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Journal articles on the topic 'Modern Urdu poem'

Author: Grafiati

Published: 7 June 2025

Last updated: 2 August 2025

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1

Dr Irum Saba and Dr Sanam Shakir. "CONTEMPORARY URDU POEM & CHAOS." Tasdiqتصدیق۔ 4, no. 2 (2022): 98–107. http://dx.doi.org/10.56276/tasdiq.v4i2.113.

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Problems and challenges of the modern era are the main sources to affect the human mind and soul. A poet is a sensitive person in society, he realizes, analyzes, and judges the issues of their era and these topics became a pivotal part of their poetry. Literature has a deep relation with society. The major expression found in Urdu poems is anger, grief, and distress over the devastation and destruction in Pakistan and all over the world, especially in the Islamic world. There is always a fear of 3rd world war which fills the mind with terror and a sense of insecurity that prevails around the g

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Perveen, Rukhsana. "The Poet of Modern Urdu Poem Akhtar Hussain Jaffri: A Review." Makhz 2, no. I (2021): 277–88. http://dx.doi.org/10.47205/makhz.2021(2-i)21.

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Neel Zahra and Maryam Batool. "A THEMATIC AND ARTISTIC ANALYSIS OF M. SALEEM U REHMAN’S POEM “HOSPITAL”." Kashf Journal of Multidisciplinary Research 2, no. 01 (2025): 1–9. https://doi.org/10.71146/kjmr180.

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In the literary genres of Urdu poetry, ghazal and poem (nazm) are included. The ghazal is characterized by thematic diversity, while the poem is primarily distinguished by structural diversity. Although the ghazal has embraced new themes, no significant change in its structure is possible. In contrast, the poem shows innovation not only in its themes but also in its structure. In modern Urdu poetry, “azad nazm” (free verse) holds special importance. Due to the freedom of structure in free verse, it exhibits both intellectual diversity and stylistic innovations. Saleem U Rehman is a prominent n

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4

YAQIN, AMINA. "Truth, Fiction and Autobiography in the Modern Urdu Narrative Tradition." Comparative Critical Studies 4, no. 3 (2007): 379–402. http://dx.doi.org/10.3366/e1744185408000086.

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From its various beginnings in the nineteenth century and ever since the rise of print capitalism on the Indian subcontinent, the Urdu novel has become a prime medium of expression for writers seeking to fuse the narrative traditions of both the East and the West. As a hybrid genre which took shape during the nineteenth century, the Urdu novel's early beginnings were associated with the theme of historical romance; this eventually gave way to the influence of realism in the first half of the twentieth century. By and large, the Urdu novel incorporates influences encompassing the fantastical or

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Itrat, Batool, та Bibi Rizwana. "اختر عثمان کی نظم "ملہار" کا اسلوبیاتی مطالعہ". AL-MISBAH research journal 4, № 3 (2024): 39–49. https://doi.org/10.5281/zenodo.13923209.

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<strong>ABSTRACT</strong> Akhtar Usman is a renowned name of modern Urdu poem. He is a representative of classical traditions and also a guardian and bearer of new style. He is aware of the art of protecting himself from the flaws and shortcomings of the modern style because of his study about classical traditions of poetry. Due to deep insight of classic, Akhtar’s intellectual structure is energetic and stable. He successfully saves the ground from the process of poetry destruction in the name of innovation. Even if he composes a poem on a traditional topic, he maintains innovation and

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Sabir, Tahira, and Dr Naheed Qamar. "Ali Farshi's Poem and Archetype." Noor e Tahqeeq 8, no. 03 (2024): 130–47. http://dx.doi.org/10.54692/nooretahqeeq.2024.08032250.

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Archetype is a term in psychology and anthropology; this is a combination of conscious and unconscious; with the help of this unconscious, all nations are connected. It is the reason for the creation of myths, giant beads, symbols, and folk stories. This world is the world of the archetype in as much as it contains nothing that is not an archetype. It could indeed be said that most of the problems of modernity result from ignorance of archetypes. A man should therefore understand what that means because, without such understanding, he would fail to understand himself. It is a term that is also

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Shumaila Naz, Tahira Rubab та Uzma Bukhari. "برصغیر پاک و ہند میں میں آزاد اردو نظم اور مغربی طرز کی جدت کی تشکیل میں عظمت اللہ خاں کا کر دا رAzmatullah Khan's role in Shaping the Free Verse and Western Style Innovation in Urdu Poetry of Ind-o-Pak Subcontinent". Al-Qamar 7, № 4 (2024): 92–106. https://doi.org/10.53762/tty66e10.

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Muhammad Azmat -ul -Allah Khan (1887-1927) is well known geet nigar in urdu history. In critical history of urdu, he is known as dissident of Ghazal. He is remembered to bring change in the meter of urdu poetry. He was an examplary prose writer. His poem and prose both carry variety of theme and contant. He is Known for his modernistic poetry and prasodic expermentations with Urdu poetry. His book Sureelay bol and its preface is an epilome of modern urdu poetry. But article illuminates a hiding aspect of his literary work i.e his role in the formation of Azad Nazam as a lyricist. This article

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Umar Khan Awan and Dr. Saima Nazir. "The Beginning And Trend Of Vagueness In Urdu Poetry." Dareecha-e-Tahqeeq 4, no. 4 (2023): 20–23. http://dx.doi.org/10.58760/dareechaetahqeeq.v4i4.144.

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In this research paper, an attempt has been made to understand the beginnings of ambiguity in modern Urdu poetry and to understand it as a phenomenon. The ambiguous narrative of the modern poem has been debated in the literary world for decades. In the movement of linguistic formations that started in the sixties, an attempt was made to express a new poetic expression by completely deviating from the tradition. The intellectual and stylistic changes in poetry during this period gave rise to serious problems of ambiguity in modern poetry. The movement of linguistic formations died out within a

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Dr Mukhtar Ahmad Azmi and Haider Ali. "The Lament of the Decline of the Ummah in Modern Urdu Naat." Noor e Tahqeeq 9, no. 01 (2025): 40–49. https://doi.org/10.54692/nooretahqeeq.2025.09012317.

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Time is a mysterious and divine secret, explored by philosophers for centuries without a definitive answer. According to Allama Iqbal, the cycle of day and night defines life and death. The golden era of history was the time of the Holy Prophet (PBUH), followed by the Rightly Guided Caliphate. However, decline set in with monarchy and dynastic rule. For the past two centuries, Muslims have faced continuous downfall. In Naat poetry, alongside praising the Prophet (PBUH), poets have expressed sorrow over the Ummah’s decline. Hali’s Musaddas laments, "O special messenger, it is time for prayer."

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Dr Wasim Abbas Gul, Rashid ul Haq, and Hina Naseem. "A CRITICAL REVIEW OF THE GHAZAL OF JOSH MALIHABADI." Tasdiqتصدیق۔ 4, no. 2 (2022): 55–70. http://dx.doi.org/10.56276/tasdiq.v4i2.108.

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Josh Malih Abadi's name has a unique place in the history of Urdu literature as a shining and brilliant chapter in terms of poetic aspects and creative energy. While Josh is a poet with a lively heart and mind and an open eye. With its free nature and a vast sea of words and phrases. Like the great poets, his style of using words and phrases is unparalleled and unique, and his great place in Urdu poetry is established with all distinctions. Josh wrote modern and ancient Ghazal like Hali and if there is anything wrong with the Ghazal, he tried to write it in a new style. It is as if Josh claime

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Shazada Muntazir Mehdi and Dr. Prveen Akhtar Kallu. "Saba Akbarabadi and Thematic Threnodes(Marsiya)." Dareecha-e-Tahqeeq 4, no. 2 (2023): 59–68. http://dx.doi.org/10.58760/dareechaetahqeeq.v4i2.120.

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Saba Akbarabadi is seen as a bright star in the sky of Threnodes. Although he is the author of more than three hundred ghazals, he is best known for writing naats and threonodes. Like Josh Malihabadi, Saba Akbarabadi embellished the Threnodes with modern themes and shaped the Threnodes into a poem that represents the literature of life. The themes that Saba has included in the theranods and discussed their importance and nature in a poetic, philosophical and intellectual manner, this kind of creation is rarely seen in Urdu theranods. Among the themes that Saba chose are wind, dust, humans, mig

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Yaseen, Dr Muhammad, Dr. Abdul Rauf, and Altaf Anwar. "The Representation of Socio-cultural Aspects in Atta Shad’s Poem “Shepank/Shepherd” and “Dil Greet O Shap Naret/ Heart Weeps and Night Moans”." International Journal of Social Science & Entrepreneurship 2, no. 2 (2022): 506–19. http://dx.doi.org/10.58661/ijsse.v2i2.87.

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Shad was a poet, critic, playwright, researcher and an intellectual. In beginning he wrote poetry in Urdu and later in the Balochi language. Shad is considered the architect of modern symbolic Balochi poetry. He was inspired by the tutelage of Faiz Ahmed Faiz but soon felt the need to evolve his own style of poetry. His marvelous style gave him a prominent place in the literary quarters. His poetries are whole which cover all the aspects of Baloch Society. Hence, his poetries not only delight the readers but represent the socio-culture, economic life and many social problems of everyday life.

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Dr. Arshad Mohmood Malk and Hafiz Muhammad Saqib Niaz. "Role Of Meera Ji And Majeed Amjad In The Foundation Of Modern Urdu Poetry." Dareecha-e-Tahqeeq 3, no. 4 (2023): 22–29. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i4.79.

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Majeed Amjid and Meera Ji are pioneers of the modern school of poetry. Both are prominent and influential persons in the modern era of poems in Urdu literature. They have introduced new tech techniques and styles in the field of poems, which diverted ate the nation of new poets towards new thoughts and ideas in this field. Being modern iconic poets, they portrayed human nature and introduce new tones and unique styles of ambiguity to express outer and inner feelings. They are creative multiband i- directional and know all the ways to convey their feelings through modern urdu poems. We will exp

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Shaheen, Dr Wajeeha, and Dr Qamar Abbas. "Dr. Tahir Taunsvi’s Composition of Poems." DARYAFT 15, no. 01 (2023): 69–86. http://dx.doi.org/10.52015/daryaft.v15i01.308.

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Dr. Tahir Taunsvi is a distinguished researcher, critic and poet of Urdu language and literature. The most important aspect of his literary work is based on research and criticism. He made useful contributions in the field of Urdu poetry as well. His poetry book was published by “Bazam e Elam o Fun Pakistan” in 2001 AD. This book consists of impressive poems, poetics , “Hamd”, “Naat”, “Manqabat” and “Slaam”. His poems connect the readers to the tradition of Urdu poetry. It also reflects the modern themes and style. In his poems he expresses great love for Prophet Muhammad (PBUH), his sacred fa

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Dr. Arshad Mahmood Nashad. "Modern Publication Of "Kuliyat-i Mohsin Kakurvi": Review And Trial." Dareecha-e-Tahqeeq 4, no. 4 (2023): 1–19. http://dx.doi.org/10.58760/dareechaetahqeeq.v4i4.143.

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Na’at is a distinguished poetry genre of Urdu literature. It started from the early days of Urdu poetry, but the early Na’at of Urdu could not get a gender identity despite the devotion and respect. Mohsin Kakurvi is the first poet of na’at who gave formal gender identity to na’at. His entire Na’atiya poetry was compiled by his worthy and scholarly son Maulvi Nurul Hasan. This Kulliyat was first published in 1905 after the death of Mohsin Kakurvi. Subsequently, a couple of photocopied editions were published. Despite this, it was always in demand but its availability remained difficult.Recentl

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Dr. Uzma Noreen, Dr. Nazia Sahar, and Dr. Syed Azwar Abbas. "Thematic Diversity In Majeed Amjad's Poetry." GUMAN 8, no. 1 (2025): 70–75. https://doi.org/10.63075/guman.v8i1.889.

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Majeed Amjad (1914-1974) from Jhang was a leading Urdu poet. He gave Urdu poetry a style of modern themes and played an important role in bringing it closer to world literature with his simple but profound imagination. Among the first generation of poets who made their impact on Urdu poetry after the establishment of Pakistan, Majeed Amjad's name comes first. Especially in the tradition of Urdu poetry, he added some colors that belong only to him. Majeed Amjad's ghazals also have their own special mood, but he was basically a poet of poetry. He started his literary life as the editor of Jhang'

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Muhammad Nazir, Zulfiqar Ali, Zulfiqar Ali, Muhammad Hasssan, and Syed Sadaqat Ali. "The Artistic and Intellectual Analysis of Zamir Masloob in Modern Urdu Poetry." GUMAN 7, no. 4 (2024): 27–38. https://doi.org/10.63075/guman.v7i4.861.

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Urdu poetry's second most celebrated genre, after ghazal, is nazm. This eloquent genre expresses various themes, with poets conveying their thoughts under a title, without adhering to traditional weight or rhyme.Nazm originated in Deccan and later flourished in North India. Initial poets included Khwaja Bande Nawaz Gisudaraz, Amir Khusrow, and Nazir Akbarabadi. The 1857 Indian Rebellion sparked modern nazm's growth, influenced by Western ideas and new emotional currents. Maulana Muhammad Hussein Azad and Altaf Hussain Hali introduced natural poetry through the Punjab Association movement in 18

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عظمیٰ نورین та محسن خالد محسنؔ. "A critical review of the interpretations related to "The Story of Yusuf and Zuleikha" in the Ghazals of eloquent poetry اَساتذہ سخن وراں کی غزلیات میں" قصہ یوسف و زلیخا "سے مُتصل تلمیحات کاناقدانہ جائزہ". GUMAN 6, № 4 (2023): 443–57. https://doi.org/10.63075/guman.v6i4.678.

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The poets in the "Ghazal" genre of Urdu poetry have been relatively more interested in religious stories. From the Deccani period to the modern era, the natural inclination of the poet can be seen in these stories. With the well-known industry of science and innovation, it has been described in poems through hints, which has increased the importance of these stories. The story of "Yusuf Vazlekha" is also related to this poetic tradition, whose presence can be felt in the literature of languages around the world. In this paper, the explanations related to the story "Yusuf wa Zalekha" have been

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Dr., Shahab ud Din, Taqwim ul Haq Dr., and Muhammad Sulaiman Dr. "Analytical Study of Asad Muhammad Khan's Poems." Al-Azhar 9, no. 1 (2023): 226–41. https://doi.org/10.5281/zenodo.8196529.

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<em>Asad Muhammad Khan is one of the modern poets. The number of his poems and songs is not much, but well written. Like Ghalib, He chose selected poetry and received appreciation from critics. Along with different experiences of structure, the colorfulness of the themes brings him to the ranks of modern poets. He has created poems mostly in symbolic and allegorical terms. He paints every subject related to life in his own individual color. He utilized Free and Blank verse as a mean of expressing his feelings. Sooraj, Saagar, Aiman, Albatross, Harmony, Ghora, he experimented on every topic and

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Kaleem, Nadia. "Critique of Colonialism and Cultural Imperialism in Selected Poems of Tanveer Anjum from Nai Zaban Kay Huroof Alphabet of a New Language." International Journal of Trends and Innovations in Business & Social Sciences 2, no. 3 (2024): 375–82. http://dx.doi.org/10.48112/tibss.v2i3.861.

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Postcolonial complexity of thought is an integral discourse in Pakistani writers’ works. Tanveer Anjum is a contemporary Pakistani Urdu poetess and her poetry is perceptive of personal, social and political concerns of modern times. In a postcolonial country, the colonial past is never detached from the common consciousness and the unending imperialism and post war traumas are part of its subjects’ collective memories. Five poems are selected from her recent collection of Urdu poetry, Nai Zaban kay Huroof (Alphabet of a New Language) for the postcolonial analysis. The poems are: ‘Interview’, ‘

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Muhammad Ahmed Awan and Abdul Khalique. "An Analytical Study Of Aagha Hashar's Poetry." Dareecha-e-Tahqeeq 4, no. 3 (2023): 74–79. http://dx.doi.org/10.58760/dareechaetahqeeq.v4i3.142.

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Aagha Hashar Kashmiri is a renowned poet and dramatist. He is considered one of the pioneers of Modern Urdu theater and his work is known for his poetic language in his dramas. He also wrote many poems i.e. "Shukariya Europe", Moj-e-Zam Zam, Eid Mubarak, Sultan tipu and so on. His poetry has Romanism, socialism, alcoholism, sarcasm, humour and vulgarity. Romanticism was inherent in his poetry and beauty was part of his nature. That is why his poetry is full of romanticism. The essence of speech is prominent in his poems and songs. Imagination, figure carving, subtle elegance, informality, crea

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Dr. Uzma Noreen, Dr. Nazia Sahar, and Dr. Syed Azwar Abbas. "Thematic Diversity In Majeed Amjad's Poetry." GUMAN 8, no. 1 (2025): 70–75. https://doi.org/10.63075/guman.v8i1.890.

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Majeed Amjad (1914-1974) from Jhang was a leading Urdu poet. He gave Urdu poetry a styleofmodern themes and played an important role in bringing it closer to world literature withhissimple but profound imagination. Among the first generation of poets who made their impact onUrdu poetry after the establishment of Pakistan, Majeed Amjad's name comes first. Especiallyinthe tradition of Urdu poetry, he added some colors that belong only to him. MajeedAmjad'sghazals also have their own special mood, but he was basically a poet of poetry. He startedhisliterary life as the editor of Jhang's newspaper

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Badar, Rukhsana, and Sadaf Naqvi. "Urdu-12 Persian Elements in Iftikhar Arif’s Religious Poetry: An Analysis." Al-Aijaz Research Journal of Islamic Studies & Humanities 5, no. 2 (2021): 157–64. http://dx.doi.org/10.53575/urdu12.v5.02(21).157-164.

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"Iftikhar Arif has beautifully presented the problems of the modern age in Nazm and Ghazal. He has coined nice Persian structures to depict contemporary sensibility, consciousness and internal emotions. These structures have the name of their creator stamped on them. He has extensively used Persian words and structures in his Nazms and Ghazlas. Many beautiful Persian structures are found in the verses of his Nazms, Ghazals and Couplets on the topics of Dua and Hamd. Iftikhar Arif’s attachment with Urdu Classic poetry and Persian language is also evident from the names of his books on poetry. E

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Muhammad, Nazir, Ali Zulfiqar та Sadaqat Ali Syed. "شاہد نقوی کی غزل گوئی کا تجزیاتی مطالعہ". AL-MISBAH research journal 4, № 3 (2024): 50–63. https://doi.org/10.5281/zenodo.13923218.

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<strong>ABSTRACT</strong> The ghazal, which evolved from the ode, has developed with remarkable distinction and thematic diversity, making it a crown jewel of Urdu poetry. Considered the pride of Urdu poetry, the ghazal has always been popular across different eras. It has continued to evolve from its beginnings with poets like Amir Khusro, Wali Deccani, Mir Taqi Mir, and Mirza Ghalib up to the present day. Among these poets is Shahid Naqvi, who has explored various forms of Urdu poetry, including the ghazal. Shahid Naqvi was a notable poet, known for his elegies, salutations, and ghazals. Fol

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DR. SYEDA TAYYABA RUBAB. "Moulana Hali’s Reformic Thought and Iqbab’s Poetry: Analytical Study." DARYAFT 17, no. 01 (2025): 50–56. https://doi.org/10.52015/daryaft.v17i01.417.

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Moulana Altaf Hussain Hali was a legend literary person. He freed the Urdu ghazal from old themes and introduced it to the larger scope of the diverse segments of life. He was a reformer, who pioneered modern literary attitude in Urdu literature. His poetic vision guided him about the literary revolution in Urdu. He recalled the religious, political and cultural history of Muslims and compared it to present. He wanted to aware the Muslims of subcontinent. Being the companion of Sir Syed Hali was diplomatic but after all he felt the serious and miserable condition of Muslim community in subcont

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Dr. Tahira Inaam and Fatima Jalal. "SCIENTIFIC THOUGHTS IN MODERN NAAT." Tasdiqتصدیق۔ 4, no. 01 (2022): 36–53. http://dx.doi.org/10.56276/tasdiq.v4i01.87.

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Naat is a genre of poetry, traditionally enriched with the feelings of love and affection for Holy Prophet Muhammad (P.B.U.H), which has long been a way from a modern sensibility that has been invested in it by Allama Muhammad Iqbal. Iqbal, having sound knowledge of modern theories and scientific discoveries, introduced a new flavour of Naat. His Naatia Verses are a beautiful combination of traditional and nontraditional contents. He was the first poet who described the scientific implications of Mairaaj in many of his poems, verses and couplets.  Under the influence of Muhammad Iqbal, a

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Dr Muhammad Mohsan. "THEMATIC SIMILARITIES BETWEEN IQBAL AND HIS CONTEMPORARY POETS." Tasdiqتصدیق۔ 4, no. 2 (2022): 127–38. http://dx.doi.org/10.56276/tasdiq.v4i2.110.

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Iqbal was a great poet of modern Urdu poetry and his contemporary poets directly accepted his influence. Iqbal's poems were published in Sir Abdul Qadir's magazine "Makhzn", so he gained fame very quickly. His contemporary poets started imitating his themes and styles when he became famous. In the beginning, Iqbal made the phenomena of nature the subject of his poems. His contemporary poets have also presented the beauty of nature in their poetry. Soon Iqbal changed his direction of thought and awakened the consciousness of the nation. When Iqbal started patriotic, national, and reformist poet

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Chelnokova, Anna V., Artur N. Makhlaiuk, and Julia A. Dubrovina. "Perception of Secular/Inclusive Nationalism in the Context of 2019–20 Anti-CAA Protests in India (Based on the Literary Material)." Vestnik of Saint Petersburg University. Asian and African Studies 14, no. 2 (2022): 352–65. http://dx.doi.org/10.21638/spbu13.2022.212.

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At the end of 2019 and in early 2020, there were large-scale protests in India against amendments to the Citizenship Act 1955. They touched upon an important issue for Indian society — the issue of religion. Many protest actions were characterized by appeals to various forms of art, including poetry. We analyze the perception of secular or inclusive nationalism in the context of the 2019–2020 protests through the prism of the most popular poetic works that were recited at various venues. We present an overview of the problem of secularism in modern India, which is necessary to understand the m

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Mirza Sibtain Beg. "Feminist Perspectives in the Poetry of Parveen Shakir." Creative Saplings 3, no. 12 (2024): 70–82. https://doi.org/10.56062/gtrs.2024.3.12.823.

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Parveen Shakir has remarkably evolved the cult status in the annals of Modern Urdu poetry. She was a professor, poet, a journalist and a Pakistani beaurocrat. She is an indefatigable poet, who gives vociferously a vent to her own feelings, emotions, life experiences, and her relationship with her husband, and son in general and society in particular through poetry in an ebullient way. Her excellent and spectacular oeuvre includes Khushbu (Fragrance) (1976), Sad Barg (Marigold) (1980), Khud Kalami (Talking to self) (1981), Inkar (Denial)(1994), and Mahe- Tamam (Full Moon) (1980) et al. She left

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Dr., Mohammad Osman Pasha. "Indo-Iran relations with special reference to Hyderabad in the glimpses of archives." उदयगिरी - बहुभाषिक इतिहास संशोधन पत्रिका (Udayagiri Bahubhashik Itihas Sanshodhan Patrika - A Bimonthly, Refereed, & Peer Reviewed Journal of History) 01, no. 03 (2023): 05–10. https://doi.org/10.5281/zenodo.8334915.

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<strong>Indo-Iran relations with special reference to Hyderabad in the glimpses of archives</strong> <strong>Dr. Mohammad Osman Pasha</strong> Assistant Professor, PG & Research Department of History, Islamiah College (Autonomous) Vaniyambadi, Tamil Nadu 635752 India <em>Corresponding author E-mail</em>: osmanpashaou@gmail.com Received: 17 July, 2023 | Accepted: 28 July, 2023 | Published: 03 August, 2023 <strong>Abstract</strong> Archives being a treasure house of the past material (documents) Sir Hilary Jenkenson defines a "Document" as a manuscript (hand written), type script,

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Casadei, Maria. "Shāʽir aur Barsāt". Urdu Studies 4, № 1 (2024). https://doi.org/10.5281/zenodo.13292392.

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This Dakhni Urdu is an Indo-Aryan language spoken in the Deccan region of India, especially in the states of Maharashtra, Andhra Pradesh, Telangana, Tamil Nadu, Karnataka, and Kerala. This variety of Urdu, which developed in the Deccan from the 14th century, is the result of the language contact between Urdu and Dravidian languages spoken in South India. It flourished as a literary vehicle during the 14th and 15th century and, following the conquest of Deccan by Mughals in 1687, it saw a rapid decline that constrained it to the oral form. Nazīr Aḥmad Dahqānī (1908-1949) is one of the most prom

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Hashmi, Arshad. "Zer-e-CharKh-e-Kuhan and other poems by Shafiq Fatima Shera (1930-2012)." June 5, 2023. https://doi.org/10.5281/zenodo.10976473.

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Abstract:

Shafiq Fatima Shera’s (1930-2012) poems embody a singular voice in modern Urdu poetry. Born in Nagpur, and educated in Aurangabad, sheresided in Hyderabad where she taught at a college. She authored four collections of poetry, but her entire poetic oeuvre is gathered under thetitle, “Silsila-e-Makalamāt”, published in 2006. Often drawing from Arabic and Persianate cultural traditions, her poems unfold a layered complexity at both, thematic as well as expressive strata. Abounding in rich metaphors as well as textured imagery, the lexical as well as imaginative fabric of her po

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