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Relevant bibliographies by topics / Modernist American Poetry

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Academic literature on the topic 'Modernist American Poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Modernist American Poetry"

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Polovinkina, O. "ENGLISH MODERNISM AND AMERICAN ‘TOURISTS’." Voprosy literatury, no. 1 (September 30, 2018): 209–24. http://dx.doi.org/10.31425/0042-8795-2018-1-209-224.

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In recent years, modernist studies have tended to nationalize issues, putting forward specific features of American and British modernist writings. This article treats Anglo-American modernism in terms of ‘the inverted conquest’ (A. Mejias-Lopez) with America ‘wrestling cultural authority from its former European metropolis’. The article starts with the subject of periphery and centre changing places, first in the imagination of American writers and then in reality. In F. M. Ford’s novelThe Good Soldierthe situation is seen as if the American would absorb the English. An American John Dowell o

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Caccavale, Fiammetta, and Anders Søgaard. "Predicting Concrete and Abstract Entities in Modern Poetry." Proceedings of the AAAI Conference on Artificial Intelligence 33 (July 17, 2019): 858–64. http://dx.doi.org/10.1609/aaai.v33i01.3301858.

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One dimension of modernist poetry is introducing entities in surprising contexts, such as wheelbarrow in Bob Dylan’s feel like falling in love with the first woman I meet/ putting her in a wheelbarrow. This paper considers the problem of teaching a neural language model to select poetic entities, based on local context windows. We do so by fine-tuning and evaluating language models on the poetry of American modernists, both on seen and unseen poets, and across a range of experimental designs. We also compare the performance of our poetic language model to human, professional poets. Our main fi

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Grace, Sherrill, and Charles Altieri. "Painterly Abstraction in Modernist American Poetry: The Contemporaneity of Modernism." American Literature 63, no. 1 (1991): 166. http://dx.doi.org/10.2307/2926601.

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Bell, Ian F. A., and Charles Altieri. "Painterly Abstraction in Modernist American Poetry: The Contemporaneity of Modernism." Yearbook of English Studies 23 (1993): 362. http://dx.doi.org/10.2307/3508031.

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Caserio, R. L. "Painterly Abstraction in Modernist American Poetry: The Contemporaneity of Modernism." Modern Language Quarterly 54, no. 4 (1993): 583–88. http://dx.doi.org/10.1215/00267929-54-4-583.

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Barnsley, Sarah. "Making it New: Sappho, Mary Barnard and American Modernism." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 5 (May 1, 2013): 71. http://dx.doi.org/10.12681/syn.17432.

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Contrary to the pessimism of American editors in the 1950s who told Mary Barnard that "Sappho would never sell," Barnard‘s Sappho: A New Translation (1958) is now in its fifty-fifth year of continuous print by the University of California Press. Expressing the bare, lyrical intensity of Sappho‘s poetry without recourse to excessive linguistic ornament or narrative padding, Barnard‘s translation is widely regarded as the best in modern idiom, with leading translation studies scholar Yopie Prins asserting that "Barnard‘s Sappho is often read as if it is Sappho." This essay will examine how Barna

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Mata Buil, Ana. "Poet-translators as double link in the global literary system." Beyond transfiction 11, no. 3 (2016): 398–415. http://dx.doi.org/10.1075/tis.11.3.05mat.

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Based on the diachronic and international study of American Modernism and its translation into Spanish, this article aims to analyze the complementary role of poet-translators as a double link in the global literary system. On the one hand, when translating other authors, poet-translators introduce them to a new audience. On the other hand, their translations complement their own poetic creations. While translating poetry, poet-translators assimilate the original poet’s style and images, which will later filter in their own poetic works. But, at the same time, these literary agents — conscious

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Dowthwaite, James. "Edward Sapir and Modernist Poetry: Amy Lowell, H.D., Ezra Pound, and the Development of Sapir's Literary Theory." Modernist Cultures 13, no. 2 (2018): 255–77. http://dx.doi.org/10.3366/mod.2018.0208.

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In this article, I look at the connections between the eminent linguist Edward Sapir (1884–1939) and modernist poetry. In his career, Sapir provided extensive knowledge about North American languages and promoted an influential relativistic approach to language and culture. His understanding of language, particularly its cultural values, was informed by his understanding of literature. I look, in particular, at the ways that Sapir applied his theories of language to his contemporaries in modernist poetry, with specific focus on Amy Lowell and Hilda Doolittle. Sapir saw modernist poetry as bein

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Schauble, Virginia M. "Reading American Modernist Poetry with High-School Seniors." English Journal 81, no. 1 (1992): 50. http://dx.doi.org/10.2307/818340.

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Viner, C. B. "The Formal Deviant: The Innovative Features of E. E. Cummings’s ‘next to of course god america i’." Westcliff International Journal of Applied Research 3, no. 1 (2019): 17–21. http://dx.doi.org/10.47670/wuwijar201931cbv.

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This article explores the modernist American poet, E. E. Cummings, and his experimentations with the traditional sonnet form in poetry. E. E. Cummings was an influenced by cubism and used the principles of this form to stylize his poetry. He changed the nature of the sonnet form, as seen in his political poem and satire, ‘Next of course god america i’, which this article will explore through close reading and literary analysis.

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Dissertations / Theses on the topic "Modernist American Poetry"

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Dalton, Bridget. "Kindness in modernist American poetry." Thesis, University of East Anglia, 2016. https://ueaeprints.uea.ac.uk/59451/.

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This thesis poses the question, ‘can we find Kindness in modernist American poetry?’ It is a work comprised primarily of detailed and extended close readings that will track Kindness through selections from the works of Gertrude Stein, Ezra Pound, William Carlos Williams, Louis Zukofsky, George Oppen and Charles Reznikoff. Working within an understanding that no interpretation can be naïve, this thesis argues a case for Kindness as a “grammar of reading” that accounts for the readerly experience of the neophyte by considering the notion of “reading in exile”. This is undertaken not only as an

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Allen, Edward Joseph Frank. "Lyric technologies : the sound media of American modernist poetry." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708318.

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Rosenow, Cecilia L. "Pictures of the floating world : American modernist poetry and cultural translations of Japan /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3055709.

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Thesis (Ph. D.)--University of Oregon, 2002.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 176-199). Also available for download via the World Wide Web; free to University of Oregon users.

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Gilbert, Matthew. "Fir-Flower Petals on a Wet Black Bough: Constructing New Poetry through Asian Aesthetics in Early Modernist Poets." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etd/3588.

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Critics often credit Ezra Pound and his Imagist movement for the development of American poetics. Pound’s interest in international arts and minimalist aesthetics of cross-cultural poetry gained the attention of prominent writers throughout Modernist and Post-Modern periods. From writers like Wallace Stevens and Gertrude Stein to later poets like Jack Kerouac and Gary Snyder, image and precise language has shaped American literature. Few critics have praised Eastern cultures or the Imagist poets who adopted an East-Western form of poetics: Amy Lowell and William Carlos Williams. Studying tradi

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Stone, Alison Jane. "Contemporary British poetry and the Objectivists." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/30174.

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This thesis examines a neglected transatlantic link between three post-war British poets – Charles Tomlinson, Gael Turnbull and Andrew Crozier – and a group of Depression-era modernists: the Objectivists. This study seeks to answer why it was the Objectivists specifically, rather than other modernists, that were selected by these three British poets as important exemplars. This is achieved through a combination of close readings – both of the Americans’ and Britons’ poetry and prose – and references to previously unpublished correspondence and manuscripts. The analysis proceeds via a considera

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Kim, Heejung. "THE OTHER AMERICAN POETRY AND MODERNIST POETICS: RICHARD WRIGHT, JACK KEROUAC, SONIA SANCHEZ, JAMES EMANUEL, AND LENARD MOORE." Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent1523964596644369.

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Stubbs, Tara M. C. "'Irish by descent' : Marianne Moore, Irish writers and the American-Irish Inheritance." Thesis, University of Oxford, 2008. http://ora.ox.ac.uk/objects/uuid:bf87b5ea-4baa-4a46-9509-2c59e738e2a1.

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Despite having a rather weak family connection to Ireland, the American modernist poet Marianne Moore (1887-1972) described herself in a letter to Ezra Pound in 1919 as ‘Irish by descent’. This thesis relates Moore’s claim of Irish descent to her career as a publisher, poet and playwright, and argues that her decision to shape an Irish inheritance for herself was linked with her self-identification as an American poet. Chapter 1 discusses Moore’s self-confessed susceptibility to ‘Irish magic’ in relation to the increase in contributions from Irish writers during her editorship of The Dial maga

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Clavier, Aurore. "Origines et originalité américaines dans l'oeuvre de Mariane Moore." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030142.

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Figure moderniste à la fois centrale et marginale, radicale et anachronique, locale, cosmopolite et idiosyncratique, Marianne Moore (1887-1972) semble depuis ses débuts résister à la catégorisation. Son œuvre en vers et en prose permet ainsi de remettre en question les notions d’origines et d’originalité constamment invoquées dans les débats culturels sur l’Amérique, des années 1900 aux décennies suivant la seconde guerre mondiale. Tandis que, face à la hantise de la répétition, du retard, et de la dérivation, certains auteurs et critiques cherchent à recouvrer un fondement plus ou moins mythi

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Jolliffe, Michael Douglas. "'Life lawlessly poetic' : Italy, anarchism and American modernism." Thesis, University of Leicester, 2018. http://hdl.handle.net/2381/42844.

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In a letter of 1908, William Carlos Williams accused Ezra Pound of preaching 'poetic anarchy'. Seeking clarification, Pound questioned whether by using this term Williams referred to a ‘life lawlessly poetic and poetically lawless mirrored in the verse' or to 'a lawlessness in the materia poetica and metrica'. This project addresses both elements of the dualism to which Pound refers. It is intended as both a biographically-rooted intellectual history and a semiological analysis of 'poetic anarchy' as it pertains to American literary modernism. Unlike previous works on the subject of anarchist

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Rinner, Jenifer. "Midcentury American Poetry and the Identity of Place." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18524.

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This dissertation argues that the midcentury period from 1945-1967 offers a distinct historical framework in American poetry that bears further study. This position counters most other literary history of this period wherein midcentury poets are divided into schools or coteries based on literary friendships and movements: the San Francisco Beats, the New York School, the Black Mountain poets, the Confessionals, the Black Arts poets, the Deep Image poets, and the New Critics, to invoke only the most prominent designations. Critics also typically share a reluctance to cross gender or racial line

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Books on the topic "Modernist American Poetry"

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Bloom, Clive, and Brian Docherty, eds. American Poetry: The Modernist Ideal. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24057-9.

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Cinematic modernism: Modernist poetry and film. Cambridge University Press, 2004.

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Teaching modernist poetry. Palgrave Macmillan, 2010.

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Reading modernist poetry. Wiley-Blackwell, 2010.

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Harold, Bloom. American modernist poets. Bloom's Literary Criticism, 2011.

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Altieri, Charles. Painterly abstraction in modernist American poetry: The contemporaneity of modernism. Cambridge University Press, 1989.

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Painterly abstraction in modernist American poetry: The contemporaneity of modernism. Pennsylvania State University Press, 1995.

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Ronald Johnson's modernist collage poetry. Palgrave Macmillan, 2010.

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Christie, Stuart, and Yuejun Zhang. American modernist poetry and the Chinese encounter. Palgrave Macmillan, 2012.

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Yuejun, Zhang, and Stuart Christie, eds. American Modernist Poetry and the Chinese Encounter. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9780230391727.

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Book chapters on the topic "Modernist American Poetry"

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Tarlo, Harriet. "‘The New Comes Forward’: Anglo-American Modernist Women Poets." In Teaching Modernist Poetry. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230289536_5.

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Bloom, Clive. "Introduction." In American Poetry: The Modernist Ideal. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24057-9_1.

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Bradbury, Richard. "Objectivism." In American Poetry: The Modernist Ideal. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24057-9_10.

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Mottram, Eric. "Frank O’Hara." In American Poetry: The Modernist Ideal. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24057-9_11.

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Selerie, Gavin. "Charles Olson." In American Poetry: The Modernist Ideal. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24057-9_12.

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Docherty, Brian. "Allen Ginsberg." In American Poetry: The Modernist Ideal. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24057-9_13.

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Ward, Geoff. "Edward Dorn." In American Poetry: The Modernist Ideal. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24057-9_14.

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Wisker, Alistair. "Robert Creeley." In American Poetry: The Modernist Ideal. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24057-9_15.

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Gish, Nancy K. "Denise Levertov." In American Poetry: The Modernist Ideal. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24057-9_16.

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Seed, David. "H.D. (Hilda Doolittle)." In American Poetry: The Modernist Ideal. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24057-9_2.

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Conference papers on the topic "Modernist American Poetry"

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Yu, Rong, and Wei-Yan Shen. "American Modernist Poetry under Intertextual Perspective." In International Conference on Humanity and Social Science (ICHSS2016). WORLD SCIENTIFIC, 2017. http://dx.doi.org/10.1142/9789813208506_0063.

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