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Relevant bibliographies by topics / Modernism (Literature)

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Academic literature on the topic 'Modernism (Literature)'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Modernism (Literature)"

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Guerrero-Strachan, Santiago Rodríguez. "Juan Ramón Jiménez’s Reading of Edgar Allan Poe as a Source for a Cosmopolitan Modernismo." Edgar Allan Poe Review 23, no. 1 (2022): 37–54. http://dx.doi.org/10.5325/edgallpoerev.23.1.0037.

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Abstract The article explores Juan Ramón Jiménez’s attempt to be a member of the international Modernist generation. For such purpose he rearranges his poetry and the influences that were fundamental throughout his career. By claiming himself a member of the Modernist group, he has to redefine Spanish and Spanish American modernism as a movement that has international roots, Poe being one of them. The article analyzes Jiménez’s critical essays Alerta and El Modernism: Apuntes de un curso in which he explores the connections of the Spanish modernism to Modernism, creating a “modernismo” that is Jiménez’s own blend of the two.

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Tahmasebian, Kayvan, and Rebecca Ruth Gould. "The Translational Horizons of Iranian Modernism: Ahmad Shamlu’s Canon of the Global South." Twentieth-Century Literature 68, no. 1 (March 1, 2022): 25–52. http://dx.doi.org/10.1215/0041462x-9668884.

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This article explores how the Iranian poet and translator Ahmad Shamlu (1925–2000) reconceives the configuration of world poetics. Working at the intersection of global modernism and translation studies, it traces the formation of a Persian modernist poetics of solidarity on the basis of translations from so-called third-world literatures and explores how Shamlu’s political aesthetic traverses national borders to embrace ignored and marginalized poetic traditions. Rather than relying on French and other European modernisms to reinvigorate his national literature, Shamlu made available to his Iranian contemporaries a broad panorama of world literature that brought together Global Southern literatures, modernist poetics, and transnational political commitments. In tracing the literary and political forms shaped by Shamlu’s poetics of global solidarity, this article develops a post-Eurocentric framework for the study of Iranian literary modernism.

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Terian, Andrei. "Faces of modernity in romanian literature: a conceptual analysis." Alea : Estudos Neolatinos 16, no. 1 (June 2014): 15–34. http://dx.doi.org/10.1590/s1517-106x2014000100002.

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This study analyses the manner in which Romanian criticism chose to define and outline literary modernity. From this point of view, I have highlighted a series of deficiencies in the aforementioned endeavors, among which the reductive vision on modernism, which is limited either to a strictly formal meaning (as literary technique) or to a substantial one (as ideological attitude), the emergence of a non-differentiated concept of modernism, which tends to embrace any secondary effects or, on the contrary, of a generic anti-modernism, irrespective of the level or the direction in which it opposes modernism. Therefore, the present study sets forth a new classification of Romanian literary modernity, which includes, besides modernism, an anti-modernist direction and an ultra-modernist one also.

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SILVA, MAURÍCIO. "O "Grande Mundo": mundanismo e sociabilidade na literatura academicista brasileira durante o Pré-Modernismo * "The Big World": worldliness and sociability in academic brazilian literature during Pre-Modernism." História e Cultura 3, no. 1 (April 28, 2014): 204. http://dx.doi.org/10.18223/hiscult.v3i1.1194.

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<p><strong>Resumo:</strong> O presente artigo analisa o contexto cultural do Pré-Modernismo brasileiro, destacando alguns aspectos estéticos e literários da Literatura Brasileira. Além disso, este artigo analisa as possíveis relações entre autores Pré-Modernistas e a Academia Brasileira de Letras, durante a passagem do século XIX para o XX.</p><p><strong>Palavras-chave:</strong> Pré-Modernismo – Literatura Brasileira – Mundanismo – Historiografia Literária.</p><p> </p><p><strong>Abstract:</strong> The present article analyses the cultural context of Brazilian Pre-Modernism, and points out some aesthetic and literary aspects of Brazilian Literature. Furthermore, the present article analyzes the relationship between the Pre-Modernist writers and the Brazilian Academy of Letters, detaching the institutionalizations issues on the turn-of-the-century.</p><p><strong>Keywords:</strong> Pre-Modernism – Brazilian Literature – Worldliness – Literary Historiography.</p>

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Ward, Jean. "An Unrecognised Face of Literary Modernism (Joanna Rzepa, Modernism and Theology: Rainer Maria Rilke, T.S. Eliot, Czesław Miłosz, Palgrave Studies in Modern European Literature, Palgrave Macmillan, Cham 2021, pp. 438)." Konteksty Kultury 19, no. 3 (November 15, 2022): 452–65. http://dx.doi.org/10.4467/23531991kk.22.034.16548.

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A close, and sometimes polemical, reading of Joanna Rzepa’s study Modernism and Theology: Rainer Maria Rilke, T.S. Eliot, Czesław Miłosz reveals the cognitive fruitfulness of a comparativist perspective in considering the nature of the relationship between theological and literary modernisms in a broad European context that, through Rilke, even takes on the Russian Orthodoxy. The article shows how in the British context, in which 1922 is a key year for literature, the once clear connection between modernist concerns in theology and literature has been largely forgotten. In Polish literature in turn – since modernism is generally equated with the “Young Poland” movement around the turn of the twentieth century and thus coincides with the most heated period of the modernist controversy in the Catholic Church – the connection is more obvious. In discussing the questions raised by Rzepa’s study, the author is led to reflect on how the substance of historical modernist – anti-modernist debates, as well as their rhetoric, continues to be of importance in the present day, in certain respects very disturbingly so.

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Adedipe, Ademolawa Michael. "An Experimental Documentary: Making a Case for Baird’s Modernism." Advances in Language and Literary Studies 9, no. 5 (October 31, 2018): 49. http://dx.doi.org/10.7575/aiac.alls.v.9n.5p.49.

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The refutation and the obliteration of the modernist era in Canadian literature by Robert Kroetsch and reasserted by Glen Wilmott makes it imperative to look at highly experimental literary works in the first half of the 20th century in Canada. The purpose of this paper, thus is to make a case for the inclusion Irene Bird’s Waste Heritage in the repertoire of modernist works in North America. The various criticism of Canadian literature as not having a modernist era needs to be debunked. The false assertion that Canadian literature moved straight from the Victorian era to a postmodernist face is probably due to the difficulty of defining what modernism is. The evolution and the expansion of the term modernism makes it imperative for one to reappraise the creative works of Irene Bird (Waste Heritage) and Sheila Watson (Double Hook) as modernist. An attempt to include Waste Heritage in the new modernist discourse of global literature by looking at the experimental way by which Baird used documentary modernism. The sustainability of a growing modern society vis-à-vis modernism, and the resistance of capitalism in Baird’s narrative would be used to make a case for Baird’s modernism.

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Kohlmann, Benjamin. "Proletarian Modernism: Film, Literature, Theory." PMLA/Publications of the Modern Language Association of America 134, no. 5 (October 2019): 1056–75. http://dx.doi.org/10.1632/pmla.2019.134.5.1056.

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This article identifies a body of work—films, literary texts, and theories of the aesthetic—that can help us reopen the question of what it means for an artwork to project a vision of classlessness. The article begins by focusing on early-twentieth-century proletarian modernism, in particular in the cinematic work of Sergey Eisenstein and in British literary works that repurposed Woolfian and Joycean styles during the later interwar years. Proletarian modernism, I argue, highlights an alternative route taken by modernist literature and art: unlike the late modernists feted in much recent scholarship, proletarian modernists aimed to retool modernism, opening up new and global political futures for it rather than anticipating its end. The article concludes by showing that the cultural genealogy of proletarian modernism mapped out here doubles as a prehistory of contemporary aesthetic theory: it enables us to recognize the significant political and theoretical erasures that structure recent accounts of art's democratic potential.

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Martin, Regina. "Literature and Professional Society: Modernism, Aesthetics, and Ian McEwan’s Saturday." College Literature 51, no. 3 (June 2024): 316–44. http://dx.doi.org/10.1353/lit.2024.a931856.

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Abstract: Ian McEwan’s novels are well-known for their ongoing conversation with turn-of-the-twentieth-century modernism. This essay argues that McEwan’s novel Saturday engages with two modernist problematics—modernist interrogation of aesthetics and the emergence of the professional classes during the modernist era. Reading McEwan’s novel through and against its modernist antecedents, Mrs. Dalloway and Howards End , provides a means of understanding how, in modernist novels, a discourse of literary and aesthetic value exists as a function of the tension between leisure-class and professional-class ideologies. The triangulation of modernism, Saturday , and discourses of professionalism in the essay provides a theoretical framework for historicizing the perennial conflicts between theoretically informed literary criticism and “new aestheticism,” “new formalism,” and most recently, “postcritique” within the context of professional class hegemony.

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Mao, Douglas, and Rebecca L. Walkowitz. "The New Modernist Studies." PMLA/Publications of the Modern Language Association of America 123, no. 3 (May 2008): 737–48. http://dx.doi.org/10.1632/pmla.2008.123.3.737.

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In our introduction to bad modernisms, we traced the emergence of the new modernist studies, which was born on or about 1999 with the invention of the Modernist Studies Association (MSA) and its annual conferences; with the provision of exciting new forums for exchange in the journals Modernism/Modernity and (later) Modernist Cultures; and with the publication of books, anthologies, and articles that took modernist scholarship in new methodological directions. When we offered that survey, one of our principal interests was to situate these events in a longer critical history of modernism in the arts. In the present report, we want to attend more closely to one or two recent developments that may be suggestive about the present and the immediate future of the study of modernist literature. Part of the empirical, though certainly far from scientific, basis of our considerations lies in our recent service on the MSA Book Prize committee (Walkowitz in 2005, Mao in 2006), through which we became acquainted with dozens of recent contributions to the field.

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Love, Heather. "Introduction: Modernism at Night." PMLA/Publications of the Modern Language Association of America 124, no. 3 (May 2009): 744–48. http://dx.doi.org/10.1632/pmla.2009.124.3.744.

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Is Queer modernism simply another name for modernism?As Douglas Mao and Rebecca L. Walkowitz note in their introduction to the 2006 collection Bad Modernisms, “[T]here were numerous ways of being outside in the early twentieth century” (7). Efforts over the past several decades to imagine modernism as an expanded field have been remarkably successful. Female modernism, African American modernism, queer modernism, sentimental modernism, low- and middlebrow modernism, and colonial, postcolonial, and anticolonial modernism have all been integrated into a renewed understanding of modernism (or modernisms, as it is often written). In addition, the rethinking of modernism as a set of aesthetic movements in relation to a larger context of global modernity and modernization has turned the inside out. Since few modernists, on closer inspection, appear to have stayed high or dry, bad modernism, outsider modernism, and marginal modernism begin to look more and more like modernism itself.

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Dissertations / Theses on the topic "Modernism (Literature)"

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Wayland, Ted. "High risk modernism /." Thesis, Connect to this title online; UW restricted, 2008. http://hdl.handle.net/1773/9343.

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Medalie, David. "E.M.Forster and modernism." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316896.

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Melberg, Arne. "Sara Danius, The Senses of Modernism. Technology, Perception, and Modernist Aesthetics. Uppsala 1998." Uppsala : Svenska Litteratursällskapet, 1999. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-200754.

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Carney, Jason R. "The Shadow Modernism of Weird Tales: Experimental Pulp Fiction in the Age of Modernist Reflection." Case Western Reserve University School of Graduate Studies / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=case1396650887.

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Garcia, Luiz Fernando. "O idílio entre a tradição e a modernidade : uma releitura de Amar, verbo intransitivo, Mário de Andrade /." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/152709.

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Submitted by Luiz Fernando Garcia null (luizfernandg@yahoo.com) on 2018-02-08T17:05:47Z No. of bitstreams: 1 O IDÍLIO ENTRE A TRADIÇÃO E A MODERNIDADE.pdf: 5341547 bytes, checksum: 03c4e0506b85489568763230e0c0962e (MD5)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Partindo de pressupostos teóricos do Comparatismo como forma de investigação que se situa "entre" os objetos que analisa, e dos conceitos de releitura tão característicos da Modernidade, este trabalho propõe o estabelecimento de relações entre o romance Amar, verbo intransitivo (1927) de Mário de Andrade (1893-1945), que tem como subtítulo a designação de "Idílio" e obras de Teócrito, Gessner e B. de Saint-Pierre, pertencentes ao mesmo gênero literário, tomando como ponto de partida a questão do gênero. Este procedimento tem como objetivos verificar não somente a procedência do ceticismo da crítica literária em relação a este subtítulo, como também as razões que levaram o autor a utilizá-lo e a mantê-lo até mesmo na versão final da obra. Neste percurso, o próprio gênero literário "Idílio" também se constitui como objeto de estudo deste trabalho, pois as obras acima citadas revelam não somente um gênero literário ativo e em evolução desde a Antiguidade greco-romana até o Sec. XX, mas também um gênero que se manifesta tanto na poesia quanto na prosa, mais especificamente , no gênero romance.
Based on postulates of comparative literature, that places itself between the objects analyzed, and new readings of traditional works, so dear to Modernity, this thesis aims at establishing relations between Mario de Andrade's (1893-1945) novel "Amar, verbo intransitivo" (1927), subtitle "Idílio", and works from Teocritus, Gessner and B. de Saint Pierre belonging to the same literary gender, at the same time that considers the questions involving this specific gender. This procedure aims at verifying not only why literary criticism has been so skeptical in relation to the subtitle "Idílio", but also the author's reasons in giving and mantaining it even in the final version of the work. In this way, also the literary gender "Idyll" becomes the object of study of the present thesis, as the works cited above reveal not only an active gender evolving from the Antiquity until the XXth century, but also a gender represented both in poetry and prose, in this case in the novel.
1040/13

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Long-Innes, Francis. "Freud : moments of modernism." Master's thesis, University of Cape Town, 1990. http://hdl.handle.net/11427/22126.

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The word "moment" - from the Latin movere (to move) - can be understood in various senses. It is a point of time, an instant; it connotes importance, or weight; in 1666, according to the OED, it could be used to suggest a "definite stage or turning point in a course of events"; in 1691 it came to mean a "cause or motive of action, a determining influence or consideration" ... This dissertation stems from the conviction that the importance and weight of Sigmund Freud's "discovery" and elaboration of psychoanalysis - its impact as a turning point for western modes of intellectual activity, and as a determining consideration for western culture as a whole - has been so profound that it would be impossible to seek from within it the precise measure of its influence. Across modern philosophy, the human sciences, and the arts - from surrealism to pop art, from advertising to social welfare policies - Freud's psychoanalysis permeates the ways in which we live, and is one of the key elements of that experience of modernity we can loosely call "modernism". The dissertation locates a number of moments ·of modernism in and around Freud's work - with attention to Freud's relation to the reading and interpretive practices of the twentieth century: Chapter One examines some of the ways in which psychoanalysis and literary studies have met, intersected and, at times, bypassed one another over the past few decades, in a flurry of encounters which have yet to settle into any definitive shape. Chapter Two responds to Stanley Fish's recent attack on Freud's scientific integrity in the "Wolf-man". The chapter focuses, in other words, on one particular strand of the critical tradition defined in the second section of Chapter One. Chapter Three - which concerns the famous case of "Dora" - attempts, first, to restore some sense of the theoretical moment in Freud's work represented by the case, and second, to re-introduce the question of history into what has become the critics' story of Freud's failure to get to the bottom of Dora's hysteria. The aim of this chapter is to suggest a way beyond the contradiction in which Freud is persistently invoked, in feminist criticism, as both liberator and oppressor, hero and villain. Chapter Four turns back to the interface between psychoanalysis and literature. Its focal point is a different permutation from that manifested in the "Dora" case history of Freud's life-long quest to solve the "riddle" of femininity. The chapter examines some of the problems Defoe's novel Moll Flanders has posed to a tradition of patriarchal literary criticism. These problems, it argues, are inseparable from questions of representation, female identity and the notion of ''femininity" itself - the same questions which proved so intrusive in Freud's narrative of the case of Dora. This dissertation is concerned not only with the apparent "logic" of the arguments it confronts, but also with the· deeper constitution of that logic in and through the complex textures of writing. It aims to demonstrate that one of the most powerful moments of modernism in Freud's work lies in the stimulus it provides to an art of interpretation constantly attentive to the complexity of these textures.

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Gott, Henry Michael. "Ascetic modernism in Eliot and Flaubert." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/3906/.

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This thesis describes Eliot and Flaubert’s shared fascination for the figure of the ascetic saint, with special attention given to The Waste Land and La Tentation de saint Antoine. I examine how the structure, style and themes of these two works in particular show the authors updating into a modernist context the model of the trial they inherit from saintly literature. I explore in detail the varied connotations that the saint attracts, structuring my analysis on the basis of dialectical tensions which allow me to trace the relation of the saint’s experience to the theory and praxis of the two authors: the contrasting forms of discourse within each text, scientific and religious thought as distinct but potentially complicit approaches to knowledge, or the contrapuntal relationship of desert and city, allow me to illustrate the texts’ enactment of a central paradox of the ascetic’s via negativa – where the comprehensive vantage point to which they aspire is only achieved through loss. I give extensive attention to the techniques and structure of each work, in which I elaborate the operative significance of the saint’s emblematic status. My analysis culminates in a reading of the Tentation and The Waste Land that stresses their relation to an ascetic paradigm, which not only inheres through the recurrence of various motifs in the work of Eliot and Flaubert but is characteristic of modernism more generally. On the one hand expanding on undeveloped hints in Eliot criticism, regarding both the influence of Flaubert and The Waste Land’s relation to the saint’s trial, whilst on the other allowing Flaubert’s Tentation to benefit from the greater critical scrutiny given to its more canonical counterpart, the thesis enhances our understanding of both the individual authors and the broader intellectual climate to which they belong.

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Kelly, Theresa. "Pilgrimage and modernism." Thesis, University of York, 1987. http://etheses.whiterose.ac.uk/9834/.

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Waddell, Nathan Joseph. "Modernism and utopia, 1900-1920 : politics and social betterment in early modernist writing." Thesis, University of Birmingham, 2010. http://etheses.bham.ac.uk//id/eprint/1377/.

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This thesis considers the early twentieth-century writings of four modernist writers – Joseph Conrad, Ford Madox Ford, D. H. Lawrence, and Wyndham Lewis – in relation to the problem of utopianism. The introductory chapter provides an overview of current scholarly debates concerning the nature and structure of utopian thinking, and establishes the broad context in which the above writers are considered in the argument that follows. The thesis works with an inclusive definition of utopianism that views it as an expression of the urge to better society, as opposed to an urge to realize social perfection. After a wide-ranging summary of late nineteenth- and early twentieth-century utopian discourses, a summary that attends to the pre-First World War criticism of T. E. Hulme and Ezra Pound, the thesis turns to individual, ‘case study’ chapters that focus on the above-mentioned quartet of writers. Each chapter looks at a key issue: Conrad in relation to political anarchism; Ford in relation to urban design; Lawrence in relation to utopian philosophies of labour; and Lewis in relation to the linkages between the historical avant-garde and the betterment of society. The main claims running throughout the thesis are that in the period under consideration the links between modernism and utopianism are: complex; multi-sided and author-specific; politically multifarious; and insufficiently acknowledged by contemporary critics.

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Angelella, Lisa. "Alimentary modernism." Diss., University of Iowa, 2009. https://ir.uiowa.edu/etd/225.

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Modernism often reveled in the loss of control, the permeation of personal boundaries, the introduction of ambiguity, that evocation of the senses brings about. It strove to loosen the structures and categories culture inscribes. In this dissertation, I argue that food scenes constitute the crux of many pivotal moments in Modernist fiction and express a philosophy of the human subject. Modernists argue that, in eating, a person takes the outside world into him or herself. The senses that precede, imbue and follow eating threaten and transcend the integrity of the subject. I argue that by foregrounding such moments, Modernists posited a phenomenological view of subjectivity, one which can best be illuminated by the work of Maurice Merleau-Ponty. Guided by his theory of intersubjectivity, I explore the phenomenological presentation of particular sensual encounters with food in the work of Ernest Hemingway, Katherine Mansfield, Virginia Woolf, James Joyce and Willa Cather. I show how characters, in their encounters with sensual otherness, feel themselves overcome in poignant moments of ecstasy, disgust, or revelation of self-constitution through the alimentary. I also argue that Modernist fiction does not only display Merleau-Ponty's phenomenology, but also nuances his timeless and placeless presentation of the encounter between a universal subject and any object, by considering the sensual eating experience within various historical food conditions, such as the explosion of the canned food industry and the gradual dissolution of the formal meal, and from various subject positions, based on gender, ethnicity or relative political empowerment. In engaging phenomenology, my project deviates from the long tradition in scholarship of considering symbolic and structural meanings to the occlusion of sense. In each eating scene I explore I consider how gustatory, haptic, and aromatic properties of food objects--such as liquidness, sweetness, bloodiness and lightness--intervene in more cerebral human relations. Fundamental to the fascinating Modernist depictions of food and eating, is the idea that the senses have an undeniable impact on human affairs in their own right.

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Books on the topic "Modernism (Literature)"

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Eysteinsson, Astradur. The concept of modernism. Ithaca: Cornell University Press, 1990.

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1932-, Bradbury Malcolm, and McFarlane James Walter, eds. Modernism: 1890-1930. Harmondsworth [Middlesex]: Penguin, 1986.

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Levenson, Michael H. Modernism. New Haven, CT: Yale University Press, 2011.

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Eysteinsson, Ástráður, and Liska Vivian 1956-, eds. Modernism. Amsterdam: J. Benjamins Pub., 2007.

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L, Caughie Pamela, ed. Disciplining modernism. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2009.

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Peter, Brooker, ed. Modernism/postmodernism. London: Longman, 1992.

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Schedler, Christopher. Border modernism: Intercultural readings in American literary modernism. New York: Routledge, 2002.

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Gladwin, Derek, ed. Gastro-modernism. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781942954682.001.0001.

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This volume of essays surveys gastronomy across global literary modernisms. Modernists explore public and domestic spaces where food and drink are prepared and served, as much as they create them in the modernist imagination through narrative, language, verse, and style. Modernism as a cultural and artistic movement also highlights the historical politics of food and eating. As the chapters in Gastro-Modernism reveal, critical trends in food studies alert us to many social concerns that emerge in the modernist period because of expanding food literacy and culture. The result is that food production, consumption, and scarcity are abiding themes in modernist literature and culture, reflecting tensions amidst colonial, agricultural, and industrial settings. This timely volume ultimately shows how global literary modernisms engage with food culture known as gastronomy to express anxieties about modernity as much as to celebrate the excesses modern lifestyles produce.

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Eysteinsson, Astradur. Concept of Modernism. Cornell University Press, 2018.

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Modernism and Literature. Taylor & Francis Group, 2013.

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Book chapters on the topic "Modernism (Literature)"

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Berman, Jessica. "Imagining World Literatures: Modernism and Comparative Literature." In Disciplining Modernism, 53–70. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230274297_4.

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Valentine, Kylie. "Modernism." In Psychoanalysis, Psychiatry and Modernist Literature, 31–62. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403919366_2.

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Goldman, Jane. "Literature after 1910." In Modernism, 1910–1945, 33–76. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-1-4039-3839-8_2.

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Haddox, Thomas F. "Modernism." In The Routledge Companion to Literature of the U.S. South, 77–80. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003009924-21.

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Nyongesa, Andrew. "Modernism and ‘Great Literature’." In Postmodern Reading of Contemporary East African Fiction, 111–23. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003440888-6.

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Jacobs, Richard. "Realism towards modernism." In Literature and the Critics, 163–83. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003127567-8.

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Doan, Laura, and Jane Garrity. "Modernism Queered." In A Companion to Modernist Literature and Culture, 542–50. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch60.

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Moore-Gilbert, Bart. "Postcolonial Modernism." In A Companion to Modernist Literature and Culture, 551–57. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch61.

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Winkiel, Laura. "Modernism and Empire." In A Companion to British Literature, 144–59. Oxford, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118827338.ch84.

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Olsen, Trenton B. "Evolving toward Modernism." In Wordsworth and Evolution in Victorian Literature, 168–78. New York, NY : Routledge, 2019. | Series: The nineteenth century: Routledge, 2018. http://dx.doi.org/10.4324/9780367138394-6.

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Conference papers on the topic "Modernism (Literature)"

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Dynnychenko, T. A. "Polar psychoanalysis images of late European modernism literature." In PHILOLOGICAL SCIENCES AND TRANSLATION STUDIES: EUROPEAN POTENTIAL. Baltija Publishing, 2022. http://dx.doi.org/10.30525/978-9934-26-261-6-13.

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Polonskiy, V. "WAR AND THE FATE OF MODERNISM: “THE FALL OF PARIS” BY ILYA EHRENBOURG IN CULTURAL CONTEXT OF HIS EPOCH." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3685.rus_lit_20-21/15-23.

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The paper analyzes Ilya Ehrenbourg’s novel “The Fall of Parisˮ (1942) against the background of synchronic and diachronic cultural contexts. The author pays special attention to the mythologization of Paris from the middle of the 19th century and to the ideological consequences of the country’s defeat in the Franco-Prussian War of 1870. The work shows the connection of the writer’s novel with the cultural background of France “between two warsˮ. The novelist’s polemical dialogue with Jean Giraudoux on the Franco-German value-cultural collisions is demonstrated. It is concluded that for Ehrenbourg, as for a number of his Western brethren and recent researchers, the fall of Paris in 1940 was a sign of the end of the entire traditional West of Modern Times, and more specifically, the era of Modernism.

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Hariton, Natalia. "The Status of the Concepts of Continuity and Rupture in the Discourse of Literary Criticism." In Conferinta stiintifica nationala "Lecturi în memoriam acad. Silviu Berejan", Ediția 6. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/lecturi.2023.06.15.

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This study examines the status of the concepts of continuity and rupture in the discourse of literary criticism, determining that they provide valuable data about the dynamics of literature and its contextual (constants of change), the behavior of the concepts in the typological aspect (marks of literary paradigms), as well as about the mutations at critical discourse level (discursive units). In terms of the concepts of continuity and rupture, several aspects of the evolving literary / critical phenomenon are examined: the battle between the old and the new as a battle for a certain canonical understanding; the tension between modernism and postmodernism, solved not only in the sense of overcoming, but also in the sense of cooperation; the interrogative and, therefore, ironic nature of critical discourse in postmodernism.

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Cristea-Enache, Daniel. "Grigore Vieru and the Romanian Sixties Literary Generation of Poets." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.32.

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There is an identity function of poetry, of literature, that shapes the symbolic consistency of a collective spirit, a map of emblematic landmarks of a national community. Goga and Cotruș are representative for Transylvania, Vieru and Păunescu are emblematic for Moldavians, whereas Eminescu is emblematic for the Romanians of all the historic provinces. For those living in Basarabia, Vieru represents a prophet of their Nation, an apostle of the Romanian Nation standing against the historic oppression, in the form of the Russian camps. To the elitists and relativists from Romania, Vieru is regarded as a representative of the traditionalist literary currents, frozen into an obsolete aesthetic manner and a heroic dimension out of phase. The article portrays Vieru’s relations with the Romanian 60’s generation of poets and their lyrical formulas assumed by Modernism.

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Коптев, А. С., and М. М. Кузнецова. "ARCHITECTURE OF VYBORG AS A PANORAMA OF THE STYLISTIC EVOLUTION OF THE EARLY XX CENTURY." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.38.

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В истории архитектуры города Выборга существует относительно малоисследованный в русскоязычной научной литературе период нордического классицизма 1910–1930-х гг. Этот стиль, развиваясь и трансформируясь, сочетал в себе образную систему неоклассической архитектуры с влиянием ранних проявлений модернизма и стал своего рода переходным этапом, повлиявшим на дальнейшее развитие архитектуры функционализма в странах Скандинавии, а также на скандинавский дизайн. In the history of architecture of Vyborg, there is a relatively little studied in the Russian scientific literature period of Nordic classicism of the 1910s-1930s. This style, developing and transforming, combined the fi gurative system of neoclassical architecture with the infl uence of early manifestations of modernism and became a kind of transitional stage that infl uenced the further development of functionalist architecture in the Scandinavian countries, as well as Scandinavian design.

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Hörmann-Shahidipour, Seyedmehran. "The Influence of New Annex's Development on Historic Urban Spaces; an Example of Louver Museum Square." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021297n14.

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With the emergence of modernism, the main objective of promotion and protection of the historical urban areas according to the existing historic context, new context had presented a disaster through the modern years. The notion of development and protection has prepared the necessity to make a connection between the historical usages of space and provide a new annex usage. This study will focus on the new usages of historical spaces for the purpose of designing the new annex constructions. The main objective of the present study is to explore what occurs in historic space when annex extension is outdistancing historical boundaries? For this aim, the study will measure the Louver Museum square as the case study. The methodology of the present research is situated on a qualitative method regarding the literature review and available maps and photography analysis.

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Исламова, Алла Каримовна. "TO THE ISSUE OF THE DEVELOPMENT OF COGNITIVE DIRECTION IN LITERATURE AFTER MODERNISM: THE VISUAL AND THE TRUE HORISON OF KNOWLEDGE IN W. GOLDING’ NOVEL «FIRE DOWN BELOW»." In Социально-экономические и гуманитарные науки: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Апрель 2021). Crossref, 2021. http://dx.doi.org/10.37539/seh296.2021.88.75.002.

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Предмет изучения в статье составляют дидактические аспекты романа У. Голдинга в их отношении к аналогичным направлениям литературы постмодерна. Рассмотрение данных аспектов в эпистемологическом горизонте произведения позволяет заключить, что они были обращены против ограничений эпического пространства и когнитивных искажений картины реальности в модернизированных формах романа. The subject of the article accounts for the didactic aspects by Golding’s novel as related to similar currents of thought in postmodern literature. The insights into these aspects within the epistemological horizon of the work in question leads to the conclusion that they are directed against the cognitive distortions of the picture of the world and restrictions of its ontological framework in modernistic novels.

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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizien in German) in the very West of Ukraine and the South- East of Poland used to be a centre of Jewish culture using mainly Yiddish and inspired by local folklore. The poems of Ewald Murrer are deeply rooted in the imagery of Jewish and Rusyn fairy tales and folk songs. While Marc Chagall, the famous French painter (coming from today�s Byelorussia), discovered these old sources of Jewish art for European Modernism, Ewald Murrer uses the same sources but his approach to literary creation can be seen as much more post-modern: he uses but at the same time also re-evaluates old myths and archetypes of this region with both a lovely kind of humour and more serious visions of Kafkaesque absurdity that are probably unavoidable in Central Europe. The fictional and highly poetic diary of Mr. Pinke is highly significant as a sophisticated revival of the almost forgotten culture of a Central European region that almost definitely stopped existing after the tragic times of the Holocaust and Stalinism.

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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizien in German) in the very West of Ukraine and the South- East of Poland used to be a centre of Jewish culture using mainly Yiddish and inspired by local folklore. The poems of Ewald Murrer are deeply rooted in the imagery of Jewish and Rusyn fairy tales and folk songs. While Marc Chagall, the famous French painter (coming from today�s Byelorussia), discovered these old sources of Jewish art for European Modernism, Ewald Murrer uses the same sources but his approach to literary creation can be seen as much more post-modern: he uses but at the same time also re-evaluates old myths and archetypes of this region with both a lovely kind of humour and more serious visions of Kafkaesque absurdity that are probably unavoidable in Central Europe. The fictional and highly poetic diary of Mr. Pinke is highly significant as a sophisticated revival of the almost forgotten culture of a Central European region that almost definitely stopped existing after the tragic times of the Holocaust and Stalinism.

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Xiang, Lu. "On Collage as a New Language of Modernist Literature." In 6th Annual International Conference on Social Science and Contemporary Humanity Development (SSCHD 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210121.022.

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Reports on the topic "Modernism (Literature)"

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Vargas, Fanny, and Boaz Anglade. Determinantes y efectos del embarazo en la adolescencia en Centroamérica, República Dominicana y Haití. Inter-American Development Bank, April 2021. http://dx.doi.org/10.18235/0003232.

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A pesar de que la fertilidad total ha disminuido en toda América Latina, la fertilidad adolescente continúa siendo de las más elevadas del mundo. Este documento examina las tendencias del embarazo adolescente en Centroamérica, República Dominicana y Haití durante las últimas décadas, así como la trayectoria de los principales determinantes de la maternidad adolescente. El lento descenso de la fertilidad adolescente se relaciona con la alta desigualdad socioeconómica de la región, así como la tendencia a la disminución de la edad del debut sexual, el incremento de la proporción de adolescentes sexualmente activas, la persistencia de las uniones tempranas y la baja pero creciente prevalencia del uso de anticonceptivos modernos. La vasta literatura sobre las consecuencias socioeconómicas y de salud del embarazo en la adolescencia es revisada, y se presenta un análisis no experimental de impacto sobre las madres y sus hijos para los países en cuestión.

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Acevedo, Sebastián, and Nicolás Dassen. Innovation for Better Management: The Contribution of Public Innovation Labs. Inter-American Development Bank, September 2016. http://dx.doi.org/10.18235/0010661.

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The technological, economic, and social changes of recent years have required governments to adapt to new challenges and growing demands from civil society. In many countries, and at different levels of government, this has led to the creation of innovation labs that aim to promote policy innovation in diverse ways. This paper analyzes the roles of innovation labs in Latin America, examines their challenges, and compares them to best practices and characteristics that current literature associates with higher levels of innovation in the public sector and in other organizations. Based on a survey of lab directors and the undertaking of two case studies, this paper describes the scope of innovation labs in Latin America and discusses the challenges they face to (i) work on central issues, (ii) achieve the adoption and scale up of their innovations, and (iii) ensure their sustainability. There are four key factors that determine the success of innovation labs in overcoming these challenges: two of these are of a political and institutional nature, namely leadership support and policy networks, while the other two relate to lab methodologies, namely the technical adaptation of their innovations and the building of a shared meaning. Additionally, two major differences have been identified between the innovation labs discussed herein and those of other regions, as described by the existing literature: a greater focus on issues of open government and less rigorous testing of their innovations, such as randomized experimentation and impact evaluation. Lastly, this study provides the relevant conclusions and recommendations on how to establish innovation labs as effective channels to manage innovation in government, along with its in-herent risks, and modernize public administration.

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Corkum, Eleanor, Tiffanie Perrault, and Erin C. Strumpf. Improving Breast Cancer Diagnosis Pathways in Quebec. CIRANO, October 2023. http://dx.doi.org/10.54932/qsho2261.

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Delays in breast cancer diagnosis can worsen the severity of illness and reinforce inequalities. This report analyzes Quebec’s capabilities and performance along the diagnosis pathway, gathering information from the scientific literature on cancer care, government reports, and expert interviews. The first section outlines which types of breast cancer data Quebec collects, and how data availability impacts the measurement of performance indicators. The second section discusses how socio-economic factors and unclear guidelines for patients outside Quebec’s organized screening program create barriers to diagnosis. We also explore how Quebec’s lack of standardized and integrated care and its outdated cancer registry can create further delays and inefficiencies. The final section of the report compares innovations in breast cancer diagnosis in Quebec to those in Alberta and Ontario, where diagnostic delays are shorter. This comparison suggests that Quebec should include high-risk individuals in its screening program, create personalized screening recommendations, update available imaging and genetic testing technologies, and modernize communication methods. Relevant research and initiatives seeking to increase screening adherence among groups with low screening rates are also discussed. Overall, this paper highlights tangible strategies to shorten and streamline the breast cancer diagnosis interval, and points the reader to key resources for further investigation.

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García Carpio, Juan Manuel. Estimación del impacto del uso de las TIC y de la inversión en I&D sobre la productividad de las empresas manufactureras en Perú. Banco Interamericano de Desarrollo, November 2022. http://dx.doi.org/10.18235/0004588.

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El trabajo estima el efecto del uso de las tecnologías de la información y comunicación (TIC) y de la inversión en Investigación y Desarrollo (I&D) sobre la productividad total de factores (PTF) de las empresas de mayor tamaño en la industria manufacturera peruana entre 2016 y 2018, usando datos de panel de la Encuesta Económica Anual (EEA). Primero, se revisa aspectos conceptuales y metodológicos de la estimación de la PTF a nivel de empresas enfatizando los métodos econométricos modernos que enfrentan los problemas de endogeneidad que afectaban a los métodos tradicionales, y se analiza estimaciones previas de la PTF a nivel empresarial para Perú. También, se revisa la literatura, sobre todo empírica, relativa al impacto del uso de TIC sobre la productividad empresarial, y al efecto de la innovación mediante inversión en I&D, incluyendo la evidencia disponible para Perú. Luego, se estima el logaritmo de la PTF mediante distintos métodos, seleccionándose el método de Levinsohn y Petrin con corrección por atrittion (salida de empresas del panel). Se explora la relación entre esta PTF estimada y características de las empresas y el uso de las TIC. Posteriormente, se estima los efectos de la intensidad de la inversión en I&D y del uso de las TIC sobre la PTF utilizando el planteamiento del modelo estándar CDM. Para ello, se estima los determinantes de la inversión en I&D y de su nivel mediante un modelo de corrección del sesgo de selección (Heckman), y se predice la intensidad de esta inversión (valor entre monto de salarios). Respecto al uso de las TIC, se construye índices sintéticos mediante análisis factorial (por la correlación entre las variables disponibles). Además, la estimación incluye mark-up estimados para cada empresa. Los resultados indican que la inversión en I&D tendría un efecto positivo estadísticamente significativo sobre la PTF de las empresas manufactureras. En contraste, no se encuentra un efecto claro del uso de las TIC, aunque sí se halla efectos positivos estadísticamente significativos para variables específicas como el uso de extranet y, en menor medida, el uso de red local. Este tipo de hallazgos mixtos para las TIC podría deberse a que la muestra utilizada proviene de empresas de mayor tamaño. Por ello, resulta importante realizar estudios específicos del uso de distintas TIC enfocados en diferentes segmentos de empresas, a fin de generar evidencia rigurosa de su impacto según características heterogéneas, como el tamaño empresarial.

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