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Academic literature on the topic 'Modernism (Literature) Literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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Journal articles on the topic "Modernism (Literature) Literature"

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Kohlmann, Benjamin. "Proletarian Modernism: Film, Literature, Theory." PMLA/Publications of the Modern Language Association of America 134, no. 5 (2019): 1056–75. http://dx.doi.org/10.1632/pmla.2019.134.5.1056.

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This article identifies a body of work—films, literary texts, and theories of the aesthetic—that can help us reopen the question of what it means for an artwork to project a vision of classlessness. The article begins by focusing on early-twentieth-century proletarian modernism, in particular in the cinematic work of Sergey Eisenstein and in British literary works that repurposed Woolfian and Joycean styles during the later interwar years. Proletarian modernism, I argue, highlights an alternative route taken by modernist literature and art: unlike the late modernists feted in much recent scholarship, proletarian modernists aimed to retool modernism, opening up new and global political futures for it rather than anticipating its end. The article concludes by showing that the cultural genealogy of proletarian modernism mapped out here doubles as a prehistory of contemporary aesthetic theory: it enables us to recognize the significant political and theoretical erasures that structure recent accounts of art's democratic potential.

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Terian, Andrei. "Faces of modernity in romanian literature: a conceptual analysis." Alea : Estudos Neolatinos 16, no. 1 (2014): 15–34. http://dx.doi.org/10.1590/s1517-106x2014000100002.

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This study analyses the manner in which Romanian criticism chose to define and outline literary modernity. From this point of view, I have highlighted a series of deficiencies in the aforementioned endeavors, among which the reductive vision on modernism, which is limited either to a strictly formal meaning (as literary technique) or to a substantial one (as ideological attitude), the emergence of a non-differentiated concept of modernism, which tends to embrace any secondary effects or, on the contrary, of a generic anti-modernism, irrespective of the level or the direction in which it opposes modernism. Therefore, the present study sets forth a new classification of Romanian literary modernity, which includes, besides modernism, an anti-modernist direction and an ultra-modernist one also.

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SILVA, MAURÍCIO. "O "Grande Mundo": mundanismo e sociabilidade na literatura academicista brasileira durante o Pré-Modernismo * "The Big World": worldliness and sociability in academic brazilian literature during Pre-Modernism." História e Cultura 3, no. 1 (2014): 204. http://dx.doi.org/10.18223/hiscult.v3i1.1194.

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<p><strong>Resumo:</strong> O presente artigo analisa o contexto cultural do Pré-Modernismo brasileiro, destacando alguns aspectos estéticos e literários da Literatura Brasileira. Além disso, este artigo analisa as possíveis relações entre autores Pré-Modernistas e a Academia Brasileira de Letras, durante a passagem do século XIX para o XX.</p><p><strong>Palavras-chave:</strong> Pré-Modernismo – Literatura Brasileira – Mundanismo – Historiografia Literária.</p><p> </p><p><strong>Abstract:</strong> The present article analyses the cultural context of Brazilian Pre-Modernism, and points out some aesthetic and literary aspects of Brazilian Literature. Furthermore, the present article analyzes the relationship between the Pre-Modernist writers and the Brazilian Academy of Letters, detaching the institutionalizations issues on the turn-of-the-century.</p><p><strong>Keywords:</strong> Pre-Modernism – Brazilian Literature – Worldliness – Literary Historiography.</p>

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McKay, Belinda. "Proleptic modernism? A reconsideration of the literature of colonial Queensland." Queensland Review 23, no. 2 (2016): 116–32. http://dx.doi.org/10.1017/qre.2016.24.

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AbstractSusan Stanford Friedman argues that modernisms are multiple, polycentric and recurrent. This article takes up her invitation to focus on the circulation of people and ideas that connected modernisms from different parts of the planet by reconsidering two moments in the literature of colonial Queensland as instances of proleptic modernism. The publications ofPolicy and Passionby Rosa Praed in 1881 in London, and of the ‘The Red Snake’ by Francis Adams in 1888 in Brisbane encapsulate early manifestations of the cultural unease and destabilisation that drove the development of modernism/s as the expressive domain of modernity/ies. Striking thematic and stylistic parallels with the work of canonical modernists — HD in the case of Praed, and Conrad in the case of Adams — suggest not only that modernism began to manifest itself in Anglophone culture much earlier than is generally conceded, but also that the cognitive dissonance generated by the colonial experience was centrally implicated in its development.

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Adedipe, Ademolawa Michael. "An Experimental Documentary: Making a Case for Baird’s Modernism." Advances in Language and Literary Studies 9, no. 5 (2018): 49. http://dx.doi.org/10.7575/aiac.alls.v.9n.5p.49.

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The refutation and the obliteration of the modernist era in Canadian literature by Robert Kroetsch and reasserted by Glen Wilmott makes it imperative to look at highly experimental literary works in the first half of the 20th century in Canada. The purpose of this paper, thus is to make a case for the inclusion Irene Bird’s Waste Heritage in the repertoire of modernist works in North America. The various criticism of Canadian literature as not having a modernist era needs to be debunked. The false assertion that Canadian literature moved straight from the Victorian era to a postmodernist face is probably due to the difficulty of defining what modernism is. The evolution and the expansion of the term modernism makes it imperative for one to reappraise the creative works of Irene Bird (Waste Heritage) and Sheila Watson (Double Hook) as modernist. An attempt to include Waste Heritage in the new modernist discourse of global literature by looking at the experimental way by which Baird used documentary modernism. The sustainability of a growing modern society vis-à-vis modernism, and the resistance of capitalism in Baird’s narrative would be used to make a case for Baird’s modernism.

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Oliveira, Luiz Henrique Silva de. "Manifestações do negrismo no modernismo brasileiro: poesia e romance." Navegações 10, no. 2 (2018): 156. http://dx.doi.org/10.15448/1983-4276.2017.2.23862.

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Este trabalho pretende analisar as manifestações do negrismo enquanto procedimento literário do século XX e estudar suas variantes no âmbito do modernismo brasileiro. Para tanto, tomaremos exemplares da poesia e do romance modernistas como elementos de análise. Será necessário para isso evidenciar as fontes e influências do negrismo e estabelecer diálogo com outros sentidos que o termo possui. Finalmente, deseja-se evidenciar como o negrismo no modernismo brasileiro representou uma etapa de transição entre a literatura de perspectiva etnocêntrica, em relação ao negro, e a chamada literatura afro-brasileira.********************************************************************Manifestations of “negrismo” in Brazilian Modernism: poetry and novelAbstract: This work aims to examine the manifestations of “negrismo” as a literary procedure of the twentieth century and study their variations in the Brazilian modernism. Therefore, we will take examples of poetry and romance modernists as elements of analysis. It will be necessary to show that the sources and influences to “negrismo” and establish dialogue withother senses that the term has. Finally , we want to show how the “negrismo” in Brazilian modernism represented a transitional stage between literature ethnocentric perspective, in relation to black, and the called african-Brazilian literature.Keywords: Negrismo; Modernismo; Poetry; Novel; Brazilian literature

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Chaudhuri, Supriya. "Which world, whose literature?" Thesis Eleven 162, no. 1 (2021): 75–93. http://dx.doi.org/10.1177/0725513621996493.

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This essay argues that the ‘thought figure’ of world literature has been under incalculable strain from its inception, given the diversity of linguistic and cultural contexts within which it must be understood. After a brief introductory discussion of Rabindranath Tagore’s talk on world literature (1907), the essay goes on to connect world literature debates with those in global modernism, especially modernism in the colony. Looking at the networks of modernism, and the role of little magazines in India, particularly Bengal, in creating a sense of world literature through reviews and translations, it stresses the importance of location, language, and perspective in the wake of decolonization. However, in the present time of ecological and planetary crisis, with a global upsurge of xenophobia, insularity, and ethnic, racist, or communal violence, the notion of a world, or of a world literature, is hard to sustain.

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Cutler, John Alba. "Latinx Modernism and the Spirit of Latinoamericanismo." American Literary History 33, no. 3 (2021): 571–87. http://dx.doi.org/10.1093/alh/ajab048.

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Abstract Newspapers were the primary literary institutions of Latinx modernism, and attending more centrally to newspaper and other periodical literature changes the way we understand Latinx literary history. It demonstrates not only the generic and formal dynamism of Latinx writing but also how thoroughly embedded that writing has always been in hemispheric currents of thought and textual circulation. In this essay, I give an account of how Latinx modernism contributes to and transforms the fields of Latinx literature, modernist studies, and Latin American studies. I describe the print-cultural archive of Latinx modernism and justify my use of the term Latinx based on the transnational identifications of newspaper literature pages during this period. I then outline the problems and potentiality presented by the Latinity of Latinx writing, building on the work of Latin American decolonial theorists. Relying on examples from the archive, I show how Latinx modernism engages what I am calling the spirit of Latinoamericanismo and in the process transforms our conception of American modernity, showing it to be inextricable from coloniality. The spirit of Latinoamericanismo figures the oppositional potential of Latinx modernist literature, including its contradictions and limits.

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Kłosińska-Nachin, Agnieszka. "Modernism as a continuing process. Modernist irony in Spanish-language modernism." Przestrzenie Teorii, no. 25 (June 15, 2016): 63. http://dx.doi.org/10.14746/pt.2016.25.3.

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Silva, Maurício. "Consagração e decadência do academicismo literário: o caso do jornalismo." Aletria: Revista de Estudos de Literatura 20, no. 1 (2010): 77–95. http://dx.doi.org/10.17851/2317-2096.20.1.77-95.

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Resumo: O presente artigo analisa o contexto cultural brasileiro durante a passagem do século XIX para o XX. Para tanto, enfatiza a profissionalização do autor e sua relação com o jornalismo. Este trabalho procura ainda abordar as principais tendências literárias do Pré-Modernismo brasileiro, por meio da análise de características estéticas presentes em alguns de seus principais representantes.Palavras-chave: Pré-Modernismo; literatura brasileira; jornalismo; estética.Abstract: The present article analyses the cultural context of Brazilian pre-modernism, and points out to two aspects of it: the writer professionalization, and its relationship with the journalism. The present article analyses the premodernist Brazilian Literature, and reveals some aesthetic and literary aspects of Brazilian Literature on the turn-of-the-century.Keywords: Premodernism; Brazilian Literature; journalism; aesthetic.

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Dissertations / Theses on the topic "Modernism (Literature) Literature"

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Wayland, Ted. "High risk modernism /." Thesis, Connect to this title online; UW restricted, 2008. http://hdl.handle.net/1773/9343.

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Thomaz, Paulo Cesar. "O dilaceramento da experiência: as poéticas da desolação de Bernardo Carvalho e Sergio Chejfec." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-09022010-124441/.

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Este estudo consiste na análise dos romances Onze (1995), Teatro (1998) e As iniciais (1999), do escritor brasileiro Bernardo Carvalho, e dos romances El aire (1992), Boca de lobo (2000) e Los incompletos (2005), do escritor argentino Sergio Chejfec. Nosso trabalho trata de demonstrar que essas duas práxis narrativas buscam configurar poéticas que discutem, no cenário latino-americano atual, as matrizes modernistas da literatura em um presente marcado pela desestabilização das categorias do literário. E fazem isso por meio de práticas discursivas literárias que ficcionalizam uma dilacerada experiência de desolação, isolamento e alienação. A lógica reificante do presente mercado neoliberal latino-americano encerra novos modos de entender e escrever a literatura, que não impedem estes escritores de preservar e estimar certa especificidade do campo literário. Ademais, penetram e configuram universos ficcionais antiliberais e antiutópicos associados ao corte com uma noção tradicional de experiência, entendida como fundamento de uma verdade, de um conhecimento. Corte causado por problemas histórico-sociais, ligados ao caráter problemático da ainda incipiente e incompleta modernização latino-americana.<br>This study consists in the analysis of the novels Onze (1995), Teatro (1998) and As Iniciais (1999), of Brazilian writer Bernardo Carvalho, and of the novels El aire (1992), Boca de Lobo (2000) and Los incompletos (2005), of Argentinian writer Sergio Chejfec. Our work look forward to demonstrate that these two praxis narratives seek to setup poetic that are arguing, in the current Latin-American scenery, like head offices modernists literature in a present marked by destabilization of the literature categories. And they do that by means of literary discursive practices that fictionalize a lacerated experience of desolation, isolation and alienation. A reification logic does present Latin-American neoliberal market containing new manners of understanding and writing literature, that do not prevent these writers of preserving and being fond of certain specificity of literature field. Moreover, they penetrate and they setup ficticious, antiliberal and antiutopian universes associates to a break with a traditional notion of experience, wich is understood as foundation of a truth, of knowledge. That break was caused by historical-social problems, linked to the problematic character of still incipient and incomplete Latin-American modernization

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Carney, Jason R. "The Shadow Modernism of Weird Tales: Experimental Pulp Fiction in the Age of Modernist Reflection." Case Western Reserve University School of Graduate Studies / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=case1396650887.

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Gott, Henry Michael. "Ascetic modernism in Eliot and Flaubert." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/3906/.

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This thesis describes Eliot and Flaubert’s shared fascination for the figure of the ascetic saint, with special attention given to The Waste Land and La Tentation de saint Antoine. I examine how the structure, style and themes of these two works in particular show the authors updating into a modernist context the model of the trial they inherit from saintly literature. I explore in detail the varied connotations that the saint attracts, structuring my analysis on the basis of dialectical tensions which allow me to trace the relation of the saint’s experience to the theory and praxis of the two authors: the contrasting forms of discourse within each text, scientific and religious thought as distinct but potentially complicit approaches to knowledge, or the contrapuntal relationship of desert and city, allow me to illustrate the texts’ enactment of a central paradox of the ascetic’s via negativa – where the comprehensive vantage point to which they aspire is only achieved through loss. I give extensive attention to the techniques and structure of each work, in which I elaborate the operative significance of the saint’s emblematic status. My analysis culminates in a reading of the Tentation and The Waste Land that stresses their relation to an ascetic paradigm, which not only inheres through the recurrence of various motifs in the work of Eliot and Flaubert but is characteristic of modernism more generally. On the one hand expanding on undeveloped hints in Eliot criticism, regarding both the influence of Flaubert and The Waste Land’s relation to the saint’s trial, whilst on the other allowing Flaubert’s Tentation to benefit from the greater critical scrutiny given to its more canonical counterpart, the thesis enhances our understanding of both the individual authors and the broader intellectual climate to which they belong.

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Medalie, David. "E.M.Forster and modernism." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.316896.

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Melberg, Arne. "Sara Danius, The Senses of Modernism. Technology, Perception, and Modernist Aesthetics. Uppsala 1998." Uppsala : Svenska Litteratursällskapet, 1999. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-200754.

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Barker, Jennifer. "The aesthetics of resistance modernism and antifascism /." [Bloomington, Ind.] : Indiana University, 2005. http://wwwlib.umi.com/dissertations/fullcit/3178431.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2005.<br>Source: Dissertation Abstracts International, Volume: 66-06, Section: A, page: 2208. Adviser: Thomas Foster. "Title from dissertation home page (viewed Nov. 27, 2006)."

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Trigoni, Efthalia. "Re-cognizing the unconscious in modernist literature." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707931.

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Garcia, Luiz Fernando. "O idílio entre a tradição e a modernidade : uma releitura de Amar, verbo intransitivo, Mário de Andrade /." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/152709.

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Submitted by Luiz Fernando Garcia null (luizfernandg@yahoo.com) on 2018-02-08T17:05:47Z No. of bitstreams: 1 O IDÍLIO ENTRE A TRADIÇÃO E A MODERNIDADE.pdf: 5341547 bytes, checksum: 03c4e0506b85489568763230e0c0962e (MD5)<br>Approved for entry into archive by Maria Luiza Carpi Semeghini (luiza@assis.unesp.br) on 2018-02-08T17:38:35Z (GMT) No. of bitstreams: 1 garcia_lf_dr_assis.pdf: 5341547 bytes, checksum: 03c4e0506b85489568763230e0c0962e (MD5)<br>Made available in DSpace on 2018-02-08T17:38:35Z (GMT). No. of bitstreams: 1 garcia_lf_dr_assis.pdf: 5341547 bytes, checksum: 03c4e0506b85489568763230e0c0962e (MD5) Previous issue date: 2018-01-29<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Partindo de pressupostos teóricos do Comparatismo como forma de investigação que se situa "entre" os objetos que analisa, e dos conceitos de releitura tão característicos da Modernidade, este trabalho propõe o estabelecimento de relações entre o romance Amar, verbo intransitivo (1927) de Mário de Andrade (1893-1945), que tem como subtítulo a designação de "Idílio" e obras de Teócrito, Gessner e B. de Saint-Pierre, pertencentes ao mesmo gênero literário, tomando como ponto de partida a questão do gênero. Este procedimento tem como objetivos verificar não somente a procedência do ceticismo da crítica literária em relação a este subtítulo, como também as razões que levaram o autor a utilizá-lo e a mantê-lo até mesmo na versão final da obra. Neste percurso, o próprio gênero literário "Idílio" também se constitui como objeto de estudo deste trabalho, pois as obras acima citadas revelam não somente um gênero literário ativo e em evolução desde a Antiguidade greco-romana até o Sec. XX, mas também um gênero que se manifesta tanto na poesia quanto na prosa, mais especificamente , no gênero romance.<br>Based on postulates of comparative literature, that places itself between the objects analyzed, and new readings of traditional works, so dear to Modernity, this thesis aims at establishing relations between Mario de Andrade's (1893-1945) novel "Amar, verbo intransitivo" (1927), subtitle "Idílio", and works from Teocritus, Gessner and B. de Saint Pierre belonging to the same literary gender, at the same time that considers the questions involving this specific gender. This procedure aims at verifying not only why literary criticism has been so skeptical in relation to the subtitle "Idílio", but also the author's reasons in giving and mantaining it even in the final version of the work. In this way, also the literary gender "Idyll" becomes the object of study of the present thesis, as the works cited above reveal not only an active gender evolving from the Antiquity until the XXth century, but also a gender represented both in poetry and prose, in this case in the novel.<br>1040/13

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Long-Innes, Francis. "Freud : moments of modernism." Master's thesis, University of Cape Town, 1990. http://hdl.handle.net/11427/22126.

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The word "moment" - from the Latin movere (to move) - can be understood in various senses. It is a point of time, an instant; it connotes importance, or weight; in 1666, according to the OED, it could be used to suggest a "definite stage or turning point in a course of events"; in 1691 it came to mean a "cause or motive of action, a determining influence or consideration" ... This dissertation stems from the conviction that the importance and weight of Sigmund Freud's "discovery" and elaboration of psychoanalysis - its impact as a turning point for western modes of intellectual activity, and as a determining consideration for western culture as a whole - has been so profound that it would be impossible to seek from within it the precise measure of its influence. Across modern philosophy, the human sciences, and the arts - from surrealism to pop art, from advertising to social welfare policies - Freud's psychoanalysis permeates the ways in which we live, and is one of the key elements of that experience of modernity we can loosely call "modernism". The dissertation locates a number of moments ·of modernism in and around Freud's work - with attention to Freud's relation to the reading and interpretive practices of the twentieth century: Chapter One examines some of the ways in which psychoanalysis and literary studies have met, intersected and, at times, bypassed one another over the past few decades, in a flurry of encounters which have yet to settle into any definitive shape. Chapter Two responds to Stanley Fish's recent attack on Freud's scientific integrity in the "Wolf-man". The chapter focuses, in other words, on one particular strand of the critical tradition defined in the second section of Chapter One. Chapter Three - which concerns the famous case of "Dora" - attempts, first, to restore some sense of the theoretical moment in Freud's work represented by the case, and second, to re-introduce the question of history into what has become the critics' story of Freud's failure to get to the bottom of Dora's hysteria. The aim of this chapter is to suggest a way beyond the contradiction in which Freud is persistently invoked, in feminist criticism, as both liberator and oppressor, hero and villain. Chapter Four turns back to the interface between psychoanalysis and literature. Its focal point is a different permutation from that manifested in the "Dora" case history of Freud's life-long quest to solve the "riddle" of femininity. The chapter examines some of the problems Defoe's novel Moll Flanders has posed to a tradition of patriarchal literary criticism. These problems, it argues, are inseparable from questions of representation, female identity and the notion of ''femininity" itself - the same questions which proved so intrusive in Freud's narrative of the case of Dora. This dissertation is concerned not only with the apparent "logic" of the arguments it confronts, but also with the· deeper constitution of that logic in and through the complex textures of writing. It aims to demonstrate that one of the most powerful moments of modernism in Freud's work lies in the stimulus it provides to an art of interpretation constantly attentive to the complexity of these textures.

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Books on the topic "Modernism (Literature) Literature"

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Cold modernism: Literature, fashion, art. Pennsylvania State University Press, 2012.

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Modernist commitments: Ethics, politics, and transnational modernism. Columbia University Press, 2011.

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Denise, Mahood Aurelea, ed. Modernist literature: An introduction. Edinburgh University Press, 2007.

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Modernist literature, 1890-1950. Pearson/Longman, 2010.

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Levenson, Michael H. Modernism. Yale University Press, 2011.

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Modernism. Arnold, 2004.

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Ghostwriting modernism. Cornell University Press, 2002.

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Painting modernism. State University of New York Press, 2014.

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Zima, P. V. Modern/postmodern: Society, philosophy, literature. Continuum, 2010.

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Modernism and revolution: Russian literature in transition. Harvard University Press, 1994.

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Book chapters on the topic "Modernism (Literature) Literature"

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Berman, Jessica. "Imagining World Literatures: Modernism and Comparative Literature." In Disciplining Modernism. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230274297_4.

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Goldman, Jane. "Literature after 1910." In Modernism, 1910–1945. Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-1-4039-3839-8_2.

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Valentine, Kylie. "Modernism." In Psychoanalysis, Psychiatry and Modernist Literature. Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403919366_2.

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Berg, Hubert F. van den, and Gillis J. Dorleijn. "Modernism(s) in Dutch Literature." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/chlel.xxi.69ber.

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Winkiel, Laura. "Modernism and Empire." In A Companion to British Literature. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118827338.ch84.

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Thody, Philip. "Magic Realism, Post-modernism and Toni Morrison." In Twentieth-Century Literature. Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24399-0_13.

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Reynolds, Kimberley. "Breaking the Frame: Picturebooks, Modernism, and New Media." In Radical Children's Literature. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230206205_2.

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Doan, Laura, and Jane Garrity. "Modernism Queered." In A Companion to Modernist Literature and Culture. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch60.

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Moore-Gilbert, Bart. "Postcolonial Modernism." In A Companion to Modernist Literature and Culture. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch61.

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Schaffner, Anna Katharina. "Freud, Literature and the Perversification of Mankind." In Modernism and Perversion. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358904_6.

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Conference papers on the topic "Modernism (Literature) Literature"

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Исламова, Алла Каримовна. "TO THE ISSUE OF THE DEVELOPMENT OF COGNITIVE DIRECTION IN LITERATURE AFTER MODERNISM: THE VISUAL AND THE TRUE HORISON OF KNOWLEDGE IN W. GOLDING’ NOVEL «FIRE DOWN BELOW»." In Социально-экономические и гуманитарные науки: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Апрель 2021). Crossref, 2021. http://dx.doi.org/10.37539/seh296.2021.88.75.002.

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Предмет изучения в статье составляют дидактические аспекты романа У. Голдинга в их отношении к аналогичным направлениям литературы постмодерна. Рассмотрение данных аспектов в эпистемологическом горизонте произведения позволяет заключить, что они были обращены против ограничений эпического пространства и когнитивных искажений картины реальности в модернизированных формах романа. The subject of the article accounts for the didactic aspects by Golding’s novel as related to similar currents of thought in postmodern literature. The insights into these aspects within the epistemological horizon of the work in question leads to the conclusion that they are directed against the cognitive distortions of the picture of the world and restrictions of its ontological framework in modernistic novels.

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Hörmann-Shahidipour, Seyedmehran. "The Influence of New Annex's Development on Historic Urban Spaces; an Example of Louver Museum Square." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021297n14.

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With the emergence of modernism, the main objective of promotion and protection of the historical urban areas according to the existing historic context, new context had presented a disaster through the modern years. The notion of development and protection has prepared the necessity to make a connection between the historical usages of space and provide a new annex usage. This study will focus on the new usages of historical spaces for the purpose of designing the new annex constructions. The main objective of the present study is to explore what occurs in historic space when annex extension is outdistancing historical boundaries? For this aim, the study will measure the Louver Museum square as the case study. The methodology of the present research is situated on a qualitative method regarding the literature review and available maps and photography analysis.

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Kovtun, Elena. "Collapse of Austria-Hungary in post-modernism’s self-reflection: «cardboard» Vienna by I. Kratochvil (novel «Immortal Story»)." In Slavic collection: language, literature, culture. LLC MAKS Press, 2019. http://dx.doi.org/10.29003/m.slavcol-2018/353-361.

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Xiang, Lu. "On Collage as a New Language of Modernist Literature." In 6th Annual International Conference on Social Science and Contemporary Humanity Development (SSCHD 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210121.022.

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"The Response of Confucianism to the Spiritual Crisis of Modernity--And its Comparison with Western Philosophy." In 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.074.

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Blokh, Mark, Zoya Asratyan, and Norair Asratyan. "Dicteme and Its Conceptualizing Function in Imaginative Literature." In Proceedings of the International Conference Digital Age: Traditions, Modernity and Innovations (ICDATMI 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201212.057.

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Dmytrenko, Victoriia, Olena Brovko, and Nailia Khairulina. "Comparative Projections of “Life is a Fair” Model in Artistic Consciousness at the Turn of the Nineteenth–Twentieth Centuries: Realistic and Modernist Tendencies." In International Conference on New Trends in Languages, Literature and Social Communications (ICNTLLSC 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210525.015.

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Souza, Marco Aurélio de. "Expressões poéticas como documentos históricos: política e Era Vargas no modernismo e na literatura de cordel." In IV Congresso Internacional de História. Programa de Pós-Graduação em História e Departamento de História - Universidade Estadual de Maringá - UEM, 2009. http://dx.doi.org/10.4025/4cih.pphuem.678.

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Milovanovic-Bertram, Smilja. "Lina Bo Bardi: Evolution of Cultural Displacement." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.61.

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In recent years much has been written and exhibited regarding Lina Bo Bardi, the Italian/Brazilian architect (1914-1992). This paper aims to look at the phenomenon of cultural displacement and the dissemination of her design thinking as a major female figure in a male dominated profession. This investigation is distinguished from others in that it addresses the importance of regional and cultural influences that formed Lina’s design philosophy in her early years in Italy. Cultural displacement has long played a significant role in the creative process for artists. Often major innovators in literature are immigrants as elements of strangeness, distance, and alienation all contribute to their creativity. The premise is that critical distance is paramount for reflection as a change of context unfolds unforeseen possibilities. Displacement was a consistent element throughout the trajectory of Lina’s architectural career as she moved from Rome to Milan, from Milan to Sao Paolo from Sao Paolo to Bahia and back to Sao Paolo. Viewing this form of detachment and dislocation permits insight into her career and body of work as displacement mediates the paradoxical relationship between time and space. The paper will examine three distinct periods in her career. The first period is set in Rome, where she assimilated the city, showed artistic aptitude and spent her university years studying under Piacentiniand Giovannoni. The second period is set in Milan, where she developed impressive editorial and layout skills in publications work with Gio Ponti and BrunoZevi. and was influenced by Antonio Gramsci’s writings. The third is set in Brazil, where she builds and evolves as an architect via what she absorbed in Rome, wrote in Milan, and finally realized in Brazil. After Italy’s collapse in WWII Lina writes, draws, edits, critiques the plight of the Italians in need of better housing and circumstances. She leaves Milan with her new husband, PM Bardi (a prominent journalist, art critic) for Brazil. In Sao Paolo she absorbs the optimism and positive direction of Brazil. Her early design work in Brazil echoes European modernism, but when she travels to Bahia and becomes aware of the social conditions, she draws from her Italian experiences of and ideas of transforming lives through craft. Her architectural projects become directly responsive to the culture of Bahia and the politics of poverty. Lina’s design thinking evolves and parallels George Kubler’s study, The Shape of Time, and the history of man-made objects by bridging the divide between art and material culture.

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Echauri Galván, Bruno, and Silvia García Hernández. "Poesía a dos bandas: innovación docente a través de la literatura y la traducción." In IN-RED 2017: III Congreso Nacional de Innovación Educativa y Docencia en Red. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/inred2017.2017.6850.

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El presente trabajo muestra el desarrollo de un proyecto de innovación docente llevado a cabo con alumnos de dos grados, Estudios Hispánicos y Lenguas Modernas y Traducción, en la Universidad de Alcalá. El objetivo de estas páginas es exponer el desarrollo y resultados de este proyecto que surge de la visión de un aspecto fundamental: la vocación literaria de algunos alumnos de ambos grados. Partiendo de esta base, se propuso la realización de un poemario bilingüe en el que los alumnos del grado en Estudios Hispánicos crearan poemas que pudieran ser traducidos o, más bien, “re-creados”, por parte de los alumnos traductores. Los objetivos principales de este proyecto interdisciplinar son los de fomentar la creatividad y aumentar la motivación de los alumnos de ambos grados, así como reforzar el uso de la lengua extranjera y la práctica de la traducción literaria con textos originales creados por otros compañeros, fomentando así el trabajo colaborativo. Además, otro de los puntos innovadores de este proyecto es que los alumnos pudieran trabajar juntos a través de las nuevas tecnologías, utilizando, entre otras, la herramienta Blackboard Collaborate, que les permitiera estar en contacto, compartir documentos y opiniones en tiempo real. Palabras clave: poesía, traducción literaria, innovación, nuevas tecnologías, creatividad, motivación, trabajo en grupo.

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Reports on the topic "Modernism (Literature) Literature"

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Vargas, Fanny, and Boaz Anglade. Determinantes y efectos del embarazo en la adolescencia en Centroamérica, República Dominicana y Haití. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003232.

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A pesar de que la fertilidad total ha disminuido en toda América Latina, la fertilidad adolescente continúa siendo de las más elevadas del mundo. Este documento examina las tendencias del embarazo adolescente en Centroamérica, República Dominicana y Haití durante las últimas décadas, así como la trayectoria de los principales determinantes de la maternidad adolescente. El lento descenso de la fertilidad adolescente se relaciona con la alta desigualdad socioeconómica de la región, así como la tendencia a la disminución de la edad del debut sexual, el incremento de la proporción de adolescentes sexualmente activas, la persistencia de las uniones tempranas y la baja pero creciente prevalencia del uso de anticonceptivos modernos. La vasta literatura sobre las consecuencias socioeconómicas y de salud del embarazo en la adolescencia es revisada, y se presenta un análisis no experimental de impacto sobre las madres y sus hijos para los países en cuestión.

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