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Journal articles on the topic 'Modern Poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2025

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1

Isakovna, Ernazrova Gulbahor. "Expression Of The Classical Poetic Tradition Modern Poetry." American Journal of Social Science and Education Innovations 02, no. 07 (July 30, 2020): 153–62. http://dx.doi.org/10.37547/tajssei/volume02issue07-18.

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2

Muhiaddeen, Dr Galawezh Ibrahim. "Soldier – Poets in Action Research- Paper in Modern Poetry." Journal of Zankoy Sulaimani Part (B - for Humanities) 6, no. 1 (January 30, 2000): 55–72. http://dx.doi.org/10.17656/jzsb.10104.

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3

Mariani, Paul, M. L. Rosenthal, and Sally M. Gall. "The Modern Poetic Sequence: The Genius of Modern Poetry." American Literature 58, no. 3 (October 1986): 465. http://dx.doi.org/10.2307/2925637.

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Dawood, Ibrahim, Yaseen Taha Hafiz, and Abdul-Wahid Lu'lu'a. "Modern Iraqi Poetry." World Literature Today 65, no. 1 (1991): 180. http://dx.doi.org/10.2307/40146352.

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Ramakrishnan, E. V., and M. S. Ramaswami. "Modern Tamil Poetry." World Literature Today 64, no. 3 (1990): 528. http://dx.doi.org/10.2307/40146832.

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6

Schulte, Rainer, and Michael Schmidt. "Reading Modern Poetry." World Literature Today 64, no. 4 (1990): 709. http://dx.doi.org/10.2307/40147097.

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7

Smock, Ann, and Willard Bohn. "Modern Visual Poetry." SubStance 32, no. 2 (2003): 116. http://dx.doi.org/10.2307/3685672.

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8

Perry, John Oliver, and Vidya Niwas Misra. "Modern Hindi Poetry." World Literature Today 65, no. 2 (1991): 365. http://dx.doi.org/10.2307/40147316.

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9

Hemraj Saini. "Modern Sanskrit Children's Literature." Knowledgeable Research: A Multidisciplinary Journal 1, no. 09 (May 1, 2023): 17–48. http://dx.doi.org/10.57067/kr.v1i09.75.

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In the modern poetry world, the use of the word 'literature' by the poets is considered in the sense of poetry. In the past, the noun 'poetry' actually used to express poet-action - kaveh karma kavyam. In the modern context, the word 'literature' used in place of poetry has been used in three senses on the basis of evidence of practical experiments- Firstly - on the evidence of 'Sahityapathonidhimanthannottham Kavyamritam Rakshat he Kavindra': The meaning of the word literature is very wide, that is, the word literature is also used in the meaning of all written oral literature. Secondly - 'Sahitye Sukumarvastuni Dharvannayagrahagranthile', on the evidence of this statement of Shri Harsha, the word literature is used in the sense of a special 'poetry', a part of literature. Thirdly - In 'Sahityavidyashramvarjiteshu.....' the word literature has been used in the combined sense of poetry and poetry. In modern life, the word literature or poetry expresses the same feeling in Sanskrit... 'Sahiten Bhavah Sahityam'. In fact, 'poetry' or 'literature' is defined in different contexts from ancient poets to modern poets. In the context of literature, Acharya Bhamah of Kavyashastra has the opinion that- “Shabdharthau sahitau kavyam.”1 That is, the meaning of the meaning is poetry. The association of semantics is visible in practical sentences and sentences based on classical or scientific thinking. But the association of poetry is different from this. In fact, the feeling of Bhamaha word meaning which is called literature is an excellent quality of co-feeling. That association should be such that on the one hand the reader receives derived opinion in various purusharths, as well as the hearty child, the young man i.e. the poetry connoisseur gets joy and happiness.

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10

Mathur, Prof (Dr ). Kokila S. "Modern Poetry: An Overview." International Journal of English Literature and Social Sciences 9, no. 4 (2024): 322–27. http://dx.doi.org/10.22161/ijels.94.47.

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Modern Poetry presents the modern consciousness in modern idiom. It is a break from the Romantic tradition of thought, feeling and utterance prevalent at the turn of the century. This is brought out starkly in T.S. Eliot’s essay ‘Tradition and the Individual Talent’ with its declaration that poetry is not a turning loose of emotion but an escape from emotion; it is not an expression of personality but an escape from personality. This Impersonal theory of poetry differentiates between the man who suffers and the mind which creates. Modern Poetry in assessing the changed dynamics of the machine age, rapid industrialization and advance in technological progress, urbanization, the advent of Darwinism, the impact of Marx, Nietzsche, the psychoanalytical theories of Freud and Jung, Einstein’s theory of Relativity, brought about a veritable storm of progress of ideas, and multiple perspectives on the world. In response, when poetry rallies to Ezra Pound’s call to make it new, Modern Poetry presents new aesthetics with dazzling innovation of subject and stylistics.

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11

Dong. "The Poetic Pendulum: Valéry and Modern American Poetry." Journal of Modern Literature 43, no. 4 (2020): 170. http://dx.doi.org/10.2979/jmodelite.43.4.11.

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Dardiri, Taufiq A. "PERKEMBANGAN PUISI ARAB MODERN." Adabiyyāt: Jurnal Bahasa dan Sastra 10, no. 2 (December 31, 2011): 2834. http://dx.doi.org/10.14421/ajbs.2011.10204.

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This article aims to study the development of Arabic poetry from its early phase to its modern one. Having used a historical-diachronic study of form and content of Arabic poetry, this article concludes that Arabic poetry, as the oldest genre in the Arabic literary tradition, has hardly developed. Not until the 20th century, more commonly known in the history of Arabic literature as As}r al-Nahd}ah, that the awareness of the absence of creativity in Arabic poetry and external factors due to the interaction of Arab with the West have given birth the seeds of modern Arabic poetry. At least, there are five schools of modern Arabic poetry, namely: Neo Classical (al-Muhāfizun) with such its central figures as Mahmud Sami and Ahmad al-Barudi Syauqy; Western Romanticism, which was pioneered by Khalil Mutran; Madrasah Dīwān, which was propagandized by Abd al-Rahman Shukri, Abbas Mahmud al-'Aqad, and Ibrahim Abd al-Qadir al-Mazini; Madrasah Apollo, which was carried by Ahmad Zaki Abu Syadi; and Madrasah al-Muhajir, which is pioneered by Jibran Khalil Jibran. Each has contributed their part in Arabic poetry formally as well as contentially. Those schools have became a tradition of modern Arabic poetry. The emergence of modern Arabic poetic tradition has been accompanied by three general pattern- the influence of literary patterns of the more advanced cultures, the escapism, and the search for identity.

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13

P, Vinthiya Gowri. "Realism in the Poems of A.S.M. Muniandi." International Research Journal of Tamil 4, S-7 (July 30, 2022): 324–34. http://dx.doi.org/10.34256/irjt22s752.

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Literature is a life experience. Modern Tamil poetry inspires the thought of writing freely. Tamil poetry is broadly divided into two types: classical (i.e., Marabu Kavithai) and modern (i.e., Puthu Kavithai). Modern poetry has freed itself from the shackles of grammar. It has a wide range of songs. The definitions of poetry are new. He realised that poetry of experience, the poetry of longing, the poetry of longing, the poetry of anger, poetry of hope, the poetry of wisdom, and Tamil poetry will come, and he knows life and sings in Tamil. He has written a wonderful poem saying that God and poetry are one. He has created poetry, understanding that in modern times, there is more falsehood and less truth in man. The poet has established through his poems that realism is the aesthetic of modern times. In the poem, the poet's imagination can realize the promise of the candidate. He emphasises that those who want to make a career in life should first know themselves. Prayer is the highest, but that alone does not make a man live. He says, "Charity is needed and gives importance to actions with humanity." In his new poem, thinking of Buddha, he has created the life of people in Kaliyuga as it is. Through poetry, he criticises the people who live as uncivilised people because of the TV craze. While voicing support for religious harmony and world peace, it highlights the violence happening in the country. The aim of the article is to attempt to express the feelings and the community, which is emphasised in Muniandi's poems. The uniqueness of the poet is that he not only praises the height of love but also sings about the other side of love.

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14

Thornton, R. K. R., and Tim Kendall. "Modern English War Poetry." Modern Language Review 103, no. 4 (October 1, 2008): 1119. http://dx.doi.org/10.2307/20468059.

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15

Ernazarova, Gulnoz. "Meditativity: Uzbek modern poetry." Asian Journal of Multidimensional Research 10, no. 8 (2021): 108–12. http://dx.doi.org/10.5958/2278-4853.2021.00611.x.

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권혁웅. "Modern Poetry and Metonymy." 한국문예비평연구 ll, no. 55 (September 2017): 213–45. http://dx.doi.org/10.35832/kmlc..55.201709.213.

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17

Gallagher, Ann M. "Stevens's of Modern Poetry." Explicator 50, no. 2 (January 1992): 91–93. http://dx.doi.org/10.1080/00144940.1992.9937912.

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18

Rabate, Jean-Michel. "Editor's Introduction: Modern Poetry." Journal of Modern Literature 27, no. 1 (2003): v—vi. http://dx.doi.org/10.1353/jml.2004.0053.

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19

Monte, Steven. "Difficulty and Modern Poetry." Literature Compass 4, no. 4 (July 2007): 1133–57. http://dx.doi.org/10.1111/j.1741-4113.2007.00466.x.

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20

Turdieva, Kavsar Sheralievna. "MODERN UZBEK CHILDREN’S POETRY." Theoretical & Applied Science 54, no. 10 (October 30, 2017): 66–69. http://dx.doi.org/10.15863/tas.2017.10.54.15.

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21

Guthrie, Bernadette. "Is Victorian Poetry Modern?" Literature Compass 15, no. 1 (October 30, 2017): e12431. http://dx.doi.org/10.1111/lic3.12431.

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22

Sokhatmamatovna, Eshboyeva Tursuntosh. "ISSUES OF LINGUOPOETIC ANALYSIS IN MODERN POETRY." Current Research Journal of Philological Sciences 5, no. 4 (April 1, 2024): 21–27. http://dx.doi.org/10.37547/philological-crjps-05-04-05.

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This article examines the features of weight and rhyme in literary translation, focusing on poetic translation. Various aspects of artistic translation, in particular, are focused on the relation to other forms of poetic translation (synchronous, scientific-technical, political-journalistic and information-analytical translation of materials). The most important thing is creativity, which is very important in poetic translation, which is the center of analysis of this article. In addition, great attention is paid to the issue of tone.

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23

Sithebe, Zodwa. "Echoes of Heroic Poetry in Siswati Modern Poetry." Language Matters 25, no. 1 (January 1994): 21–36. http://dx.doi.org/10.1080/10228199408566081.

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24

Sultangalyeva, Zh. "MODERN KAZAKH POETRY AND LYRICS F.UNGARSYNOVA." BULLETIN Series of Philological Sciences 74, no. 4 (December 9, 2020): 330–35. http://dx.doi.org/10.51889/2020-4.1728-7804.67.

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The article presents a detailed analysis of the multifaceted poetic work of the famous poetess F. Ungarsynova. This is the indissoluble unity of the lyrical hero and author, and the poet's finest poetic speech, and the variety of the genre of her works, and the complex world of the image of the lyrical hero. The article attempts to describe the aesthetic worldview and work of F. Ungarsynova in a comparative manner. Particular attention is paid to the artistic world and the linguistic means of F. Ungarsynova, who have her own poetic style. Also considered is the enormous influence of the poet's work on modern Kazakh poetry. The article draws attention to the fact that the poetess managed to combine such principles as open citizenship and piercing lyricism, purity and nobility of human relations and the tragedy of unrequited love, lines about sacred friendship and wise thoughts about the poet’s craft. Her poems are an impressive picture of modern reality.

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25

Kudratova Mubarak Shuhratovna. "Creation of the Military Court in Modern Uzbek Poetry." European Multidisciplinary Journal of Modern Science 26, no. 1 (January 22, 2024): 19–22. http://dx.doi.org/10.51699/emjms.v26i1.1096.

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Askar Mahkam is a master of creativity. His poetry is dominated by a number of themes such as homeland, masculinity, country independence, love, longing and love. The article examines the range of themes of the poet's poems, which are the product of his artistic thinking and talent. In the process of analysis, comments on the poet's verbal skill are revealed.

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26

Zhu, Mini, Gang Wang, Chaoping Li, Hongjun Wang, and Bin Zhang. "Artificial Intelligence Classification Model for Modern Chinese Poetry in Educatio." Sustainability 15, no. 6 (March 16, 2023): 5265. http://dx.doi.org/10.3390/su15065265.

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Various modern Chinese poetry styles have influenced the development of new Chinese poetry; therefore, the classification of poetry style is very important for understanding these poems and promoting education regarding new Chinese poetry. For poetry learners, due to a lack of experience, it is difficult to accurately judge the style of poetry, which makes it difficult for learners to understand poetry. For poetry researchers, classification of poetry styles in modern poetry is mainly carried out by experts, and there are some disputes between them, which leads to the incorrect and subjective classification of modern poetry. To solve these problems in the classification of modern Chinese poetry, the eXtreme Gradient Boosting (XGBoost) algorithm is used in this paper to build an automatic classification model of modern Chinese poetry, which can automatically and objectively classify poetry. First, modern Chinese poetry is divided into words, and stopwords are removed. Then, Doc2Vec is used to obtain the vector of each poem. The classification model for modern Chinese poetry was iteratively trained using XGBoost, and each iteration promotes the optimization of the next generation of the model until the automatic classification model of modern Chinese poetry is obtained, which is named Modern Chinese Poetry based on XGBoost (XGBoost-MCP). Finally, the XGBoost-MCP model built in this paper was used in experiments on real datasets and compared with Support Vector Machine (SVM), Deep Neural Network (DNN), and Decision Tree (DT) models. The experimental results show that the XGBoost-MCP model performs above 90% in all data evaluations, is obviously superior to the other three algorithms, and has high accuracy and objectivity. Applying this to education can help learners and researchers better understand and study poetry.

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27

Tangirova, Dilbar. "Variety Of Forms And Genres In Modern Poetry." American Journal of Interdisciplinary Innovations and Research 02, no. 12 (December 20, 2020): 32–41. http://dx.doi.org/10.37547/tajiir/volume02issue12-05.

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This article gives information on variety of forms and genres in modern poetry. In world literature, poetic genres form a unique artistic system. In particular, genres such as room, sonnet, ballad, rondo, triolet, hokku, elegy have signs of centuries-old development. Therefore, the characteristics of these genres are intertwined, interacting and living. These genres, which are traditional in world poetry, have their own laws and certain definitions. We discuss those issues in our research.

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Muhammad Saeed Ahmad and Dr Saeed Ahmad. "Modern Urdu Poetry and Contemporary Requirements." Tasdiqتصدیق۔ 2, no. 1 (December 30, 2020): 42–49. http://dx.doi.org/10.56276/tasdiq.v2i1.17.

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The contemporary needs, demands, and challenges and their impact on our modern poetry are very pertinent to mention here that contemporary consciousness is very necessary for modern poets and poetry. Challenges of the modern era and contemporary consciousness are the main sources to impress the mind and soul of the Creator and such literature plays a significant role in society. The poets realize, analyze and judge the surrounding issues of their era and discuss them in their poetry. Succinctly we can say that the contemporary demands and challenges have a deep impact on modern poetry.

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Berthelier, Benoit, and Jae Won Edward Chung. "Distant Poetry: Rethinking Modern Korean Poetry within Area Studies." Azalea: Journal of Korean Literature & Culture 13, no. 1 (2020): 183–96. http://dx.doi.org/10.1353/aza.2020.0008.

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30

Holdridge, Jefferson. "Northern Irish poetry and theology; Yeats and Modern Poetry." Irish Studies Review 24, no. 1 (November 19, 2015): 116–22. http://dx.doi.org/10.1080/09670882.2015.1112542.

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31

Oh, Su-Youn. "Contentization of Modern Poetry through Video Poetry Production Classes." Journal for Oversea Korean Literature 37 (December 31, 2023): 69–90. http://dx.doi.org/10.37643/diaspora.2023.37.3.

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32

Matyakupov, Sa'dulla Gaipovich. "Forms Of Dialogue And Artistic Expression In Modern Uzbek Poetry." American Journal of Social Science and Education Innovations 03, no. 04 (April 17, 2021): 35–46. http://dx.doi.org/10.37547/tajssei/volume03issue04-06.

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The article examines the factors of creating a dialogue in poetry and its formation, the synthesis of lyrical and dramatic images, forms of artistic expression, creative artistic skills. On the basis of the poems analyzed as the object of research, the peculiarities of the theory of literature and the issues of the poet's creative individuality are widely analyzed. It is also scientifically and theoretically proven that each poetic work created is in a sense a product of dialogical thinking and its main factors.

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33

Yilmaz, Arif, and Mustafa Çiçek. "A Classification Essay on Islamic Poetry in New Turkish Literature." Revista de Gestão Social e Ambiental 18, no. 9 (April 26, 2024): e06445. http://dx.doi.org/10.24857/rgsa.v18n9-008.

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Objectives: The objectives of this study are to define Islamic poetry, explore its analytical methodology, and provide examples that illustrate its thematic concepts within modern Turkish poetry. Methods: To achieve these objectives, the study employs the document analysis method, which is a qualitative research approach. The analysis focuses on modern Turkish poetry, examining examples across eight distinct categories of Islamic poetry. Results: The analysis of Islamic poetry within modern Turkish literature reveals its diverse manifestations across various thematic categories. These include Islamist Poetry, Turkish-Islamic Poetry, Sufi Poetry, Islamic Mystical Poetry, Islamic Metaphysical Poetry, Islamic Cultural Poetry, Religious Poetry, and Islamic Romantic Love Poetry. Each category is exemplified with a poem, showcasing the rich tapestry of Islamic sensibility, motivation, and thematic concepts present in modern Turkish poetry. Conclusion: In conclusion, this study highlights the enduring influence of Islam on Turkish poetry, both historically and in contemporary times. Through the exploration of Islamic poetry across different thematic categories, the study illustrates the depth and breadth of Islamic sensibility within modern Turkish literature. The researchers' conclusions drawn from the analysis further contribute to our understanding of the role of Islamic poetry in shaping cultural and literary discourse in Turkey.

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34

Levay, Matthew, Francesca Bratton, Caroline Krzakowski, Andrew Keese, Sophie Corser, Catriona Livingstone, Mark West, et al. "XIV Modern Literature." Year's Work in English Studies 98, no. 1 (2019): 858–1020. http://dx.doi.org/10.1093/ywes/maz011.

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Abstract This chapter has eight sections 1. General. 2 British Fiction Pre-1945; 3. British Fiction 1945 to the Present; 4. Pre-1950 Drama; 5. Post-1950 Drama; 6. British Poetry 1900–1950; 7. British Poetry Post-1950; 8. Irish Poetry. Section 1 is by Matthew Levay; section 2(a) is by Francesca Bratton; section 2(b) is by Caroline Krzakowski; section 2(c) is by Sophie Corser; section 2(d) is by Andrew Keese; section 2(e) is by Catriona Livingstone; section 3(a) is by Mark West; section 3(b) is by Samuel Cooper; section 4(a) is by Rebecca D’Monte; section 4(b) is by Gustavo A. Rodríguez Martín; section 5 is by Graham Saunders and William Baker; section 6(a) is by Noreen Masud; section 6(b) is by Matthew Creasy; section 7 is by Alex Alonso; section 8 is by Karl O’Hanlon.

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35

Turdybaev, K. "Karakalpak poetry and the artistic character of dedication poetry in the works of I. Yusupov." Turkology 6, no. 104 (January 12, 2020): 64–77. http://dx.doi.org/10.47526/2020/2664-3162.019.

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The article examines the place of I. Yusupov's poetry in the history of Karakalpak literature and genre features of dedicated poems in the poet's work. Artistic approaches in the poetry of I. Yusupov renew the artistic form of poetry. The poet's additions to the types of initiations in literature increased the significance of the genre. Therefore, we believe that a special study of this genre in the poet's work will serve to reveal the peculiarities of the poet's lyrics. In this article, we will focus on the nature of the development of the genre of initiation in the poet's work. The works of scientists who commented on the poet's work laid the foundation for the methodological conclusions of our article. Dividing I. Yusupov's poems into types, a thematic, genre, poetic analysis will be carried out. Civic pathos, lyrical thought, poetic clarity, poetic culture and other qualities are characteristic of the poet's work. The poetic tradition of Ibragim Yusupov continues in modern Karakalpak poetry.

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36

Turdybaev, K. "Karakalpak poetry and the artistic character of dedication poetry in the works of I. Yusupov." Turkology 6, no. 104 (January 12, 2020): 64–77. http://dx.doi.org/10.47526/2020/2664-3162.019.

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The article examines the place of I. Yusupov's poetry in the history of Karakalpak literature and genre features of dedicated poems in the poet's work. Artistic approaches in the poetry of I. Yusupov renew the artistic form of poetry. The poet's additions to the types of initiations in literature increased the significance of the genre. Therefore, we believe that a special study of this genre in the poet's work will serve to reveal the peculiarities of the poet's lyrics. In this article, we will focus on the nature of the development of the genre of initiation in the poet's work. The works of scientists who commented on the poet's work laid the foundation for the methodological conclusions of our article. Dividing I. Yusupov's poems into types, a thematic, genre, poetic analysis will be carried out. Civic pathos, lyrical thought, poetic clarity, poetic culture and other qualities are characteristic of the poet's work. The poetic tradition of Ibragim Yusupov continues in modern Karakalpak poetry.

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37

Gadzhilova, Shanisat Magomedovna. "Sonnets by Magomed Akhmedov and the development of sonnet genre in modern Avar poetry." Филология: научные исследования, no. 11 (November 2020): 19–31. http://dx.doi.org/10.7256/2454-0749.2020.11.34056.

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The subject of this research the artistic distinctness of the sonnets by M. Akhmedov in the context of evolution of sonnet genre in modern Avar poetry. The sonnets of M. Akhmedov represent a significant part of his poetic path, and are viewed as a new phenomenon in modern Avar poetry, the origin of which is associated with the works Of R. Gamzatov and M. Abasil. The object of this research is the sonnet genre in Avar literature. The goal consists in determination of the sonnet in multigenre poetry Of Magomed Akhmedov, as well as comprehension of their artistic content and form in conjunction with development of the genre in modern Avar poetry. Special attention is turned to the stages of evolution of the indicated genre in Dagestan, and namely Avar, literature. Emphasis is placed on the artistic distinctness of M. Akhmedov's sonnets, their comparative analysis, imagery structure, and ideological- thematic peculiarities. The scientific novelty lies in the fact that this is first to review M. Akhmedov’s sonnets, which hold a special place in development of the sonnet genre in modern Avar poetry. The acquired results demonstrate that the examination of M. Akhmedov's sonnets allow revealing not only the range of his poetic pursuits, but also richness of the genre system of modern Avar poetry. The sonnets by M. Akhmedov draw attention by synthesizing the old and new traditions of the poet's precursors and contemporaries. The authors’s special contribution is defined by carrying out a comprehensive analysis of the sonnets M. Akhmedov that fill the gap in studying the evolution and development of this genre in particular, and poetry of M. Akhmedov overall.

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38

Dahami, Yahya Saleh Hasan. "Home in the Poetry of Saudi Arabia Poets: Abdus-Salam Hafeth an Example of a Distinguished Arab (3)." Ihya al-Arabiyah: Jurnal Pendidikan Bahasa dan Sastra Arab 8, no. 2 (December 31, 2022): 14. http://dx.doi.org/10.30821/ihya.v8i2.12118.

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<p>With particular reference to the Saudi poet Abdus-Salam Hashem Hafeth, this study tries to shed light on some literary characteristics of modern Saudi Arabic poetry. It specifically focuses on the concept of homeland as an illustration of the status of modern Saudi Arabic poetry. One may argue that Arabic poetry is in a good place right now among Arab authors, critics, and poets. By using the poet's magnificent city as a representation of his affection for his big country, the Kingdom of Saudi Arabia, the researcher attempts to demonstrate the poet's intelligence by showing his gorgeous city as a symbol of his love.</p><p>An introduction starts the study, then, it analyzes the subtitle Arabic Poetry: The Tongue of the Arabs. Afterward, a brief analysis of Glimpse at Eternal Saudi Poetry and the Conception of Home in Saudi Poetry. The study's primary section employs a critical-analytical method to evaluate Abdus-Salam Hafeth's poem Nostalgia, Oh My Home. The examination of the poem concentrates on the idea of home as its central theme and covers verse lines nine through eleven. Finally, the research comes to a brief conclusion with some remarks.</p>

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39

Yeh, Michelle. "Taoism and Modern Chinese Poetry." Journal of Chinese Philosophy 15, no. 2 (January 25, 1988): 173–97. http://dx.doi.org/10.1163/15406253-01502005.

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40

Nizomova, Shoxista Shodiyevna. "Images In Modern Uzbek Poetry." Psychology and Education Journal 58, no. 1 (January 29, 2021): 754–58. http://dx.doi.org/10.17762/pae.v58i1.824.

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Like other forms of art, fiction reflects the mental state and thoughts of the people in it. Life always consists of people’s lives, work activities, struggles, emotions, experiences. The descriptive theme of literature is, first and foremost, man. There is no image of man, and there is no fiction where it is not intended. Accordingly, the concept that occupies a central place in the science of literature is also the concept of the image hero. The concept of image has a wide and narrow meaning. While the concept of emblem in the broadest sense represents a landscape of life in which the thoughts and feelings of the creator are embodied, in the narrowest sense it represents the image of a human being reflected in a work of art. This article looks into the imagery in modern Uzbek literature and poetry.

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41

권혁웅. "Modern Poetry and the Image." Korean Poetics Studies ll, no. 55 (August 2018): 157–78. http://dx.doi.org/10.15705/kopoet..55.201808.006.

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42

RHEEM, YONG TACK. "Tokyo in Modern Japanese Poetry." Journal of Japanese Studies 49 (September 30, 2016): 175–97. http://dx.doi.org/10.18841/2016.49.07.

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Saeyoung Oh. "Polticism in Korean Modern Poetry." Korean Poetics Studies ll, no. 22 (August 2008): 7–30. http://dx.doi.org/10.15705/kopoet..22.200808.001.

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Jae- Bok Lee. "Korean modern poetry and Decadence." Cross-Cultural Studies 12, no. 2 (December 2008): 163–88. http://dx.doi.org/10.21049/ccs.2008.12.2.163.

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Devi, Pramila. "Modern Hindi Poetry and Women." International Journal of Research -GRANTHAALAYAH 5, no. 6 (June 30, 2017): 693–95. http://dx.doi.org/10.29121/granthaalayah.v5.i6.2017.2102.

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Abstract:

In the field of Hindi literature, along with men, women writers have also contributed significantly with their valuable works. Here the pages of the history of the past India are filled with specific works of Indian women. At that time they had an opportunity to get education like men. In the course of time, bad practices in the society started increasing. Along with the independence of the country, the freedom of women was also abducted. It also stripped them of the right to equality and education. हिंदी साहित्य के क्षेत्र में पुरूषों के साथ-साथ नारी साहित्यकारों ने भी अपनी बहुमूल्य कृतियों से उल्लेखनीय योगदान दिया है । यहाँ अतीत भारत के इतिहास के पृष्ठ भारतीय महिलाओं की विशिष्ट कृतियों से भरे पड़े हैं । उस समय उन्हें पुरूषों के समान शिक्षा प्राप्त करने का अवसर मिलता था । कालांतर में समाज में कुप्रथाएँ बढ़ने लगी । देश की आज़ादी के साथ-साथ स्त्रियों की आज़ादी का भी अपहरण हुआ । इसमें उनसे समानता और शिक्षा का अधिकार भी छीन लिया गया ।

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Pasha, Irfan. "Terrorism in Modern Urdu Poetry." Makhz 1, no. I (March 31, 2020): 13–23. http://dx.doi.org/10.47205/makhz.2020(1-i)2.

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Rothwell, Andrew, Russell King, and Bernard McGuirk. "Reconceptions: Reading Modern French Poetry." Modern Language Review 92, no. 3 (July 1997): 739. http://dx.doi.org/10.2307/3733447.

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Barbera, Jack Vincent, David Perkins, Helen Vendler, Pontheolla T. Williams, Stephen Yenser, and James Merrill. "Questions of Canon: Modern Poetry." College English 53, no. 5 (September 1991): 587. http://dx.doi.org/10.2307/377471.

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Lee, Hae-Woon. "Grotesque in the modern poetry." Korean Literature and Arts 9 (March 31, 2012): 117. http://dx.doi.org/10.21208/kla.2012.03.9.117.

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Smyshlyaev, E. A. "Intertextuality of Modern Chelyabinsk Poetry." Humanitarian Vector. Series Philology. Oriental Studies 11, no. 3 (May 6, 2016): 18–24. http://dx.doi.org/10.21209/2307-1834-2016-11-3-18-24.

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