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Relevant bibliographies by topics / Modern Screen

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Journal articles
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Academic literature on the topic 'Modern Screen'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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Journal articles on the topic "Modern Screen"

1

Parsons, E. "Modern American Drama on Screen * Modern British Drama on Screen." Adaptation 8, no. 1 (2015): 145–46. http://dx.doi.org/10.1093/adaptation/apv002.

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Papchenko, Valerii, and Vladyslav Silin. "Sound in Modern Screen Discourse." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 2, no. 2 (2019): 200–207. http://dx.doi.org/10.31866/2617-2674.2.2.2019.185710.

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Coker, Lauren. "Masquerading Early Modern Disability." Screen Bodies 3, no. 1 (2018): 98–108. http://dx.doi.org/10.3167/screen.2018.030107.

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Building on Katherine Schaap Williams’s (2009) reading of the play, this article uses a disability studies approach to consider Richard Loncraine’s 1995 film adaptation of Shakespeare’s Richard III. Loncraine’s adaptation allows modern-day viewers to experience a highly visual (and often intimate) exchange with Sir Ian McKellen as Richard Gloucester. Specifically, Gloucester’s verbal claims of a disability that renders him unsuitable as a leader and a lack of sexual prowess are juxtaposed alongside sexually violent visual actions and imagery—particularly in the form of phallic symbols. The juxtaposition of verbal passivity in opposition to visual aggression demonstrates how Richard showcases or hides his disability as he pursues the throne: the first half of the film features Richard masquerading ability, while the second half features him masquerading disability.

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Hamilton, A. "The mediascape of modern Southeast Asia." Screen 33, no. 1 (1992): 81–92. http://dx.doi.org/10.1093/screen/33.1.81.

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Miyao, Daisuke. "Cinema and the Haptic in Modern Japan." Screen Bodies 3, no. 1 (2018): 23–36. http://dx.doi.org/10.3167/screen.2018.030103.

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The process of modernization in Japan appeared as a separation of the senses and remapping of the body, particularly privileging the sense of vision. How did the filmmakers, critics, and novelists in the 1920s and 1930s respond to such a reorganization of the body and the elevation of vision in the context of film culture? How did they formulate a cinematic discourse on remapping the body when the status of cinema was still in flux and its definition was debated? Focusing on cinematic commentary made by different writers, this article tackles these questions. Sato Haruo, Ozu Yasujiro, and Iwasaki Akira questioned the separation of the senses, which was often enforced by state. Inspired by German cinema released in Japan at that time, they explored the notion of the haptic in cinema and problematized the privileged sense of vision in this new visual medium.

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Goodwin, A. "Music Video in the (POST) Modern World." Screen 28, no. 3 (1987): 36–55. http://dx.doi.org/10.1093/screen/28.3.36.

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Bakari, I. "Colonialism and modern lives in African cinema." Screen 48, no. 4 (2007): 501–5. http://dx.doi.org/10.1093/screen/hjm051.

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Rushton, R. "Early, classical and modern cinema: absorption and theatricality." Screen 45, no. 3 (2004): 226–44. http://dx.doi.org/10.1093/screen/45.3.226.

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Burke, A. "Music, memory and modern life: Saint Etienne's London." Screen 51, no. 2 (2010): 103–17. http://dx.doi.org/10.1093/screen/hjq001.

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Niyogi De, E. "Modern Shakespeares in popular Bombay cinema: translation, subjectivity and community." Screen 43, no. 1 (2002): 19–40. http://dx.doi.org/10.1093/screen/43.1.19.

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Dissertations / Theses on the topic "Modern Screen"

1

Karlström, Joakim. "Screen the modern workplace." Thesis, Tekniska Högskolan, Högskolan i Jönköping, JTH, Produktutveckling, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-30593.

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Mondloch, Kate. "Thinking through the screen media installation, its spectator, and the screen /." Diss., Restricted to subscribing institutions, 2005. http://proquest.umi.com/pqdweb?did=1031040591&sid=32&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Naylor, Jonathan Brooks. "The Effect of Modern Screen-Based Media Devices on Physical Activity Variables in 6-10 Year Old Children." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1530401358396427.

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Mesquita, Tiago dos Santos. "Através do espelho: a constituição da pintura inicial de Andy Warhol (1956-1968)." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-08022010-150757/.

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Na década de60, Andy Warhol começou a trabalhar com as técnicas da serigrafia. Copiava imagens gráficas e fotográficas e as transferia diretamente para a tela. O artista abandonou os modos mais tradicionais de pintura e passou a trabalhar com a apropriação de imagens reproduzidas em série nos cartazes, fotografias, embalagens e no cinema. O uso destes clichês gráficos causou controvérsia. Uma série de discussões tentava entender a escolha do artista a partir de interlocuções dele com a obra de outros criadores e como uma interpretação de fatos da realidade social. A partir destas análises, este trabalho busca construir uma interpretação alternativa que entenda as razões para a modificação de procedimentos e linguagens na obra de Andy Warhol e o seu impacto na produção do século XX.<br>Andy Warhol started to work with the silkscreen techniques in the 1960s. Graphic and photographic images were copied and transferred straight onto canvas. The artist abandoned the traditional modes of painting and began working with the appropriation of serialized images from billboards, photos, packages and film. The use of such clichés was controversial. In several discussions, critics tried to understand Warhol\'s choices from his dialogue with other artists and as an interpretation of the facts of social reality. This study attempts to build an alternative interpretation that tries to understand the reasons for the modification of procedures and poetics in the Andy Warhol\'s work and his impact on the 20th century art.

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Wheeler, Duncan. "The performance and reception of golden age drama in modern-day Spain : The Comedia on the page, stage and screen (1939-2009)." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.522812.

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Schilling, Andrew A. "Hinged Things: Concerning the Interior(s) of Eileen Gray." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1092669500.

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Machát, Jan. "Středoevropské forum Olomouc." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2015. http://www.nusl.cz/ntk/nusl-394010.

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The new building of Olomouc Central Europian Forum is concieved as an extension to the existing building of Olomouc Art Museum. It fills the space of existing vacant lot clining to the existing object from the west. The new building contains new spaces for modern art expositions and also creates enough storage capacity for the new and the existing building. The architectural solution results from the division of historic building estates and from the character of surrounging build-up area. The volume of the building rising from the site is created by five tracts oriented perpendiculary to the street boundary, that are of a simple shape of block with pitched roof. In the central part the tracts are transected by a traversing volume of a galery with glass pitched roof, that provides additional daylight for the central part and connects the new and the existing building. The facade of the new building is created as a doubled construction with the interior screen made of pure double glass and the exterion screen made of milk glass, that transmits enough difuse light into the inner spaces. There is a LED screen stretched in between these two transparent planes, thanks to which the facade glows in the dark with interesting light effects.

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White, Gordon Sutherland. "Mathematical models of screen printing." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.437003.

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Taroni, Michele. "Thin film models of the screen-printing process." Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540261.

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Raneri, Giovanni. "Folding screens, cartography, and the Jesuit mission in Japan, 1580-1614." Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/folding-screens-cartography-and-the-jesuit-mission-in-japan-15801614(c62695b9-8c9c-44ec-a26d-8a41192b3c31).html.

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This is a study of Japanese folding screens decorated with a variety of cartographic imagery of European origin. The central argument of this work is that Japanese cartographic namban screens made during the period considered in this dissertation can assist us to further understand the marked Christian eschatological character of the pictorial programmes decorating these screens, reflecting European contemporary hopes about the messianic coming of a universal Christian King, and about the Christian future of Japan at the onset of Shogun Tokugawa Hidetada's ban against Christianity (1614). By taking into account the use of folding screens as diplomatic gifts, this research seeks to argue that the hybridity of namban cartographic screens reveals as much about the expectation of Jesuit missionaries towards the evangelization of the Japanese archipelago as they did about how Japanese artists and observers understood European cartographic knowledge within a pre-existing local ritual use of maps and cartography. This dissertation is composed of four chapters. In chapter one I describe the material qualities of folding screens, the architectural environments in which they were displayed, and how the practice of donating folding screens as diplomatic gifts was eventually co-opted by the Jesuit missionaries operating in Japan. Chapter two is a discussion on the organization and the passage of the first Japanese diplomatic mission in Europe and the role that European cartography and geographical allegories played in this event. In chapter three I will examine the dissemination of Christian sacred images in Japan and the establishment of a Jesuit school to train Japanese artists in western-style painting. Chapter four unpacks the discussion developed in the preceding chapters and focuses on two specific pairs of namban cartographic screens - the Map of the World and Twenty-Eight Cities (today at the Imperial Household Agency in Tokyo) and the Battle of Lepanto and World Map (today at the Kosetsu Museum in Kobe) - for which I propose a new interpretation.

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Books on the topic "Modern Screen"

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Bray, William Robert, and R. Barton Palmer, eds. Modern American Drama on Screen. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cbo9780511843709.

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Palmer, R. Barton, and William Robert Bray, eds. Modern British Drama on Screen. Cambridge University Press, 2013. http://dx.doi.org/10.1017/cbo9780511734311.

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Brophy, Philip. 100 Modern Soundtracks (Bfi Screen Guides). British Film Institute, 2004.

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The best of Modern screen magazine. St. Martin's Press, 1986.

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Rosewarne, Lauren. Sex and Sexuality in Modern Screen Remakes. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15891-0.

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Stephens, John. Screen printing : a practical guide to modern developments in screen process process printing/John Stephens. Blueprint, 1987.

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The place of artists' cinema: Space, site and screen. Intellect, 2009.

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8

Aitken, Doug. Broken screen: 26 conversations with Doug Aitken : expanding the image, breaking the narrative. D.A.P./Distributed Art Publishers, 2005.

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Spencer-Hall, Alicia. Medieval Saints and Modern Screens. Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462982277.

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This ground-breaking book brings theoretical perspectives from twenty-first century media, film, and cultural studies to medieval hagiography. Medieval Saints and Modern Screens stakes the claim for a provocative new methodological intervention: consideration of hagiography as media. More precisely, hagiography is most productively understood as cinematic media. Medieval mystical episodes are made intelligible to modern audiences through reference to the filmic - the language, form, and lived experience of cinema. Similarly, reference to the realm of the mystical affords a means to express the disconcerting physical and emotional effects of watching cinema. Moreover, cinematic spectatorship affords, at times, a (more or less) secular experience of visionary transcendence: an 'agape-ic encounter'. The medieval saint's visions of God are but one pole of a spectrum of visual experience which extends into our present multi-media moment. We too conjure godly visions: on our smartphones, on the silver screen, and on our TVs and laptops. This book places contemporary pop-culture media - such as blockbuster movie The Dark Knight, Kim Kardashian West's social media feeds, and the outputs of online role-players in Second Life - in dialogue with a corpus of thirteenth-century Latin biographies, 'Holy Women of Liège'. In these texts, holy women see God, and see God often. Their experiences fundamentally orient their life, and offer the women new routes to knowledge, agency, and belonging. For the holy visionaries of Liège, as with us modern 'seers', visions are physically intimate, ideologically overloaded spaces. Through theoretically informed close readings, Medieval Saints and Modern Screens reveals the interconnection of decidedly 'old' media - medieval textualities - and artefacts of our 'new media' ecology, which all serve as spaces in which altogether human concerns are brought before the contemporary culture's eyes.

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Dodds, Sherril. Dance on screen: Genres and media from Hollywood to experimental art. Palgrave Macmillan, 2004.

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Book chapters on the topic "Modern Screen"

1

Baron, Cynthia. "Modern Acting: Stage and Screen." In Modern Acting. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-40655-2_11.

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Lanzoni, Rémi Fournier. "Comedy in the Modern Era." In French Comedy on Screen. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137100191_4.

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Wissner, Reba A. "Modern composer off the screen." In Double Lives. Routledge, 2019. http://dx.doi.org/10.4324/9780429019319-10.

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Mazierska, Ewa. "Music and Dance in the Service of Modern Poland: Interwar Musicals." In Polish Popular Music on Screen. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42779-5_2.

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Rosewarne, Lauren. "An Introduction to Sex and Modern Remaking." In Sex and Sexuality in Modern Screen Remakes. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15891-0_1.

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Bakogianni, Anastasia. "Shades of Ajax: In Search of the Tragic Hero in Modern War Movies." In Locating Classical Receptions on Screen. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96457-7_7.

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Rosewarne, Lauren. "The All-Lady, Feminist Extravaganza: Sex-Swaps, Sexual Scripts, and Progressive Politics in Remakes." In Sex and Sexuality in Modern Screen Remakes. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15891-0_2.

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Rosewarne, Lauren. "Sexing the Remake: The Sexy, Less Sexy, Queer, and Not-So Screen Do-Overs." In Sex and Sexuality in Modern Screen Remakes. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15891-0_3.

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Rosewarne, Lauren. "Conclusion." In Sex and Sexuality in Modern Screen Remakes. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15891-0_4.

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Metters, Jonathan P., and Craig E. Banks. "Screen Printed Electrodes Open New Vistas in Sensing: Application to Medical Diagnosis." In Modern Aspects of Electrochemistry. Springer US, 2013. http://dx.doi.org/10.1007/978-1-4614-6148-7_4.

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Conference papers on the topic "Modern Screen"

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Prilukova, Ekaterina. "Screen Images: Educational Purpose Transformation In An Era Of Global Media." In SCTCMG 2019 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.12.04.347.

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Mamaeva, A. V. "Achievement Monitoring Technology Of Mentally Retarded Schoolchildren On The Touch Screen." In International Conference on Economic and Social Trends for Sustainability of Modern Society. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.03.27.

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Huang, Cong. "Study on Influences of Screen Culture on Developing Modern College Studentsr Values." In 2nd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/iccese-18.2018.210.

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Weinand, Frank, and Sven Rommel. "Influence of phosphor screen color on performance with modern night vision goggles." In Electro-Optical and Infrared Systems: Technology and Applications XVI, edited by Duncan L. Hickman and Helge Bürsing. SPIE, 2019. http://dx.doi.org/10.1117/12.2532485.

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Song, Hoseong, and Sooman Lim. "Screen-printed EMI shielding materials on Mulberry paper for wearable electronics with high mechanical strength." In 4th International Conference on Modern Approaches in Science, Technology & Engineering. Acavent, 2019. http://dx.doi.org/10.33422/4ste.2019.02.14.

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Liashenko, Serhii, Viktor Sakalo, Olha Minkova, and Antonina Kalinichenko. "Justification of Construction Parameters of the Screen in the Small-Sized Household Biomass Chopper." In 2019 IEEE International Conference on Modern Electrical and Energy Systems (MEES). IEEE, 2019. http://dx.doi.org/10.1109/mees.2019.8896664.

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Rieznik, Dmytro, Iurii Zachepa, Nataliia Zachepa, Serhii Sukach, Volodymyr Chenchevoi, and Oleksandr Vovna. "The Method of Protective Screen Selection Against the Excessive Influence of the Electromagnetic Field of an Induction Motor." In 2019 IEEE International Conference on Modern Electrical and Energy Systems (MEES). IEEE, 2019. http://dx.doi.org/10.1109/mees.2019.8896406.

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Miasnikova, Marina, and Alexandra Trukhina. "Character, Author, Viewer of Documentaries in the Public Space of New Media." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-54.

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Any screen message usually comprises three components: life drama in the form of a story about a real person as the character; the author’s intention to create an artistic world containing footprints of the creative personality and the author’s concept; and the viewer’s mindset regarding this world. Thus, a screen document is created by three participants of communication: character, author, viewer, though each of them differently manifests itself in turbulent conditions of ongoing media-transformations. Under the new direction named ‘real’, ‘actual’, ‘horizontal’ cinema, the documentary screen is increasingly featuring a new hero: a private, ‘simple’ person who is easy to watch with a lightweight digital camera, and who himself, blurring the line between the personal and the public, does not mind picking up the camera for the purpose of self-presentation. The author has an opportunity to demonstrate his films on new media platforms. And the viewer participates in the creation of interactive documentaries. Thus, the article covers the essential and functional changes taking place with characters, authors, and viewers of modern documentaries as an open system at their transition (alongside this movie type itself) from the existence within the framework of old, conventional media (big-screen cinema and television) to relevant media platforms (social media, new media, mobile devices, etc.).

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Sumskaya, Anna. "Screen Technologies Of Broadcating Symbolic Capital Of The Urals, Russia’s Median Region." In III PMMIS 2019 (Post mass media in the modern informational society) "Journalistic text in a new technological environment: achievements and problems". Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.08.02.48.

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Rana, P., and PD Majumder. "Integrating Elements of Modern Technology into Maritime Safety." In International Ship Control Systems Symposium. IMarEST, 2020. http://dx.doi.org/10.24868/issn.2631-8741.2020.010.

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A majority of the accidents on board a ship occurs due to poor knowledge of safety regulations or carelessness towards the same. As a remedy, this paper will propose ideas that include digitalization of safety procedures so as to realize the powers of visual perception of information over a paper-based one, a unique Safety Wear and Equipment Identification system and pre-board training using Virtual Reality. Interactive, touch-screen monitors, the size of usual tablets will be affixed to the walls of numerous rooms and spaces across the ship (e.g.: engine room) that will revolutionize the way safety norms are implemented. They will also have cameras, affixed. Object-recognition software, paired with these cameras will scan the image of the person, starting a task, to ensure that he/she has every necessary safety wear/equipment/tool on them, specific to the task that they are performing. Unless verified by the software, a person cannot start the job. There’s a study of how this software helps to fulfil International Safety Management (ISM) CODE to a new level and how using it can help shipping companies.

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Reports on the topic "Modern Screen"

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Bożek, Małgorzata. FILM PRODUCTION IN POLAND. STAGES: FROM AN IDEA TO THE SCREEN. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11112.

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The Polish film system is characterized by a variety of forms. Michał Zabłocki, the author of the comprehensive study of the «Organization of the production of feature film in Poland», isolates two models of world cinema: a producer and a producer – director. The first one features the dominant role of the producer, which means the person who is responsible for the work of all the film departments – direction, cinematography, production management, scenography and costume design. The second one, the model which is still the most popular in Poland, assumes close cooperation between the producer and the director.

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Cline, Hollis T. Developing Xenopus Laevis as a Model to Screen Drugs for Fragile X Syndrome. Defense Technical Information Center, 2014. http://dx.doi.org/10.21236/ada608963.

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Cline, Hollis T. Developing Xenopus Laevis as a Model to Screen Drugs for Fragile X Syndrome. Defense Technical Information Center, 2013. http://dx.doi.org/10.21236/ada598718.

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UNIVERSITY OF CENTRAL FLORIDA ORLANDO. Performance Evaluation Test of the Orbit Screen Model 68A and the Komplet Model 48-25 Rock Crusher. Defense Technical Information Center, 2008. http://dx.doi.org/10.21236/ada487560.

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Bell, K. E. 60-day safety screen results for tank 241-BY-106, rotary mode, cores 64 and 65. Office of Scientific and Technical Information (OSTI), 1995. http://dx.doi.org/10.2172/63939.

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Schreiber, R. D. 45-Day safety screen results for tank 241-U-203, push mode, cores 79 and 80. Office of Scientific and Technical Information (OSTI), 1995. http://dx.doi.org/10.2172/74107.

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Jo, J. 45-Day safety screen results for tank 241-U-202, push mode, cores 75 and 78. Office of Scientific and Technical Information (OSTI), 1995. http://dx.doi.org/10.2172/74133.

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Sasaki, L. M. 45-Day safety screen results for tank 241-C-105, push mode, cores 72 and 76. Office of Scientific and Technical Information (OSTI), 1995. http://dx.doi.org/10.2172/74134.

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Bell, K. E. 45-day safety screen results for tank 241-U-204, push mode, cores 81 and 82. Office of Scientific and Technical Information (OSTI), 1995. http://dx.doi.org/10.2172/79901.

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Bell, K. E. Fourty-five day safety screen results for Tank 241-C-107, push mode, cores 68 and 69. Office of Scientific and Technical Information (OSTI), 1995. http://dx.doi.org/10.2172/67213.

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