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Journal articles on the topic 'Modernism (Literature) Literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Kohlmann, Benjamin. "Proletarian Modernism: Film, Literature, Theory." PMLA/Publications of the Modern Language Association of America 134, no. 5 (2019): 1056–75. http://dx.doi.org/10.1632/pmla.2019.134.5.1056.

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This article identifies a body of work—films, literary texts, and theories of the aesthetic—that can help us reopen the question of what it means for an artwork to project a vision of classlessness. The article begins by focusing on early-twentieth-century proletarian modernism, in particular in the cinematic work of Sergey Eisenstein and in British literary works that repurposed Woolfian and Joycean styles during the later interwar years. Proletarian modernism, I argue, highlights an alternative route taken by modernist literature and art: unlike the late modernists feted in much recent scholarship, proletarian modernists aimed to retool modernism, opening up new and global political futures for it rather than anticipating its end. The article concludes by showing that the cultural genealogy of proletarian modernism mapped out here doubles as a prehistory of contemporary aesthetic theory: it enables us to recognize the significant political and theoretical erasures that structure recent accounts of art's democratic potential.

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2

Terian, Andrei. "Faces of modernity in romanian literature: a conceptual analysis." Alea : Estudos Neolatinos 16, no. 1 (2014): 15–34. http://dx.doi.org/10.1590/s1517-106x2014000100002.

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This study analyses the manner in which Romanian criticism chose to define and outline literary modernity. From this point of view, I have highlighted a series of deficiencies in the aforementioned endeavors, among which the reductive vision on modernism, which is limited either to a strictly formal meaning (as literary technique) or to a substantial one (as ideological attitude), the emergence of a non-differentiated concept of modernism, which tends to embrace any secondary effects or, on the contrary, of a generic anti-modernism, irrespective of the level or the direction in which it opposes modernism. Therefore, the present study sets forth a new classification of Romanian literary modernity, which includes, besides modernism, an anti-modernist direction and an ultra-modernist one also.

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3

SILVA, MAURÍCIO. "O "Grande Mundo": mundanismo e sociabilidade na literatura academicista brasileira durante o Pré-Modernismo * "The Big World": worldliness and sociability in academic brazilian literature during Pre-Modernism." História e Cultura 3, no. 1 (2014): 204. http://dx.doi.org/10.18223/hiscult.v3i1.1194.

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<p><strong>Resumo:</strong> O presente artigo analisa o contexto cultural do Pré-Modernismo brasileiro, destacando alguns aspectos estéticos e literários da Literatura Brasileira. Além disso, este artigo analisa as possíveis relações entre autores Pré-Modernistas e a Academia Brasileira de Letras, durante a passagem do século XIX para o XX.</p><p><strong>Palavras-chave:</strong> Pré-Modernismo – Literatura Brasileira – Mundanismo – Historiografia Literária.</p><p> </p><p><strong>Abstract:</strong> The present article analyses the cultural context of Brazilian Pre-Modernism, and points out some aesthetic and literary aspects of Brazilian Literature. Furthermore, the present article analyzes the relationship between the Pre-Modernist writers and the Brazilian Academy of Letters, detaching the institutionalizations issues on the turn-of-the-century.</p><p><strong>Keywords:</strong> Pre-Modernism – Brazilian Literature – Worldliness – Literary Historiography.</p>

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4

McKay, Belinda. "Proleptic modernism? A reconsideration of the literature of colonial Queensland." Queensland Review 23, no. 2 (2016): 116–32. http://dx.doi.org/10.1017/qre.2016.24.

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AbstractSusan Stanford Friedman argues that modernisms are multiple, polycentric and recurrent. This article takes up her invitation to focus on the circulation of people and ideas that connected modernisms from different parts of the planet by reconsidering two moments in the literature of colonial Queensland as instances of proleptic modernism. The publications ofPolicy and Passionby Rosa Praed in 1881 in London, and of the ‘The Red Snake’ by Francis Adams in 1888 in Brisbane encapsulate early manifestations of the cultural unease and destabilisation that drove the development of modernism/s as the expressive domain of modernity/ies. Striking thematic and stylistic parallels with the work of canonical modernists — HD in the case of Praed, and Conrad in the case of Adams — suggest not only that modernism began to manifest itself in Anglophone culture much earlier than is generally conceded, but also that the cognitive dissonance generated by the colonial experience was centrally implicated in its development.

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Adedipe, Ademolawa Michael. "An Experimental Documentary: Making a Case for Baird’s Modernism." Advances in Language and Literary Studies 9, no. 5 (2018): 49. http://dx.doi.org/10.7575/aiac.alls.v.9n.5p.49.

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The refutation and the obliteration of the modernist era in Canadian literature by Robert Kroetsch and reasserted by Glen Wilmott makes it imperative to look at highly experimental literary works in the first half of the 20th century in Canada. The purpose of this paper, thus is to make a case for the inclusion Irene Bird’s Waste Heritage in the repertoire of modernist works in North America. The various criticism of Canadian literature as not having a modernist era needs to be debunked. The false assertion that Canadian literature moved straight from the Victorian era to a postmodernist face is probably due to the difficulty of defining what modernism is. The evolution and the expansion of the term modernism makes it imperative for one to reappraise the creative works of Irene Bird (Waste Heritage) and Sheila Watson (Double Hook) as modernist. An attempt to include Waste Heritage in the new modernist discourse of global literature by looking at the experimental way by which Baird used documentary modernism. The sustainability of a growing modern society vis-à-vis modernism, and the resistance of capitalism in Baird’s narrative would be used to make a case for Baird’s modernism.

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6

Oliveira, Luiz Henrique Silva de. "Manifestações do negrismo no modernismo brasileiro: poesia e romance." Navegações 10, no. 2 (2018): 156. http://dx.doi.org/10.15448/1983-4276.2017.2.23862.

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Este trabalho pretende analisar as manifestações do negrismo enquanto procedimento literário do século XX e estudar suas variantes no âmbito do modernismo brasileiro. Para tanto, tomaremos exemplares da poesia e do romance modernistas como elementos de análise. Será necessário para isso evidenciar as fontes e influências do negrismo e estabelecer diálogo com outros sentidos que o termo possui. Finalmente, deseja-se evidenciar como o negrismo no modernismo brasileiro representou uma etapa de transição entre a literatura de perspectiva etnocêntrica, em relação ao negro, e a chamada literatura afro-brasileira.********************************************************************Manifestations of “negrismo” in Brazilian Modernism: poetry and novelAbstract: This work aims to examine the manifestations of “negrismo” as a literary procedure of the twentieth century and study their variations in the Brazilian modernism. Therefore, we will take examples of poetry and romance modernists as elements of analysis. It will be necessary to show that the sources and influences to “negrismo” and establish dialogue withother senses that the term has. Finally , we want to show how the “negrismo” in Brazilian modernism represented a transitional stage between literature ethnocentric perspective, in relation to black, and the called african-Brazilian literature.Keywords: Negrismo; Modernismo; Poetry; Novel; Brazilian literature

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7

Chaudhuri, Supriya. "Which world, whose literature?" Thesis Eleven 162, no. 1 (2021): 75–93. http://dx.doi.org/10.1177/0725513621996493.

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This essay argues that the ‘thought figure’ of world literature has been under incalculable strain from its inception, given the diversity of linguistic and cultural contexts within which it must be understood. After a brief introductory discussion of Rabindranath Tagore’s talk on world literature (1907), the essay goes on to connect world literature debates with those in global modernism, especially modernism in the colony. Looking at the networks of modernism, and the role of little magazines in India, particularly Bengal, in creating a sense of world literature through reviews and translations, it stresses the importance of location, language, and perspective in the wake of decolonization. However, in the present time of ecological and planetary crisis, with a global upsurge of xenophobia, insularity, and ethnic, racist, or communal violence, the notion of a world, or of a world literature, is hard to sustain.

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8

Cutler, John Alba. "Latinx Modernism and the Spirit of Latinoamericanismo." American Literary History 33, no. 3 (2021): 571–87. http://dx.doi.org/10.1093/alh/ajab048.

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Abstract Newspapers were the primary literary institutions of Latinx modernism, and attending more centrally to newspaper and other periodical literature changes the way we understand Latinx literary history. It demonstrates not only the generic and formal dynamism of Latinx writing but also how thoroughly embedded that writing has always been in hemispheric currents of thought and textual circulation. In this essay, I give an account of how Latinx modernism contributes to and transforms the fields of Latinx literature, modernist studies, and Latin American studies. I describe the print-cultural archive of Latinx modernism and justify my use of the term Latinx based on the transnational identifications of newspaper literature pages during this period. I then outline the problems and potentiality presented by the Latinity of Latinx writing, building on the work of Latin American decolonial theorists. Relying on examples from the archive, I show how Latinx modernism engages what I am calling the spirit of Latinoamericanismo and in the process transforms our conception of American modernity, showing it to be inextricable from coloniality. The spirit of Latinoamericanismo figures the oppositional potential of Latinx modernist literature, including its contradictions and limits.

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Kłosińska-Nachin, Agnieszka. "Modernism as a continuing process. Modernist irony in Spanish-language modernism." Przestrzenie Teorii, no. 25 (June 15, 2016): 63. http://dx.doi.org/10.14746/pt.2016.25.3.

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10

Silva, Maurício. "Consagração e decadência do academicismo literário: o caso do jornalismo." Aletria: Revista de Estudos de Literatura 20, no. 1 (2010): 77–95. http://dx.doi.org/10.17851/2317-2096.20.1.77-95.

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Resumo: O presente artigo analisa o contexto cultural brasileiro durante a passagem do século XIX para o XX. Para tanto, enfatiza a profissionalização do autor e sua relação com o jornalismo. Este trabalho procura ainda abordar as principais tendências literárias do Pré-Modernismo brasileiro, por meio da análise de características estéticas presentes em alguns de seus principais representantes.Palavras-chave: Pré-Modernismo; literatura brasileira; jornalismo; estética.Abstract: The present article analyses the cultural context of Brazilian pre-modernism, and points out to two aspects of it: the writer professionalization, and its relationship with the journalism. The present article analyses the premodernist Brazilian Literature, and reveals some aesthetic and literary aspects of Brazilian Literature on the turn-of-the-century.Keywords: Premodernism; Brazilian Literature; journalism; aesthetic.

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11

Ferrari, Lilian Maria Barbosa, and Joelma Santana Siqueira. "Em defesa da literatura brasileira em Portugal: Adolfo Casais Monteiro e Arnaldo Saraiva / In Defense of Brazilian Literature in Portugal: Adolfo Casais Monteiro and Arnaldo Saraiva." O Eixo e a Roda: Revista de Literatura Brasileira 29, no. 3 (2020): 164. http://dx.doi.org/10.17851/2358-9787.29.3.164-187.

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Resumo: O artigo tem por objetivo discutir trabalhos de Adolfo Casais Monteiro e Arnaldo Saraiva realizados em prol da literatura brasileira e da manutenção das relações culturais entre Brasil e Portugal. Considerou-se a biografia de ambos tendo em conta suas inserções em contextos sociais e históricos específicos. Buscou-se demonstrar a intervenção desses intelectuais em favor da literatura e cultura brasileiras. Realizou-se também um breve levantamento de textos importantes que trataram da contribuição desses intelectuais portugueses para a cultura local. Adolfo Casais Monteiro foi pioneiro no trabalho comparativo entre o Modernismo Brasileiro e o Modernismo Português, o qual, posteriormente, foi desenvolvido por Arnaldo Saraiva, cujo objetivo era o de demonstrar o diálogo mantido entre os autores modernistas brasileiros e portugueses. Destaca-se, por fim, o empenho desses estudiosos, os quais contribuíram para a história da cultura mesmo em momentos difíceis de autoritarismo e de crise das humanidades.Palavras-chave: literatura brasileira em Portugal; relação Brasil-Portugal; Adolfo Casais Monteiro; Arnaldo Saraiva.Abstract: The goal of this paper is to discuss the works of Adolfo Casais Monteiro and Arnaldo Saraiva, dealing especially with those done in support of Brazilian literature and of maintenance of cultural relationship between Brazil and Portugal. Their biographies have been taken into account, regarding their specific social and historical contexts, with the objective of demonstrating these intellectuals’ intervention on behalf of Brazilian literature and culture. A brief survey of relevant texts regarding these Portuguese intellectuals’ contribution to the local culture was also conducted. Adolfo Casais Monteiro paved the way for the comparative work concerning Brazilian Modernism and Portuguese Modernism, which was further explored by Arnaldo Saraiva, with the objective of highlighting the dialogue between Brazilian and Portuguese modernist authors. Lastly, we emphasize the effort of these scholars, who have much contributed to the culture’s history, even amidst difficult moments such as authoritarianism and crisis in the humanities’ field.Keywords: Brazilian literature in Portugal; Brazil/Portugal relationship; Adolfo Casais Monteiro; Arnaldo Saraiva.

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12

Brantly, Susan. "Nordic Modernism for Beginners." Humanities 7, no. 4 (2018): 90. http://dx.doi.org/10.3390/h7040090.

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This essay proposes a narrative of the Nordic countries’ relationship to modernism and other major literary trends of the late 19th and 20th centuries, that situates them in conjunction with the rest of Europe. “Masterpieces of Scandinavian Literature: the 20th Century” is a course that has been taught to American college students without expertise in literature or Scandinavia for three decades. This article describes the content and methodologies of the course and how Nordic modernisms are explained to this particular audience of beginners. Simple definitions of modernism and other related literary movements are provided. By focusing on this unified literary historical narrative and highlighting the pioneers of Scandinavian literature, the Nordic countries are presented as solid participants in European literary and cultural history. Further, the social realism of the Modern Breakthrough emerges as one of the Nordic countries distinct contributions to world literature.

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13

Goody, Alex. "Susan Jones, Literature, Modernism and Dance." Dance Research 35, no. 1 (2017): 144–45. http://dx.doi.org/10.3366/drs.2017.0195.

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14

Zimring, R. "SUSAN JONES. Literature, Modernism, and Dance." Review of English Studies 65, no. 271 (2014): 764–66. http://dx.doi.org/10.1093/res/hgu001.

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15

Brazeau, Robert. "Modernism is the literature of celebrity." Irish Studies Review 22, no. 1 (2014): 115–17. http://dx.doi.org/10.1080/09670882.2013.872387.

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16

Teigland, Anne‐Stefi. "Modernism in children's literature in Norway." New Review of Children's Literature and Librarianship 5, no. 1 (1999): 1–11. http://dx.doi.org/10.1080/13614549909510611.

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17

Davis, Thomas S. "Late Modernism: British Literature at Midcentury." Literature Compass 9, no. 4 (2012): 326–37. http://dx.doi.org/10.1111/j.1741-4113.2012.00879.x.

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18

Carson, L. "Cinematic Modernism: Modernist Poetry and Film." Genre 41, no. 1-2 (2008): 211–15. http://dx.doi.org/10.1215/00166928-41-1-2-211.

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19

Janechek, Jennifer. "Review of Sanchez, Deafening Modernism: Embodied Language and Visual Poetics in American Literature." Canadian Journal of Disability Studies 5, no. 3 (2016): 148. http://dx.doi.org/10.15353/cjds.v5i3.302.

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In Deafening Modernism: Embodied Language and Visual Poetics in American Literature, Rebecca Sanchez engages a range of methodologies—literary and historical analysis, linguistics, ethics, and queer, cultural, and film studies—to probe the relationship between images, bodies, and texts as revealed in canonical American modernist works.

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Mao, Douglas, and Rebecca L. Walkowitz. "The New Modernist Studies." PMLA/Publications of the Modern Language Association of America 123, no. 3 (2008): 737–48. http://dx.doi.org/10.1632/pmla.2008.123.3.737.

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In our introduction to bad modernisms, we traced the emergence of the new modernist studies, which was born on or about 1999 with the invention of the Modernist Studies Association (MSA) and its annual conferences; with the provision of exciting new forums for exchange in the journals Modernism/Modernity and (later) Modernist Cultures; and with the publication of books, anthologies, and articles that took modernist scholarship in new methodological directions. When we offered that survey, one of our principal interests was to situate these events in a longer critical history of modernism in the arts. In the present report, we want to attend more closely to one or two recent developments that may be suggestive about the present and the immediate future of the study of modernist literature. Part of the empirical, though certainly far from scientific, basis of our considerations lies in our recent service on the MSA Book Prize committee (Walkowitz in 2005, Mao in 2006), through which we became acquainted with dozens of recent contributions to the field.

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Khachibabyan, Mane. "Modernism and Feminism Representations of Women in Modernist Art and Literature." WISDOM 1, no. 6 (2016): 118. http://dx.doi.org/10.24234/wisdom.v1i6.71.

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This article demonstrates the place and role of the image of women in modernist art and literature, mainly focusing on Impressionism and Post-impressionism. It discusses the unique works of modernist painters and writers (Marie Cassatt, Edgar Degas, Edouard Manet, Pablo Picasso and Virginia Woolf) to explore how modernist art and literature both defined, reflected and shaped gender roles. The article discourses on the representations of feminist views and gender inequality in the works of some modernist artists.

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Love, Heather. "Introduction: Modernism at Night." PMLA/Publications of the Modern Language Association of America 124, no. 3 (2009): 744–48. http://dx.doi.org/10.1632/pmla.2009.124.3.744.

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Is Queer modernism simply another name for modernism?As Douglas Mao and Rebecca L. Walkowitz note in their introduction to the 2006 collection Bad Modernisms, “[T]here were numerous ways of being outside in the early twentieth century” (7). Efforts over the past several decades to imagine modernism as an expanded field have been remarkably successful. Female modernism, African American modernism, queer modernism, sentimental modernism, low- and middlebrow modernism, and colonial, postcolonial, and anticolonial modernism have all been integrated into a renewed understanding of modernism (or modernisms, as it is often written). In addition, the rethinking of modernism as a set of aesthetic movements in relation to a larger context of global modernity and modernization has turned the inside out. Since few modernists, on closer inspection, appear to have stayed high or dry, bad modernism, outsider modernism, and marginal modernism begin to look more and more like modernism itself.

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23

Schaub, Christoph. "World Literature and Socialist Internationalism in the Weimar Republic: Five Theses." New German Critique 48, no. 1 (2021): 153–80. http://dx.doi.org/10.1215/0094033x-8732187.

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Abstract Largely overlooked in the booming scholarship on world literature, literary globalization, and transnational modernism, a world literature of socialist internationalism was imagined, written, theorized, and practiced in the aftermath of World War I, representing the first attempt to actualize the idea of world literature under the auspices of a social and political mass movement. This article develops and illustrates five theses about this internationalist world literature. It thereby sketches aspects of the history of internationalist world literature in Germany between 1918 and 1933 and formulates historical, historiographical, poetological, and literary and cultural theoretical interventions into the field of world literature studies. In particular, the article develops the notions of the transnational literary counterpublic and of realist modernism while tracing ideas about transnational class literatures and nonnormative imaginaries of the proletariat.

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Walker, Shauna. "Gothic Modernisms: Modernity and the Postcolonial Gothic in Tayeb Salih's Season of Migration to the North." Gothic Studies 22, no. 3 (2020): 285–99. http://dx.doi.org/10.3366/gothic.2020.0062.

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This article discusses the intersection between modernism and the Gothic, interrogating the conventional periodisation of modernism and extending the scope of both modernist and gothic studies. I propose that Tayeb Salih's Season of Migration to the North is a response to Sudanese postcolonial modernity through the mode of Gothic modernism. The modern Gothic is symptomatic of the contradictions fundamental to modernity as the ‘regressive’ past continues to haunt the ‘progressive’ present. I extend my discussion of modernism, modernity and the Gothic to debates around the postcolonial Gothic, considering the various ways in which the uncanny and gothic doubling are paradigmatic of the postcolonial experience. Tayeb Salih's novel is a departure from hegemonic conceptualisations of modernity and modernism, using the Gothic to critique Western metanarratives of historical linearity, progress and modernisation.

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Mansanti, Céline. "Mainstreaming the Avant-Garde: Modernism in Life Magazine (New York, 1883–1936)." Journal of European Periodical Studies 1, no. 2 (2016): 113. http://dx.doi.org/10.21825/jeps.v1i2.2644.

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This paper explores the relationship between literary modernism and mainstream culture within a little-studied American magazine, Life (New York, 1884-1936). It does so by looking at three ways in which Life presented modernism to its readers: by quoting modernist writing, and, above all, by satirizing modernist art, and by offering didactic explanations of modernist art and literature. By reconsidering some of the long-established divisions between high and low culture, and between ‘little’ and ‘bigger’ magazines, this paper contributes to a better understanding of what modernism was and meant. It also suggests that the double agenda observed in Life – both satirical and didactic – might be a way of defining middlebrow magazines.

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Hutchings, Stephen C., Catriona Kelly, and Stephen Lovell. "Russian Literature, Modernism and the Visual Arts." Modern Language Review 96, no. 4 (2001): 1168. http://dx.doi.org/10.2307/3735979.

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Horowitz, Brian, and Victor Erlich. "Modernism and Revolution: Russian Literature in Transition." Slavic and East European Journal 39, no. 3 (1995): 450. http://dx.doi.org/10.2307/308253.

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Merrill, Jason, Catriona Kelly, and Stephen Lovell. "Russian Literature, Modernism and the Visual Arts." Slavic and East European Journal 45, no. 1 (2001): 140. http://dx.doi.org/10.2307/3086428.

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Murav, Harriet, and Victor Erlich. "Modernism and Revolution: Russian Literature in Transition." Russian Review 54, no. 3 (1995): 457. http://dx.doi.org/10.2307/131447.

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White, Alfred D., Helmut Koopmann, Clark Muenzer, et al. "Modernism in German Literature: A Review Article." Modern Language Review 86, no. 4 (1991): 924. http://dx.doi.org/10.2307/3732546.

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31

Kalliney, Peter. "Modernism, African Literature, and the Cold War." Modern Language Quarterly 76, no. 3 (2015): 333–68. http://dx.doi.org/10.1215/00267929-2920051.

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32

Ikkos, George. "Moosbrugger: madness and modernism – psychiatry in literature." British Journal of Psychiatry 212, no. 1 (2018): 56. http://dx.doi.org/10.1192/bjp.2017.57.

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Merrill, Jason, Renate Lachmann, Roy Sellars, and Anthony Wall. "Memory and Literature: Intertextuality in Russian Modernism." Slavic and East European Journal 42, no. 3 (1998): 549. http://dx.doi.org/10.2307/309700.

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34

King, Bruce, and Simon Gikandi. "Writing in Limbo: Modernism and Caribbean Literature." World Literature Today 67, no. 2 (1993): 426. http://dx.doi.org/10.2307/40149273.

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Krzyżanowski, Jerzy R., and Victor Erlich. "Modernism and Revolution: Russian Literature in Transition." World Literature Today 69, no. 2 (1995): 392. http://dx.doi.org/10.2307/40151276.

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Clayton, Michelle. "Modernism, Literature, and Dance by Susan Jones." Modernism/modernity 22, no. 1 (2015): 203–4. http://dx.doi.org/10.1353/mod.2015.0000.

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Zur, Dafna. "Writing the Real: Modernism in Korean Literature." Modernism/modernity 25, no. 2 (2018): 407–14. http://dx.doi.org/10.1353/mod.2018.0025.

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Westman, Karin E. "Children's Literature and Modernism: The Space Between." Children's Literature Association Quarterly 32, no. 4 (2007): 283–86. http://dx.doi.org/10.1353/chq.2007.0055.

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39

Beaujour, Elizabeth Klosty. "Modernism and Revolution: Russian Literature in Transition." MFS Modern Fiction Studies 41, no. 2 (1995): 377–80. http://dx.doi.org/10.1353/mfs.1995.0065.

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40

Sul Oh, Alicia Ye. "Maren Tova Linett, Bodies of Modernism: Physical Disability in Transatlantic Modernist Literature." Modernist Cultures 14, no. 4 (2019): 547–50. http://dx.doi.org/10.3366/mod.2019.0272.

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41

Gildea, Niall, and David Wylot. "The And of Modernism: On New Periodizations." Modernist Cultures 14, no. 4 (2019): 446–68. http://dx.doi.org/10.3366/mod.2019.0267.

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The study of literary modernism is in the ascendant in the academy. From alternate modernisms, to neomodernisms, to metamodernism and global modernisms, modernism scholarship has evolved through a configuration of modernism into a cross-cultural and inter-generational aesthetic practice. This article critically examines the periodizing logic implicit in this new modernism scholarship, specifically as it pertains to the study of what is loosely called ‘neomodernism’, which we suggest presents a notable development in literary history for accounts of contemporary fiction and postmodern culture. We are principally interested in a recent trend we observe in modernism literary criticism concerning the futurization of the object (literary modernism), and of critical work thereupon. This work, which specifically addresses developments in contemporary Western Anglophone literature, seeks to extend the project of modernism (sometimes called its ‘promise’) into the present, understanding it as the principal agency in literary distinction and merit. We examine this criticism through a series of case studies, and discern three interconnecting strands in neomodernist criticism – three ways of futurizing modernism, and of self-futurizing modernism criticism.

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Friedman, Susan Stanford. "Alternatives to Periodization: Literary History, Modernism, and the “New” Temporalities." Modern Language Quarterly 80, no. 4 (2019): 379–402. http://dx.doi.org/10.1215/00267929-7777780.

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Abstract Can literary history be done without the conventional reliance on linear periodization? What might a literary history of modernism look like without the usual periodization of roughly 1890–1940? This essay reviews the arguments for and against periodization and then argues that the new time studies—based in nonlinear concepts of time for the study of the contemporary—offers alternatives to the Eurocentric periodization of modernism. These new temporalities were anticipated by early twentieth-century Euro-American modernism, presented in the essay with an account of the dramatic debate between Albert Einstein and Henri Bergson in 1922 and a discussion of Virginia Woolf’s experiments with the relationality of space and time in her fiction. Multidimensional, layered, and disjunctive concepts of time are better suited for the study of planetary modernisms that incorporate the colonial and postcolonial modernities. Kabe Wilson’s multimedia installation based on a remix of A Room of One’s Own and selected criticism on modernism are used to illustrate alternatives to linear periodization.

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HILLIARD, CHRISTOPHER. "MODERNISM AND THE COMMON WRITER." Historical Journal 48, no. 3 (2005): 769–87. http://dx.doi.org/10.1017/s0018246x05004656.

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This article re-examines the resistance to literary modernism in interwar Britain from the angle of popular literary theory and practice. Drawing on the papers of some of the notable working-class writers of this period, it disputes Jonathan Rose's claim that a rejection of modernist ‘obscurantism’ was a response distinctive to working-class autodidacts. Moreover, many middle-class readers responded to modernism in the same terms that Rose takes to be peculiar to a working-class intelligentsia. Negative reactions to modernism are better explained as a response conditioned by a literary discourse in which plebeian autodidacts as well as middle-class readers participated. The article approaches this discourse via the aspiring authors who joined writing clubs in the interwar period. Because these people were at once fairly typical readers and writers, their ideas and practices disclose more about popular understandings of literature than debates in the national press or literary reviews do. Their ideas about what constituted good writing and their hostility to modernism were underpinned by a popular conception of literature that derived from English romanticism.

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Asylbekuly, S., Zh Ashirov, and Sh Kuttybaev. "HISTORICAL AND SOCIAL FOUNDATIONS OF MODERNISM." BULLETIN Series of Philological Sciences 74, no. 4 (2020): 217–21. http://dx.doi.org/10.51889/2020-4.1728-7804.45.

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The article discusses theoretical issues and prerequisites of the modernist trend, which influenced the development of literature and art. The main factor influencing the emergence of literary modernism is global change in the historical and social life of human development. Features of European culture and art are considered in the context of literature and art space. The relationship between historical and social factors and factors causing new discoveries in literature and art is revealed. The world of the late 19th century and the beginning of the 20th century was full of new discoveries. Looking at this stage of human development from today's height, we will see that in the twentieth century it underwent multifaceted and radical changes. It began in the European literature of novelty, and also in the Kazakh literature. New and valuable domestic works appeared and the" Golden Fund "of Kazakh literature was replenished with valuable works of Kazakh writers.

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Kostova-Panayotova, Magdalena. "RUSSIAN LITERARY MODERNISM AND ITS INFLUENCE ON BULGARIAN LITERATURE." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 58 (2020): 203–24. http://dx.doi.org/10.37816/2073-9567-2020-58-203-224.

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The paper discusses to what extent major currents and representatives of Russian modernism and the Avant-garde had influenced the works of prominent representatives of 20th-century Bulgarian literature such as L. Stoyanov, Liliev, Debelyanov, Trayanov, Sirak Skitnik, and many others. In addition to addressing the influence of Russian symbolism on Bulgarian writers, the article examines the impact of Acmeism on the work of El. Bagryanа and At. Dalchev; the one of Imaginism on the work of Bulgarian modernists from the 1920s such as Slavcho Krasinski, Geo Milev and others. The intertwining of features of the poetics from different avant-garde currents, both in the works of individual authors and in the works of a single writer appeared as a typical phenomenon in the life of the Bulgarian avant-garde. Such poets as N. Furnadzhiev, A. Raztsvetnikov, N. Marangozov and others, and fiction writers as Ch. Mutafov, A. Karaliychev, A. Strashimirov, J. Yovkov, repeatedly experienced the influence of contradictory modernist and avant-garde currents, however, in their works they managed to add the “European form” to the “Bulgarian content”. The study also involves Bulgarian avant-garde journals such as Crescendo, Libra/Vezni, etc. This paper argues that by going against the rules, the avant-garde writers created a productive artistic method, a kind of alternative classic.

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Woelfel, Craig, and Jayme Stayer. "Introduction: Modernism and the Turn to Religion." Renascence 73, no. 1 (2021): 3–11. http://dx.doi.org/10.5840/renascence20217311.

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This Introduction contextualizes the volume in modernist tensions between belief and unbelief, and subsequent debates about the nature of secularization. An opening moment considers Pound and Woolf’s rejection of T. S. Eliot’s religious conversion as emblematic of a “subtraction” theory of secularization, in which secularity and religious belief are taken as mutually exclusive horizons of understanding. Such thinking, it is argued, has precluded a more nuanced approach. Criticism has largely ignored more complex and fragmentary religious dimensions of modernist production; or, on the other hand, taken up religion only in the narrow and anachronistic sense of traditional Christianity. This volume attempts to explore the religious dimensions of modernism in a more modernist sense: taking modernist art as a critical liminal space for exploring new modes of religious experience in complex and resonant ways -- often in open rejection of traditional modes of faith, and in authors beyond the usual suspects.

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Garbatzky, Irina, and Julieta Viú Adagio. "The late 19th century archive in contemporary Latin American literature." Anclajes 25, no. 1 (2021): 1–7. http://dx.doi.org/10.19137/anclajes-2021-2511.

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Late 20th and early 21st century Latin American literature rereads and problematizes late 19th-century Latin American Modernism. This article examines some of these genealogies in order to analyze the significance of this literary dialogue in our present time.

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Derk, George. "Make It Old: Hollis Frampton contra Ezra Pound." October 164 (May 2018): 29–48. http://dx.doi.org/10.1162/octo_a_00322.

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Hollis Frampton's films have often been characterized as the afterimages of literary modernism. While the material and linguistic concerns of his early films as well as his time spent visiting Ezra Pound at St. Elizabeths Hospital attest to the impact that modernist poetics had on him, the grand finale of his career—the cycle of films that comprise Magellan—marked his most significant departure from these original influences. Considering Magellan in relation to Pound's Cantos illuminates the competing modernisms, both literary and cinematic, in Frampton's late work. In his depiction of two simultaneous voyages—one through the world and one through the history of film—Frampton counterintuitively suggests that a modernism uniquely conceived for film can only be realized after establishing a tradition to renovate: film can finally make it new only through becoming old.

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Berberi, Tammy. "Bodies of Modernism: Physical Disability in Transatlantic Modernist Literature by Maren Tova Linett." Modernism/modernity 25, no. 1 (2018): 212–14. http://dx.doi.org/10.1353/mod.2018.0016.

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Shelton, Jen. "Bodies Of Modernism: Physical Disability In Transatlantic Modernist Literature by Maren Tova Linett." James Joyce Quarterly 54, no. 3-4 (2017): 446–48. http://dx.doi.org/10.1353/jjq.2017.0018.

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