Relevant bibliographies by topics / Modern Poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Modern Poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Modern Poetry.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Modern Poetry"

1

Isakovna, Ernazrova Gulbahor. "Expression Of The Classical Poetic Tradition Modern Poetry." American Journal of Social Science and Education Innovations 02, no. 07 (July 30, 2020): 153–62. http://dx.doi.org/10.37547/tajssei/volume02issue07-18.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Muhiaddeen, Dr Galawezh Ibrahim. "Soldier – Poets in Action Research- Paper in Modern Poetry." Journal of Zankoy Sulaimani Part (B - for Humanities) 6, no. 1 (January 30, 2000): 55–72. http://dx.doi.org/10.17656/jzsb.10104.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Mariani, Paul, M. L. Rosenthal, and Sally M. Gall. "The Modern Poetic Sequence: The Genius of Modern Poetry." American Literature 58, no. 3 (October 1986): 465. http://dx.doi.org/10.2307/2925637.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Dawood, Ibrahim, Yaseen Taha Hafiz, and Abdul-Wahid Lu'lu'a. "Modern Iraqi Poetry." World Literature Today 65, no. 1 (1991): 180. http://dx.doi.org/10.2307/40146352.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Ramakrishnan, E. V., and M. S. Ramaswami. "Modern Tamil Poetry." World Literature Today 64, no. 3 (1990): 528. http://dx.doi.org/10.2307/40146832.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Schulte, Rainer, and Michael Schmidt. "Reading Modern Poetry." World Literature Today 64, no. 4 (1990): 709. http://dx.doi.org/10.2307/40147097.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Smock, Ann, and Willard Bohn. "Modern Visual Poetry." SubStance 32, no. 2 (2003): 116. http://dx.doi.org/10.2307/3685672.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Perry, John Oliver, and Vidya Niwas Misra. "Modern Hindi Poetry." World Literature Today 65, no. 2 (1991): 365. http://dx.doi.org/10.2307/40147316.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Hemraj Saini. "Modern Sanskrit Children's Literature." Knowledgeable Research: A Multidisciplinary Journal 1, no. 09 (May 1, 2023): 17–48. http://dx.doi.org/10.57067/kr.v1i09.75.

Full text
Abstract:
In the modern poetry world, the use of the word 'literature' by the poets is considered in the sense of poetry. In the past, the noun 'poetry' actually used to express poet-action - kaveh karma kavyam. In the modern context, the word 'literature' used in place of poetry has been used in three senses on the basis of evidence of practical experiments- Firstly - on the evidence of 'Sahityapathonidhimanthannottham Kavyamritam Rakshat he Kavindra': The meaning of the word literature is very wide, that is, the word literature is also used in the meaning of all written oral literature. Secondly - 'Sahitye Sukumarvastuni Dharvannayagrahagranthile', on the evidence of this statement of Shri Harsha, the word literature is used in the sense of a special 'poetry', a part of literature. Thirdly - In 'Sahityavidyashramvarjiteshu.....' the word literature has been used in the combined sense of poetry and poetry. In modern life, the word literature or poetry expresses the same feeling in Sanskrit... 'Sahiten Bhavah Sahityam'. In fact, 'poetry' or 'literature' is defined in different contexts from ancient poets to modern poets. In the context of literature, Acharya Bhamah of Kavyashastra has the opinion that- “Shabdharthau sahitau kavyam.”1 That is, the meaning of the meaning is poetry. The association of semantics is visible in practical sentences and sentences based on classical or scientific thinking. But the association of poetry is different from this. In fact, the feeling of Bhamaha word meaning which is called literature is an excellent quality of co-feeling. That association should be such that on the one hand the reader receives derived opinion in various purusharths, as well as the hearty child, the young man i.e. the poetry connoisseur gets joy and happiness.
APA, Harvard, Vancouver, ISO, and other styles
10

Mathur, Prof (Dr ). Kokila S. "Modern Poetry: An Overview." International Journal of English Literature and Social Sciences 9, no. 4 (2024): 322–27. http://dx.doi.org/10.22161/ijels.94.47.

Full text
Abstract:
Modern Poetry presents the modern consciousness in modern idiom. It is a break from the Romantic tradition of thought, feeling and utterance prevalent at the turn of the century. This is brought out starkly in T.S. Eliot’s essay ‘Tradition and the Individual Talent’ with its declaration that poetry is not a turning loose of emotion but an escape from emotion; it is not an expression of personality but an escape from personality. This Impersonal theory of poetry differentiates between the man who suffers and the mind which creates. Modern Poetry in assessing the changed dynamics of the machine age, rapid industrialization and advance in technological progress, urbanization, the advent of Darwinism, the impact of Marx, Nietzsche, the psychoanalytical theories of Freud and Jung, Einstein’s theory of Relativity, brought about a veritable storm of progress of ideas, and multiple perspectives on the world. In response, when poetry rallies to Ezra Pound’s call to make it new, Modern Poetry presents new aesthetics with dazzling innovation of subject and stylistics.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Modern Poetry"

1

Dowson, Jane. "Modern women's poetry 1910-1929." Thesis, University of Leicester, 1998. http://hdl.handle.net/2381/30283.

Full text
Abstract:
In tracing the publications and publishing initiatives of early twentieth-century women poets in Britain, this thesis reviews their work in the context of a male-dominated literary environment and the cultural shifts relating to the First World War, women's suffrage and the growth of popular culture. The first two chapters outline a climate of new rights and opportunities in which women became public poets for the first time. They ran printing presses and bookshops, edited magazines and wrote criticism. They aimed to align themselves with a male tradition which excluded them and insisted upon their difference. Defining themselves antithetically to the mythologised poetess; of the nineteenth century and popular verse, they developed strategies for disguising their gender through indeterminate speakers, fictional dramatisations or anti-realist subversions. Chapter Three explores the ways in which women's poems of the First World War register the changing ideologies of gender and nationalism. Chapter Four identifies a 'conservative modernity' in women who avoided femininity, through universal speakers and the conventional forms of male-associated traditions, but there is also a covert woman's agenda, particularly in the love lyrics of Vita Sackville-West. The remaining chapters recognise women's participation in modernist innovation through radical aesthetics or radical subject matter. In 'The British Avant-Garde', the most significant experimentalist in Edith Sitwell, but the less well-known work of Nancy Cunard, Iris Tree and Helen Rootham, is also considered. Chapter Six, 'The Anglo-American Avant-Garde', includes American women who lived in Britain or who were indirectly influential through the network of writers in London, Paris and New York: H.D., Amy Lowell, Gertrude Stein, Laura Riding, Marianne Moore and Mina Loy. The final group of 'Female Modernists', Charlotte Mews, May Sinclair, Edna St. Vincent Millay, Anna Wickam and Sylvia Townsend Warner, project a feminist consciousness in negotiation with poetic formalism. They indicate women's progress towards a new self-asserting aesthetic.
APA, Harvard, Vancouver, ISO, and other styles
2

Reddy, Colleen. "Ecological consciousness in modern Australian poetry." Thesis, Queensland University of Technology, 1998.

Find full text
Abstract:
One of the most significant issues confronting humanity as the twentieth century draws to a close is that concerning environmental degradation. This study posits the dual notion that at the centre of any movement to protect the earth from further degradation there must be a change in the predominant anthropocentric worldview, and that there is a role for poets to help bring about such change by writing ecologically-conscious poetry. The study explains what is meant by ecological consciousness as distinct from a conservation or environmental ethic. There follows a brief discussion of Deep Ecology (the philosophical perspective which, along with others, critiques human domination of nature) and a survey of relevant literature. The growth of an Australian poetic and the concomitant development of an Australian relationship with the land are also surveyed. Then, through a process of close reading, comparative analysis and discourse, the work of a number of poets (both indigenous and non-indigenous) is considered for its ecological awareness. The study highlights some pivotal ideas for the development of a new worldview: these are the development of a non-anthropocentric perspective of nature similar to that embraced by adherents of Deep Ecology; acceptance of the notion that nature is ambivalent (that the cycle of life is also a cycle of death and decay); and the possible use of indigenous people's deeply ecological relationship with the land as a basic model on which to build a new worldview. The study contends that only poetry which is grounded in ecocentrism, rather than anthropocentrism, can claim to be ecologically-conscious. It concludes by reaffirming the need for poets to encourage a change in the prevailing anthropocentric worldview by adopting a deeply-ecological focus on nature in some of their poetry.
APA, Harvard, Vancouver, ISO, and other styles
3

Juknytė, Ernesta. "Modern religious consciousness in Lithuanian exodus poetry." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100426_163046-20195.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Quint, Arlo. "Nine New Poets: An Anthology by Arlo Quint." Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/QuintA2004.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

McCarthy, Erin Ann. "“Get me the Lyricke Poets”: Poetry and Print in Early Modern England." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338379173.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Manfredi, Paul Richard. "Decadence in modern Chinese poetry problems and solutions /." access full-text online access from Digital dissertation consortium, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3024264.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Campbell, Maria Regina. "Mourning the father-figure in modern American poetry." Thesis, University of Ulster, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.551595.

Full text
Abstract:
The purpose of this thesis is to illustrate the process of mourning within the works of five key 'confessional' poets: Robert Lowell, Theodore Roethke, John Berryman, Sylvia Plath and Anne Sexton. I will use a psychoanalytical framework to explore the reverberations of a father's death in their poetry. I will illustrate the various methods employed by these poets to reconnect with this deceased figure in their poetry. By using psychoanalytical theories from Sigmund Freud to John Bowlby, I will illustrate the various pathways of mourning adopted by each of these poets and show how contemporary grief studies offer an enhanced understanding of the struggles implicit within their recovery from a father's death. I will ascertain whether these poets were driven by their need for psychological closure or whether they were searching for a means to express previously repressed and often contradictory emotions. I will also evaluate the extent of cathartic relief experienced on imaginatively exhuming their fathers in their poetry, illustrating the psychic dangers inherent within this aesthetic intrusion into the sensitive area of a father's death. I will argue that, more often than not, this process of revisiting unsatisfactory father-child relationships, rather than signalling psychic recovery, actually serves to inflate old grievances and mire the poets deeper within the trauma of that loss. Finally, I will consider the future of personalised verse through the poetry of Sharon Olds while evaluating the achievements and limitations of her predecessors.
APA, Harvard, Vancouver, ISO, and other styles
8

Rutter, Mark. "Visual art and the book in modern poetry." Thesis, University of Southampton, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.438695.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

MacKenzie, Garry Ross. "Landscapes in modern poetry : gardens, forests, rivers, islands." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5910.

Full text
Abstract:
This thesis considers a selection of modern landscape poetry from an ecocritical perspective, arguing that this poetry demonstrates how the term landscape might be re-imagined in relation to contemporary environmental concerns. Each chapter discusses poetic responses to a different kind of landscape: gardens, forests, rivers and islands. Chapter One explores how, in the poetry of Ian Hamilton Finlay, Douglas Dunn, Louise Glück and David Harsent, gardens are culturally constructed landscapes in which ideas of self, society and environment are contemplated; I ask whether gardening provides a positive example of how people might interact with the natural world. My second chapter demonstrates that for Sorley MacLean, W.S. Merwin, Susan Stewart and Kathleen Jamie, forests are sites of memory and sustainable ‘dwelling', but that deforestation threatens both the ecology and the culture of these landscapes. Chapter Three compares river poems by Ted Hughes and Alice Oswald, considering their differing approaches to river sources, mystical immersion in nature, water pollution and poetic experimentation; I discuss how in W.S. Graham's poetry the sea provides a complex image of the phenomenal world similar to Oswald's river. The final chapter examines the extent to which islands in poetry are pastoral landscapes and environmental utopias, looking in particular at poems by Dunn, Robin Robertson, Iain Crichton Smith and Jen Hadfield. I reflect upon the potential for island poetry to embrace narratives of globalisation as well as localism, and situate the work of George Mackay Brown and Robert Alan Jamieson within this context. I engage with a range of ecocritical positions in my readings of these poets and argue that the linguistic creativity, formal inventiveness and self-reflexivity of poetry constitute a distinctive contribution to contemporary understandings of landscape and the environment.
APA, Harvard, Vancouver, ISO, and other styles
10

Ghaderi, Farangis. "The emergence and development of modern Kurdish poetry." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/22267.

Full text
Abstract:
This thesis challenges the traditional literary criticism’s definition of modern poetry and the explanation of its emergence as a radical break with the past in the 1930s and 1940s and conducted by Abdula Goran, “the father of modern Kurdish poetry”. In traditional criticism, the classification of poetry is based on its formal features and modern poetry is characterized by abandoning the classical metrical system (aruz), and employing syllabic meter and free rhyme schemes. However, guided by Lotman’s theory of literary change, this thesis offers a more nuanced approach to the study of modern poetry and examines its emergence as a process of literary change that unfolded through the oeuvre of several poets, starting from the late nineteenth century and culminating in the 1940s. Exploring the process of the poetic change in time and investigating the mechanism of the transformation, three stages of transformation are identified which are represented by the works of Hacî Qadirê Koyî, Rehîm Rehmê Hekarî, and Pîremêrd. A close reading of the works of the selected poets reveals a gradual move from the classical norms and conventions of poetry and a successive introduction of new perspectives, rhetoric, and literary devices into the poetic system. This thesis argues that modern Kurdish poetry emerged in response to the advent of modernity and nationalism in Kurdish society. The study argues that modern poetry was the literary form which accompanied the emergence of Kurdish nationalism, a phenomenon which can be equated with the role played by the novel in Europe. Poetry played a significant role in constructing and disseminating Kurdish nationalism, making it intelligible to uneducated people. The examination of the evolution of modern poetry in this study has revealed lesser known aspects of the formation and the development of Kurdish nationalism and has brought to light the neglected contribution of Kurdish religious intellectuals.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Modern Poetry"

1

1953-, Martin Alex, and Hill, Robert, 1953 Mar. 31-, eds. Modern poetry. London: Cassell, 1991.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Kayacan, Fergar Feyyaz, ed. Modern Turkish poetry. Ware: Rockingham Press, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

1934-, Kim Jaihiun, ed. Modern Korean poetry. Fremont, Calif: Asian Humanities Press, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Mahmud, Kianush, ed. Modern Persian poetry. Ware, Herts: Rockingham Press, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Joseph, Coulson, Temes Peter S. 1966-, and Baldwin Jim 1949-, eds. Modern American poetry. Chicago: Great Books Foundation, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Michael, Schmidt. Reading modern poetry. London: Routledge, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Harold, Bloom, ed. Modern American poetry. Philadelphia: Chelsea House Publishers, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Harold, Bloom, ed. Modern German poetry. New York: Chelsea House Publishers, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Lin, Nikky. Imagining Modern Poetry. Singapore: Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-97-9310-5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Antashyan, Karen. Antashat: poetry 78% [modern armenian poetry]. Armenia: iarar [ideas' studio] LLC, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Modern Poetry"

1

Chapman, Malcolm. "Modern Gaelic Poetry." In The Gaelic Vision in Scottish Culture, 139–80. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205012-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Rosen, Michael. "Poetry for Children." In Modern Children’s Literature, 70–86. London: Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-36501-9_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Crowther, Claire. "Modern Syllabics." In The Portable Poetry Workshop, 53–58. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-60596-2_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Yeh, Michelle. "Modern Poetry in Chinese." In A Companion to Modern Chinese Literature, 149–66. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118451588.ch9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Filreis, Alan. "Modern Poetry and Anticommunism." In A Concise Companion to Twentieth-Century American Poetry, 173–89. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470757680.ch9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Macrae, Alasdair D. F. "Yeats and Modern Poetry." In W. B. Yeats, 166–88. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-23749-4_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Shattock, Joanne. "Modern Light Literature – Poetry." In The Selected Works of Margaret Oliphant, Part I Volume 1, 103–20. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003513155-12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Longenbach, James. "Modern poetry." In The Cambridge Companion to Modernism, 99–127. Cambridge University Press, 2011. http://dx.doi.org/10.1017/ccol9781107010635.005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Longenbach, James. "Modern poetry." In The Cambridge Companion to Modernism, 100–129. Cambridge University Press, 1999. http://dx.doi.org/10.1017/ccol0521495164.005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

"Modern Poetry." In Encyclopedia of Literature and Criticism, 328–40. Routledge, 2002. http://dx.doi.org/10.4324/9780203403624-28.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Modern Poetry"

1

MEHMETALİ, Bekir. "THE POSITION OF ARABIC POETRY FROM HIGH PRICES." In I V . I N T E R N A T I O N A L C O N G R E S S O F L A N G U A G E A N D L I T E R A T U R E. Rimar Academy, 2022. http://dx.doi.org/10.47832/lan.con4-12.

Full text
Abstract:
Arabic literature, especially poetry, was not static literature, isolated from the issues of the society in which the poet grew up, and he grew up in it, drawing inspiration from it for its themes, purposes, images, and language, and pouring it into a poetic form that is a literary image of the poet’s thoughts, views, and feelings, The subject he dealt with was rather literature that lives the concerns of society, and he still does so. The poet's concern with the concerns of his society has produced a new color in modern Arabic poetry, which is social poetry. Since the price hike and the rise in prices have become a heavy social concern that Arab societies, and others, suffer from at the present time, this matter prompted me to research this topic, to clarify the position of modern Arab poetry on the issue of high prices, and the way it depicts them, and I found sufficient and relevant poems A value in which its organizers dealt with this issue that recurs at all times and places, and becomes a terrifying nightmare that worries and frightens society, threatens the collapse of governments, corrupts consciences, and enters human moral, social, economic, and political relations under the shade. In this lies the importance of the research, and the motive for it. The researcher will approach the investigative method by examining the poems that were mentioned for this purpose. He will provide from them what he deems appropriate, and follow that with the analytical method, analyzing the meanings, thought, and attitudes contained in these poems. To get as clearly as possible the position of modern Arabic poetry on the high prices and the high prices, trying to answer some of the questions that revolve in the researcher’s mind towards: Is modern Arabic poetry a real interaction with this social problem? Did his reaction rise to the extent of the problem? Was it on the side of society or on the side of those who caused it?
APA, Harvard, Vancouver, ISO, and other styles
2

Mehmetali, Bekir. "Examples of the wonderful poetic image in ancient Arabic poetry." In VII. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress7-7.

Full text
Abstract:
Arabic poetry, ancient and modern, remains a feature distinguished by the Arabs, and a distinguishing mark for which they were known, as it flows on the tongues of their poets the flow of water in the river, and flows from their mouths the flow of fresh water from the spring, as it is twittering on their tongues, and hymns that delight the speaker, the listener, the narrator, the reader, and the student Alike, he is the flame that ignited in their world hundreds of years ago, and is still glowing in every country of theirs, and in every age. The Arabic poetry that we are talking about is nothing but words organized into sentences, and not sentences organized into verses only. The contemplator of ancient Arabic poetry stands on wonderful poetic images that the poets installed in whatever form they were, and formulated them in whatever form, so that some of them, or even most of them, were unique in producing these poetic images without others, so this wonderful poetic image became specific to his wonderful poetic experience. I chose to write on this topic because of its importance in the world of poetry and the production of the poem, as a poem devoid of a poetic image is not considered a complete poem. In this research, I will present, study, and analyze some of the wonderful poetic images of some ancient poets, hoping to write another research in which I will deal with examples of the poetic image in modern Arabic poetry. The objective of the research is evident in its importance, and in the research I will approach the methods of description, induction, and analysis. And I wrote a research on the wonderful poetic image in ancient Arabic poetry, so I wanted this research to be a continuation of that research, and a complement to it. To provide a clear picture of the art of beautiful photography in ancient and modern Arabic poetry. And since this research follows the pattern of that research, and completes it, I adopted the same approach to avoid fallacy, affectation, and concavity
APA, Harvard, Vancouver, ISO, and other styles
3

MEHMETALI, bekir. "VIII. International Congress of Humanities and Educational Research." In VIII. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress8-8.

Full text
Abstract:
Arabic poetry, ancient and modern, remains a feature distinguished by the Arabs, and a distinguishing mark for which they were known, as it flows on the tongues of their poets the flow of water in the river, and flows from their mouths the flow of fresh water from the spring, as it is twittering on their tongues, and hymns that delight the speaker, the listener, the narrator, the reader, and the student Alike, he is the flame that ignited in their world hundreds of years ago, and is still glowing in every country of theirs, and in every age. The Arabic poetry that we are talking about is nothing but words organized into sentences, and not sentences organized into verses only. The contemplator of ancient Arabic poetry stands on wonderful poetic images that the poets installed in whatever form they were, and formulated them in whatever form, so that some of them, or even most of them, were unique in producing these poetic images without others, so this wonderful poetic image became specific to his wonderful poetic experience. I chose to write on this topic because of its importance in the world of poetry and the production of the poem, as a poem devoid of a poetic image is not considered a complete poem. In this research, I will present, study, and analyze some of the wonderful poetic images of some ancient poets, hoping to write another research in which I will deal with examples of the poetic image in modern Arabic poetry. The objective of the research is evident in its importance, and in the research I will approach the methods of description, induction, and analysis.
APA, Harvard, Vancouver, ISO, and other styles
4

Hamdamov, U. A. "Thoughts About Modern Uzbek Poetry." In The First Pamir Transboundary Conference for Sustainable Societies- | PAMIR. SCITEPRESS - Science and Technology Publications, 2023. http://dx.doi.org/10.5220/0012485800003792.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Hämäläinen, Mika, and Khalid Alnajjar. "Generating Modern Poetry Automatically in Finnish." In Proceedings of the 2019 Conference on Empirical Methods in Natural Language Processing and the 9th International Joint Conference on Natural Language Processing (EMNLP-IJCNLP). Stroudsburg, PA, USA: Association for Computational Linguistics, 2019. http://dx.doi.org/10.18653/v1/d19-1617.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Shin, Ju Cheol. "Taoist Imagination within Modern Korean Poetry." In Education 2015. Science & Engineering Research Support soCiety, 2015. http://dx.doi.org/10.14257/astl.2015.115.34.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

MEHMETALI, Bekir. "THE ARAB-TURKISH BROTHERHOOD IN MODERN ARABIC POETRY." In VI. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress6-3.

Full text
Abstract:
Since ancient times, Arabic poetry has been a depiction of everything that is happening in the Arab environment that surrounds the poet wherever he is, and his igniting flame has not been extinguished in their souls, despite the subjugation of the Arab world to the rule of non-Arabs after Islam. It is known that the Arab Muslims set out from the Arabian Peninsula as conquerors and heralds of the serious Islamic religion, and as a result of this the entry of nonArabs into Islam that enlightened the darkness of their hearts, so the Persians, Romans, Copts, Abyssinians, Turks, and others will be enlightened by his guidance... Muslim rulers will succeed in ruling the Islamic state Arabs and non-Arabs, such as Persians, Turks, Kurds, and others. And when the Turkish Ottoman state was established on an Islamic religious basis, the Turkish Muslims carried the banner of Islam, so they defended it, relying on Muslims of all nations, from the Turks, the Laz, the Arabs, and others, so the Islamic Ottoman rule extended over common areas that included almost the entire Arab lands, and they did not differentiate between Muslim and another in view of his race, color or geography. However, this matter did not satisfy the lurking enemies who wanted sedition and division between the Arabs and the Turks, so they stirred up the winds of nationalism that some Arab poets sought in the modern era, such as Ibrahim al-Yaziji and Khalil Mutran. Herein lies the importance of the research, its objective, and its value. The research uses the descriptive and analytical approaches in order to highlight the manifestations of this brotherhood, which received sufficient attention from Arab poets in the modern era.
APA, Harvard, Vancouver, ISO, and other styles
8

MEHMETALI, Bekir. "The Woman in Diwan (The Brunette Said to Me) by Nizar Qabbani." In I.International Congress ofWoman's Studies. Rimar Academy, 2023. http://dx.doi.org/10.47832/lady.con1-1.

Full text
Abstract:
The woman, since God created her, was equal to the man, and a foundation on which life, the family, and society rest. Girlfriend, lover, dancer, singer, wife. Arab poetry immortalized many women, such as Abla Bint Malik Al-Absi, Habiba Antarah Bin Shaddad, Laila Habiba Majnoon Bani Amer, Buthaina Habiba Jamil, Afra Habiba Urwa, and the birth of Habiba Ibn Zaydun. In the modern era, poets emerged who had the upper hand in dealing with the issue of women, and talking about them in their poems. He describes her, flirts with her, praises her charms, or attacks and criticizes her. In this research, I wanted to address the image of the woman in the poetry collection (The Brunette Said to Me) by Nizar Qabbani, in an attempt to clarify his position towards her as it was revealed in this collection that we chose. Because it is his first collection of poetry. The aim of the study is to clarify the true image of women in this collection of poetry from the poet's perspective, his attitude towards her, and his view of her, while he was in the prime of his life and in the prime of his youth. The researcher uses the descriptive and analytical approaches, presenting and analyzing Nizar Qabbani's poems related to this topic as contained in his poetry collection (The Brunette Said to Me). To deduce, clarify, and extrapolate her image or images from the poet's perspective.
APA, Harvard, Vancouver, ISO, and other styles
9

Pikalova, A. О. "Intermediality and transmediality of children‘s poetry." In THE IMPORTANCE OF PHILOLOGICAL SCIENCES IN THE MODERN WORLD, 76–80. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-485-6-19.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kalmykova, V. "DIALOGUE, INTERTEXT(UALITY), SUBTEXT: RECEPTION OF O.E. MANDELSTAM'S CREATIVITY IN MODERN POETRY." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3705.rus_lit_20-21/111-117.

Full text
Abstract:
One of the basic ideas for literary studies of the XXI century was M.M. Bakhtin's idea of dialogue, intercultural and intertextual, without which humanitarian activity is impossible. Yu. Kristeva, developing Bakhtin's teaching, formulated the concept of intertext and intertextuality, discovering them at the dawn of literature. Among Russian poets, O.E. Mandelstam stands out for his penchant for the intertextual method, who addressed other people's texts in different ways - from direct quoting to barely perceptible following someone else's motive - but consciously and even with a theoretical justification of the reception. Scientists have been studying this feature of the poet's creative manner for more than 60 years. The pioneer here can be calledK.F. Taranovsky, with whose light hand all cases of using other people's texts are still called subtexts in Mandelstam studies. M.L. Gasparov in Mandelstam studies distinguished “context”,i.e. “the system of connections of our text with other texts of our author”, and “subtext” as “the system of connections of our text with texts by other authors”. Studying the modern literary process, it can be noted that the poetry of Mandelstam himself often becomes the basis of intertextual connections or subtexts in the works of poets of the turn of the XX-XXI centuries, and the authors belong to different generations and work in different styles. From this point of view, the works of Sergei Gandlevsky, Igor (Gosha) Burenin, Boris Kutenkov are considered.
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Modern Poetry"

1

Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina, and Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], July 2020. http://dx.doi.org/10.31812/123456789/3864.

Full text
Abstract:
The article deals with the technology of visualizing fictional text (poetry) with the help of emoji symbols in the Emoji Maker platform that not only activates students’ thinking, but also develops creative attention, makes it possible to reproduce the meaning of poetry in a succinct way. The application of this technology has yielded the significance of introducing a computer being emoji in the study and mastering of literature is absolutely logical: an emoji, phenomenologically, logically and eidologically installed in the digital continuum, is separated from the natural language provided by (ethno)logy, and is implicitly embedded into (cosmo)logy. The technology application object is the text of the twentieth century Cuban poet José Ángel Buesa. The choice of poetry was dictated by the appeal to the most important function of emoji – the expression of feelings, emotions, and mood. It has been discovered that sensuality can reconstructed with the help of this type of meta-linguistic digital continuum. It is noted that during the emoji design in the Emoji Maker program, due to the technical limitations of the platform, it is possible to phenomenologize one’s own essential-empirical reconstruction of the lyrical image. Creating the image of the lyrical protagonist sign, it was sensible to apply knowledge in linguistics, philosophy of language, psychology, psycholinguistics, literary criticism. By constructing the sign, a special emphasis was placed on the facial emogram, which also plays an essential role in the transmission of a wide range of emotions, moods, feelings of the lyrical protagonist. Consequently, the Emoji Maker digital platform allowed to create a new model of digital presentation of fiction, especially considering the psychophysiological characteristics of the lyrical protagonist. Thus, the interpreting reader, using a specific digital toolkit – a visual iconic sign (smile) – reproduces the polylaterial metalinguistic multimodality of the sign meaning in fiction. The effectiveness of this approach is verified by the poly-functional emoji ousia, tested on texts of fiction.
APA, Harvard, Vancouver, ISO, and other styles
2

Danawer, Fatem. The eye is a sense of beauty in Arabic poetry .. "spinning" as a model. Natural Sciences Publishing, January 2019. http://dx.doi.org/10.18576/context/040107.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Galenson, David. Literary Life Cycles: The Careers of Modern American Poets. Cambridge, MA: National Bureau of Economic Research, July 2003. http://dx.doi.org/10.3386/w9856.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Modern Poetry' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography