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Academic literature on the topic 'Modestry'

Author: Grafiati

Published: 26 July 2024

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Journal articles on the topic "Modestry"

McMullin, Irene. "A MODEST PROPOSAL: ACCOUNTING FOR THE VIRTUOUSNESS OF MODESTY." Philosophical Quarterly 60, no. 241 (February 23, 2010): 783–807. http://dx.doi.org/10.1111/j.1467-9213.2010.655.x.

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Bullock, Katherine. "Modest Fashion." American Journal of Islam and Society 32, no. 3 (July 1, 2015): 121–23. http://dx.doi.org/10.35632/ajis.v32i3.996.

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Finally it seems the academic study of hijab has come of age. The contributorsto this collection neither treat it as an object of curiosity or derision, nor wonderat Muslimahs’ “false consciousness”; rather, they treat this “piece of cloth” andthe accompanying dress code as a “normal” object of academic enquiry. Forexample, they expand the investigation to include attire for modest Jewish andChristian women, as well as for secular women who dress in similar ways albeitfor different reasons. The title captures this broad focus by using modest, ratherthan limiting the focus to the hijab. While some Jewish and Christian womenalso dress modestly, discursive politics only label the hijab as oppressive.It is refreshing to read academic studies that treat the hijab with the samerespect that they do modest Jewish or Christian dress codes. This is not to saythat the book necessarily endorses or advocates modest dress, which it mostcertainly does not, but only that its contributors (e.g., a journalist and a paneldiscussion with bloggers, designers, and entrepreneurs) study in a sociologicalway the different meanings behind religious dress while maintaining respectfor those they study. Even Elizabeth Wilson’s “Can We Discuss This?,” whichfinds secular women’s recourse to modest dress depressing (“the human body,clothed or unclothed, is a cause for celebration” [p. 171]) and asks secular feministsto “fight their corner” (p. 171), respectfully summarizes the rationale behindmodest dress in order to argue against that very rationale.The contributors also link the study of modest dress with the concept of“fashion,” which is a matter of women who want to dress modestly but haveto look long and hard for nice, fashionable clothing that meets their standards.But as Lewis (“Introduction”) and others, like arts journalist Liz Hoggard(“Modesty Regulators: Punishing and Rewarding Women’s Appearances inMainstream Media”) note, the mainstream fashion industry does not treatmodest dress as “fashion.” Therefore, some Jewish, Christian, and Muslimwomen entrepreneurs have opened stores as well as designed and sold theirown creations to those who want to dress modestly and yet be stylish and fashionable.By investigating the link between fashion and modest dress moreclosely, the book provides a very refreshing analysis of modest dress. Afterall, we receive the obfuscations of “oppressed” or “false consciousness”through the mainstream fashion lens.Lewis argues that the Internet has allowed this niche market to blossom ...

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Barron, Lee. "Dina Torkia’s Modestly: Beauty work, autobiographical habitus and the modest fashion influencer." Critical Studies in Fashion & Beauty 11, no. 2 (December 1, 2020): 175–94. http://dx.doi.org/10.1386/csfb_00015_1.

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The article examines the Islamic fashion vlogger Dina Torkia’s book Modestly in terms of the ways in which it combines beauty and fashion advice and tutorials relating to modest fashion, hijab styling and cosmetics application. Through a critical discourse analysis of the book’s narrative and its many beauty- and fashion-based images, the article stresses how, having gained renown as a social media-based influencer and vlogger, Torkia’s book represents a remediated approach to communication practices of beauty and style advice. Hence, in a printed book form, Modestly consistently combines instruction with autobiographical content. In this regard, the article explores the differing ways that Modestly articulates expressions of Bourdieu’s concept of habitus in the context of modest Islamic fashion. This is explored in terms of the nature of the beauty and fashion instruction that is the main focus of the book, but also in how the autobiographical aspects of the text articulate Torkia’s self-reflections on cultural and sartorial habitus in relation to a Muslim lifestyle, modest dress and beauty conventions and changing perceptions and articulations of cultural hybridity and intersectional identity.

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Sobh, Rana, Russell William Belk, and Justin Gressel. "Modest seductiveness: Reconciling modesty and vanity by reverse assimilation and double resistance." Journal of Consumer Behaviour 11, no. 5 (May 14, 2012): 357–67. http://dx.doi.org/10.1002/cb.1379.

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Shafaghi, Maryam. "Politeness as a Linguistic Device in Response to the Speech Act of Modesty." Prepodavatel XXI vek, no. 3, 2020 (2020): 378–90. http://dx.doi.org/10.31862/2073-9613-2020-3-378-390.

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The context in which the speech act of modesty takes place has a considerable impact on the formation of meaning as well as the determination of the illocutionary force behind the modesty act. This context might include different speech acts, such as admiration, approval, and praise. Modesty can be either positive or negative. In positive modesty, i.e. sincere modesty, the speaker expresses his true feeling of respect and politeness. Thus, he or she conforms to accepted norms of expressing modesty in a society. In negative modesty, i.e. insincere modesty, the speaker deviates from those norms. To be modest is to be polite; therefore, responses given to the act of modesty include a range of different speech acts. Positive modesty entails the acts of approval, praise, admiration, and a request to end modesty, whereas negative modesty leads to the acts of disapproval, negative judgement, denial, reproach, and a request to end flattery. High modesty is indicative of a polite and modest person, while low modesty is suggestive of an impolite and egoistic person. Excessive and low modesty form an unfriendly and unequal interaction.

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Sadatmoosavi, Zohreh, Wan Zailan Kamaruddin Wan Ali, and Mohammad Ali Shokouhi. "The Conceptions of Modesty and Modest Dress in the Scriptures of Abrahamic Religions." Jurnal Akidah & Pemikiran Islam 18, no. 2 (December 1, 2016): 229–70. http://dx.doi.org/10.22452/afkar.vol18no2.6.

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Lewis, Reina. "Uncovering Modesty: Dejabis and Dewigies Expanding the Parameters of the Modest Fashion Blogosphere." Fashion Theory 19, no. 2 (February 2015): 243–69. http://dx.doi.org/10.2752/175174115x14168357992472.

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Hwang, Chanmi, and Tae Ho Kim. "Religiosity and modesty: how veiled Muslim women in the United States define modest activewear." International Journal of Fashion Design, Technology and Education 13, no. 2 (April 19, 2020): 131–39. http://dx.doi.org/10.1080/17543266.2020.1753246.

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Shaheen, Manal, and Chanmi Hwang. "Hijab and modesty: Muslim religious identity expression among Egyptian women in the United States." Clothing Cultures 6, no. 2 (June 1, 2019): 163–77. http://dx.doi.org/10.1386/cc_00010_1.

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This study explored the symbolic meaning of modest dress, generally referred to as hijab, to Egyptian Muslim women living in the United States. In the diaspora, women need to integrate the requirements for religious modesty when shopping for western apparel that is not designed to align with their values of modesty. Face-to-face, in-depth interviews with photo-elicitation were conducted with ten veiled Muslim women to explore the symbolic meaning of hijab and their views on modest clothing as it relates to religiosity. Three themes surfaced as the participants discussed their experiences: (1) intrinsic and extrinsic values of hijab ‐ adapting to US norms, (2) the accessibility and attributes of modest clothing and (3) defining modest hijab based on religiosity ‐ three types. The findings of this study may help non-Muslims understand the symbolic message of hijab and the different types of modest clothing related to religiosity.

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Bates, Jane. "Modesty." Nursing Standard 21, no. 48 (August 2007): 25. http://dx.doi.org/10.7748/ns.21.48.25.s30.

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Dissertations / Theses on the topic "Modestry"

Sweatt, Catherine Parker. "Une Éthique de La Modestie dans Les Essais de Montaigne (Towards a Modest Ethics in Montaigne's Essays)." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/91.

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La plupart des lectures contemporaines des Essais ignore la pensée morale de Montaigne. Ici, je maintiens que Montaigne épouse ‘une éthique de la modestie’ en même temps qu’il rejette toute éthique normative. En particulier, je cherche à aborder comment Montaigne suggère que nous connaissons la vertu et agissons si deux individus ne partagent pas le même perspective et on ne peut pas être le même sujet éthique deux fois. Je vais commencer par discuter la position épistémique de Montaigne par rapport aux universels pour illustrer comment Montaigne met en question l’universalité des lois éthiques et un bien connu a priori comme certains nominalistes et comment la notion de la contingence qui accompagne cette attitude a des implications pour le sujet. Ensuite, je vais explorer comment Montaigne partage et part des penseurs anciens, surtout les sceptiques, afin de façonner une méthode empirique qui a son point de départ dans l’individu. En fouillant sa méthode, qui a son modèle dans le chapitre « De l’expérience », je vais démontrer comment cet aspect de la pensée de Montaigne empêche sa morale de succomber au nihilisme, parce qu’il affirme qu’il reste des phénomènes qu’on peut connaître à posteriori. Je voudrais montrer comment la méthode des Essais aide les individus à exercer leur jugement pratique et former leur intention face aux circonstances changeantes indépendamment des croyances. English Translation : [Most contemporary readings of the Essays ignore Montaigne’s moral thought. In this paper, I assert that Montaigne espouses ‘a modest ethics’ at the same time that he rejects all normative ethical systems. Specifically, I seek to address how Montaigne suggests that we can know virtue and act if no two individuals share the same epistemological position and an individual can never be the same ethical subject twice. I will argue that Montaigne denies human knowledge of metaphysical universals and in this regard resembles medieval nominalists, who held that humans only know individuals and particular instances a posteriori. I will demonstrate that Montaigne’s epistemological modesty influences his ethical position, as he repudiates our capacity to identify an a priori good or a télos to which we should all strive. Because I think that this negative aspect of the Essays does not lead to moral nihilism, I will explore how Montaigne draws and departs from classical thinkers, specifically the Skeptics, in order to fashion an empirical method with the individual ethical subject at its center. I will show how the study of experience outlined in the Essays helps the moral subject to make practical judgments and form intentions with regard to particular circumstances, independently of belief.]

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Lindgård, Sarah, and Aneta Machova. "The more comfortable you feel, the more power you have : A study on modest style consumption among young women." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-12729.

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As clothing is the most visible type of consumption, what we wear often says a lot about who we are. We buy what we consider in line with our identity and avoid what we consider as not. Our consumption is influenced by a number of factors, whether internal or external and throughout the years we adopt a certain way of style. As our style evolves, on it depended fashion consumption is also going through a major change. In this master thesis, we present a study of young women from Generation Y, which adopted a style based on their personal needs, desires, and reflections on own body, and decided not to show their femininity in a predictable manner. Opinions on what is considered feminine vary across regions but in this research, we take an interest in Western culture consumers born and located in Europe. By adopting the modest style, women interviewed for the purpose of this study are perceived as challenging the stereotypical views of the female body, which is in the contemporary society and media often shown as an object of male desire, by wearing unisex, oversized, loose fit, deconstructed and even menswear garments. By the method of personal interviews, we asked nine young women about their opinions and reflections on their fashion consumption and views on communicating their self-identity and femininity through their individual take on the modest style. The research has, in addition to literature introducing symbolic consumption and the concept of the self, its foundation in framework discussing feminine identity and relation of the dress and the body. Based on the findings, the thesis presents an analysis of young women’s construction of feminine identity through modest style and reasons and clues influencing their fashion consumption. Through adaptation of modest style, young women purchase garments closely in line with their values and needs and are rarely influenced by opinions of their social groups. By dressing modestly, they demonstrate their femininity in an alternative way and priority in their fashion consumption is given to durable and timeless garments of high quality. In conclusion, we can see that participants are not only modest in their style, but also in the way they consume. Abandoning the presumption that Generation Y was “born to shop”, they are likely to invest in brand concepts with added value in form of appealing brand aesthetics, inspiring retail environment, outstanding personal approach or sustainable production of garments. By repairing or reselling their garments, buying them in second hand or from brands that produce their garments in an ethical way, today’s young women show that they are aware of environmental and political impacts of fashion, and their motivation to buy certain products is highly influenced by individual preferences and deeply rooted in their self-identity.

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Ben-Itzhak, Rachel. "Keats, modesty and masturbation." Thesis, University of Liverpool, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.501739.

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In the last decade, Anglo-American feminist criticism wished to establish the notion that Keats is a misogynist who denies 5 his female figures subjective identities in hope of obtaining a masculine poetic self. The main problem with this approach is that critics rely heavily on Keats's diatribe against the Bluestocking women. By generalising Keats's dislike of the Bluestockings to an encompassing attitude towards all women readers and writers, critics fail to recognise the political and social undertones embedded -in Keats's attack. By exploring the socio-political associations attributed to the Bluestockings in the late eighteenth and early nineteenth century, my thesis argues that Keats's diatribe emerges not so much from the Bluestockings' literary role, but from the social and sexual conservatism embedded in the term bluestocking itself.

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Bos, Allison Marie. "Getting to the heart of modesty." Theological Research Exchange Network (TREN), access this title online, 2006. http://www.tren.com/search.cfm?p091-0048.

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Gigstad, Margaret Ann 1955. "Modesty in Mexican-American women." Thesis, The University of Arizona, 1994. http://hdl.handle.net/10150/291789.

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The purpose of this study was to discover what modesty means to healthy, middle-aged Mexican-American women living in Tucson, Arizona. Accepted ethnographic methodology was used in this exploratory descriptive study. Three audio-taped interviews of one to two hours in length and field notes were used in data collection. A purposive, convenience sample of three Mexican-American women was used. Modesty emerged as a concept inextricably linked to culture. Women's roles were the domains of meaning through which the themes of protection, respect, servility and conflict were described. Modesty in Mexican-American women and the impact it has on health care situations was discussed. Implications for nursing practice were explored.

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Billinge, Daniel. "Full-bloodedness, modesty and minimalist truth." Thesis, University of St Andrews, 2016. http://hdl.handle.net/10023/9032.

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This thesis discusses the central ideas that surround Michael Dummett's claim that there is an incompatibility between a truth-conditional conception of meaning and a minimalist conception of truth. These ideas are brought into relation to the work of John McDowell and Donald Davidson, as all three philosophers can be better understood by locating them within Dummett's dialectic regarding the incompatibility. Dummett's argument crucially depends upon the assumption that a meaning-theory should be full-blooded in nature, against McDowell's insistence that a meaning-theory can only ever be modest. The main contention of this thesis is that neither Dummett nor McDowell is successful in establishing their strong contentions regarding the form that a meaning-theory should take. McDowell only wants to provide trivial answers to questions about the constitutive nature of the meanings and competency of particular items in a language. Dummett, on the other hand, wants to provide a reductive account of the central concepts that concern the philosophy of language. What this thesis will argue is that once both of these claims have been rejected, the position Dummett and McDowell jointly dictate is in fact the position that we should read Davidson as occupying, who lies in a conceptual space between the extremes of maximal full-bloodedness and modesty. This is an understanding of Davidson that is contrary to how McDowell reads him, who has been an influential commentator of Davidson. How Davidson should actually be interpreted is achieved by understanding how he has the resources to avoid Dummett's claim of an incompatibility between a truth-conditional conception of meaning and a minimalist conception of truth.

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Hinge, Philip. "Anti-Heroics, Modesty, and Bad Taste." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3436.

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My thesis work revolves around investigating painting’s relationship with “bad taste” and heroism. By comparing my paintings to illustrative depictions of “heroism”, artists who turn bad art good, ideas concerning modesty, humor, and invention I will contextualize my stance towards “heroism” and bad taste. By establishing my relationship to the aforementioned examples I will trace the growth of my work over the past few years and discuss how its role within contemporary painting has changed as well as how it interacts with various cultural references.

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Diekmann, Corinna [Verfasser]. "Impression Management-Modesty und Karriereentwicklung / Corinna Diekmann." Bonn : Universitäts- und Landesbibliothek Bonn, 2015. http://d-nb.info/1077265433/34.

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MENDES, CARLA MARTINS. "BUILDING INTIMACY: SHAME AND MODESTY IN THE FAMILY." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2017. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=36237@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTITUIÇÕES COMUNITÁRIAS DE ENSINO PARTICULARES
Os sentimentos de vergonha e de pudor desempenham funções reguladoras no processo de construção da intimidade, em particular na família. O contexto social contemporâneo, em consonância com a maior igualdade nas posições familiares, favorece o emergir da vergonha social. A diluição da transmissão geracional do pudor reflete-se na desvalorização da função da família de preservação de intimidade. Esta pesquisa apresentada em formato de artigo teve como objetivo investigar a vergonha e o pudor na intimidade da família. Para alcançar os objetivos propostos foram entrevistados 8 sujeitos independentes, 5 mulheres e 3 homens, com filhos entre os 12 anos e 18 anos. As entrevistas foram analisadas segundo o método de análise de conteúdo. Constatou-se que os participantes estabelecem relações de maior proximidade com os filhos e evidenciam um afastamento da transmissão da vergonha e do pudor associados ao campo sexual, em relação às gerações anteriores. Demonstram que o sentimento de vergonha está relacionado à valorização da imagem familiar e social. Os participantes associaram o sentimento de vergonha à exposição da intimidade dos filhos nas redes sociais, evidenciando uma preocupação com a sua imagem social e profissional.
The feelings of shame and modesty play a regulatory role in the process of building intimacy, particularly in the family. The contemporary social context, in keeping with the greater equality in family positions, favors the emergence of social shame. Generational transmission of modesty is diminished and is reflected in the devaluation of the preservation of intimacy in the function of the family. This research in article format aimed to investigate the shame and the modesty in the intimacy of the family. In order to achieve the proposal objectives, 8 independent people were interviewed, 5 women and 3 men, with children between 12 and 18 years. The interviews were analyzed by the content analysis method. It was observed that the participants established closer relationships with their children and demonstrated a distance from the transmission of shame and modesty associated with sexual field, in relation to the previous generations. They demonstrated that the feeling of shame is related to the appreciation of the family and social image. The participants associated the feeling of shame with the exposure of children s intimacy in social networks, demonstrating a concern with their social and professional image.

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Al-Qasimi, Noor. "The codes of modesty : reconfiguring the Muslim female subject." Thesis, University of Warwick, 2007. http://wrap.warwick.ac.uk/2431/.

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This study addresses the relationship between the veil and the constitution of what I have tenned the Muslim female subject in the field of visual and popular culture, with a special emphasis on film. My case-studies range from European historical texts to contemporary visual culture and social practices with reference to the Middle East. The study draws on postcolonial and feminist literature to explore the productions of the Muslim female subject within the discourses of (post)colonialism, nationalism and Islamic patriarchy. It examines the Muslim female subject in relation to the paradigms of veiling and unveiling in a cross-cultural yet context-specific differentiated analysis. The aim is to interrogate the mobility of the veil and the manner in which it can be evaded, substituted or transferred without transgressing the codes of Islamic female modesty. It identifies different manifestations of the veil's mobility, which I contend challenge Islamic hegemonic discourses whilst simultaneously transcending the colonialist paradigm of unveiling. The material I discuss ranges from (de-)colonial cinematic texts, Iranian cinema and advertising for Saudi Arabian Television. I look at canonical texts such as Gillo Pontecorvo's The Battle of Algiers (1966) and Abbas Kiarostami's 10 (2002) in view of their significance in scholarship relating to the Muslim female subject within film studies. I also examine manifestations of the veil in the field of fashion and make extensive reference to paradigmatic representations of the Muslim female subject in contemporary art and curatorial projects.

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Books on the topic "Modestry"

Peter, O'Donnell. Modestry Blaise, live bait. Mountain Home, Tenn: Manuscript Press, 2002.

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Pamer, Nan. Modesty. Hazelwood, MO: Word Aflame Press, 1990.

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Peter, O'Donnell. Modesty Blaise. New York, NY: DC Comics, 1994.

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Peter, O'Donnell. Modesty Blaise. New York: DC Comics, 1994.

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Peter, O'Donnell. Modesty Blaise (Modesty Blaise series). Souvenir Press, 2005.

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Peter, O'Donnell. Modesty Blaise. London: Titan Books, 1985.

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Peter, O'Donnell. Modesty Blaise. London: Titan Books, 2009.

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Peter, O'Donnell. Modesty Blaise. London: Titan Books, 2008.

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Peter, O'Donnell. Modesty Blaise. London: Titan Books, 2007.

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Peter, O'Donnell. Modesty Blaise. London: Titan Books, 2008.

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Book chapters on the topic "Modestry"

Schmidt, Eva. "Introduction." In Modest Nonconceptualism, 1–5. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-18902-4_1.

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Schmidt, Eva. "Content, Concepts, Concept Possession." In Modest Nonconceptualism, 7–30. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-18902-4_2.

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Schmidt, Eva. "Nonconceptual Content." In Modest Nonconceptualism, 31–72. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-18902-4_3.

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Schmidt, Eva. "Arguments from Phenomenology." In Modest Nonconceptualism, 73–104. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-18902-4_4.

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Schmidt, Eva. "The Argument from Contradictory Contents." In Modest Nonconceptualism, 105–23. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-18902-4_5.

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Schmidt, Eva. "Arguments from Concept Possession." In Modest Nonconceptualism, 125–66. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-18902-4_6.

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Schmidt, Eva. "The Epistemological Objection." In Modest Nonconceptualism, 167–231. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-18902-4_7.

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Schmidt, Eva. "The Objection from Objectivity." In Modest Nonconceptualism, 233–55. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-18902-4_8.

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Schmidt, Eva. "Modest Nonconceptualism Vindicated." In Modest Nonconceptualism, 257–61. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-18902-4_9.

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Dent, David. "A Modestly Parallel Model." In The Dawn of Massively Parallel Processing in Meteorology, 21–31. Berlin, Heidelberg: Springer Berlin Heidelberg, 1990. http://dx.doi.org/10.1007/978-3-642-84020-3_3.

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Conference papers on the topic "Modestry"

Leonard, Citra Anggia Fathia, and Daniya. "Brand Awareness, Brand Modesty, Consumer Involvement, and Perceived Quality of Modest Sportswear in Greater Jakarta, Indonesia." In International Conference on Entrepreneurship and Business Management (ICEBM) Untar. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0008489401340138.

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Gysi, Tobias, Tobias Grosser, and Torsten Hoefler. "MODESTO." In ICS'15: 2015 International Conference on Supercomputing. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2751205.2751223.

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Brown, Shawn, and Jack Snoeyink. "Modestly faster histogram computations on GPUs." In 2012 Innovative Parallel Computing (InPar). IEEE, 2012. http://dx.doi.org/10.1109/inpar.2012.6339589.

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Ganapathy, Shrikanth, Ramon Canal, Antonio Gonzalez, and Antonio Rubio. "MODEST." In the 16th ACM/IEEE international symposium. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1840845.1840873.

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Vieweg, Sarah, and Adam Hodges. "Surveillance & Modesty on Social Media." In CSCW '16: Computer Supported Cooperative Work and Social Computing. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2818048.2819966.

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GRINBAUM, ALEXEI. "QUANTUM REALISM, INFORMATION, AND EPISTEMOLOGICAL MODESTY." In Proceedings of the Young Quantum Meetings. WORLD SCIENTIFIC, 2014. http://dx.doi.org/10.1142/9789814596299_0004.

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Rogers, Tim, Cassandra Colvin, and Belinda Chiera. "Modest analytics." In Proceedins of the Fourth International Conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2567574.2567629.

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Miao, Hui, Yong Huang, Fa Xie, Haigang Chen, and Fang Wang. "Effects of Dented Roughness on Laminar Flow and Heat Transfer in Microchannels." In 2010 14th International Heat Transfer Conference. ASMEDC, 2010. http://dx.doi.org/10.1115/ihtc14-22643.

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Liquid laminar flow and heat transfer characteristics for parallel plate micro-channels consisting of many triangle shape hollows to fit with the etching surfaces are investigated numerically in the present paper. The height of the channel is 50μm, with three different relative depths, three relative spacing, and three oblique angles of the triangle surface, respectively. The 2D N-S and energy equations are solved using a commercial CFD code FLUENT6.3. Water is used as the working fluid, and the Reynolds number ranges from 100 to 1500. The global Poiseuille number and average Nusselt number are obtained. It is shown that the dented shapes cause a modest influence in Poiseuille number, but a greater impact on the Nusselt numbers. In addition, both of Po and Nu increase modestly with Re. The local Nusselt numbers are always lower in dented area and larger in planar area of dented roughness microchannels, than that of conventional smooth value. Finally, geometry parameters have modest impact on heat transfer for dented roughness.

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"“Stailo & Sopan”: Modesty and Malay-Muslim Women." In International Conference on Trends in Social Sciences and Humanities. Emirates Research Publishing, 2015. http://dx.doi.org/10.17758/erpub.er815031.

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Struc, Vitomir, Janez Krizaj, and Simon Dobrisek. "Modest face recognition." In 2015 International Workshop on Biometrics and Forensics (IWBF). IEEE, 2015. http://dx.doi.org/10.1109/iwbf.2015.7110235.

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Reports on the topic "Modestry"

Campbell, IV, and F. L. A Modest Suggestion. Fort Belvoir, VA: Defense Technical Information Center, January 2002. http://dx.doi.org/10.21236/ada441511.

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Leeper, Eric, and Tao Zha. Modest Policy Interventions. Cambridge, MA: National Bureau of Economic Research, September 2002. http://dx.doi.org/10.3386/w9192.

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Verbrugge, Randal J., and Saeed Zaman. The Hard Road to a Soft Landing: Evidence from a (Modestly) Nonlinear Structural Model. Federal Reserve Bank of Cleveland, January 2023. http://dx.doi.org/10.26509/frbc-wp-202303.

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What drove inflation so high in 2022? Can it drop rapidly without a recession? The Phillips curve is central to the answers; its proper (nonlinear) specification reveals that the relationship is strong and frequency dependent, and inflation is very persistent. We embed this empirically successful Phillips curve – incorporating a supply-shocks variable – into a structural model. Identification is achieved using an underutilized data-dependent method. Despite imposing anchored inflation expectations and a rapid relaxation of supply-chain problems, we find that absent a recession, inflation will be more than 3 percent by the end of 2025. A simple welfare analysis supports a mild recession as preferred to an extended period of elevated inflation, under a typical loss function

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Canavan, G. Constellation sizing for modest directed energy platforms. Office of Scientific and Technical Information (OSTI), June 1989. http://dx.doi.org/10.2172/6187428.

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Kaplan, Leonard E. A Single Unified U.S. Military - A Modest Proposal. Fort Belvoir, VA: Defense Technical Information Center, February 1993. http://dx.doi.org/10.21236/ada283231.

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Park, MinJung, Ela Rausch, Jennifer Hoeke, and Hye-Young Kim. Does the Clothing Industry Support Breastfeeding Modesty?: An Examination of Product Availability for Financially Vulnerable Mothers. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-865.

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Berman, Eli, Joseph Felter, Jacob Shapiro, and Erin Troland. Modest, Secure and Informed: Successful Development in Conflict Zones. Cambridge, MA: National Bureau of Economic Research, February 2013. http://dx.doi.org/10.3386/w18674.

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Davidson, Michael J. A Modest Proposal: Permit Interlocutory Appeals of Summary Judgment Denials. Fort Belvoir, VA: Defense Technical Information Center, April 1994. http://dx.doi.org/10.21236/ada456705.

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Atkinson, John B. Modest Design: A Conservative Approach to Enhancing Joint Planning Doctrine. Fort Belvoir, VA: Defense Technical Information Center, October 2010. http://dx.doi.org/10.21236/ada535486.

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Greenstein, Shane, and Ryan McDevitt. Evidence of a Modest Price Decline in US Broadband Services. Cambridge, MA: National Bureau of Economic Research, July 2010. http://dx.doi.org/10.3386/w16166.

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