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Journal articles on the topic 'Modern Ukrainian poetry'

Author: Grafiati

Published: 28 May 2022

Last updated: 31 July 2025

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1

Bahan, M. "Connotative Space of Modern Ukrainian Poetry for ChildrenConnotative Space of Modern Ukrainian Poetry for Children." Mìžnarodnij fìlologìčnij časopis 12, no. 1 (2020): 22–29. http://dx.doi.org/10.31548/philolog2021.01.022.

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Cheverdak, P. O., and V. M. Zinchenko. "TERMS IN UKRAINIAN POST-MODERN POETRY." INTELLIGENCE. PERSONALITY. CIVILIZATION 1, no. 18 (2019): 49–57. http://dx.doi.org/10.33274/2079-4835-2019-18-1-49-57.

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BELIMOVA, Tetiana. "MEMORY IN MODERN REFUGEE POETRY: ENGLISH AND UKRAINIAN CONTEXTS." Astraea 4, no. 1 (2023): 10–33. http://dx.doi.org/10.34142/astraea.2023.4.1.01.

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The concept of “refugee poetry” or “poetry of migrants” is quite new for both English and Ukrainian literature. However, in the modern world, the phenomenon of migration, or even forced migration, is well known and researched. It is primarily about the social, political and economic dimensions of the movement of people from one continent / region / country to another. Most often, the countries that actively accepted migrants in the 19th, 20thand 21stcentury were the USA, Canada, Australia, partly Great Britain, in fact the entire English-speaking world (we are talking about different periods a

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Rarytskyi, O. A. "PRE-MODERN AND MODERN UKRAINIAN POETRY IN IVAN PROKOFIEV’S STUDIES." "Scientific notes of V. I. Vernadsky Taurida National University", Series: "Philology. Journalism" 1, no. 3 (2024): 162–69. http://dx.doi.org/10.32782/2710-4656/2024.3.1/27.

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Romanenko, Olena. "UKRAINIAN VIDEO POETRY AS AN AESTHETIC PHENOMENON OF THE MODERN LITERARY PROCESS." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 31 (2022): 61–65. http://dx.doi.org/10.17721/1728-2659.2022.31.12.

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The results of the study of video poetry as a genre are presented. The object of analysis is Ukrainian video poetry, created within the projects CYCLOP (Ukraine), "Overcoming Silence" (Ella Yevtushenko, Daryna Gladun, Lesyk Panasyuk, and others), #DigitalShevchenko, "Power of Speech", "Subjective" (Sofia Bezverkha and Marichka Yarmola), "rosdilovi" (Olga Mykhailyuk and Serhiy Zhadan), "By the way" (Natalia Parshchyk, etc.), ZEBRA festival (Germany). Ukrainian video poetry has been developing since the 2000s and was first presented as part of the CYCLOP festival, which became both a venue for a

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Berestova, A. "Text application as a marker of intertext links in modern Ukrainian poetry." Science and Education a New Dimension IX(257), no. 75 (2021): 12–16. http://dx.doi.org/10.31174/send-ph2021-257ix75-02.

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In the article proposed, the researcher tries to characterize the main manifestations of text applications on the basis of Ukrainian poetry of the late XX - early XXI centuries. The author of the research concludes that the text application is actively used in modern Ukrainian poetry as a marker of intertextual interaction and an actualizer of precedent texts of religious content, various genres of Ukrainian folk art, as well as Ukrainian and world literature. The text applications found in the processed poetic works play an important role in the creation of poetic text and perform the functio

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Zinchuk, N., and O. Pogrebnyak. "THE OEUVRE OF ANDREI HADANOVICH IN THE CONTEXT OF MODERN BELARUSIAN-UKRAINIAN LITERARY INTERACTION." Comparative studies of Slavic languages and literatures. In memory of Academician Leonid Bulakhovsky, no. 35 (2019): 230–38. http://dx.doi.org/10.17721/2075-437x.2019.35.22.

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The article covers the main features of Andrei Hadanovich’s works as s a representative of the modern literary process in Belarus and his liaison with Ukrainian writers and translators. Considerable attention is paid to the first literary attempts of the Belarusian writer, the process of professional development and the features of postmodernism in his writings. In this context the poetry of Andrei Khadanovich combines the achievements of Eastern European «book» poetry with elements of modern culture (pop, rock, rap, urban slang). Using his poetry-song «Hotel Belarus» as example, the research

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Pylynskyi, Mykhailo. "The Concept of Political Freedom in War Poetry: a comparison of Ukrainian poetry from the modern war and American poetry from the revolutionary wars." LITERARY PROCESS: methodology, names, trends, no. 24 (2024): 74–84. https://doi.org/10.28925/2412-2475.2024.24.7.

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This paper delves into the concept of political freedom as depicted in American and Ukrainian poetry, specifically during periods of conflict. By focusing on wartime literature, the study aims to uncover the nuanced meanings and representations of freedom in both American and Ukrainian contexts. The research is particularly relevant given the current Russian-Ukrainian war, which has brought the question of national and political freedom to the forefront of Ukrainian society. The comparative approach of this study allows for an examination of how two different cultures, separated by time and ge

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Belimova, Tetiana. "Memory of the Ongoing War in Modern Ukrainian Poetry." Књиженство : часопис за студије књижевности, рода и културе 13, no. 13 (2023): 107–32. http://dx.doi.org/10.18485/knjiz.2023.13.13.6.

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Viktoriia, Hahara. "CHARACTERISTICS OF THE UKRAINIAN DOLNYK (ORIGINS, DEVELOPMENT, AND RESEARCH OF ACCENTUAL VERSE IN UKRAINIAN VERSE THEORY BASED ON 20TH-CENTURY UKRAINIAN POETRY)." Annali d'Italia 61 (November 27, 2024): 74–77. https://doi.org/10.5281/zenodo.14231166.

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The Ukrainian accentual verse, which gained prominence in early 20th-century poetry, is a subject of extensive study by contemporary Ukrainian verse theorists. This article explores the trends and characteristics of one form of accentual verse, the dolnyk, using as an example the poem "Kozak Jamaica" by modern Ukrainian poet Yurii Andrukhovych, which was translated into Italian in 2022

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Fliashko, Olha. "TARAS SHEVCHENKO'S "THE PLUNDERED GRAVE" ("ROZRYTA MOHYLA"): MODERN INTERPRETATION IN THE CONTEXT OF THE RUSSIAN-UKRAINIAN WAR." Shevchenko Studies, no. 1 (27) (2024): 198–208. https://doi.org/10.17721/2410-4094.2024.1(27).2/198-208.

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The deep symbolic connections and prophetic character of the poem "Rozryta mohyla" by Taras Shevchenko are highlighted. In particular, the author comprehends Taras Shevchenko's prophecy, which highlights important issues of the Russian-Ukrainian conflict, from a modern perspective; the writer's predictions are interpreted in the modern Ukrainian context. Attention is focused on the phenomenal nature of Shevchenko's thoughts, which reflected the realities of Ukraine and are important for understanding the historical and contemporary context. The lines of the poem are comprehended in the context

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Мартакова, Анна Валеріївна. "КАЛІГРАМА ЯК ГРАФІЧНИЙ ВИЯВ МОВНОЇ ГРИ В ПОЕЗІЇ УКРАЇНСЬКОГО ПОСТМОДЕРНУ". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 43 (6 квітня 2016): 202–7. https://doi.org/10.5281/zenodo.49229.

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The renewal process on the formalistic and notional levels of the artistic paradigm in the Ukrainian Postmodern consept of the end of the XX – beginning of the XXI centuries is commented in the article, also it is noticed the transformations, which consist in the language poetry text creation level, where the language games are in the dominant condition. The attention of this article is concentrated on the visual postmodern poetry, particularly – on the caligrama. The object of the article is in the analyzing the graphical method of the language game realization as the dominant fac

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VERTYPOROKH, O. V. "PRINCIPLE OF THE «ICEBERG» IN MODERN UKRAINIAN POETRY ABOUT WAR." Research Bulletin Series Philological Sciences, no. 210 (2024): 71–76. http://dx.doi.org/10.32782/2522-4077-2024-210-10.

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Ovsianytska, Hanna. "POETICS OF BORDERLINESNESS IN THE YE. ZHARIKOVA`S POETRY “PAPERCUT”: THEME OF HOMELESSNESS." CONTEMPORARY LITERARY STUDIES, no. 21 (March 6, 2025): 62–73. https://doi.org/10.32589/2411-3883.21.2024.321310.

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The issue of the phenomena correlation of trauma, memory, and history in Ukrainian poetry is relevant to war reality because it provokes the creation of texts, a prominent feature of which is existential aesthetics, aiming to evidence and reaction which appear in the author`s intention regarding the development of the theme of borderlinesness as a summation of the existential circle of problems regarding borderline states of consciousness and situations of moral choice. These tendencies are watched, the first, in combatant poetry even if it is divided thematically from outlining of militant th

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Hudyma, Anna. "THE FUNDAMENTALS OF ANTI-COLONIAL DISCOURSE OF T. SHEVCHENKO'S POETRY." Shevchenko Studies, no. 1(26) (2023): 47–55. http://dx.doi.org/10.17721/2410-4094.2023.1(26).47-55.

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The article outlines the principles of the poet's anti-colonial discourse, relying on the authoritative judgments of Shevchenko's scholars and post-colonial researches by Ukrainian scientists. T. Shevchenko's creativity met the challenges and needs of national existence, when Ukrainians were threatened with the loss of their national identity under the pressure of the denationalizing imperial policy. The artist's anti-colonial discourse is updated in connection with modern challenges and the need to understand the cultural processes in the Ukrainian national liberation movement and needs caref

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Litvinova, Inna. "Peculiarities of the semantic representation of religious images in modern Ukrainian poetry (the period of the full- scale Russian invasion)." 93, no. 93 (December 22, 2023): 42–47. http://dx.doi.org/10.26565/2227-1864-2023-93-06.

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The article is devoted to the study of modern poetic texts regarding the interpretations and semantic content of religious images. Studying the implementation of one of the key language concepts based on the poetic speech material allows, on the one hand, to talk about the expressive capabilities of language as the main means of communication, and on the other hand, to investigate the specifics and changes in worldview orientations of representatives the modern generation of Ukrainians. The material for analysis was poetry posted on the pages of social networks during a difficult period for Uk

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NOVODVORCHUK, OLHA. "ЖАНРОВО-ІДЕОГРАФІЧНІ ТЕНДЕНЦІЇ У ПОЕТИЦІ СУЧАСНОЇ ДИТЯЧОЇ ЛІТЕРАТУРИ". Studia Ukrainica Posnaniensia 9, № 2 (2021): 153–64. http://dx.doi.org/10.14746/sup.2021.9.2.12.

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The article attempts to explore the features of early 21st century Ukrainian poetry for children. The purpose of exploration is to identify the genre and ideographic features of poetry: innovation and traditionalism. Tracing the genre modifications of poetry and their common and distinctive features, the author addresses the key features of poetry for children in general: artistic and literary discourse, the functions of poetry, thematic direction, strophic structure of the poem, the existence of images, characters and others. The article proves that the basis for the renewal of poetic genres

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Tombulatova, Iraida. "INFERNAL CODE OF IZDRYK'S POETRY." Odessa National University Herald. Series: Philology 29, no. 1(29) (2025): 61–67. https://doi.org/10.18524/2307-8332.2024.1(29).318671.

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The article attempts to analyze the peculiarities of the embodiment of the infernal code in modern Ukrainian poetry. The depiction and expression of the infernal in art in general and in literature in particular in different chronological periods (taking into account the permissive culture of today) and approaches to the study of the infernal code today are briefly mentioned. It is noted that scientists investigate infernal images and plots, taking into account various humanitarian issues and problems, applying various methodologies, which are given in the article. Since one of the traditional

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KRAVETS, Larysa. "CONCEPTS OF CHRISTIAN CULTURE IN RECENT UKRAINIAN POETRY." Culture of the Word, no. 97 (2022): 61–72. http://dx.doi.org/10.37919/0201-419x-2022.97.7.

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During its long existence, Christianity had a powerful influence on the development of world culture in general and Ukrainian culture in particular. The Bible and other Christian texts determined the formation of the aesthetic foundations of ancient Ukrainian literature and became an inexhaustible source for the creativity of Ukrainian writers of the new era. Today's tragic events actualized in the country’s cultural space religious texts of various genres and themes, which in the literary and artistic sphere became a powerful source of language and expressive means, as well as new contents an

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20

Babenko-Zhyrnova, M. V., and L. H. Nechaiuk. "TYPES OF PHILOSOPHICAL METAPHORS IN MODERN UKRAINIAN POETRY (XX–XXI CENTURY)." Тrаnscarpathian Philological Studies 2, no. 19 (2021): 164–67. http://dx.doi.org/10.32782/tps2663-4880/2021.19.2.32.

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21

KRUPACH, Mykola. "YEVHEN MALANYUK AND YURIY DARAGAN – FACTOLOGICAL OVERCOME OF THE MYTH ABOUT THE «FIRST» AND «SECOND» POETS OF EMIGRATION." Ukraine: Cultural Heritage, National Identity, Statehood 37 (2023): 231–48. http://dx.doi.org/10.33402/ukr.2023-37-231-248.

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Variants of the interpretation of the genesis of the theme of Ukrainian emigration poetry of 1920s and 1930s are revealed. For the first time, the main works of modern Ukrainian scientists who researched the specified problem are comprehensively analyzed. It has been asserted that the vast majority of literary critics associate the genesis of the topic of Ukrainian emigration poetry of the interwar period with the name of Yu. Daragan. At the same time, E. Malanyuk is considered the most prominent emigration poet. The opinion of one of the modern researchers is singled out, who drew attention t

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Lubenska, Iryna, Liliia Zemliana, Svitlana Babkova, and Svitlana Kryvozub. "SHEVCHENKO'S WORD IN THE MODERN EDUCATIONAL PROCESS." Shevchenko Studies, no. 1 (27) (2024): 303–15. https://doi.org/10.17721/2410-4094.2024.1(27).1/303-315.

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Shevchenko's creativity is inexhaustible – because the infinite depths of Shevchenko's poetry, because we read Shevchenko in a new way every time. This article reveals and confirms to the reader a new, unconventional image of Shevchenko. This work is the result of painstaking work of the authors in modern readings of Kobzar's legacy.The article highlights the practical use of Shevchenko's works in educational process, education of patriots, which will build post-war Ukraine. Basic the emphasis is on the modern reading of his works against the background of Russia's war of aggression. Revealed

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Ivanova, Anna. "UKRAINIAN MOTIVES IN THE WORKS OF JOSEF LOBODOWSKI." Polish Studies of Kyiv, no. 35 (2019): 454–59. http://dx.doi.org/10.17721/psk.2019.35.454-459.

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The article is devoted to the life and work of the Polish writer, poet, translator Josef Lobodowski. It represents his biographical information, his relationship with Ukraine and the traditions of this region. Moreover, the poetry collection “Złota hramota” from the point of view of the Ukrainian question becomes the object of the article. The aim of the work is to systematize available information concerning the life and the creative input of the outstanding Pole, who, while living in Kuban, learned the Ukrainian language and fell in love with the Ukrainian culture and poetry. Josef Lobodowsk

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Kravets, Larysa, Galyna Siuta, Tetiana Semashko, and Nadiia Bobukh. "Cognitive-Assessment Content of Zoomorphic Metaphors in Contemporary Ukrainian and English Language Culture a Comparative Aspect." World Journal of English Language 13, no. 6 (2023): 439. http://dx.doi.org/10.5430/wjel.v13n6p439.

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The academic paper highlights the results of studying zoomorphic metaphors of modern Ukrainian linguoculture. Poetic texts of the ХХ - ХХІ centuries were primarily the source base because the language of poetry is the natural medium of metaphor. In poetry, the potential of metaphor is fully implemented. It conveys numerous shades of meaning, and semantic nuances, as well as the purpose of influencing the reader, stimulating his creative imagination, giving aesthetic pleasure, expanding the worldview, involving in co-creation, etc. Publicistic texts containing zoomorphic metaphors were also inc

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KRAVETS, Larysa. "METAPHORS OF MEMORY IN UKRAINIAN POETRY DURING THE RUSSIAN-UKRAINIAN WAR." Culture of the Word, no. 99 (2023): 74–85. http://dx.doi.org/10.37919/0201-419x-2023.99.6.

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The concept of memory is one of the most researched and variously interpreted both in art and in philosophy, therefore reliance on philosophical theories significantly deepens the linguistic study of it in the language of poetry. Scientific and artistic coverage of memory are certainly different, but at the same time they are not devoid of some common features, which is manifested, in one case, in the application of techniques traditional for art in the process of philosophical study, and in the other – in the actualization of philosophical ideas during the creation of images. Expression of th

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Arey, Lelya, and Jessica Zychowicz. "ABOUT THE AUTHOR LELYA AREY. POETRY. MY KING DOES NOT FORGIVE ADULTERY. I LIKE MY LOVE SO MUCH. I’M YOURS TO PLAY YOUR TUNE, MY LOVE." Astraea 1, no. 1 (2020): 144–46. http://dx.doi.org/10.34142/astraea.2020.1.1.09.

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Lelya Arey is a modern Ukrainian writer and poet. She began writing poetry in the 1980s, and prose in the 1990s. Her first poetry was about love in adolescence as a response to amorousness and conflicts between men and women. In addition to the Love Corps, there is poetry dedicated to friendship and poetry dedicated to the birthdays of people within her circle of communication or outstanding events in the lives of these people. Lely Arey's prose is composed of stories and novels. It is important to emphasize that in our journal this is the first publication of Lely Arey's creative work.

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Bondarenko, I. P., and Yu S. Kuzmenko. "ISSUES OF TRANSLATIONAL MASTERSHIP OF TARAS SHEVCHENKO’S POEMS IN THE JAPANESE SLAVIC STUDIES." Shevchenko Studies, no. 1(23) (2020): 30–44. http://dx.doi.org/10.17721/2410-4094.2020.1(23).30-44.

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This article aims to outline main tasks when translating poetry of the Great Kobzar into Japanese. Analytical, biographical, contextual-descriptive and comparative methods were used in the study. In particular, the analytical method is applied when examining the Japanese works related to a poetic heritage of T. Shevchenko and its translations, biographical – when considering some facts from life of the Japanese slavists, which contributed to their interest in works of the Ukrainian poet. The contextual-descriptive and comparative methods are used in analyzing translated collections of the Grea

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Liashenko, I. S. "Motif of Death in Ukrainian-Canadian Poetry." Anthropological Measurements of Philosophical Research, no. 21 (June 30, 2022): 28–37. https://doi.org/10.15802/ampr.v0i21.260316.

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<strong>Purpose</strong> of the research is to study the originality of interpretation of death in the lyrics of Ukrainian diaspora in Canada in the context of the opposition "foreign land – motherland", based on its existential development in philosophical anthropology and culture of the last two centuries. Its implementation presupposes, first of all, analysis of the forms of development and disclosure of the death motif by figurative and artistic means. <strong>Theoretical basis</strong><strong>.</strong> The author uses the well-founded tradition of interpret

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Pieczek, Urszula. "One Poem Closer to the Victory." Tekstualia 4, no. 79 (2024): 103–20. https://doi.org/10.5604/01.3001.0054.8809.

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The aim of this article is to examine the transformations in Ukrainian poetry within the contextof the protracted war with Russia, with a particular focus on the period since 2014. The text considersliterary activities within the framework of decolonization and illustrates how contemporarywar poets continue the literary tradition shaped by prior historical experiences. The article presentsliterary phenomena and specifi c poetic strategies that have emerged in response to current events.In Ukrainian war poetry, there is a continuation of themes related to the Russo-Ukrainian history,which is re

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Smolnytska, Olha. "Mythologems in the Poems by Taras Shevchenko and Vira Vovk: ad Fontes of the Problem." Ukrainian Studies, no. 3(56) (August 26, 2015): 161–70. http://dx.doi.org/10.30840/2413-7065.3(56).2015.249663.

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The article provides a comparative analysis of mythologems in the poetry by Kobzar and Vira Vovk. The development of research of mythopoetics and neomythologism in the modern science is examined. The Ukrainian, Brazilian and Kazakh materials in the works of the writers is compared

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Крупач, Микола. "‚‚Перший” та „другий” поети ‚‚Празько'і школи”: проблема автентичності ‚‚свідчень авторитетних митців”". Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe 1, № 1 (2015): 219–32. http://dx.doi.org/10.15804/pomi201515.

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First” and "second” poets "Prague school”: the problem of authenticity "evidence reputable artists”. For decades, the vast majority of literature theorists link the genesis theme in Ukrainian emigration poetry of 1920-1930’5 with the name Y. Daragan, while at the same time E. lVlalaniuk is considered the greatest poet of the exile. However, today there are no sound scientific studies that would prove the validity of these controversial statements. Often they are allegedly derived from ”evidence of influential artists” of the interwar period : B.I. Antonych and 0. Olzhych, in accordance with th

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Salyha, Taras. "MUNICH CONFESSION OF VOLODYMYR YANIV (dedicated to 110th anniversary of birth)." Polish Studies of Kyiv, no. 35 (2019): 321–33. http://dx.doi.org/10.17721/psk.2019.35.321-333.

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Three major aspects of Volodymyr Yaniv’s life-creativity are described in the article: 1. biographical (his forma- tion as a creative person); 2. literary and art studies; 3. essayistic (author’s stories about the meetings with the perennial rec- tor of UFU). In parallel, there are “plots” about Volodymyr Yaniv as s historian of the church and Christianity, as a religious scholar, about his contacts with the Vatican, and in particular with His Beatitude Josyf Slipyj in the study. We can trace the “odyssey” of a young ascetic of the Galician revolutionary movement for the statehood and the unit

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Оvdiichuk, Lilia. "Anthology of Ukrainian Poetry “Strings” by Bohdan Lepky as a Text in Contextual Reading." Journal of V. N. Karazin Kharkiv National University, Series "Philology", no. 95 (December 30, 2024): 39–44. https://doi.org/10.26565/2227-1864-2024-95-06.

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The anthology of Ukrainian poetry «Strings», compiled by Bohdan Lepky, not only became an important literary phenomenon, a text for reading, but also reflected the aesthetic and cultural aspirations of the era. The relevance of the study is determined by the attention of modern literary studies to the formation of the canon of Ukrainian literature. The anthology as a text is a representative of the "golden fund" of national red literature. It is also timely to identify and analyze the contexts of the creation of this meta-genre. The purpose of the article is to analyze the biographical, histor

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Hryhorchuk, Yuliia. "KYIV AS A SACRED TOPOS IN THE PRIMARY CHRONICLE AND MODERN POETRY." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 17(85) (2023): 271–76. http://dx.doi.org/10.25264/2519-2558-2023-17(85)-271-276.

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The article is devoted to a comparative analysis of the interpretation of the Kyiv’s topos in medieval and modern literary texts. The object of the study is the Primary Chronicle (“The Tale of Bygone Years”) and the poetry of the Ukrainian writer Vira Vovk. This topic has not yet been the subject of scientific analysis, and in the course of modern historical events, it is gaining special relevance. It is noted that in the Primary Chronicle and in the works of Vira Vovk, the image of the capital of Ukraine has the meaning of a special sacred space – the spiritual, historical and cultural center

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Fiialka, Svitlana. "Figurative language of Ukrainian poetry written during the period of full-scale military aggression of the Russian Federation." Synopsis: Text Context Media 29, no. 2 (2023): 114–19. http://dx.doi.org/10.28925/2311-259x.2023.2.8.

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The relevance of the research lies in the need to understand the representation of the phenomenon of war in modern Ukrainian poetry. The scientific novelty of the research results is due to the identification of the means of image creation, with the help of which the wartime poetry reflects the reaction to the full-scale invasion of the Russian Federation and the processes of overcoming the traumatic experience and dismantling of colonial worldview structures and narratives. The heroes of modern poetic works are soldiers, volunteers, refugees, and representatives of different age categories an

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SHCHERBANSKA, M., and Yu KUPCHYSHYNA. "COGNITIVE METAPHORIZATION OF THE CONCEPTS OF LIFE AND DEATH IN ENGLISH POETRY OF THE XIX – XX CENTURIES." Current issues of linguistics and translations studies, no. 24 (June 30, 2022): 59–62. http://dx.doi.org/10.31891/2415-7929-2022-24-12.

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In the article the content and specifics of students’ work with Ukrainian historical dictionaries in the context of the educational paradigm of future lecturers of the Ukrainian language are clarified. This topic is covered in the context of the analysis of educational and professional programs developed and implemented in the educational process by the lecturers of the Department of Ukrainian Philology of Khmelnytsky National University. The presentation of theoretical positions in diachronic linguistics should be based on illustrative material of historical dictionaries of the Ukrainian lang

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TSUCHIDA, K., and D. ANDRIANOV. "Features of Ukrainian translation of the 469th waka poem from the Japanese anthology "Kokin Wakashū" (following the results of the academic conference "Waka poetry around the world")." Bulletin of Taras Shevchenko National University of Kyiv. Oriental Languages and Literatures, no. 28 (2022): 38–42. http://dx.doi.org/10.17721/1728-242x.2022.28.38-42.

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According to the results of the online academic conference "Waka poetry around the world: Viewing reception and transformation of Japanese culture through multilingual translation", an analysis of the Ukrainian translation of the 469th waka poem from the poetic anthology "Kokin Wakashū" (the Collection of Japanese Poetry Ancient and Modern) by I. P. Bondarenko was carried out. It is this translation that is the subject of the presented study. The goal, which was to reveal the peculiarities of the Ukrainian version of the mentioned poem, was achieved due to its comparison with Chinese, English,

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Чуй, Андрій. "Поезія «Молодої Польщі» в об’єктиві українськоголітературознавства ХХІ століття". Волинь філологічна: текст і контекст, № 36 (14 лютого 2024): 36–49. http://dx.doi.org/10.29038/2304-9383.2023-36.chu.

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The article summarizes the achievements of modern Ukrainian literary studies in the field of the “Young Poland”era: modern literary studies of the outlined period are analyzed; the relevant and perspective research directions of study of early Polish modernism are traced. The maintheoretical positions of the selected scientific works are briefly formulated. V. Morenets reveals that Ukrainian Modernism, unlike European (Polish), was unable to depart from folklore culture, although it implemented the themes of love, sorrow and suicidal moods in a new way. T. Tkachuk proves that the significantly

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Pidopryhora, Svitlana, and Victoria Kysil. "POETRY AND FICTION BY MYKOLA VINGRANOVSKYJ IN ENGLISH TRANSLATIONS." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 32 (2022): 58–62. http://dx.doi.org/10.17721/1728-2659.2022.32.11.

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The article examines the poetry and fiction by Mykola Vingranovskyj in English translations. Attention is paid to the chronological sequence of translations, the figures of translators and the works selected for translation, their equivalence to the original. The first translation of M. Vingranovskyj's fiction (the short story "White Flowers") appeared with the assistance of Yu. Lutsky in Canada and aimed at popularizing Ukrainian literature among students. The short story opens the extremely lyrical world of Mykola Vingranovskyj, where the story revolves not around the event, but around the f

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Winiecka, Elżbieta. "Tekstowy wszechświat Leśmiana." Poznańskie Studia Polonistyczne. Seria Literacka, no. 27 (November 17, 2016): 309–22. http://dx.doi.org/10.14746/pspsl.2016.27.15.

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The article discusses Żaneta Nalewajk’s book Leśmian międzynarodowy. It presents the Leśmian’s work read in the context of the work of Poe, Ukrainian folklore, Ruthenian perennials as well as French and Russian symbolism. The author takes note of the numerous qualities of the dissertation. She is pointing at several advantages of this work; its analytical reliability and the methodological consequence. The author shows also on the important position of the publication in the research on the poetry of Bolesław Leśmian. She notices one essential lack which is an omission of important continuatio

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ANDRIANOV, Dmytro. "SYMBOLISM IN LITERATURE AS A TOOL FOR RESILIENCE: CULTURAL NARRATIVES OF TRAUMA AND HOPE IN TIMES OF CRISIS." Проблеми гуманітарних наук Серія Філологія, no. 60 (March 12, 2025): 9–16. https://doi.org/10.24919/2522-4565.2024.60.1.

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Summary. Symbolism in literature during wars and crises preserves national identity, restores psychological balance, and facilitates collective trauma processing. The study explores symbolism in literature as a tool for shaping cultural narratives and addressing collective trauma during wartime. Focusing on Korean poetry during Japanese occupation (1910–1945), the works of Han Yong-un and Kim Sowol are examined as forms of resistance, hope, and resilience. Parallels are drawn to contemporary Ukrainian literary practices amidst ongoing conflict. The research employs literary analysis, comparati

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Danylyuk, Nina. "Bibliyni slova-obrazy v tekstakh ukrayinsʹkykh narodnykh pisenʹ". Studia Ucrainica Varsoviensia, № 8 (31 серпня 2020): 41–59. http://dx.doi.org/10.31338/2299-7237suv.8.3.

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The article investigates the fi gurative language (words) of the biblical origin such as God, Jesus Christ, God’s Mother and other that obtained new national cultural meanings and became ethnologemes in the texts of Ukrainian folklore. The research is conducted on the basis of a great number of reference texts, written down mainly in the 19th – beginning of the 20th centuries. It was found out that the texts of oral lore are linguo-aesthetic signs of ethnic culture refl ect a mode of thinking of a nation at diff erent historical periods. It was pointed out that modern authors understand the me

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Павлюк, Ігор. "До питання про світоглядні основидавніх українських поетичних текстів". Українська література: історичний досвід і перспективи, № 3 (24 серпня 2024): 4–17. http://dx.doi.org/10.31652/3041-1084-2024-3-01.

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World humanitarian science, despite various blurred formulations, generally distinguishes three worldviews — positivist, metaphysical, and religious — each encompassing various arts and technologies, including poetry, which can be seen as the music of the Logos. Poetry serves as a verbal manifestation of the soul’s energy, spirit, beauty-harmony, and unity with the Universe, often symbolized through words. These worldviews evolve, transforming and crystallizing into specific signs, symbols, and codes, ultimately aiming to become myths — either a minor myth (legend) or a major myth (fairy tale

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Mtchedeladze, Ivane. "THE POETRY OF TARAS SHEVCHENKO IN THE LITERARY-CRITICAL AND TRANSLATOLOGICAL STUDIES OF RAUL CHILACAVA: THE FORMATION OF A TRANSNATIONAL LITERARY FIELD." Shevchenko Studies, no. 1 (27) (2024): 5–23. https://doi.org/10.17721/2410-4094.2024.1(27).2/5-23.

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B a c k g r o u n d . The article examines the latest Georgian scientific-critical, translated and fiction literature (poetry) about Taras Shevchenko, belonging to the modern bilingual poet, translator and scientist Raul Chilachava. Particular attention is paid to the newest bilingual collection "My Thoughts", the extensive preface and translations of which represent an important fact in the history of Georgian-Ukrainian literary relations of the post-colonial period. R e s u l t s . For analysis, the article uses many concepts of translation studies and comparative studies, cultural studies –

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Siuta, Halyna. "The precedent study of I. Kotlyarevsky's word." Culture of the Word, no. 91 (2019): 46–56. http://dx.doi.org/10.37919/0201-419x-2019.91.4.

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The article deals with the problem of reinterpretation of quotes which Ukrainian literary language and contemporary Ukrainian communicative practice adopted from Ivan Kotliarevs’kyj’s texts. From the point of view of methodology modern interpretation of Kotliarevs’kyj’s precedent statements envisages the understanding of national philosophy and intertextual openness of his poetry. The heuristic value of supervision sabove the using of such quotations in contemporary language practice is related to their study as active units of living Ukrainian communication in different functional spheres. Th

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Ivanytska, Maria. "UKRAINIAN EMIGRE TRANSLATORS’ ACTIVITY IN WEST GERMANY AFTER WORLD WAR II." Polish Studies of Kyiv, no. 35 (2019): 150–60. http://dx.doi.org/10.17721/psk.2019.35.150-160.

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The article provides an insight into the work of cultural activists in Germany in the post-war decades. It delineates the following groups of translators and popularizers of Ukrainian literature in West Germany: 1) German speakers: Halychyna descendant Hans Koch and Elisabeth Kottmeier, the wife of the Ukrainian poet Igor Kosteckyj; 2) the Ukrainian scholars who began their activity before the war: Dmytro (Dimitrij) Tschižeswskij, Iwan Mirtschuk; 3) representatives of the younger wave of emigration – Jurij Bojko-Blochyn, Olexa and Anna-Halja Horbatsch, Igor Kostetskyj, Mychahlo Orest, Jurij K

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Pavlenko, Yuliia. "The motive of the freedom in the intertextual dimension of Ukrainian poetry: a dialogue of «Khatian» poets with H. S. Skovoroda." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 15, no. 26-27 (2022): 164–71. http://dx.doi.org/10.34079/2226-3055-2022-15-26-27-164-171.

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The article examines the motif of freedom in the poetry of the "Ukrainska Khata" journal in the intertextual space with "The Garden of Divine Songs" by H. S. Skovoroda. Having selected the poetic works published in the "Ukrainska Khata" journal, it was found that the motif of freedom appears in its polysemantic expression in the poetry of the following authors: Maksym Rylskyi, Pavlo Tychyna, Oleksandr Neprytskyi-Hranovskyi, M. Dontsiv, O. Nedolia, Yakiv Mamontov, Sydir Tverdokhlib, Mykola Voronnyi, Oleksandr Oles, Khrystyna Alchevska, Hryhorii Chuprynka, Mykola Filianskyi. The following themat

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MAKARETS, Iuliia. "MODERN GAME WITH THE NORM: LANGUAGE SPACE OF UKRAINIAN POETRY OF THE END OF THE 20TH AND THE BEGINNING OF THE 21ST CENTURY." Ezikov Svyat (Orbis Linguarum), ezs.swu.v20i2 (May 30, 2022): 282–92. http://dx.doi.org/10.37708/ezs.swu.bg.v20i2.13.

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The article tries to analyze the linguistic space of the Ukrainian poetry of the end of the 20th and the beginning of the 21st century. Its purpose is to trace tendencies in the language behavior of the Ukrainian poets of the period, especially in the treatment of the language norm. The new cultural situation caused mixing in texts of linguistic features of different social groups. Poetry, which used to be the sphere of refined language, now is filled with abnormal and deviant units. Kitsch, chaos, and destruction, which guided the poets of this period, are manifested in the destruction of the

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Kryzhanovska, Olha. "Psalms of David in the poetic reception of Наnna Haivoronska". Bulletin of Luhansk Taras Shevchenko National University, № 6 (365) (2024): 68–72. https://doi.org/10.12958/2227-2844-2024-6(365)-68-72.

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The article examines the creative reception of the modern Ukrainian poetess Наnna Haivoronska 's psalms of David. It has been found that the Book of Psalms of David is a unique work for the history of mankind. Many authors imitate the Book of Psalms. Most of the psalms belong to King David. The Psalms are the most popular part of the Old Testament. In Ukraine, the Book of Psalms is better known by another name – Psalter. The author of the scientific article writes that the psalm genre is often called a phenomenon. Because it shows the reception of the Bible by many authors of different times.

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YERMOLENKO, Svitlana. "Word and memory of Ivan Drobnyi." Culture of the Word, no. 96 (2022): 7–26. http://dx.doi.org/10.37919/0201-419x.2022.96.1.

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The author of the article explores the individual linguistic style of Ivan Semenovych Drobnyi, a writer of the Sixties from Cherkasy region, in particular the language of his poetic texts. It is determined that the poet’s style represents the linguistic aesthetics of Ukrainian literature of the second half of the twentieth century, and the stylistic feature of I. Drobnyi’s language thinking reveals the connection of verbal associative images with realities, phenomena of Ukrainian nature, history of the native land, environmental problems and the inner world of a person in love with his land. T

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