Relevant bibliographies by topics / Modernism (Literature) Museums

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Modernism (Literature) Museums'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Journal articles on the topic "Modernism (Literature) Museums"

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Stoneley, Peter. ""The Fellows from the Fogg": Modernism, Homosexuality, and Art-World Authority." New England Quarterly 84, no. 3 (2011): 473–95. http://dx.doi.org/10.1162/tneq_a_00112.

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The spread of modernist painting in the early-twentieth-century United States was met with cries of "degeneracy" and "homosexual conspiracy." This essay explores the claims and counter-claims. Above all, Stoneley argues that the battles reflected larger shifts in art-world authority, with the museums and the "museum professional" emerging as controlling forces.
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Orlović, Ante. "Zadarska fotografija između dva svjetska rata u kontekstu afirmacije modernizma." Ars Adriatica 9 (February 28, 2020): 193–202. http://dx.doi.org/10.15291/ars.2931.

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The aim of this paper is to offer a broader insight into the problem of defining modernism in Zadar’s photography between the two World Wars. Particular attention has been paid to the political and social situation in Zadar, its photographers, and the photo exhibitions that had a special impact on the development of Zadar’s photography. By analysing the relevant material on the exhibitions, scholarly literature and periodicals, as well as the archival and museum collections, the author has assessed the extent to which modernism has permeated and influenced Zadar’s photography at that time and
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Werner, Meike G. "Vom Annex zum Atelier." Internationales Archiv für Sozialgeschichte der deutschen Literatur 44, no. 2 (2019): 399–409. http://dx.doi.org/10.1515/iasl-2019-0018.

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Abstract In 1960, two competing anthologies of modern poetry were published in an attempt to renew and internationalize German poetry: Günther Steinbrinker’s Panorama moderner Lyrik and Hans Magnus Enzensberger’s Museum der modernen Poesie. This essay argues that the success of Museum over Panorama was based on Enzensberger’s comparative approach to modernist poetry in the first half of the twentieth century as a “chrestomathy” (a textbook) for a “world language of poetry”. This chrestomathy also provided the blueprint for his own German-language poems, which he published the same year in a co
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Joselit, David, Michelle Kuo, and Amy Sillman. "Shape: A Conversation." October 172 (May 2020): 135–46. http://dx.doi.org/10.1162/octo_a_00398.

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A wide-ranging conversation between artist Amy Sillman, Museum of Modern Art curator Michelle Kuo, and October editor David Joselit on Sillman's influential Artist's Choice exhibition, The Shape of Shape, presented in the reopening of MoMA's galleries in 2019. Topics range from the re-introduction of intuition into histories of contemporary painting to strategies for expanding the modernist canon.
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Copeland, Huey, Hal Foster, David Joselit, and Pamela M. Lee. "A Questionnaire on Decolonization." October 174 (December 2020): 3–125. http://dx.doi.org/10.1162/octo_a_00410.

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The term decolonize has gained a new life in recent art activism, as a radical challenge to the Eurocentrism of museums (in light of Native, Indigenous, and other epistemological perspectives) as well as in the museum's structural relation to violence (either in its ties to oligarchic trustees or to corporations engaged in the business of war or environmental depredation). In calling forth the mid-twentieth-century period of decolonization as its historical point of reference, the word's emphatic return is rhetorically powerful, and it corresponds to a parallel interest among scholars in a plu
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Fox. "Museum Trouble: Edwardian Fiction and the Emergence of Modernism, by Ruth Hoberman." Victorian Studies 55, no. 4 (2013): 760. http://dx.doi.org/10.2979/victorianstudies.55.4.760.

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Ruisánchez, José Ramón. "The Cacique in Chapultepec: Toward a Museology of Carlos Fuentes." PMLA/Publications of the Modern Language Association of America 128, no. 3 (2013): 719–22. http://dx.doi.org/10.1632/s003081290012303x.

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The 1960s were a crucial decade for museum building in Mexico. The key year was 1964, the end of Adolfo López Mateos's presidential term, since it saw the inauguration of the Museo de Arte Moderno, the Anahuacalli, the Museo de la Ciudad de México, and the most spectacular of all: the Museo Nacional de Antropología, the architect Pedro Ramírez Vázquez's masterpiece and one of the country's primary tourist attractions. The 1960s also witnessed how Carlos Fuentes, a young writer who had published his first novel in 1958, continued to produce his canonical works at a staggering pace. In what foll
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Bourland, W. Ian. "Ibrahim El-Salalhi: A Visionary Modernist ed. Salah M. Hassan New York: The Museum for African Art, 2012. 190 pp., 112 color, 14 b/w illus. $50.00, cloth." African Arts 47, no. 1 (2014): 94–95. http://dx.doi.org/10.1162/afar_r_00130.

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Blurton, Heather, Marion Turner, Neema Parvini, et al. "Reviews: Animal Encounters: Contacts and Concepts in Medieval Britain, Reading Literature Historically: Drama and Poetry from Chaucer to the Reformation, Rethinking Historicism from Shakespeare to Milton, Travel Writing and the Natural World, 1768–1840, Female Gothic Histories: Gender, History and the Gothic, Roomscape: Women Writers in the British Museum from George Eliot to Virginia Woolf, Conrad's Secrets, British Writers and MI5 Surveillance, 1930–1960, the Covert Sphere: Secrecy, Fiction & the National Security State, on the Ruins of Modernity: New Chicago Renaissance from Wright to Fair, the Black Chicago Renaissance, Reading the Ruins: Modernism, Bombsites and British Culture." Literature & History 22, no. 2 (2013): 113–34. http://dx.doi.org/10.7227/lh.22.2.7.

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Radywyl, Natalia. "“A little bit more mysterious…”: Ambience and Art in the Dark." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.225.

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A Site for the Study of Ambience Deep in Melbourne’s subterranean belly lies a long, dark space dedicated to screen-based art. Built along disused train platforms, it’s even possible to hear the ghostly rumblings and clatter of trains passing alongside the length of the gallery on quiet days. Upon descending the single staircase leading into this dimly-lit space, visitors encounter a distinctive sensory immersion. A flicker of screens dapple the windowless vastness ahead, perhaps briefly highlighting entrances into smaller rooms or the faintly-outlined profiles of visitors. This space often ho
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Dissertations / Theses on the topic "Modernism (Literature) Museums"

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Hållen, Nicklas. "Travelling objects : modernity and materiality in British Colonial travel literature about Africa." Doctoral thesis, Umeå universitet, Institutionen för språkstudier, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-46365.

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This study examines the functions of objects in a selection of British colonial travel accounts about Africa. The works discussed were published between 1863 and 1908 and include travelogues by John Hanning Speke, Verney Lovett Cameron, Henry Morton Stanley, Mary Henrietta Kingsley, Ewart Scott Grogan, Mary Hall and Constance Larymore. The author argues that objects are deeply involved in the construction of pre-modern and modern spheres that the travelling subject moves between. The objects in the travel accounts are studied in relation to a contextual background of Victorian commodity and ob
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Krammes, Brent M. "What kind of gallery is a book?: Representation in U.S. print culture, 1880-1940." Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5795.

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This dissertation is wrapped up in a comparison of book and museum, which raises questions about the visual technology of the printed page itself: a black and white space. Articles and histories on paper production of the nineteenth century stress the necessity of bleaching wood pulp or rags in order to produce “beautiful,” “polished,” “virginal,” “clean” white paper. Bleaching paper to create a normalized, aestheticized whiteness, upon which to craft the cultural capital of the book, largely anticipates the later use of whiteness in the modern art gallery, where whiteness becomes a “neutral”
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Schwartz, John Pedro. "Between the muses and the mausoleum: museums, modernism, and modernity." Thesis, 2006. http://hdl.handle.net/2152/2640.

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Books on the topic "Modernism (Literature) Museums"

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Poetry in the museums of modernism: Yeats, Pound, Moore, Stein. University of Michigan Press, 2002.

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Museum trouble: Edwardian fiction and the emergence of modernism. University of Virginia Press, 2011.

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From the modernist annex: American women writers in museums and libraries. The University of Alabama Press, 2010.

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Making love modern: The intimate public worlds of New York's literary women. Oxford University Press, 1999.

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Matisse, Henri. Matisse: Fleurs, feuillages, dessins : Musée Matisse, Le Cateau-Cambrésis, 8 juillet-30 septembre 1989. Le Museé, 1989.

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Matisse, Henri. Matisse: El explendor deslumbrante del color de los fauves. Electa, 1998.

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Matisse, Henri. Matisse: The Inuit face = Matisse : visage inuit. Edited by Canada House Cultural Centre Gallery. Cultural Centre, Canadian High Commission, 1992.

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Matisse, Henri. Matisse: Menschen, Masken, Modelle. Hirmer Verlag, 2008.

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Matisse, Henri. Matisse: Une seconde vie. Hazan, 2005.

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Matisse, Henri. Matisse: The artist speaks. Collins Publishers San Francisco, 1996.

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Book chapters on the topic "Modernism (Literature) Museums"

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Darvay, Daniel. "The Haunted Museum: E.M. Forster, Italy, and the Grand Tour." In Haunting Modernity and the Gothic Presence in British Modernist Literature. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-32661-0_4.

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Shepp, Mandi. "Digitizing the Humanities." In Advances in Library and Information Science. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-8444-7.ch001.

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Scholarship in the humanities is rapidly becoming digital, and patrons expect libraries to offer new resources. The influence of Web 2.0, especially social media, amplifies these changes and enhances digital scholarship. The collaborative creation of digital collections allows libraries to modernize their available resources while encouraging dynamic patron participation in the educational process through initiatives like crowdsourcing. The developing digital elements of humanities scholarship and how they can be affected by the participatory web is examined through discussion and review of literature, and applied and observed through a case study of The Skeptiseum, a digital museum of physical artifacts, and how digitization contributes to modern scholarship in the humanities.
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Conference papers on the topic "Modernism (Literature) Museums"

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Hörmann-Shahidipour, Seyedmehran. "The Influence of New Annex's Development on Historic Urban Spaces; an Example of Louver Museum Square." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 6-8 May 2020. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021297n14.

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With the emergence of modernism, the main objective of promotion and protection of the historical urban areas according to the existing historic context, new context had presented a disaster through the modern years. The notion of development and protection has prepared the necessity to make a connection between the historical usages of space and provide a new annex usage. This study will focus on the new usages of historical spaces for the purpose of designing the new annex constructions. The main objective of the present study is to explore what occurs in historic space when annex extension
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