Academic literature on the topic 'Modernism and Postmodernism'

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Journal articles on the topic "Modernism and Postmodernism"

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Ismail, Yusuf. "Postmodernisme dan Perkembangan Pemikiran Islam Kontemporer." Jurnal Online Studi Al-Qur an 15, no. 2 (July 31, 2019): 235–48. http://dx.doi.org/10.21009/jsq.015.2.06.

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Modernism and postmodernism were born from mainland Europe and America. This philosophical thought penetrated religious issues. Postmodernism was born as an attempt to understand social conditions and phenomena, the term postmodernism appeared for the first time in literature in 1939. In the context of religion, Postmodernism in its aim so that religious understanding does not fall into the system of totalitarian interpretation in a religious context and the context of social systems, economics, culture, and politics. The topic of Postmodernism in this paper is presented based on its actuality and to stimulate our thinking which is generally still oriented to modern or even traditional concepts. By studying this relatively new concept we will be confronted with the basic question of which philosophical thinking results have correlation values ​​and relevance to the development and demands of contemporary society, not which ones are theoretically correct. The statement confirms the relativity of reason. The realm of absolute truth is not in humans, absolute truth is from and belongs to God. Keywords: Postmodernism, Contemporary Islam, Moderism Abstrak Modernisme dan postmodernisme lahir dari daratan Eropa dan Amerika Pemikiran filosofis ini merambah ke persoalan keagamaan. Postmodernime lahir sebagai usaha memahami kondisi dan fenomena sosial, istilah postmodernisme muncul untuk pertama kalinya dalam sastra pada tahun 1939. Dalam konteks keagamaan, Postmodernisme dalam bertujuannya agar faham keagamaan tidak jatuh pada sistem tafsir totaliter tunggal dalam konteks keagamaan dan dalam konteks sistem sosial, ekonomi, budaya dan politik. Topik Postmodernisme dalam tulisan ini disajikan berdasarkan pada aktualitasnya dan guna merangsang pemikiran kita yang pada umumnya masih berorientasi pada konsep-konsep modern atau bahkan tradisional. Dengan mempelajari konsep yang relatif baru ini kita akan dihadapkan pada pertanyaan dasar tentang hasil pemkiran filsafat yang manakah yang mempunyai nilai korelasi dan relevansi dengan perkembangan dan tuntutan masyarakat kontemporer, bukan yang manakah yang benar secara teoritis an sich. Pernyataan tersebut menegaskan relativitas kebenaran nalar. Wilayah kebenaran mutlak bukan ada pada manusia, Kebenaran mutlak adalah dari dan milik Tuhan. Kata kunci: Postmodernisme, Modernisme, Pemikiran Islam
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Kudiņš, Jānis. "Latvian Music History in the Context of 20th-century Modernism and Postmodernism. Some Specific Issues of Local Historiography." Musicological Annual 54, no. 2 (November 15, 2018): 97–139. http://dx.doi.org/10.4312/mz.54.2.97-139.

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Do the terms “modernism” and “postmodernism” objectively characterize the trends in the music history of the 20th century or are they merely theoretical abstractions? How can they be applied to the music history of specific countries, for example, when analysing a local historical experience? The article will consider these questions primarily to focus on the representation of the modernist and postmodernist aesthetics in the stylistic developments of the 20th-century Latvian music history.
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Shams, S. M. Riad. "Modernism to Postmodernism." International Journal of Customer Relationship Marketing and Management 4, no. 3 (July 2013): 44–56. http://dx.doi.org/10.4018/jcrmm.2013070103.

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Underlying the 4Ps marketing principle, and with the transdisciplinary input, Relationship Marketing (RM) has evolved as a fundamental concept to respond to the postmodern marketing management issues. A literature review has been conducted to recognize the rationality of the evolvement of RM and how RM responds to the postmodern marketing management issues to meet and exceed contemporary market needs. The findings reveal that RM utilizes the transdisciplinary mode-2 knowledge production (value proposition) approach, based on the value perception of the postmodern market to cope up with the contemporary and latent market trends, which should be substantiated by market competitiveness, cost effectiveness and social (including all associated stakeholders) acceptability. Such a transdisciplinary mode-2 value proposition of RM and its contribution to the postmodern marketing management appears as coherent across markets and industries.
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Corish, Denis. "Postmodernism as Modernism." Harvard Review of Philosophy 2, no. 1 (1992): 17–19. http://dx.doi.org/10.5840/harvardreview1992214.

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Frie, Roger. "Modernism or Postmodernism?" Contemporary Psychoanalysis 38, no. 4 (October 2002): 635–73. http://dx.doi.org/10.1080/00107530.2002.10747190.

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Roberts, David. "Marxism, Modernism, Postmodernism." Thesis Eleven 12, no. 1 (May 1985): 53–63. http://dx.doi.org/10.1177/072551368501200104.

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Sidhe, Wren. "Mourning, modernism, postmodernism." Mortality 16, no. 4 (November 2011): 395–96. http://dx.doi.org/10.1080/13576275.2011.613273.

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White, J. J., and Richard Sheppard. "Modernism: Dada: Postmodernism." Modern Language Review 97, no. 4 (October 2002): 1028. http://dx.doi.org/10.2307/3738713.

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Zurbrugg, icholas. "Baudrillard, modernism, and postmodernism." Economy and Society 22, no. 4 (November 1993): 482–500. http://dx.doi.org/10.1080/03085149300000030.

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Landau, Iddo. "Modernism, Postmodernism and Politics." International Journal of Applied Philosophy 10, no. 1 (1995): 39–45. http://dx.doi.org/10.5840/ijap199510111.

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Dissertations / Theses on the topic "Modernism and Postmodernism"

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Charles, Alec. "James Joyce, modernism and postmodernism." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284287.

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Grassel, Robert. "Between Modernism and Postmodernism: Examining Epochal Markers." Honors in the Major Thesis, University of Central Florida, 2005. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/758.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf
B.A.
Bachelors
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Art History
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Sonnet, Esther. "The politics of representation : modernism, feminism, postmodernism." Thesis, University of Nottingham, 1993. http://eprints.nottingham.ac.uk/11076/.

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This study is an investigation into the shifts in ways of knowing which have been subsumed under the label of postmodernism. More specifically, it is concerned to relate theories of Postmodernism to the construction of film as an object of knowledge and to feminism's place in a Modernist/postmodernist divide. Chapter One offers an examination of competing readings of the nature of aesthetic Modernism drawing primarily upon debates on Modernist epistemological legitimation advanced by Jurgen Habermas and Jean-Franicois Lyotard. Chapter Two utilizes Lyotard's notion of Modernism as knowledge legitimated by the grands recits of speculation and emancipation to propose a understanding of the conceptual parameters of avant-garde film Modernism. Chapter Three examines Lyotard's view that postmodernism is acondition of cultural 'incredulity towards metanarratives' by introducing feminist interventions into avant-garde Modernism: it is argued that feminist deconstructionist film plays a crucial role in delegitimating film practices brought under the metanarrative of speculation by challenging the non-gendered mode of spectatorial knowledge claimed for them. Chapter Four extends postmodernist critiques of 'totalizing' discourses to the grand recit of liberty, and advances the view that feminist deconstructiorism, and related psychoanalytical theories of female subjectivity/spectatorship, are in turn delegitimated for instrumentalizing and homogenizing the feminist 'social bond'. Chapter Five considers Lyotard's propositions for a fragmentation of Modernist models of the 'social bond' in relation to his proposal for a theory of resistance defined in terms of 'dissensual paralogy'. Within the context of cultural and technological shifts in contemporary image-culture, the usefulness of a theory of postmodernism which remains embedded within Modernist epistemological differentiations is questioned. A proposal for a theory of film postmodernism which dispenses with the avantgarde/mass culture binary is suggested as a prerequisite for clearing a theoretical space for a politics of resistance which is not founded on instrumentalized and homogeneous spectators. Chapter Six extends this to consider how postmodernist notions of the dissolution of the 'self' and the fragmentation of 'social bond' relate to feminist emancipatory claims. A parallel to the theoretical 'loss' of Modernist foundationalisms; is offered by drawing on black and lesbian perspectives on film spectatorship to argue for theories of film meaning which reflect a multiplicity of modes of spectatorial positioning. The study concludes with an assessment of feminism's place in critiques of totalizing discourses and argues for local contextual rather than metanarrative validations of film as critical discourse.
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Gay, Daniel Robert. "Beyond modernism and postmodernism : reflexivity and development economics." Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/192.

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This thesis has two main objectives. First, it outlines a taxonomy of reflexive development practice, which aims at transcending the divide between modernism and postmodernism in the methodology of development economics. Second, the thesis examines the taxonomy in two countries at opposite ends of the development spectrum, Vanuatu and Singapore, attempting to show that the taxonomy provides insights for policymaking. The taxonomy is the principal contribution. It suggests an examination of external values and norms; an assessment of the importance of local context; a recognition that policies can worsen the problems that they try to solve; and the idea that theory and policy should be revised as circumstances change. The taxonomy is developed as a way of addressing the difficulties encountered by the modernist Washington Consensus on the one hand and postmodernism on the other. Some postmodernists have criticised modernists for trying to make universal statements based on findings specific to a particular time and context. A further criticism is that the modernist-type theorising exemplified by the Washington Consensus assumes too much certainty, putting excessive faith in the ‘expert’ outsider. Postmodernists, on the other hand, have often been criticised for being relativist or even being against theory itself. In extreme versions of postmodernism, the entire rejection of epistemological foundations allows no analysis or significant discussion. The taxonomy aims to steer away from the pitfalls of either tradition, emphasising in particular the unity of theory and practice and the need for analysis and policy advice to take account of both the objectivism of the outsider and the subjectivism of the insider. The thesis is divided into two parts. The first part discusses how the open systems approach of critical realism, John Maynard Keynes and the neo-Austrians aims to overcome the difficulties of modernism and postmodernism. It then examines some of the principal uses of the term reflexivity in the past century or so, suggesting that some of these uses are compatible with each other and with the idea of open systems. This section draws on the work of several economic methodologists and sociologists, including Karl Marx, Karl Mannheim, Pierre Bourdieu, Anthony Giddens and thinkers within the sociology of scientific knowledge. Next is a critical discussion of the Washington Consensus and its amended version, followed by the development of the taxonomy. Part two begins with a brief discussion of the nature of comparison within developing economies, before looking at the taxonomy in the context of Vanuatu and Singapore. Following the case-studies is an attempt to draw lessons from the experience of the two countries. Finally, the discussion is summarised and some conclusions established.
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Larsson, Victor. "Organisationskultur : Ett kritiskt granskande genom modernism, symbolism och postmodernism." Thesis, Linnéuniversitetet, Ekonomihögskolan, ELNU, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-18898.

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Organizational culture is subject of a great debate nowadays and there is especially three schools which affairs its nature of reality; modernism, symbolism and postmodernism. This thesis is built upon a case study about the organization Idé & KunskapsCentrum, which experience various cultural issues. Observations made during visits in the organization environment forms the ground on which discussions about different perspectives are made regarding organizational culture. The thesis describes and investigates the subject of organizational culture and its relationship to human behavior in organizations. Furthermore, I discuss and analyze organizational culture from the three different perspectives, in order to present a critical view on the subject for the reader. The thesis is based upon a case study about the organization Idé & KunskapsCentrum. A qualitative research method has been conducted with data collected especially from an ethnographic study, but also via semi-structured interviews. The theoretical data has been collected following an inductive process. I have come to the conclusion that you cannot base your view on organizational culture, solely from the view of the modernism. In order to create a sufficient understanding about the subject, one has to be aware of the other perspectives within the discourse, and use that knowledge to think and act critically regarding organizational culture.
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Ye, Qing. "Masculinity in Yu Hua's fiction from modernism to postmodernism." Thesis, McGill University, 2009. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66852.

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The Tiananmen Incident in 1989 triggered the process during which Chinese society evolved from so-called "high modernism" to vague "postmodernism". The purpose of this thesis is to examine and evaluate the gender representation in Chinese male intellectuals' writing when they face the aforementioned social evolution. The exemplary writer from the band of Chinese male intellectuals I have chosen is Yu Hua, one of the most important and successful novelists in China today. Coincidently, his writing career, spanning from the mid-1980s until present, parallels the Chinese intellectuals' pursuit of modernism and their acceptance of postmodernism. In my thesis, I re-visit four of his works in different eras, including One Kind of Reality (1988), Classical Love (1988), To Live (1992), and Brothers (2005), to explore the social, psychological, and aesthetical elements that formulate/reformulate male identity, male power and male/female relation in his fictional world. Inspired by those fictional male characters who are violent, anxious or even effeminized in his novels, one can perceive male intellectuals' complex feelings towards current Chinese society and culture. It is believed that this study will contribute to the literary and cultural investigation of the third-world intellectuals.
Les événements de la Place Tiananmen en 1989 a déclenché le processus durant lequel la société chinoise a évolué d'un soi-disant "haut modernisme" vers un vague "post-modernisme". Le but de cette thèse est d'examiner et d'évaluer la représentation des sexes dans l'écriture des intellectuels chinois mâles quand ils font face à l'évolution sociale mentionnée ci-dessus. L'auteur qui exemplifie bien le groupe d'intellectuels masculins chinois que j'ai choisi est Yu Hua, un des romanciers les plus importants et prolifiques de la Chine d'aujourd'hui. Bonne coïncidence, sa carrière d'écrivain qui couvre la période commençant au milieu des années 1980 jusqu'à maintenant, trace des parallèles entre la poursuite du modernisme des intellectuels chinois et leur acceptation de post-modernisme. Dans ma thèse, je revisite quatre de ses travaux dans des périodes différentes, y compris One Kind of Reality (1988), Classical Love (1988), To Live (1992) et Brothers (2005). Le but est d'explorer l'aspect social, les éléments psychologiques et esthétiques qui formulent/reformulent l'identité masculine, le pouvoir masculin et la relation homme/femme dans son monde fictif. Inspiré par ces personnages masculins fictifs qui sont violents, anxieux ou même effeminés dans ses romans, on peut percevoir les sentiments complexes des intellectuels masculins envers la société et la culture chinoise actuelle. Je crois que cette étude contribuera à l'enquête sur la littérature et la culture des intellectuels des pays du Tiers-Monde.
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Eyuboglu, Selim. "Four films : crossing the boundaries of modernism and postmodernism." Thesis, University of Kent, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305245.

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Harrington, Alexandra Katherine. "Reassesing the poetry of Anna Akhmatova : from modernism to postmodernism." Thesis, University of Nottingham, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.269706.

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Mazzilli, Mary. "Gao Xingjian vs. Martin Crimp in between modernism and postmodernism." Thesis, SOAS, University of London, 2009. http://eprints.soas.ac.uk/29543/.

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This thesis deals with the plays by Gao Xingjian - a Chinese contemporary playwright and Nobel Prize winner for literature in 2000 - and Martin Crimp a contemporary English playwright. The plays from both authors will be looked at from a comparative perspective within the theoretical framework linked to the debate between modernism and postmodernism, as inspired by Calinescu's theory. Calinescu's theory is based on the idea that Postmodernism is a 'face of modernism': he speaks about recurrent aspects ('similarities') of Modernism in Postmodernism, not only in terms of the repetition of patterns from the past in the present culture, but in terms of a natural historical evolution of Modernism into new cultural forms. The aim of this thesis is, therefore, to prove Calinescu's idea of continuity between Modernism and Postmodernism through the work by the two playwrights and by doing this it inevitably demonstrates a link between two writers coming from two different continents, hence a connection between Eastern and Western Literature. This thesis carries out an investigation into the two \vriters' dramatic texts and searches for signs of modem and postmodern elements and highlights how these elements coexist. In particular, in each chapter the thesis will carry out a close reading analysis of one or more plays by each author: in the case of Gao, we focus on post-exile plays, written after he left China in 1986 and are analysed chronologically; in the case of Crimp, the plays in question are not in strict chronological order but almost in parallel order to Gao's plays as they were written from the 1990s up to the present day.
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Buchanan, D. A. "Aesthetics, art and Utopia : the philosophical significance of the discourse of aesthetics." Thesis, University of Reading, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296698.

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Books on the topic "Modernism and Postmodernism"

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Conference on Modernism and Modernity. Modernity, modernism, postmodernism. Edited by Barbeito José Manuel ed and Eagleton Terry aut. [Santiago de Compostela]: Universidade de Santiago de Compostela, 2000.

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Clewell, Tammy. Mourning, modernism, postmodernism. New York: Palgrave Macmillan, 2009.

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Mourning, modernism, postmodernism. New York: Palgrave Macmillan, 2009.

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Clewell, Tammy. Mourning, Modernism, Postmodernism. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230274259.

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Modernism-dada-postmodernism. Evanston, Ill: Northwestern University Press, 2000.

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Clewell, Tammy. Mourning, modernism, postmodernism. Basingstoke [England]: Palgrave Macmillan, 2009.

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Petrescu, Ioana Em. Modernism - postmodernism: O ipoteză. Cluj-Napoca: Casa Cărții de Știință, 2003.

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Redefining modernism and postmodernism. Newcastle upon Tyne: Cambridge Scholars, 2010.

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Waugh, Patricia. Practising postmodernism, reading modernism. London: Edward Arnold, 1992.

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Dow, Sheila C. Modernism and postmodernism: A dialectical analysis. Stirling: University of Stirling, Dept. of Economics, 1995.

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Book chapters on the topic "Modernism and Postmodernism"

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Clewell, Tammy. "Introduction: Rethinking Loss; Remapping the Novel." In Mourning, Modernism, Postmodernism, 1–21. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230274259_1.

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Clewell, Tammy. "Woolf and the Great War." In Mourning, Modernism, Postmodernism, 25–55. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230274259_2.

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Clewell, Tammy. "Economies of Loss in Faulkner’s Fiction." In Mourning, Modernism, Postmodernism, 56–89. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230274259_3.

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Clewell, Tammy. "Waugh’s Nostalgia Revisited." In Mourning, Modernism, Postmodernism, 93–128. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230274259_4.

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Clewell, Tammy. "The Sexual Politics of Mourning." In Mourning, Modernism, Postmodernism, 129–57. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230274259_5.

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Gay, Daniel. "Beyond Modernism and Postmodernism." In Reflexivity and Development Economics, 13–39. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230250598_2.

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Horrocks, Roger, and Jo Campling. "Freud, Modernism and Postmodernism." In Freud Revisited, 8–22. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780333985441_2.

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Brasme, Isabelle. "Ford, modernism, and postmodernism." In The Routledge Research Companion to Ford Madox Ford, 161–78. New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315612980-10.

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Williams, Alastair. "Between modernism and postmodernism." In The Routledge Research Companion to Modernism in Music, 327–52. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315613291-15.

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Berghaus, Günter. "From Late-Modernism to Postmodernism." In Avant-garde Performance, 48–78. London: Macmillan Education UK, 2005. http://dx.doi.org/10.1007/978-1-137-09358-5_3.

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Conference papers on the topic "Modernism and Postmodernism"

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Ovodova, Svetlana. "Representation of Cultural Traumas in Contemporary Public Discourse: “New Frankness” of Meta-Modernism." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-04.

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The prerequisites for this study are criticism of postmodernism by theorists and philosophers of culture, and the actualisation of metamodernism as one of the most popular theories of postmodernism. The relevance of the study is determined by the appearance of a ‘new sensitivity’ having arisen from geopolitical events of the 2000s. Metamodernism theory authors declare the new structure of sensation to be different from the dominants of postmodernism and modernism. The article describes the transformation of the representation of cultural traumas in public discourse with the consideration of ideas of metamodernism and a new frankness. The article covers the methodological capabilities for using postmodernism and metamodernism discourses for analysing the principles of representation of cultural trauma within public discourse. Distinguishing features of new frankness are highlighted. Immortal Regiment action is analysed as an example of actualisation of personal experience and family history in public discourse. The concept of ‘new frankness’ increases the role and significance of the witness. The examples of works of contemporary mass culture and media resources are used to trace the actualisation of the witness’s narrative of cultural trauma. Warmth, depth, and affect, characteristic of metamodernism, actualise the demand for plausibility and personal experience of an event. An indirect effect of these hypotheses consists in that narratives on cultural trauma are multivariate as manifested in criticism of the conventional image of a historic event. Re-evaluating historical events from different points of view triggers mechanisms of latent trauma, potentially making almost any historical event a cultural trauma. The study resulted in the revelation of accentuation of sensitivity in narratives of cultural traumas, as opposed to manners prevailing in modernism and postmodernism discourses, i.e. practices of stigmatisation, suppression, and the commodification of cultural traumas.
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Feitosa de Oliveira, Alex, and Felipe Meira Marques. "De-constructing the modernity in epistemology Critical analysis of postmodernism." In XXVI World Congress of Philosophy of Law and Social Philosophy. Initia Via, 2015. http://dx.doi.org/10.17931/ivr2013_wg174_01.

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Karnat, Anna. "ON THE CONCEPT OF SOCIAL REALITY IN CONTEMPORARY SOCIETIES - - LATE MODERNITY AND POSTMODERNITY." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s26.047.

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