Relevant bibliographies by topics / Modern primitivism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Modern primitivism'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Modern primitivism"

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Knapp, James F. "Primitivism and the Modern." boundary 2 15, no. 1/2 (1986): 365. http://dx.doi.org/10.2307/303444.

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Povey, John, Robert Goldwater, and Katia Samaltanos. "Primitivism in Modern Art." African Arts 20, no. 3 (May 1987): 14. http://dx.doi.org/10.2307/3336470.

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Rhodes, Colin. "Primitivism and Modern Art." Art Book 2, no. 1 (January 1994): 30. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00389.x.

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Rhodes, Colin. "Primitivism and Modern Art." Art Book 2, no. 1 (January 1995): 30. http://dx.doi.org/10.1111/j.1467-8357.1995.tb00389.x.

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Lodder, Matt. "The myths of modern primitivism." European Journal of American Culture 30, no. 2 (August 30, 2011): 99–111. http://dx.doi.org/10.1386/ejac.30.2.99_1.

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Berman, Nancy. "From Le sacre to Les noces: Primitivism and the Changing Face of Modernity." Canadian University Music Review 20, no. 1 (May 16, 2013): 9–21. http://dx.doi.org/10.7202/1015645ar.

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The function of the primitivist aesthetic in modern French culture shifted dramatically from the pre- to the post-war period. Whereas the primitivism of the Ballets russes's Le sacre du printemps was understood by its contemporaries to be radical, excessive, even prophetic and apocalyptic, the primitivism of Les noces was perceived to some extent as a manifestation of both the classicist "call to order" and the mechanistic aesthetic of the post-war period. Indeed, Les noces was one of many cultural products by means of which post-war modernists extolled the virtues of the machine age.
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Piccolomini, Manfredi. "Vico, Sorel, and Modern Artistic Primitivism." New Vico Studies 4 (1986): 123–30. http://dx.doi.org/10.5840/newvico1986410.

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Jeihouni, Mojtaba, and Nasser Maleki. "Far from the madding civilization: Anarcho-primitivism and revolt against disintegration in Eugene O’Neill’s The Hairy Ape." International Journal of English Studies 16, no. 2 (December 12, 2016): 61. http://dx.doi.org/10.6018/ijes/2016/2/238911.

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<p>Anarcho-primitivism contends that modern civilization deprives people of their happiness, which is why it seeks to reconstruct civilization on a primitive basis, one that holds concrete promises of happiness. It argues that a harmonious relation with human nature and external nature needs to be established by translating technological societies into societies that are free of hierarchy, domination, class relationships, and, simply put, of modern structures. Anarcho-primitivists intend to reinstate a primitive outlook in the modern era and recover the authenticity and wholeness lost to the tyranny of civilization. The radical nature of Yank’s anti authoritarianism in Eugene O’Neill’s The Hairy Ape (1921) demonstrates that he is totally at a loss about the positive functions of industrialism. We argue that Yank expresses a deep resentment toward civilization that is barely hidden in the play. This leads us to suggest that Yank’s objective is not dissimilar from that of anarcho primitivists: he values his individuality and tries to subvert the social forces that are arrayed against it. Like anarcho-primitivists, he is determined to bring down the pillars of the material culture in favor of a primitive life, where free subjectivity or individuation becomes the integral gift of society.</p>
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KLESSE, CHRISTIAN. "Modern Primitivism': Non-Mainstream Body Modification and Racialized Representation." Body & Society 5, no. 2-3 (June 1999): 15–38. http://dx.doi.org/10.1177/1357034x99005002002.

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Perchard, Tom. "Tradition, modernity and the supernatural swing: re-reading ‘primitivism’ in Hugues Panassié's writing on jazz." Popular Music 30, no. 1 (January 2011): 25–45. http://dx.doi.org/10.1017/s0261143010000644.

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AbstractBefore WWII, Hugues Panassié (1912–1974) was Europe's leading critical authority on jazz, and by the time of his death he had published a dozen books on jazz music and been President of the Hot-club de France for over 40 years. Yet despite this life's worth of efforts made in jazz's name, Panassié's reputation is no longer a good one: pointing to the fantasies of black exceptionalism and Noble Savagery present in his work, historians have tended to dismiss the critic as a racist primitivist, one in thrall to that contemporarynegrophiliemost familiar today from early-century Parisian visual art. Indeed Panassié used the term ‘primitive’ himself, and positively. But this article traces the ultra-conservative writer's intellectual and religious formation to show that, rather than contemporarynegrophilie, it was a religious and cultural heritage quite distant from the modern European encounter with blackness that first informed Panassié's primitivism. Although this re-reading does not aim to ‘rehabilitate’ someone who remains a troublesome and reactionary figure, the article nevertheless goes on to explore how, in his primitivist rejection of European modernism, Panassié sometimes pre-empts important arguments made by the postmodern jazz scholarship that would seem to marginalise the critic's historical contributions.
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Dissertations / Theses on the topic "Modern primitivism"

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Westbrook, Timothy Paul. "Lajos Csia an investigation of primitivism in the work of a modern Hungarian reformer /." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.

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Gagnon, Donald P. "Pipe Dreams and Primitivism: Eugene O'Neill and the Rhetoric of Ethnicity." [Tampa, Fla.] : University of South Florida, 2003. http://purl.fcla.edu/fcla/etd/SFE0000122.

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Hartle, Brett David. "Long Branch Nature Center - modern primitivism and the constructed dialogue of being within nature." Thesis, Virginia Tech, 2014. http://hdl.handle.net/10919/50961.

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The Architect's first drawn line marks a significant moment where alteration to the site is conceived and intervention with nature is beset. Equilibrium of the natural order; vegetative, habitat, hydrology, and geology are all in a vulnerable state. Rarely do these develop into harmonious balances. More often they are imposed instances. The Industrial Revolution forever changed the relationship between humans and nature, tilting the weight of power towards man. While humans capacity for innovation and destruction have grown enormously, our dependence on the natural cycles and resources of the planet remain and grow more voracious. Yet simultaneously, modern progress has facilitated the physical and psychological detachment of that interdependence. The fundamental elements of our existence are veiled through the efficiency of urbanization and its derivatives of specialization, mass-production, and globalization. This project is an examination of the interrelationship between humans and nature through the lens of civic architecture within a naturalistic setting. The fundamental thesis of this project is that there is a primal biological thread that connects human beings to the natural order, whether on a visceral or conscious level. This project explores the belief that humans intrinsically yearn to reinforce that bond - awakening primordial instincts developed over millions of years of evolutionary survival that have been suppressed by the artifice of modern life. Through a process of retreat and contemplation, this project offers the opportunity of individuals to evaluate and rebalance their own scales with nature and find their own accord and harmony.
Master of Architecture
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Klotz, Christian [Verfasser], and Karl [Akademischer Betreuer] Braun. ""Fraktales Fleisch"? - Körpermodifikationen und Modern Primitivism als Ausdrucksformen einer neuen (und alten) Körperlichkeit / Christian Klotz. Betreuer: Karl Braun." Marburg : Philipps-Universität Marburg, 2013. http://d-nb.info/1032312858/34.

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Gonzalez, Sara Marta. "Primitivismo y Modernidad en la Literatura Modernista Hispanoamericana." FIU Digital Commons, 2017. https://digitalcommons.fiu.edu/etd/3675.

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This dissertation explores the troubled relationship between Hispanic-American Modernism and modernity through the close study of a representative array of authors (José Martí, Rubén Darío, Enrique Gómez Carrillo, Augusto Dhalmar and Pedro Prado). My analysis departs from the revisionist theories of Angel Rama and Ivan A. Schulman, which changed the traditional views about the movement towards a more complete vision of its role as a literature that is highly subversive. During the XIX century, America experienced a vigorous cultural awakening unsupported by an incomplete modernization whose more fundamental principles are challenged by the systematic use of primitivism by these authors. I propose that by analyzing how primitivism is used as an essential tool for criticism, a deeper understanding of a highly codified literature and its importance as precursor of the Vanguard may be reached.
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Letvin, Alice Owen. "Sacrifice in the surrealist novel : the impact of early theories of primitive religion on the depiction of violence in modern fiction /." New York : Garland publ, 1990. http://catalogue.bnf.fr/ark:/12148/cb354828948.

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Dunn, Ridgely. "Challenging Appropriation: Modern Moko and Western Subculture." Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1301937973.

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Bouthillette, François. "Henri Rousseau, un «primitif moderne» à l'époque du symbolisme." Master's thesis, Université Laval, 2015. http://hdl.handle.net/20.500.11794/26027.

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Le présent mémoire se veut une exploration des œuvres les plus connues d’Henri Rousseau. Par l’étude des rapports entre ce peintre et le « moment symboliste », nous croyons être en mesure d’établir divers liens tangibles entre Rousseau et ses contemporains. Nous avons classé la production de l’artiste en fonction d’une répartition entre ce que nous entrevoyons comme des manières distinctes d’adhérer au primitivisme. Symboliste, exotique et moderne, le primitivisme d’Henri Rousseau démontre qu’il n’est pas à l’écart de son époque, mais qu’il en fait bien partie. Nous proposons un regard nouveau sur Henri Rousseau et ses créations. Certes, il est aujourd’hui considéré comme un peintre moderne et ses tableaux font partie des plus grandes collections d’art moderne du monde. Néanmoins, nous croyons qu’il est toujours, d’une certaine façon, vu comme un « personnage naïf », avant d’être un peintre. Nous pensons qu’Henri Rousseau est un « primitif moderne » et que ce cadre conceptuel, à établir entre lui et l’époque symboliste, est plus propice et approprié, aujourd’hui, à l’étude et l’analyse de son travail.
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Foudral, Benjamin. "Léon Frederic (1856-1940), « gothique moderne » : carrière d’un artiste belge dans l’Europe de la fin du XIXe siècle." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL061.

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Peintre bruxellois aujourd’hui méconnu, Léon Frederic (1856-1940), surnommé le « gothique moderne », tint un rôle important au tournant du XXe siècle comme l’un des représentants de la modernité picturale belge, tant sur la scène artistique nationale qu’internationale. S’appuyant sur un examen rigoureux d’un fonds d’atelier de plusieurs milliers de pièces, d’archives et de correspondances inédites, ainsi que sur l’établissement du catalogue raisonné de l’œuvre, cette étude souhaite reconstituer la trajectoire d’un peintre omniprésent, oublié face à la « mythologie de rupture » des avant-gardes. Si l’histoire de l’art a retenu l’image d’un peintre mystique reclus à la campagne, l’appréhension de sa carrière a permis de reconstituer le portrait d’un faux-naïf conscient des enjeux promotionnels, appartenant à une nouvelle élite belge qui fut à l’origine de l’intense vie culturelle bruxelloise. Frederic a su élaborer une mise en image inédite du « peuple », ouvrier et paysan, aussi bien comme point de convergence de l’image utile et morale, souhaitée par les tenants de l’art social, que comme projection d’un imaginaire culturel issu de la tradition et propre à une élite en quête d’un avenir meilleur pour les classes défavorisées. Stylistiquement, son art, se rapprochant de l’« archaïsme moderne » cher à Emile Verhaeren, l’impose dans le nouveau champ moderniste des sécessions comme l’ethnotype idéal et recherché de l’artiste « flamand ». Peintre bourgeois et marginal, élitaire et social, national et cosmopolite, Frederic est apparu comme l’un des hérauts adoubés de la modernité du temps et nous invite à remettre en question la binarité de la conception de l’art à la fin du XIXe siècle
The Belgian painter Léon Frederic (1856-1940), nicknamed the “gothique moderne”, played a key role at the turn of the 20th century as one of the main actors of Belgian modern art, both on the national and international artistic scene. Based on a rigorous examination of a studio collection of several thousand pieces, archives and unpublished correspondence, as well as on the realization of the catalogue raisonné of the work, this study aims to reconstruct the trajectory of an omnipresent painter, forgotten faced with the "mythology of rupture" of the avant-garde. If the history of art has retained the image of a mystical painter recluse in the countryside, the comprehension of his career enabled to reconstruct the portrait of a “faux-naïf” aware of the promotional stakes. Frederic belongs to a new Belgian elite who was at the origin of the intense cultural life in Brussels. Throughout his career, he has developed a new image of the "people", worker and peasant, both as a point of convergence of the necessary and moral image, wanted by the supporters of the social art, and as a projection of a cultural imagination, specific to an elite in search of a better future for the underprivileged classes. Stylistically, his art, approaching the "archaïsme moderne" theorized by Emile Verhaeren, imposes it in the new international and modernist field of the Secessions as the ideal and sought-after ethnotype of the "Flemish" artist. A bourgeois and marginal painter, elite and social, national and cosmopolitan, Frederic appeared as one of the heralds of the modernity and invites us to question the binarity of the conception of art at the end of the 19th century
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Williams, Ben H. "Extracting motion primitives from natural handwriting data." Thesis, University of Edinburgh, 2009. http://hdl.handle.net/1842/3221.

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Humans and animals can plan and execute movements much more adaptably and reliably than current computers can calculate robotic limb trajectories. Over recent decades, it has been suggested that our brains use motor primitives as blocks to build up movements. In broad terms a primitive is a segment of pre-optimised movement allowing a simplified movement planning solution. This thesis explores a generative model of handwriting based upon the concept of motor primitives. Unlike most primitive extraction studies, the primitives here are time extended blocks that are superimposed with character specific offsets to create a pen trajectory. This thesis shows how handwriting can be represented using a simple fixed function superposition model, where the variation in the handwriting arises from timing variation in the onset of the functions. Furthermore, it is shown how handwriting style variations could be due to primitive function differences between individuals, and how the timing code could provide a style invariant representation of the handwriting. The spike timing representation of the pen movements provides an extremely compact code, which could resemble internal spiking neural representations in the brain. The model proposes an novel way to infer primitives in data, and the proposed formalised probabilistic model allows informative priors to be introduced providing a more accurate inference of primitive shape and timing.
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Books on the topic "Modern primitivism"

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Primitivism in modern art. Cambridge, Mass: Belknap Press, 1986.

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Primitivism and modern art. New York: Thames and Hudson, 1994.

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Goldwater, Robert. Primitivism in modern art. Cambridge, Mass: Harvard University Press, 1986.

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Sozzi, Lionello, and Cinzia Di Cuonzo. Primitivi. Torino: Rosenberg & Sellier, 2011.

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missing], [name. Primitivism and twentieth-century art: A documentary history. Berkeley, CA: University of California Press, 2002.

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German expressionism: Primitivism and modernity. New Haven, Conn: Yale University Press, 1991.

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Francis, Frascina, and Perry Gillian, eds. Primitivism, cubism, abstraction: The early twentieth century. New Haven: Yale University Press, in association with the Open University, 1993.

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Schott-Billmann, France. Le primitivisme en danse: Art et thérapie. Paris: Chiron, 1989.

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Wedewer, Rolf. Form und Bedeutung: Primitivismus, Moderne, Fremdheit. Köln: W. König, 2000.

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Blod i salongerna: Om sex, primitivism och längtan efter det naturliga. Stockholm: Atlantis, 2014.

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Book chapters on the topic "Modern primitivism"

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Price, Sally. "The Enduring Power of Primitivism." In A Companion to Modern African Art, 445–65. Oxford: John Wiley & Sons, 2013. http://dx.doi.org/10.1002/9781118515105.ch23.

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Pitts, Victoria L. "Modern Primitivism and the Deployment of the Other." In In the Flesh, 119–49. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1057/9781403979438_5.

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Bateman, Rob, and Richard Olsson. "Primitives, Models, and Sprites." In The Essential Guide to 3D in Flash, 47–86. Berkeley, CA: Apress, 2010. http://dx.doi.org/10.1007/978-1-4302-2542-3_4.

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Fenske, Mindy. "Modern Primitives: Exoticism, Hybridity, and Photography." In Tattoos in American Visual Culture, 109–43. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230609709_5.

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Forth, Christopher E. "Modern Primitives: Manhood and Metamorphosis around 1900." In Masculinity in the Modern West, 141–68. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1007/978-1-349-72430-7_7.

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Rowstron, Antony. "Using asynchronous tuple-space access primitives (Bonita primitives) for process co-ordination." In Coordination Languages and Models, 426–29. Berlin, Heidelberg: Springer Berlin Heidelberg, 1997. http://dx.doi.org/10.1007/3-540-63383-9_98.

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Cypher, Robert, and Jorge L. C. Sanz. "Communication Primitives for Hypercube Computers." In The SIMD Model of Parallel Computation, 78–110. New York, NY: Springer New York, 1994. http://dx.doi.org/10.1007/978-1-4612-2612-3_10.

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Terry, Esther J. "Choreographies of Trans-Atlantic Primitivity: Sub-Saharan Isolation in Black Dance Historiography." In Early Modern Black Diaspora Studies, 65–82. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76786-4_4.

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Zhang, Jianting. "Parallel Primitives-Based Spatial Join of Geospatial Data on GPGPUs." In Modern Accelerator Technologies for Geographic Information Science, 55–67. Boston, MA: Springer US, 2013. http://dx.doi.org/10.1007/978-1-4614-8745-6_5.

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Kokologiannakis, Michalis, and Viktor Vafeiadis. "GenMC: A Model Checker for Weak Memory Models." In Computer Aided Verification, 427–40. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-81685-8_20.

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AbstractGenMC is an LLVM-based state-of-the-art stateless model checker for concurrent C/C++ programs. Its modular infrastructure allows it to support complex memory models, such as RC11 and IMM, and makes it easy to extend to support further axiomatic memory models.In this paper, we discuss the overall architecture of the tool and how it can be extended to support additional memory models, programming languages, and/or synchronization primitives. To demonstrate the point, we have extended the tool with support for the Linux kernel memory model (LKMM), synchronization barriers, POSIX I/O system calls, and better error detection capabilities.
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Conference papers on the topic "Modern primitivism"

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Pujadas, Anna. "Primitivism & Modern Design." In 9th Conference of the International Committee for Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0005.

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Stancu, Florin Alexandru, Cristian Dumitru Tranca, Mihai Daniel Chiroiu, and Razvan Rughinis. "Evaluation of cryptographic primitives on modern microcontroller platforms." In 2018 17th RoEduNet Conference: Networking in Education and Research (RoEduNet). IEEE, 2018. http://dx.doi.org/10.1109/roedunet.2018.8514127.

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Jamel, Sapiee Haji, and Mustafa Mat Deris. "Diffusive primitives in THE design of modern cryptographic algorithms." In 2008 International Conference on Computer and Communication Engineering (ICCCE). IEEE, 2008. http://dx.doi.org/10.1109/iccce.2008.4580696.

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Hoseini, Fazeleh, Aras Atalar, and Philippas Tsigas. "Modeling the Performance of Atomic Primitives on Modern Architectures." In ICPP 2019: 48th International Conference on Parallel Processing. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3337821.3337901.

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Klinger, A., E. Bassett, and W. Fox. "Models And Primitives From Point Sets." In 1984 Cambridge Symposium, edited by David P. Casasent and Ernest L. Hall. SPIE, 1985. http://dx.doi.org/10.1117/12.946178.

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Yurievna, Kiseleva Natalia. "Texts-Primitives As Means Of Developing Written Discourse For Pupils With Speech Impediments." In The Russian Language in Modern Scientific and Educational Environment. European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.09.2.

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Talcott, Carolyn. "Formal Executable Models of Cell Signaling Primitives." In Second International Symposium on Leveraging Applications of Formal Methods, Verification and Validation (isola 2006). IEEE, 2006. http://dx.doi.org/10.1109/isola.2006.66.

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Fujdiak, Radek, Petr Mlynek, Sergey Bezzateev, Romina Muka, Jan Slacik, Jiri Misurec, and Ondrej Raso. "Lightweight structures of big numbers for cryptographic primitives in limited devices." In 2017 9th International Congress on Ultra Modern Telecommunications and Control Systems and Workshops (ICUMT). IEEE, 2017. http://dx.doi.org/10.1109/icumt.2017.8255191.

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Venkatanarasimhan, Lakshmi N. A., Xiaoyang Mao, Ahmed Chowdhury, and Chiradeep Sen. "Physics-Based Function Features for a Set of Material-Processing Verbs." In ASME 2019 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/detc2019-98343.

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Abstract Features are used in computer aided geometric modeling to encapsulate primitive and lower-abstraction entities to compose higher-level complex entities in order to support faster modeling, consistent data structures between features within the model, and feature-level reasoning that extends beyond reasoning supported by the primitives. In this paper, this idea is extended to computer-aided function modeling. Four function modeling features, which mainly operate on material flows but also involved energy flows, are formally defined. These features are: (1) Convergize_EM, (2) Handover_E, (3) Change_M, and (4) Changeover_EM. Each feature is composed of formerly established functional primitives that are formally defined, and by connecting those primitives in a controlled topology enforced by a feature-level grammar. The ability of these features to support consistent function modeling and model-based reasoning is illustrated using applications, both at the device level (simpler models) and at the system level (more complex models).
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Orthey, Andreas, Marc Toussaint, and Nikolay Jetchev. "Optimizing motion primitives to make symbolic models more predictive." In 2013 IEEE International Conference on Robotics and Automation (ICRA). IEEE, 2013. http://dx.doi.org/10.1109/icra.2013.6630974.

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