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Journal articles on the topic 'Modernism (literature) – ireland'

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Published: 25 July 2024

Last updated: 31 July 2025

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1

Kalaidjian, Andrew. "Synge and Synge: Science and Irish Modernism." Modernist Cultures 10, no. 2 (2015): 178–200. http://dx.doi.org/10.3366/mod.2015.0108.

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Irish modernism from the Celtic Revival to the Republic of Ireland mobilized cultures of science and literature towards the larger goal of national independence. Focusing on the literary work of J. M. Synge and the popular science of his nephew J. L. Synge, I argue that a defining characteristic of the Irish modernist is the ability to mediate between literary and scientific discourses. Such a combined fluency serves to temper the Utopian impulses of Irish nationalism as well as the increasing rationalization of life that occurs during modernization. This modernist sensibility promotes cosmopo

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White, Siân. "Modernism, Ireland and civil war." Irish Studies Review 19, no. 1 (2011): 126–28. http://dx.doi.org/10.1080/09670882.2011.541665.

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Burke, Mary, and Nicholas Andrew Miller. "Modernism, Ireland and the Erotics of Memory." Journal of the Midwest Modern Language Association 37, no. 2 (2004): 96. http://dx.doi.org/10.2307/4144711.

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Norris, Margot. "Luke Gibbons, Joyce's Ghosts: Ireland, Modernism and Memory." Irish University Review 47, no. 2 (2017): 387–89. http://dx.doi.org/10.3366/iur.2017.0292.

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McDonald, Ronan. "Mock Mockers: Cynicism, Suffering, Irish Modernism." Cambridge Journal of Postcolonial Literary Inquiry 8, no. 2 (2021): 177–94. http://dx.doi.org/10.1017/pli.2020.40.

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Cynicism styles itself as the answer to the mental suffering produced by disillusionment, disappointment, and despair. It seeks to avoid them by exposing to ridicule naive idealism or treacherous hope. Modern cynics avoid the vulnerability produced by high ideals, just as their ancient counterparts eschewed dependence on all but the most essential of material needs. The philosophical tradition of the Cynics begins with the Ancients, including Diogenes and Lucian, but has found contemporary valence in the work of cultural theorists such as Peter Sloterdijk. This article uses theories of cynicis

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Sullivan, Kelly. "Yeats's Birds: Recognising the Animal." Modernist Cultures 16, no. 1 (2021): 114–37. http://dx.doi.org/10.3366/mod.2021.0322.

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Yeats's use of avian imagery forms part of his turn toward a modernist poetics, particularly in volumes written in response to social and political upheavals, world war, and revolution in Ireland. Yeats's birds vacillate between symbolic presences and literal creatures, but in his most experimental work, he uses the avian to explore the limits of human consciousness and of empathy, epistemological queries central to modernism. Considering Yeats's post-1914 poetry through a less anthropocentric view, this article interprets his engagement with politics and revolutionary action from an ecologica

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Brannigan, John, Marcela Santos Brigida, Thayane Verçosa, and Gabriela Ribeiro Nunes. "Thinking in Archipelagic Terms: An Interview with John Brannigan." Palimpsesto - Revista do Programa de Pós-Graduação em Letras da UERJ 20, no. 35 (2021): 3–28. http://dx.doi.org/10.12957/palimpsesto.2021.59645.

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John Brannigan is Professor at the School of English, Drama and Film at University College Dublin. He has research interests in the twentieth-century literatures of Ireland, England, Scotland, and Wales, with a particular focus on the relationships between literature and social and cultural identities. His first book, New Historicism and Cultural Materialism (1998), was a study of the leading historicist methodologies in late twentieth-century literary criticism. He has since published two books on the postwar history of English literature (2002, 2003), leading book-length studies of working-c

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Saunders, Max. "Authors Take a Stand on the Irish War: Virginia Woolf, Ford Madox Ford, and the Rediscovery of a Significant Document for the Politics of Modernism." Literature & History 32, no. 1 (2023): 63–77. http://dx.doi.org/10.1177/03061973231175838.

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A virtually unknown petition signed by fifty prominent intellectuals protesting against the violent tactics of the Black and Tans in Ireland appeared in several newspapers in January 1921. Signatories included leading writers, scientists and academics of the day, such as Arnold Bennett, G. K. Chesterton, Walter de la Mare, Ford Madox Ford, E. M. Forster, Roger Fry, Jane Harrison, J. M. Keynes, Gilbert Murray, Arthur Quiller-Couch, Dorothy Richardson, Siegfried Sassoon, May Sinclair, R. H. Tawney and Virginia Woolf. The article discusses the origins of the petition, its political context and or

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Sullivan, Moynagh. "‘The Woman Gardener’: Transnationalism, Gender, Sexuality, and the Poetry of Blanaid Salkeld." Irish University Review 42, no. 1 (2012): 53–71. http://dx.doi.org/10.3366/iur.2012.0008.

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Blanaid Salkeld (1880–1959), a published poet, actress, writer of verse plays, reviewer, and publisher, is fascinating both as an active participant in literary and artistic circles of early and mid-twentieth century Ireland and as a poet in her own right. In terms not just of style but also of politics, Salkeld is considered neither postcolonial nor properly modernist. Salkeld's class and access to international influences would appear to disqualify her from subalternity, given the relatively privileged metropolitan circles in which she moved. And yet her metropolis, Dublin, while incubating

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10

Baron, S. "JOHN NASH. James Joyce and the Act of Reception: Reading, Ireland, Modernism." Review of English Studies 58, no. 235 (2007): 426–28. http://dx.doi.org/10.1093/res/hgm054.

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Gilligan, Ruth. "Eimear McBride’s Ireland: A Case for Periodisation and the Dangers of Marketing Modernism." English Studies 99, no. 7 (2018): 775–92. http://dx.doi.org/10.1080/0013838x.2018.1510621.

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12

Sheehan, P. "SARAH COLE. At the Violet Hour: Modernism and Violence in England and Ireland." Review of English Studies 65, no. 269 (2013): 371–73. http://dx.doi.org/10.1093/res/hgt058.

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13

Scheible, Ellen. "The Danger of the Domestic in Ireland: Bridget Cleary, Big House Modernism, and Tana French." Tulsa Studies in Women's Literature 41, no. 1 (2022): 113–33. http://dx.doi.org/10.1353/tsw.2022.0005.

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Haley, Madigan. "Modernism's World Drama: Joyce, Wagner, and the Anti-Systemic Stirrings of a Global Artwork." Journal of Modern Literature 46, no. 3 (2023): 1–19. http://dx.doi.org/10.2979/jmodelite.46.3.01.

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Abstract: Two of James Joyce's earliest essays identify a kind of artwork that would remain a model for his fiction: the world drama. Joyce's notion of the world drama built upon an aspect of Richard Wagner's theoretical writing that has been largely forgotten: the program for a revolutionary, nonnational artwork. Joyce reimagined this program within the conditions of colonial Ireland and an increasingly international print culture, conceiving of a work that is oriented toward the world at large and meant to articulate a revolutionary consciousness for its audience. Joyce's works of fiction ca

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Haley, Madigan. "Modernism's World Drama: Joyce, Wagner, and the Anti-Systemic Stirrings of a Global Artwork." Journal of Modern Literature 46, no. 3 (2023): 1–19. http://dx.doi.org/10.2979/jml.2023.a901928.

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Abstract: Two of James Joyce's earliest essays identify a kind of artwork that would remain a model for his fiction: the world drama. Joyce's notion of the world drama built upon an aspect of Richard Wagner's theoretical writing that has been largely forgotten: the program for a revolutionary, nonnational artwork. Joyce reimagined this program within the conditions of colonial Ireland and an increasingly international print culture, conceiving of a work that is oriented toward the world at large and meant to articulate a revolutionary consciousness for its audience. Joyce's works of fiction ca

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Parkes, Adam. "Sarah Cole. At the Violet Hour: Modernism and Violence in England and Ireland. Modernist Literature and Culture series. New York: Oxford University Press, 2012. Pp. 400. $65.00 (cloth)." Journal of British Studies 53, no. 3 (2014): 793–95. http://dx.doi.org/10.1017/jbr.2014.97.

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Chesney, Duncan McColl. "Beckett, Minimalism, and the Question of Postmodernism." KANT Social Sciences & Humanities, no. 3 (July 2020): 16–32. http://dx.doi.org/10.24923/2305-8757.2020-3.3.

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This article addresses a simple question: Is Beckett a postmodernist writer? Of course, the question is not so simple at all, for it begs a number of other tricky questions that get only more complicated as we address them: How am I defining modernism and postmodernism? What does the post in postmodernism signify? And in any case, Beckett's work does not suffer from not fitting easily into either of these categories or periodizations, so who really cares? Yet all the same, it seems that if postmodernism has any analytical value as a category, a style, or a "cultural dominant" applied to litera

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Norden, Larisa L., and Valeria S. Miller. "THE IRISH RENAISSANCE IN FACES." Vestnik Chuvashskogo universiteta, no. 2 (June 25, 2021): 133–41. http://dx.doi.org/10.47026/1810-1909-2021-2-133-141.

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The end of the XIX – beginning of the XX centuries is the efflorescence period of national culture in Ireland. In historiography, this time was named the Irish Renaissance. Its bright representatives and organizations promoted national ideas, tried to restrain verbal aggression from the English language, to revive self-consciousness of their compatriots, developed sports, literature, theater, musical culture, and opposed the British way of life.  The Irish Renaissance was not homogeneous. Some of its representatives tried to be politically neutral, tried to show their non-involveme

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Chattopadhyay, Arka. "Ireland and India between Home and the World." Journal of World Literature 8, no. 3 (2023): 337–55. http://dx.doi.org/10.1163/24056480-tat00004.

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Abstract This article charts world-making and home-formation as two connectors between Irish and Indian literature on their way toward becoming world literature. Home and world are conceptualized as flows while the idea of the path is seen as a synthetic bridge between them. The first part examines how Irish literature becomes world literature by studying two temporal encounters between Irish and Indian writers, between W.B. Yeats and Rabindranath Tagore and between Colm Tóibín and Amit Chaudhuri. The second part shifts from temporality to spatiality in a discussion of global modernisms that r

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Hopper, K. "JOHN NASH, James Joyce and the Act of Reception: Reading, Ireland, Modernism. * LEN PLATT, Joyce, Race and Finnegans Wake. * FINN FORDHAM, Lots of Fun at Finnegans Wake: Unravelling Universals." Notes and Queries 56, no. 2 (2009): 303–6. http://dx.doi.org/10.1093/notesj/gjp030.

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Ismail, Hisham Muhamad. "Dubliners: The Story of A City in Paralysis." International Journal of Linguistics, Literature and Translation 7, no. 1 (2024): 75–84. http://dx.doi.org/10.32996/ijllt.2024.7.1.7.

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The city's image acquired special prominence in many literary works related to modernist literature. In these works, the writers used the city details simultaneously to serve as symbols and references to the themes and issues that can appear in the works. This fact is especially actual in the case of James Joyce's Dublin - the permanent setting of most works by this great Irish modernist. It is worth noting that Joyce took the steps forward to discuss his city with the bright and dark sides. Dubliners, the collection of short stories, belonged to this type of modernist literature focused on th

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Cleary, Joe. "Eve Patten, Ireland, Revolution and the English Modernist Imagination." Irish University Review 53, no. 2 (2023): 431–35. http://dx.doi.org/10.3366/iur.2023.0626.

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Pilný, Ondřej. "Irish Studies in Continental Europe." Irish University Review 50, no. 1 (2020): 215–20. http://dx.doi.org/10.3366/iur.2020.0448.

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This essay seeks to give an overview of the study of Ireland and its culture in continental Europe from the late eighteenth century up to the present day. It discusses the early interest in Ossianic poetry, Celtic philology, and travel writing, together with the internationalist standing of modernist writers such as Joyce and Beckett as the roots of how and under which rubric Irish culture has been received by the general public and studied at universities, and then proceeds to examine the current state of Irish Studies and its prospects on the European continent.

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D'hoker, Elke. "Bowen, The Bell, and the Late-Modernist Short Story." Irish University Review 51, no. 1 (2021): 72–84. http://dx.doi.org/10.3366/iur.2021.0496.

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This essay looks at Elizabeth Bowen's presence in The Bell during the war years. She contributed an essay, a short story, two pieces of memoir, two obituaries, and a few other, smaller pieces to the magazine, but also featured in an interview, several reviews, and O'Faoláin's editorials and critical essays. Yet, as a Protestant, Anglo-Irish woman writer living in England, Bowen was in many ways an odd presence in The Bell, which squarely focused on Irish life and Irish writing. While O'Faoláin's mission to present an inclusive view of Ireland may explain his publication of Bowen's autobiograph

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Kim, Jiyoung. "The Multi-layer Interpretation of James Joyce Literature: deficiency, open ending, and the aesthetics of masochism." Global Association of Applied Liberal Arts Studies 3, no. 1 (2025): 67–83. https://doi.org/10.58990/galas.2025.3.1.67.

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This study delves into James Joyce’s literary universe through three underexplored perspectives: the aesthetics of absence, open endings, and masochism. The aesthetics of absence examines how themes of loss and lack, particularly in Dubliners, function as narrative forces that generate new meanings and emotional depth. Stories such as “Eveline” and “The Dead” illustrate how absence transcends mere deficiency, becoming a catalyst for reflection and interpretive engagement. This absence mirrors Dublin’s oppressive atmosphere while inviting readers to fill the gaps with imagination and emotion. T

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McFadden, Hugh. "‘Our own fastidious John Jordan’: Poet, Literary Editor, Critic." Irish University Review 42, no. 1 (2012): 124–40. http://dx.doi.org/10.3366/iur.2012.0012.

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For more than three decades, John Jordan (1930–88) was one of the most astute and perceptive literary critics in Ireland. As editor of the magazine Poetry Ireland in the Sixties he helped to revive Dublin as a significant literary centre, maintaining friendships with Patrick Kavanagh, Brendan Behan, and Austin Clarke. Himself a poet in the late modernist mode and a writer of witty and idiosyncratic short stories about the bohemian Dublin of the Forties and Fifties, Jordan was equally well-known as a drama critic, a staunch advocate of the later plays of Sean O'Casey, a defender of Joyce and Be

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R. K. Al-Sultani, Lect Muhanned. "NEGOTIATING IDENTITY: SUBVERSION AND CONFORMITY IN MODERNIST IRISH DRAMA." International Journal of Education Humanities and Social Science 08, no. 01 (2025): 103–14. https://doi.org/10.54922/ijehss.2025.0890.

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This paper explores how subversion and conformity negotiate identity in modernist Irish drama, focusing on the works of W.B. Yeats, J.M. Synge, and Sean O'Casey. In the light of the sociopolitical transformation of Ireland at the end of the 19th and the beginning of the 20th century, these playwrights were using innovative dramatic techniques to explore the complex interplay between personal and national identity. Yeats used myth and symbolism to explore an Irish mass consciousness based upon remembering the past-as in Cathleen ni Houlihan and The Countess Cathleen. Synge shocked the tradition

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Guo, Jinghong. "An Analogy between Ulysses and Its Archetype Odyssey." Journal of Higher Vocational Education 1, no. 4 (2024): 20–23. https://doi.org/10.62517/jhve.202416404.

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As a renowned writer of Modernist literature, James Joyce meticulously crafted the structural patterns and plots of Ulysses to echo those found in Odyssey. By combining an extraordinary imagination with a masterful art of storytelling, Ulysses is known as the epic of the disintegration of Western society, and the spiritual epic of the wandering adventure of modern people. In order to profoundly understand the intertextual relationship of the two masterpieces, the paper makes an analysis from the analogy of the protagonists, structure and plot. Through analyzing the intertextual consciousness,

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Cuddy-Keane, M. "PETER BROOKER AND ANDREW THACKER (eds). The Oxford Critical and Cultural History of Modernist Magazines. Vol. 1: Britain and Ireland 1880-1955." Review of English Studies 61, no. 249 (2010): 323–26. http://dx.doi.org/10.1093/res/hgq003.

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Waldron, Michael. "‘The wish to paint’: Bowen and the Visual Arts." Irish University Review 51, no. 1 (2021): 85–99. http://dx.doi.org/10.3366/iur.2021.0497.

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Throughout her life, Elizabeth Bowen maintained a rich network of artist friends and acquaintances. She often attended exhibitions and was an astute, sometimes caustic critic in letters as well as reviews. Her short tenure as an art student is an often mentioned but rarely, if ever, explored biographical fact, yet it was a key moment in her creative development. It is perhaps unsurprising then that she began to write while ‘still under the influence of … the wish to paint.’ This essay considers Bowen's significant relationship with the visual arts, from her art training and networks to her cri

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Hufton, Olwen, Ed Rugemer, Clare Elliott, et al. "Reviews: Social History, Local History and Historiography, Receptions and Revisitings: Review Articles, 1978–2011, Slavery and the Culture of Taste, Transatlantic Literary Exchanges, 1790–1870: Gender, Race and Nation, the Vulgar Question of Money: Heiresses, Materialism and the Novel of Manners from Jane Austen to Henry James, the Mysteries of the Cities: Urban Crime Fiction in the Nineteenth Century, Translation, Authorship and the Victorian Professional Woman: Charlotte Bronte, Harriet Martineau and George Eliot, the Lost Ireland of Stephen Gwynn: Irish Constitutional Nationalism and Cultural Politics, 1864–1950, Purity and Contamination in Late Victorian Detective Fiction, the Spectre of Utopia: Utopian and Science Fictions at the Fin de Siècle, Middlebrow Literary Cultures, the Masculine Middlebrow, 1880–1950: What Mr Miniver Read, Accented America: The Cultural Politics of Multilingual Modernism, a Sense of Shock: The Impact of Impressionism on Modern British and Irish Writing, Marianne Moore and the Cultures of Modernity, British Social Realism in the Arts since 1940, American Postmodern Fiction and the Past, the Second World War in Contemporary British Fiction: Secret Histories, 9/11 and the Literature of Terror." Literature & History 21, no. 2 (2012): 78–111. http://dx.doi.org/10.7227/lh.21.2.6.

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Watson, David, David Watson, Barbara Yorke, et al. "Reviews: History Matters: Patriarchy and the Challenge of Feminism, History and its Limits: Human, Animal, Violence., a Companion to Bede, Selling the Tudor Monarchy: Authority and Image in Sixteenth-Century England, Staging the Old Faith: Queen Henrietta Maria and the Theatre of Caroline England, 1625–1642, Unto the Breach: Martial Formations, Historical Trauma, and the Early Modern Stage, the Ends of Life: Roads to Fulfilment in Early Modern England, Shakespeare's Foreign Worlds: National and Transnational Identities in the Elizabethan Age., Ars Reminiscendi: Mind and Memory in Renaissance Culture, Women Writing History in Early Modern England, Romanticism and Popular Culture in Britain and Ireland, Native Americans and Anglo-American Culture, 1750–1850: The Indian Atlantic, Debating the Slave Trade: Rhetoric of British National Identity, 1759–1815, Posting It, the Victorian Revolution in Letter Writing, the Tragi-Comedy of Victorian Fatherhood, the Transatlantic Indian, 1776–1930, Evelyn Sharp, Rebel Woman, 1869–1955, Gertrude Stein and the Making of an American Celebrity, the Oxford Critical and Cultural History of Modernist Magazines, the Literature of the Irish in Britain: Autobiography and Memoir, 1725–2001, Emmanuel LevinasJudithM. Bennett, History Matters: Patriarchy and the Challenge of Feminism , Manchester University Press, 2007, pp. 214, £25.DominickLacapra, History and its Limits: Human, Animal, Violence. Cornell University Press, 2009, pp ix + 230, $59.95, $19.95.GeorgeHardin Brown, A Companion to Bede , The Boydell Press, Anglo-Saxon Studies 12, 2009, pp. ix + 167, £45; GunnVicky, Bede's Historiae. Genre, Rhetoric and the Construction of Anglo-Saxon Church History , The Boydell Press, 2009, pp. 256, £50.KevinSharpe, Selling the Tudor Monarchy: Authority and Image in Sixteenth-Century England , Yale University Press, 2009, pp. xxix + 588, £30.RebeccaA. Bailey, Staging the Old Faith: Queen Henrietta Maria and the Theatre of Caroline England, 1625–1642 , Manchester University Press, 2009, pp. xv +265, £50.PatriciaA. Cahill, Unto the Breach: Martial Formations, Historical Trauma, and the Early Modern Stage , Oxford University Press, 2008, pp. x + 227, £50.KeithThomas, The Ends of Life: Roads to Fulfilment in Early Modern England , Oxford University Press, 2009, pp. xvi + 393, £20.CaroleLevin and WatkinsJohn, Shakespeare's Foreign Worlds: National and Transnational Identities in the Elizabethan Age. Cornell University Press, 2009, pp. xi + 217, $45.DonaldBeecher and WilliamsGrant (eds), Ars Reminiscendi: Mind and Memory in Renaissance Culture , Centre for Reformation and Renaissance Studies (Toronto), 2009, pp. 440, CDN$37.MeganMatchinske, Women Writing History in Early Modern England , Cambridge University Press, 2009, pp. ix + 240, £55.PhilipConnell and LeaskNigel (eds), Romanticism and Popular Culture in Britain and Ireland , Cambridge University Press, 2009, pp. xiv + 317, £50.TimFulford and HutchingsKevin (eds), Native Americans and Anglo-American Culture, 1750–1850: The Indian Atlantic , Cambridge University Press, 2009, pp. xi + 263, £50.SrividhyaSwaminathan, Debating the Slave Trade: Rhetoric of British National Identity, 1759–1815 , Ashgate, 2009, pp. xiii+245, £50.CatherineJ. Golden, Posting It, The Victorian Revolution in Letter Writing , University Press of Florida, 2009, pp xvii + 299, $69.95.ValerieSanders, The Tragi-Comedy of Victorian Fatherhood , Cambridge University Press, 2009, pp. xii + 246, £50.KateFlint, The Transatlantic Indian, 1776–1930 , Princeton University Press, 2009, pp. xv + 376, $39.50.AngelaV. John, Evelyn Sharp, Rebel Woman, 1869–1955 Manchester University Press, 2009 pp xv + 281, £15.99 pb.KarenLeick, Gertrude Stein and the Making of an American Celebrity , Routledge, 2009, pp. xiii + 242, £65.PeterBrooker and ThackerAndrew (eds), The Oxford Critical and Cultural History of Modernist Magazines , Oxford University Press, 2009, pp. xvii + 955, £95.LiamHarte (ed.), The Literature of the Irish in Britain: Autobiography and Memoir, 1725–2001 , Palgrave Macmillan, 2009, pp. xl + 301, £55.HandSeán, Emmanuel Levinas , Routledge (Routledge Critical Thinkers Series), 2009, pp. xiv + 138, £55.00, £12.99 pb." Literature & History 19, no. 2 (2010): 87–113. http://dx.doi.org/10.7227/lh.19.2.6.

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Tolordava, Natia. "NATIONAL IDENTITY AND MYSTICAL BEAUTY IN WILLIAM BUTLER YEATS' „CELTIC TWILIGHT”." International Journal of Innovative Technologies in Social Science, no. 3(35) (September 30, 2022). http://dx.doi.org/10.31435/rsglobal_ijitss/30092022/7850.

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The end of 19th century was generally a significant and transitional period, as from the beginning of the 20th, modernism was gradually replacing the Victorian era. However, the prospect of change was even more immediate in Ireland than anywhere else. The Irish hoped to escape from the colonial restrictions imposed by the state, and from the new century they already counted themselves among the free nations. Yeats shared the same spirit, and therefore the awarding of the Nobel Prize in 1923 had a symbolic meaning for him, since Ireland had just gained independence. And the poet used every poss

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McAteer, Michael. "Ireland, Modernism, and Imperialism in Standish O’Grady’s The Queen of the World." Review of English Studies, June 5, 2019. http://dx.doi.org/10.1093/res/hgz047.

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Kerrigan, John. "Otters and Others: Ted Hughes to John Kinsella." Review of English Studies, May 11, 2023. http://dx.doi.org/10.1093/res/hgad043.

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Abstract Attitudes to animals and their relationship with the human have undergone significant changes over the last six decades, from the rise of the environmental movement to debates about genetic modification. Poetry has responded to these developments but also contributed to argument and activism. This essay aims to make sense of this history and its literary consequences by investigating the representation of otters in the work of a series of poets from Ted Hughes to John Kinsella. Shape-shifting, elusive, never entirely other, otters allow writers to negotiate the fluid boundary between

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Gelashvili, Tamar. "Political Discourse in Modernist and Meta-Postmodernist Irish Drama." Text and Interpretation, 2023. http://dx.doi.org/10.55804/jtsu-2960-9461-2023-6.

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The role and place of political discourse in fiction is a complex and intricate problem. The attitude of scholars and the authors towards the extent to which political discourse is permissible in the literature is heterogeneous. Various writers, like the famous Irish modernist writer James Joyce, believe that literature should be distant from politics, or as Gabriel Conroy, one of the characters in his short stories (The Dead) puts it, "Literature is above politics". However, Joyce contradicts this statement within the story by showing how literature is the medium of politics, for it has the p

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Beyer, Sue. "Fantasyland Autofiction." M/C Journal 27, no. 5 (2024). http://dx.doi.org/10.5204/mcj.3104.

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This essay explores a return to hope and romanticism by contemporary artists looking at themes of fantasy worlds and mapping imaginary lands as a type of autofiction. These fantasylands are created in collaboration with hallucinating machine learning platforms, as a tool for contemporary art-making. Seen through the framework of Metamodernism, how does AI hallucination contribute to Metamodern structure of feeling? AI, as part of the metacrisis, places society and culture in a type of no man’s land or in-between, where rapid and unchecked advancements in machine learning and generative technol

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Mac Con Iomaire, Máirtín. "The Pig in Irish Cuisine and Culture." M/C Journal 13, no. 5 (2010). http://dx.doi.org/10.5204/mcj.296.

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In Ireland today, we eat more pigmeat per capita, approximately 32.4 kilograms, than any other meat, yet you very seldom if ever see a pig (C.S.O.). Fat and flavour are two words that are synonymous with pig meat, yet scientists have spent the last thirty years cross breeding to produce leaner, low-fat pigs. Today’s pig professionals prefer to use the term “pig finishing” as opposed to the more traditional “pig fattening” (Tuite). The pig evokes many themes in relation to cuisine. Charles Lamb (1775-1834), in his essay Dissertation upon Roast Pig, cites Confucius in attributing the accidental

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See, Pamela Mei-Leng. "Branding: A Prosthesis of Identity." M/C Journal 22, no. 5 (2019). http://dx.doi.org/10.5204/mcj.1590.

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Abstract:

This article investigates the prosthesis of identity through the process of branding. It examines cross-cultural manifestations of this phenomena from sixth millennium BCE Syria to twelfth century Japan and Britain. From the Neolithic Era, humanity has sort to extend their identities using pictorial signs that were characteristically simple. Designed to be distinctive and instantly recognisable, the totemic symbols served to signal the origin of the bearer. Subsequently, the development of branding coincided with periods of increased in mobility both in respect to geography and social strata.

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