Thoroughly Modern Novel." American Literature 64, no. 2 (June 1992): 392. http://dx.doi.org/10.2307/2927860.

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19

Osmanova, Malakhat Nazim. "TYPOLOGY OF THE MODERN GERMAN NOVEL." Scientific Bulletin 1 (2022): 4–17. http://dx.doi.org/10.54414/ilzb8748.

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The article examines the work of such writers as Günther Grass, Heinrich Bell, Bernard Schlink, Siegfried Lenz, who created modern German literature after the end of World War II. In their works, German writers set out to understand the guilt and responsibility of the Nazis. These works clearly show that millions of people have been victims of various ideologies and that fascism has destroyed their innate feelings.

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20

Bretz, Mary Lee, and Ricardo Landeira. "The Modern Spanish Novel, 1898-1936." Hispanic Review 55, no. 1 (1987): 130. http://dx.doi.org/10.2307/473271.

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21

Miller, Stephen, and Ricardo Landeira. "The Modern Spanish Novel, 1898-1936." Hispania 70, no. 1 (March 1987): 90. http://dx.doi.org/10.2307/343661.

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22

Bellver, Catherine G., and Ricardo Landeira. "The Modern Spanish Novel, 1898-1936." World Literature Today 60, no. 3 (1986): 452. http://dx.doi.org/10.2307/40142253.

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23

Oakley, Mark. "The Novel, Spirituality and Modern Culture." Theology 104, no. 822 (November 2001): 471–72. http://dx.doi.org/10.1177/0040571x0110400642.

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24

Bahardur, Iswadi. "EGO SINTONIK TOKOH-TOKOH HOMOSEKSUAL DALAM NOVEL INDONESIA MODERN." Puitika 11, no. 1 (April 10, 2015): 62. http://dx.doi.org/10.25077/puitika.11.1.62--73.2015.

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This research aimed to describe the human sintonik ego problem with homosexual acts, especially the figure in modern Indonesian novel. The data source is novel Saman dan Larung by Ayu Utami, Nayla by Djenar Maesa Ayu, Dadaisme by Dewi Sartika, Tabula Rasa by Ratih Kumala, Lelaki Terindah By Andrei Aksana, Cermin Cinta by N. Riantiarno, and The Sweet Sins by Rangga Wirianto. The result showed that homosexual character; gay (homosexual male designation) and lesbians (homosexual women designation) in the novels are undergoing aberrant sexual activity and feel comfortable with that orientation. This figure are not in conflict with himself and not trying to change their orientation to be normal. Key words: ego sintonik, homosexual, novel, character ABSTRAK Penelitian ini bertujuan untuk mendeskripsikan permasalahan ego sintonik manusia dengan perilaku homoseksual, khususnya tokoh-tokoh yang terdapat dalam novel-novel Indonesia modern. Hasil penelitian menunjukkan bahwa tokoh homoseksual, gay (sebutan homoseksual untuk laki-laki) dan lesbian (sebutan homoseksual untuk perempuan) dalam novel-novel yang menjadi sumber data memiliki ego sintonik. Orientasi seksual tokoh-tokoh tersebut menyimpang, yakni menyukai sesama jenis. Tokoh tersebut merasa nyaman dengan orientasi seksualnya, tidak berkonflik dengan dirinya, dan tidak berusaha mengubah orientasi seksualnya menjadi normal. Kata kunci: ego sintonik, homoseksual, novel, tokoh

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25

Piper, Andrew. "Novel Devotions: Conversional Reading, Computational Modeling, and the Modern Novel." New Literary History 46, no. 1 (2015): 63–98. http://dx.doi.org/10.1353/nlh.2015.0008.

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26

Lustig, Joshua. "Modern Epics." Current History 121, no. 831 (January 1, 2022): 39–40. http://dx.doi.org/10.1525/curh.2022.121.831.39.

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A new novel about the 2015 surge of migration to Europe raises questions about whether fiction that draws on ethnographic methods can bring a uniquely intimate perspective to the relations between asylum seekers and the volunteers who try to help them.

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27

Sujarwa, Sujarwa. "ISU-ISU GLOBAL DALAM NOVEL INDONESIA MODERN." MIMESIS 1, no. 1 (January 31, 2020): 40. http://dx.doi.org/10.12928/mms.v1i1.1538.

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Sebagaimana judul yang dimaksud dalam paparan ini adalah “memaparkan isu-isu global yang tercermin dalam novel Indonesia modern”. Isu-isu global adalah wacana yang dewasa ini mengemuka di masyarakat yang perlu diidentifikasi keberadaannya, sehingga dapat terpahami masalah apa saja yang muncul dan yang perlu dicari jalan keluarnya. Untuk mengetahui hal itu, novel sebagai dokumen dalam peristiwa budaya dipandang mampu jadi sampel untuk mengungkap fenomena isu global tersebut. Karenanya, paparan ini mengedepankan pembahasan isu global terhadap novel Indonesia modern dengan teori sosiologis. Hal ini bertujuan untuk memperoleh informasi tentang isu global yang tercermin di dalam novel. Bagaimana isu-isu global seperti: kemiskinan, kejahatan, ketidakadilan, disorganisasi keluarga, dan seterusnya dipersoalkan dalam peristiwa seni, terutama novel Indonesia modern.

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28

HARUTA, Masatake. "Novel Catalysis by Gold: A Modern Alchemy." Journal of the Vacuum Society of Japan 51, no. 11 (2008): 721–26. http://dx.doi.org/10.3131/jvsj2.51.721.

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29

文丁珍. "Modern Chinese Novel and Ahn Jung-geun." Journal of Chinese Language and Literature ll, no. 33 (June 2007): 343–77. http://dx.doi.org/10.26586/chls.2007..33.015.

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30

윤보경. "Published hyeontobon Chinese novel of modern Korea." Journal of the research of chinese novels ll, no. 33 (April 2011): 207–35. http://dx.doi.org/10.17004/jrcn.2011..33.010.

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31

Aishwarya, B., S. Lakshmi Sree, and R. Balasubramanian. "Piezosurgery – A novel tool in modern dentistry." Journal of Academy of Dental Education 7 (December 8, 2021): 31–35. http://dx.doi.org/10.25259/jade_13_2021.

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Dentistry has undergone significant improvement with a lot of changing concepts involving novel surgical tools over the past two decades. Piezoelectric surgery, also popularly called as piezosurgery (PS), is a rapidly evolving technique of bone surgery which is gaining importance because of its ability to place osteotomy cuts with absolute precision and confidence, especially near the vital structures. Piezosurgical device functions with an ultrasonic frequency (25–29 KHz) resulting in microvibrations in the range of 60–200 µm/s enabling bone cutting that is secured and accurate preserving the underlying neurovascular elements along with improved visibility through bloodless surgical site and thorough debridement using internal irrigation system. Till date, PS has seen wide applications in various disciplines of medicine. In the field of dentistry, PS has emerged as a promising technical modality in bone graft harvesting, alveolar ridge expansion, sinus lift procedures, osteogenic distraction, and endodontic and periodontal surgeries. The present review addresses the efficiency of PS comparing it with the traditional dental surgical equipment. The advantages, limitations, and biological effects of PS as well its various applications in dentistry have also been discussed.

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32

Danilina, Galina Ivanovna, and Ekaterina Olegovna Khromova. "Transitive literary discourse in the modern novel." Philological Class 26, no. 4 (2021): 9–18. http://dx.doi.org/10.51762/1fk-2021-26-04-01.

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33

Namyeon Ahn. "Revealed Aspect of ‘youth’ in Modern Novel." 한국문예비평연구 ll, no. 29 (August 2009): 193–211. http://dx.doi.org/10.35832/kmlc..29.200908.193.

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34

Baumgarten, Murray, and Hana Wirth-Nesher. "City Codes: Reading the Modern Urban Novel." Comparative Literature 51, no. 1 (1999): 94. http://dx.doi.org/10.2307/1771464.

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35

Durie, Kate. "THE GOOD DEATH AND THE MODERN NOVEL." Health and Social Care Chaplaincy 4, no. 1 (May 31, 2013): 16–20. http://dx.doi.org/10.1558/hscc.v4i1.16.

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36

Terris, David J. "Novel surgical maneuvers in modern thyroid surgery." Operative Techniques in Otolaryngology-Head and Neck Surgery 20, no. 1 (March 2009): 23–28. http://dx.doi.org/10.1016/j.otot.2009.01.008.

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37

Collier, Patrick. "The Modern Novel: A Short Introduction (review)." James Joyce Quarterly 44, no. 2 (2007): 394–98. http://dx.doi.org/10.1353/jjq.2007.0026.

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38

Moore, Kevin C., Frances M. E. Chow, and John Y. H. Chow. "Novel Lunge Biomechanics in Modern Sabre Fencing." Procedia Engineering 112 (2015): 473–78. http://dx.doi.org/10.1016/j.proeng.2015.07.227.

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39

Fletcher, Katy. "Evolution of the Modern American Spy Novel." Journal of Contemporary History 22, no. 2 (April 1987): 319–31. http://dx.doi.org/10.1177/002200948702200206.

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40

Dwyer, Jennifer B., and David A. Ross. "Modern Microglia: Novel Targets in Psychiatric Neuroscience." Biological Psychiatry 80, no. 7 (October 2016): e47-e49. http://dx.doi.org/10.1016/j.biopsych.2016.08.006.

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41

Singh, HP. "EXISTENTIALISM IN INDIAN ENGLISH NOVEL." International Journal of Research -GRANTHAALAYAH 3, no. 7 (July 31, 2015): 40–42. http://dx.doi.org/10.29121/granthaalayah.v3.i7.2015.2984.

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Existentialism in Indian English Novel has its roots in western philosophy. Since our civilization has been heading towards westernization, and the life of man has been tending towards modernization. It has become inevitable for man to ask himself who he is and what his relation is to the physical and social world. The modern Indian is surrounded by the forces which are commanded and controlled by existentialist dilemmas. Modern fictional hero is a split-personality or a tortured individual through whose mind the novelist points out the social or national or human conditions. Modern heroes are not only emotionally wronged but also shaken at the existential level. The problems of existence are too wide to be managed by the modern man. The modern novel portrays outsiders, foreigners, who are empty in feelings, or incapable of communication, or unable to relate themselves meaningfully to the surroundings. Thus modern’s fiction in English reflects modern human predicament; life surrounded by forces of anxiety.

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42

Gregori, Flavio. "Novel: La genesi del romanzo moderno nell’ Inghilterra del Settecento. [Novel: The Rise of the Modern Novel in Eighteenth-Century England.]." Scriblerian and the Kit-Cats 52, no. 2 (2020): 218–19. http://dx.doi.org/10.5325/scriblerian.52.2.0218.

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43

Taufiq Ahmad Dardiri, Moh Wakhid Hidayat, Sangidu, Fadlil Munawwar Manshur,. "PETA KAJIAN ATAS NOVEL SEJARAH ISLAM KARYA JURJĪ ZAIDĀN." Jurnal CMES 12, no. 1 (October 9, 2019): 4. http://dx.doi.org/10.20961/cmes.12.1.34867.

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The novel of Islamic history by Jurjī Zaidān is one of the works of Modern Arabic literature which appeared at the end of the 19th century. Since it was first published, as a serial story in al-Hilal magazine, this novel has been read and has received a great response. Zaidān composed 22 titles of novels from 1891 to 1914. After Zaidān's death in 1914, his novels were still read by the public, reprinted, and even translated in various languages in the world. Zaidān’s Islamic historical novels still exist, both within the scope of modern Arabic literature and in Arabic thought, with many studies to date. Research on this novel is reviewed and analyzed to reveal the diversity of perspectives to be mapped. Found nine perspectives in the study of Islamic historical novels; the perspective of the development of Arabic novel genres, the perspective of authorship and pioneering in Arabic novel genre, the perspective of the popularization of Arab-Islamic history, critical perspectives of Islamic historical facts, intrinsic literary criticism perspective, narrative structure perspective, feminist perspective, perspective modern Arab identity, and Arab nationalism perspective. The mapping of studies become the positioning of further Islamic historical novel studies, and at the same time can be a model of study for the analysis of other historical novels that develop in Arabic literature or other national literature.

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44

Muñoz, Elizabeth Cummins. "La historia encarnada, Llanto de Carmen Boullosa." Mexican Studies/Estudios Mexicanos 29, no. 2 (2013): 459–77. http://dx.doi.org/10.1525/msem.2013.29.2.459.

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En su novela Llanto, novelas imposibles (1992), Carmen Boullosa explora el uso del cuerpo como una herramienta epistemológica para indagar en las tensiones entre el discurso tradicional de la historia mexicana y la lógica literaria de la novela moderna. Desde su momento posmoderno, la autora reconoce que la historiografía tradicional ya no es fiable y quiere encontrar el significado perdido mediante la dramatización literaria del cuerpo histórico y su entorno físico. Al fracasar como novela histórica moderna, su proyecto cumple con un rito íntimo y personal en el que la ausencia del pasado indígena colectivo se asimila por un proceso de duelo individual que está firmemente localizado en el cuerpo y representado por el llanto. In her novel Llanto, novelas imposibles (1992), Carmen Boullosa explores the body as an epistemological means to examine the tensions between the traditional discourse of Mexican history and the literary logic of the modern novel. From her postmodern stance, she recognizes that traditional historiography is no longer reliable and wants to recover meaning through a literary dramatization of the historical body and its physical environment. Her project fails as a modern historical novel, but undergoes an intimate and personal rite in which the absence of the collective indigenous past is assimilated through an individual grieving process firmly located in the body and represented by tears.

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45

Durán Luzio, Juan. "Cervantes y el mundo moderno." LETRAS, no. 41 (January 30, 2007): 9–21. http://dx.doi.org/10.15359/rl.1-41.1.

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Se analiza el papel desempeñado por la gran novela cervantina en el subsecuente desarrollo de la narrativa moderna hasta la actualidad. La aventura del héroe, en aquella célebre novela, adopta un sentido actual profundamente simbólico, que todavía tiene vigencia, porque apunta a lo conocido, a lo cotidiano, a lo posible.An analysis is carried out on the role of Cervantes' great novel in the subsequent development of modern narrative up to the present time. The adventure of the hero in that famous novel adopts a highly symbolic sense which remains valid because it addresses what can be considered familiar, well known and possible.

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46

Nurgiyantoro, Burhan. "THE WAYANG STORY IN MODERN INDONESIAN FICTIONS (Reviews on Mangunwijaya and Sindhunata’s Novels)." LITERA 18, no. 2 (July 24, 2019): 167–84. http://dx.doi.org/10.21831/ltr.v18i2.24997.

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The wayang story is the traditional story which influences toward the writing of modern Indonesian literature. This study is aimed at describing the adoption of aspects of stories in the wayang stories plays in modern Indonesian novels with a focus on Mangunwijaya and Sindhunata’s novels; i.e. Burung-burung Manyar, Durga Umayi, and Anak Bajang Menggiring Angin. The study uses the receptional, intertextual, and discourse-analysis approaches. Results show the following findings. Character referencing from shadow-wayang stories included naming and characterizing, viz. complete adoption of names and characters of wayang figures, hypogram of simultaneous naming and characterizing, and characterizing with no naming. The hypogramming of novel plots on the shadow wayang plots includes shadow-wayang show plots and shadow-wayang story plots. Every work has its own uniqueness and it is on this uniqueness that lies the values of a fiction work. This can be seen from the development of characterization of the figures and specific and unique plots. The value substances of the wayang story are related to personal, social, and religious life matters leading to perfect lives. Shadow-wayang values in novels are discharged through signification, comparison, symbolization, characters, life principles, and behaviours functioning more as cultural guidances. Keywords: shadow wayang, modern Indonesian novels, hypogram, characterization, plot, values WAYANG DALAM NOVEL INDONESIA MODERN(Tinjauan Novel Mangunwijaya dan Sindhunata) AbstractCerita wayang adalah adalah cerita tradisional yang berpengaruh terhadap penulisan sastra Indonesia modern. Penelitian ini bertujuan untuk mendeskripsikan pemunculan aspek cerita wayang dalam novel Indonesia modern dengan fokus pada novel Mangunwijaya dan Sindhunata, yaitu Burung-burung Manyar, Durga Umayi, dan Anak Bajang Menggiring Angin. Penelitian menggunakan pendekatan resepsi, intertekstual, dan analisis wacana. Hasil penelitian menunjukkan hal-hal sebagai berikut. Perujukan penokohan dari cerita wayang mencakup penamaan dan perwatakan, yaitu pengambilan lengkap nama dan karakter tokoh wayang, hipogram penamaan dengan perwatakan sekaligus, dan perwatakan tanpa disertai penamaan. Hipogram plot novel pada plot wayang mencakup plot pertunjukan wayang dan plot cerita wayang. Tiap karya memiliki keunikannya sendiri dan di situlah antara lain letak nilai sebuah karya fiksi. Hal itu terlihat pada pengembangan karakter tokoh, plot yang khas dan unik. Substansi nilai-nilai cerita wayang berkaitan dengan masalah kehidupan pribadi, sosial, dan religius yang bermuara untuk mencapai kesempurnaan hidup. Nilai-nilai wayang dalam novel disampaikan lewat pembandingan, pelambangan, simbolisasi, karakter, sikap hidup, dan perilaku tokoh yang lebih berfungsi sebagai acuan kultural. Kata Kunci: wayang, novel Indonesia modern, hipogram, penokohan, plot, nilai-nilai

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Lorenz, Beyza. "Novel Anxieties." Comparative Studies of South Asia, Africa and the Middle East 40, no. 2 (August 1, 2020): 387–400. http://dx.doi.org/10.1215/1089201x-8524303.

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Abstract Building on recent scholarship on postcolonial theory and the history of the modern Middle East, this article analyzes the viewpoints of late nineteenth-century Ottoman novelists on the modernization projects of the Tanzimat and post-Tanzimat periods. It argues that the Ottoman novelists Ahmet Midhat, Fatma Aliye, and Recaizade Mahmut Ekrem developed a counter-discourse against rapid modernization projects in Istanbul. Through a depiction of everyday life experiences related to the latest inventions of modern technology, Ottoman novelists thematize individual anxieties on a range of topics, which included a criticism of productivity, changing gender roles for men and women, and the new order of time and space. Keeping in mind that drastic changes in technology introduced distinctive modes of experiencing time and space in the nineteenth century, this article suggests that criticism by Ottoman intellectuals can be better understood within the context of the reaction to shifting time-space schemes and the proliferation of new technologies across the globe.

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Barraclough, Olivia, David Gray, Zaid Ali, and Brian Nattress. "Modern partial dentures - part 1: novel manufacturing techniques." British Dental Journal 230, no. 10 (May 2021): 651–57. http://dx.doi.org/10.1038/s41415-021-3070-4.

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Tchaparian, Vicky. "Dickens’s Victorian Novel versus Lean’s Modern Film Adaptation." Armenian Folia Anglistika 14, no. 1-2 (18) (October 15, 2018): 126–36. http://dx.doi.org/10.46991/afa/2018.14.1-2.126.

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Charles Dickens’s Great Expectations pinpoints his Victorian literary heritage. On the other hand, David Lean’s film adaptation of Dickens’ novel conveys it realistically in a period of post War II cinematic modernization. In the present paper, different points are discussed and presented; First, different critical opinions, by earlier and modern critics, as well as David Lean’s personal opinion about film adaptation are revealed and discussed. Second, Dickens’s eccentric and grotesque Victorian characters that are presented through Lean’s visually and thematically rationalized postwar characters. Third, Dickens’s extraordinary characters are contrasted with Lean’s realistic ones. Moreover, Lean’s modernistic touches to the Dickensian novel which cater the postwar audience’s need (for which reason Lean’s film is a completely intellectual one and not at all Dickensian) are also unveiled. Thus, trying to put some hope in the hopeless hearts of his audience in the aftermath of the Second World War, Lean’s modernization of the Dickensian era to fit in the world of his contemporary audience is proven.

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Hovind, Jacob. "Beckett and the Modern Novel by John Bolin." French Review 89, no. 3 (2016): 207–8. http://dx.doi.org/10.1353/tfr.2016.0334.

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