Relevant bibliographies by topics / Modernist writer

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Modernist writer'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Modernist writer"

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McAvoy, Siriol. "‘I’ve Put a Yule Log on Your Grate’: Lynette Roberts’s ‘Naïve’ Modernism." Humanities 9, no. 1 (2019): 3. http://dx.doi.org/10.3390/h9010003.

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In this article, I suggest that Lynette Roberts develops a ‘naïve’ modernism that emphasizes tropes of folk art, home-made craft, and creative labour as a therapeutic response to war and a means of carving out a public role for the woman writer in the post-war world. Bringing high modernist strategies down to earth through an engagement with localized rural cultures, she strives to bridge the divide between the public and the private in order to open up a space for the woman writer within public life. As part of my discussion, I draw on Rebecca L. Walkowitz’s contention that literary style—con
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HILLIARD, CHRISTOPHER. "MODERNISM AND THE COMMON WRITER." Historical Journal 48, no. 3 (2005): 769–87. http://dx.doi.org/10.1017/s0018246x05004656.

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This article re-examines the resistance to literary modernism in interwar Britain from the angle of popular literary theory and practice. Drawing on the papers of some of the notable working-class writers of this period, it disputes Jonathan Rose's claim that a rejection of modernist ‘obscurantism’ was a response distinctive to working-class autodidacts. Moreover, many middle-class readers responded to modernism in the same terms that Rose takes to be peculiar to a working-class intelligentsia. Negative reactions to modernism are better explained as a response conditioned by a literary discour
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Gelir, Yakup, and Mehmet Tutak. "YUSUF ATILGAN AS A MODERNIST WRITER." Ulakbilge Dergisi 5, no. 13 (2017): 1091–108. http://dx.doi.org/10.7816/ulakbilge-05-13-06.

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KOMARYTSIA, Anna. "ARTISTIC TRANSCRIPTION OF THE EDGAR ALLAN POE'S IMAGERY IN ANTUN GUSTAV MATOŠ'S AND MYKHAILO YATSKIV'S PROSE." Problems of slavonic studies, no. 68 (2019): 181–89. http://dx.doi.org/10.30970/sls.2019.68.3079.

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Background: On the one hand, the literary works of A.G. Matoš were studied by Croatian scholars in the context of the philosophy and poetics of modernism. The authors of fundamental studies about A.G. Matoš are Dubravko Jelčić, Dubravka Oraić Tolić, Mladen Dorkin, Zlatko Posavac, Miljenko Majetić and Nada Iveljić. On the other hand, Ukrainian researchers Mykola Ilnytskyi, Solomiya Pavlychko, Oksana Melnyk, and Polish researcher Agnieszka Matusiak analyzed and studied M. Yatskiv's creative style in the context of the aesthetic canons of the modernism. The novelty of this article is in addressin
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Golod, Roman. "Franko and Modernism: Compatibility or Confrontation? 160th Anniversary of Ivan Franko." Journal of Vasyl Stefanyk Precarpathian National University 4, no. 2 (2017): 9–18. http://dx.doi.org/10.15330/jpnu.4.2.9-18.

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The purpose of this study is to analyze the modernist poetics of Ivan Franko. It focuses on the elements of Symbolism, Expressionism, and Surrealism in the artistic legacy of the writer. Franko employed a unique synthetic method combining the conceptual achievements of Modernism with the ideological and aesthetic postulates of other literary trends. The study highlights the importance of Franko’s contribution to the development of the aesthetic system of Modernism in the context of his epoch, of the national and world literary processes
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Redmond, William Valentine. "The intertext of modernism in Crônica da casa assassinada, de Lúcio Cardoso." Scripta 19, no. 37 (2016): 257. http://dx.doi.org/10.5752/p.2358-3428.2015v19n37p257.

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<p><strong>Abstract</strong></p><p>This article reflects on the many opinions about the author of the of <strong>Crônica da casa assassinada</strong> as a modernist or postmodernist writer. Examining the narrative techniques used by the author, maybe influenced by his wide reading of foreign literatures <strong>,</strong> it may be possible to clarify a little the question of the position of Lucio Cardoso in relation to the literary movements of the twentieth century. His personal experience as a writer passes through the process of imperso
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Purssell, Andrew. "Empire and Modernism in Joseph Conrad’s ‘Karain: A Memory’." Review of English Studies 71, no. 299 (2019): 355–69. http://dx.doi.org/10.1093/res/hgz111.

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Abstract Joseph Conrad’s ‘Karain: A Memory’ (1897) is not often cited as a landmark of literary modernism. Conrad’s Malay story appeared during the year in which The Nigger of the ‘Narcissus’ announced his arrival as an author with modernist ambitions. It also belongs to the same Blackwood’s period of his early career that produced arguably his most celebrated work, ‘Heart of Darkness’. Whereas these stories consensually exemplify Conrad’s modernism, ‘Karain’ tends to be construed as an early working-through of the contemporary popular influences that shaped his literary output. Yet, in a sign
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Evans, Raymond. "A Queensland Reader: Discovering the Queensland Writer." Queensland Review 15, no. 2 (2008): 69–80. http://dx.doi.org/10.1017/s1321816600004785.

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An old friend, Jim Cleary, working on the monumentalBibliography of Australian Literatureat the University of Queensland, recently rang to tell me about the elusive modernist poet Anna Wickham. ‘Wickham’ is the pen-name of Edith Alice Mary Harper, ‘one of the most significant feminist poets of modernism’, who published between the 1910s and the 1930s. The author of over one thousand poems, covering a remarkable diversity of forms, Wickham was described in the memoir of American publisher Louis Untermeyer as ‘a remarkable gypsy of a woman’. During her tempestuous life, she mixed with members of
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Kostova-Panayotova, Magdalena. "RUSSIAN LITERARY MODERNISM AND ITS INFLUENCE ON BULGARIAN LITERATURE." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 58 (2020): 203–24. http://dx.doi.org/10.37816/2073-9567-2020-58-203-224.

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The paper discusses to what extent major currents and representatives of Russian modernism and the Avant-garde had influenced the works of prominent representatives of 20th-century Bulgarian literature such as L. Stoyanov, Liliev, Debelyanov, Trayanov, Sirak Skitnik, and many others. In addition to addressing the influence of Russian symbolism on Bulgarian writers, the article examines the impact of Acmeism on the work of El. Bagryanа and At. Dalchev; the one of Imaginism on the work of Bulgarian modernists from the 1920s such as Slavcho Krasinski, Geo Milev and others. The intertwining of fea
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Zima, P. V. "Contingency and construction: from mimesis to postmodernism." Literator 18, no. 2 (1997): 99–114. http://dx.doi.org/10.4102/lit.v18i2.544.

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In this article the transition from literary realism (Balzac, George Eliot, Verga) is described as a shift from mimesis to constructivism. It is indicated how the realist confidence in the ability of the writer to represent reality as such yields to a modernist skepticism which recognises the contingent character of all fictional constructs. In spite of this discovery, modernists such as Kafka, Proust and Sartre still believe in a meaningful search for reality, authenticity and truth. This belief seems to disappear in the works of postmodernist authors such as Robbe-Grillet, Eco or Fowles who
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Dissertations / Theses on the topic "Modernist writer"

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Gerrard, Deborah. "In dialogue with English modernism : Storm Jameson's early formation as a writer, 1919-1931." Thesis, De Montfort University, 2010. http://hdl.handle.net/2086/4868.

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After a period during which Storm Jameson’s restricted literary identity has been that of the politically engaged woman writer, critical interest in the intellectual and stylistic complexities of her work is now reviving. Yet Jameson’s background in early English modernism and the manner in which it enriches her writing continues to pass unnoticed. This thesis uncovers new evidence of Jameson’s immersion in the early English modernisms of Alfred Orage’s Leeds Arts Club and New Age journal and of Dora Marsden’s journals, the New Freewoman and the Egoist, as an avant-garde student before the Gre
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Whitehead, Sarah. "Make it short : Edith Wharton's modernist practices as a short story writer." Thesis, Kingston University, 2009. http://eprints.kingston.ac.uk/20261/.

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In this thesis I argue for a repositioning of Edith Wharton’s short stories in relation to both the twentieth century and modernism. Whilst Wharton was acclaimed for her novels, I argue that the short story, the genre in which she felt most proficient as a writer, yet is still habitually overlooked by critics, presents Wharton at her most experimental and "renovat(ive)", to use her own words. I consider how the restrictive confines of the short story, both in terms of its brevity and commercial value, particularly in relation to the magazine market, were exploited by Wharton to her own advanta
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Forster, Laurel Cevelia. "The life of the mind : psychic explorations in the work of May Sinclair." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310968.

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Padilla, Elena M. "Byron and the Modernist Writers." W&M ScholarWorks, 2002. https://scholarworks.wm.edu/etd/1539626365.

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Paproth, Matthew Walker. "Modernist authors, postmodernist writers : Joyce, Beckett, Rushdie /." Available to subscribers only, 2006. http://proquest.umi.com/pqdweb?did=1147179731&sid=16&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Armond, Kate. "Wyndham Lewis and Djuna Barnes : modernist writers and German expressionism." Thesis, University of East Anglia, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.577645.

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This thesis considers the impact of German Expressionism on Anglo-American writers by focusing on the work of Wyndham Lewis and Djuna Barnes. Chapter One analyses Wassily Kandinsky's play Yellow Sound, and his theories of art, alongside Wyndham Lewis' Vorticist drama Enemy of the Stars. I trace similarities between the techniques used by both writers to develop awareness of spatial composition and non- representational form. Chapter Two rejoins Lewis in 1919 as he approaches the topic of art's potential to rehabilitate a war-torn society, and I argue that an examination of the work of Expressi
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MacDonald, Agnes. "Generation West : Hungarian modernism and the writers of the Nyugat review." Thesis, University of British Columbia, 2009. http://hdl.handle.net/2429/17404.

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This dissertation examines how the Nyugat review played an essential role in the development of literary and cultural modernism in early twentieth century Hungary. My chief argument is that modern Hungarian literature and culture, under the auspices of Nyugat, are part of that Central European canon which had shaped some of the most influential literary and critical theories. The review nurtured over one-hundred and twenty writers, artists and intellectuals who left a lasting impact on Hungarian literature and culture. These authors are known as the Nyugat-generation, a term which I adopt as G
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Taylor, Georgina. "Talking women : H.D. and the public sphere of modernist women writers, 1913-1961." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339927.

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Than, Tharaphi. "Writers, fighters and prostitutes : women and Burma's modernity, 1942-62." Thesis, SOAS, University of London, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.559848.

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This thesis explores the political and social landscape of Burmese women from 1942 to 1962, focusing on three groups of women - writers, fighters, and prostitutes. It finds that although the roles of women - and of these three groups in particular - evolved substantially in this period, women remained essentially sidelined from the main political movements and events. Women fighters were drafted into the army during the latter stages of the war, essentially to undertake propaganda work while the men, the backbone of the resistance against the Japanese, went into hiding. But at the end of the w
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Raine, Anne Elizabeth. "A thing wide open : nature, modernity, and American women writers /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/9424.

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Books on the topic "Modernist writer"

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Anderson, Elizabeth, Andrew Radford, and Heather Walton, eds. Modernist Women Writers and Spirituality. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-53036-3.

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Willison, Ian, Warwick Gould, and Warren Chernaik, eds. Modernist Writers and the Marketplace. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24551-2.

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"Modernist" women writers and narrative art. Macmillan, 1994.

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Wheeler, Kathleen M. "Modernist" women writers and narrative art. New York University Press, 1994.

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Wheeler, Kathleen. 'Modernist' Women Writers and Narrative Art. Palgrave Macmillan UK, 1994. http://dx.doi.org/10.1057/9780230375826.

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Queer poetics: Five modernist women writers. Greenwood Press, 1999., 1999.

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Elliott, Bridget. Women artists and writers: Modernist (im)positionings. Routledge, 1994.

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1953-, Wallace Jo-Ann, ed. Women artists and writers: Modernist (im)positionings. Routledge, 1994.

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Hugh, Kenner. A homemade world: The American modernist writers. Johns Hopkins University Press, 1989.

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The Cambridge companion to modernist women writers. Cambridge University Press, 2010.

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Book chapters on the topic "Modernist writer"

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Chapman, Sara S. "James’s Writer-Hero: A Modernist Icon." In Henry James’s Portrait of the Writer as Hero. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20419-9_1.

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McDonnell, Jenny. "‘A Writer First’: ‘Je ne parle pas français’, the Athenaeum and Bliss 1919–20." In Katherine Mansfield and the Modernist Marketplace. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230282049_5.

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Acheraïou, Amar. "Modernist Writers, Classical Ideal and Empire." In Rethinking Postcolonialism. Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230583573_6.

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Watts, Cedric. "Marketing Modernism: How Conrad Prospered." In Modernist Writers and the Marketplace. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24551-2_3.

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Horne, Philip. "Henry James and the Economy of the Short Story." In Modernist Writers and the Marketplace. Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1007/978-1-349-24551-2_1.

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Anderson, Elizabeth, Andrew Radford, and Heather Walton. "Introduction: The Intricate Persistence of Strange Gods." In Modernist Women Writers and Spirituality. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-53036-3_1.

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Ricketts, Ellen. "The Queer Movements of Ecstasy and Asceticism in Hungerheart: The Story of a Soul and Madeleine: One of Love’s Jansenists." In Modernist Women Writers and Spirituality. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-53036-3_10.

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Quincey-Jones, Steven. "Dora Marsden and the “WORLD-INCLUSIVE I”: Egoism, Mysticism and Radical Feminism." In Modernist Women Writers and Spirituality. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-53036-3_11.

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Radford, Andrew. "What Lies Below the Horizon of Life: The Occult Fiction of Dion Fortune." In Modernist Women Writers and Spirituality. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-53036-3_12.

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Robinson, Matte. "What Words Conceal: H.D.’s Occult Word-Alchemy in the 1950s." In Modernist Women Writers and Spirituality. Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-53036-3_13.

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Conference papers on the topic "Modernist writer"

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Casal Ribeiro, Helder. "Le Corbusier’s Legacy: Modern experimentation in Mario Bonito´s work." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1004.

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Abstract: This paper investigates the path of third generation Portuguese modern architect, Mário Bonito (1921/1976), in order to understand and clarify his contribution to the maturity process of portuguese modern architecture, that began at the end of the 1940s, strongly influenced by Le Corbusier. Through the understanding of his final academic work, CODA (Competition to Obtain the Architects Diploma), designated Pavilhão das Ilhas Adjacentes, located in Jardim do Palacio Cristal (Crystal Palace Gardens) in Porto, dated 1947/48, we intend to deepen his relationship with the modern premises
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Wood, Jennifer. "Promoting Inclusive Practice: Video CVs as a Teaching & Learning Tool in the Language Classroom." In Seventh International Conference on Higher Education Advances. Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/head21.2021.13088.

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This paper considers the benefits and results of the introduction of a video CV assessment into an intermediate, mixed-ability undergraduate Spanish-language class. This task was designed both to modernize an existing written task and to provide students with dyslexia and other language-processing difficulties with the opportunity to best display their capabilities in the second language (L2). Dyslexia is a Specific Learning Difference (SpLD) whose characteristics can vary in form and severity, but which particularly affect language-processing. Dyslexic individuals often display a “paradoxical
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Milovanovic-Bertram, Smilja. "Lina Bo Bardi: Evolution of Cultural Displacement." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.61.

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In recent years much has been written and exhibited regarding Lina Bo Bardi, the Italian/Brazilian architect (1914-1992). This paper aims to look at the phenomenon of cultural displacement and the dissemination of her design thinking as a major female figure in a male dominated profession. This investigation is distinguished from others in that it addresses the importance of regional and cultural influences that formed Lina’s design philosophy in her early years in Italy. Cultural displacement has long played a significant role in the creative process for artists. Often major innovators in lit
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Jacobus, Frank, and Marc Manack. "Remote Control: The Natural Language of Architecture." In 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.30.

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The architectural design process is a means of translating information into form, and has long relied on indirect (“remote”) control mechanisms for communicating and translating the architect’s authorial intent into a built work. These methods have generally evolved from a more direct, physical basis, as both technology and the discipline have evolved. To communicate design ideas, architects have relied on methodologies that range from an extreme desire for control, to models that attempt to relinquish many controls entirely. Early communication models, in part due to lack of material, form, a
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Matthews, Dale E., Ralph S. Hill, and Charles W. Bruny. "2025 Nuclear Code: The Vision for the Future of ASME Nuclear Codes and Standards." In ASME 2018 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/pvp2018-84031.

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ASME Nuclear Codes and Standards are used worldwide in the construction, inspection, and repair of commercial nuclear power plants. As the industry looks to the future of nuclear power and some of the new plant designs under development, there will be some significant departures from the current light water reactor (LWR) technology. Some examples are gas-cooled and liquid metal-cooled high temperature reactors (HTRs), small modular reactors (SMRs), and fusion energy devices that are currently under development. Many of these designs will have different safety challenges from the current LWR fl
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