Journal articles: 'Modiano, Patrick'

1

Gratton, Johnnie. "Patrick Modiano." Irish Journal of French Studies 7, no. 1 (December 1, 2007): 132–34. http://dx.doi.org/10.7173/164913307818418583.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Davis, Colin, and Alan Morris. "Patrick Modiano." Modern Language Review 93, no. 1 (January 1998): 231. http://dx.doi.org/10.2307/3733701.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Lecarme, Jacques. "Patrick Modiano." Médium 42, no. 1 (2015): 47. http://dx.doi.org/10.3917/mediu.042.0047.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Devine, J. "Patrick Modiano." French Studies 63, no. 1 (January 1, 2009): 112–13. http://dx.doi.org/10.1093/fs/knn169.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Moñino, Yves. "Discurso del Nobel 2014 Patrick Modiano." Poligramas, no. 41 (January 10, 2017): 175. http://dx.doi.org/10.25100/poligramas.v0i41.4415.

Full text

Abstract:

Traducción de Ives Moñino del Discurso del novelista francés Patrick Modiano, leído al recibir el Premio Nobel de literatura el 7 de diciembre de 2014. «Patrick Modiano - Conférence Nobel». Nobelprize.org. Nobel Media AB 2014. Web. 8 Dec 2014. <http://www.nobelprize.org/nobel_prizes/literature/laureates/2014/ modiano-lecture_fr.html>

APA, Harvard, Vancouver, ISO, and other styles

6

Anderson, Vanessa Doriott. "Lire Patrick Modiano, and: Lectures de Modiano." SubStance 41, no. 1 (2012): 137–41. http://dx.doi.org/10.1353/sub.2012.0000.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Sarhan Jassim, Hassan. "Les Labyrinthes du Roman Français Contemporain à travers l’Œuvre de Patrick Modiano The Labyrinths of the Contemporary French Novel Through the Texts of Patrick Modiano." Journal of the College of languages, no. 42 (June 1, 2020): 51–79. http://dx.doi.org/10.36586/jcl.2.2020.0.42.0051.

Full text

Abstract:

Cette recherche a un objectif précis : étudier les diverses modalités selon lesquelles le motif du labyrinthe se pose comme principe privilégié de l'esthétique du récit chez Patrick Modiano. Cela se fera, dans la généralité, à la lumière de la méthodologie de la poétique textuelle sans pour autant omettre le rôle que pourrait jouer le contexte sur les choix thématiques de l'écrivain. Dans les romans de Modiano, le labyrinthe à plusieurs modes d'existence. Nous en avons discernés trois : le labyrinthe ontologique, dont l’évocation est liée à l’identité du personnage. Le deuxième devrait s’appeler le labyrinthe mémorial dont la présence est en rapport avec le caractère spécifique doté à la mémoire des personnages. Le troisième mode du labyrinthe concerne l’espace labyrinthique dans lequel errent les êtres romanesques de Modiano. Analyser les liens forts divers et multiples que le roman de Modiano établit avec le motif du labyrinthe est un domaine qui n’a pas pris l’intérêt qu’il méritait dans les travaux critiques consacrés à l’écrivain français. Comme nous le verrons au cours de cette recherche, Modiano trouve dans le labyrinthe, en tant que forme comme en tant que sujet, une source d’inspiration extrêmement vitale, dynamique et sans cesse renouvelable. Abstract The current paper aims to study the different forms by which the theme of labyrinth imposes itself as a preferred narrative structure in the novels of the French writer Patrick Modiano. Theoretically speaking, the current research paper will limit itself to the theoretical framework of the textual poetics which relies on the study of literary texts without paying much attention, neither to the context, nor to the life of its author. The analysis of the strong and varied links that Modiano's novels establish with labyrinth represents a field which has not received adequate attention by the critical studies dedicated to this French writer. As it will be shown throughout the current paper, Modiano views labyrinth both as a form and a subject to be a very vital, dynamic, and infinitely renewable inspiration.

APA, Harvard, Vancouver, ISO, and other styles

8

CHERIF, Sékou. "La perception, centrum de l’imaginaire modianesque dans Vestiaire de l’enfance." ALTRALANG Journal 4, no. 01 (June 30, 2022): 138–50. http://dx.doi.org/10.52919/altralang.v4i01.185.

Full text

Abstract:

Perception, the centre of the Modian imagination in Vestiaire de l’enfance ABSTRACT: Like the Proustian narrator in À la recherche du temps perdu, the Modian narrator seems to be tossed back and forth between mnemonic experience and reality under the influence of perception. This induction is due to the postulate that Jimmy Sarano's addiction, the pivotal character of the narrative in Vestiaire de l'enfance, metamorphoses from a perceptionist state elicited by Rose-Marie that seems familiar to him. Thus, begins several imaginations in the narrative process. The analysis proposes, by means of the phenomenology of perception, to decipher the latent imaginary of Patrick Modiano's work. RÉSUMÉ : Tout comme le narrateur proustien dans À la recherche du temps perdu, le narrateur modianesque semble balloté entre expérience mnémonique et réalité sous l’effet de la perception. Cette induction est due au postulat selon lequel l’accoutumance de Jimmy Sarano, personnage pivot du récit dans Vestiaire de l’enfance, se métamorphose à partir d’un état perceptionniste suscité par Rose-Marie qui lui paraît familier. Ainsi, commence une kyrielle d’imaginations dans le processus narratif. L’analyse propose, au moyen de la phénoménologie de la perception, de décrypter l’imaginaire latent de l’oeuvre de Patrick Modiano.

APA, Harvard, Vancouver, ISO, and other styles

9

Labre, Chantal. "Patrick Modiano, la sentinelle." Esprit Novmbr, no. 11 (2014): 119. http://dx.doi.org/10.3917/espri.1411.0119.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Bridges, Victoria. "Patrick Modiano: Quartier perdu." Yale French Studies, no. 75 (1988): 259. http://dx.doi.org/10.2307/2929377.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Ruszniewski-Dahan, Myriam. "Patrick Modiano : prière d'insérer." Revue d’Histoire de la Shoah N° 176, no. 3 (January 3, 2002): 186–99. http://dx.doi.org/10.3917/rhsho1.176.0187.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

ZAPARART, María Julia. "Patrick Modiano en español: el caso de Dora Bruder." Belas Infiéis 8, no. 2 (April 30, 2019): 129–38. http://dx.doi.org/10.26512/belasinfieis.v8.n2.2019.24383.

Full text

Abstract:

La obra de Patrick Modiano se caracteriza por una exploración de la topografía parisina como estrategia de reelaboración de una memoria que precede al nacimiento del autor. Modiano reconstruye el pasado francés ligado al período de la Ocupación alemana a través de la topografía parisina actual: la evocación de los barrios y lugares de París y su frecuentación permite a los narradores de Modiano entrar en contacto con el pasado y con los personajes que alguna vez los habitaron. La presente contribución propone un análisis crítico de la traducción al español que María Pino realizó para la editorial Seix Barral de Dora Bruder ([1997] 2014) de Patrick Modiano para indagar los problemas, dislocaciones y desplazamientos que se presentan a la hora de traducir esta topografía de la posmemoria (HIRSCH, 1997).

APA, Harvard, Vancouver, ISO, and other styles

13

Prince, Gerald. "Paris Nocturne by Patrick Modiano." World Literature Today 90, no. 3 (2016): 96–97. http://dx.doi.org/10.1353/wlt.2016.0180.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Avni, Ora. "Patrick Modiano: A French Jew?" Yale French Studies, no. 85 (1994): 227. http://dx.doi.org/10.2307/2930079.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

GASCOIGNE, D. J. "Review. Patrick Modiano. Morris, Alan." French Studies 52, no. 2 (April 1, 1998): 237. http://dx.doi.org/10.1093/fs/52.2.237.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Cooke, Dervila. "Patrick Modiano. By Akane Kawakami." French Studies 71, no. 2 (March 3, 2017): 288–89. http://dx.doi.org/10.1093/fs/knx038.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Sourieau, Marie-Agnès. "Encre sympathique by Patrick Modiano." French Review 94, no. 1 (2020): 261–62. http://dx.doi.org/10.1353/tfr.2020.0019.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Oster, Daniel. "Le Paris de Patrick Modiano." La Géographie N° 1589, no. 2 (July 5, 2023): 52–53. http://dx.doi.org/10.3917/geo.1589.0052.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Zaparart, María Julia. "Dossier La traducción editorial: Patrick Modiano en español: el caso de Rue des boutiques obscures." El Taco en la Brea, no. 5 (June 27, 2017): 359–70. http://dx.doi.org/10.14409/tb.v1i5.6634.

Full text

Abstract:

En el mercado editorial hispanófono, los editores españoles ocupan una posición dominante que les permite adquirir con mayor facilidad que los editores latinoamericanos los derechos de traducción de una obra para todo el ámbito del español. En el caso de Patrick Modiano, las traducciones de las novelas del escritor francés que llegan a Argentina han sido publicadas principalmente por Anagrama, se trata por lo tanto de traducciones peninsulares que circulan a nivel mundial. Sin embargo, para unas pocas novelas de Patrick Modiano contamos con dos traducciones, es el caso de Rue des boutiques obscures (Gallimard, 1978). La primera traducción, realizada por el escritor uruguayo Jorge Musto para el sello venezolano Monte Ávila Editores (1980), se encuentra actualmente descatalogada; y la segunda, realizada por la traductora María Teresa Gallego Urrutia para el sello español Anagrama (2009) circula tanto en Latinoamérica como en España. A partir del comentario y análisis crítico de estos ejemplos concretos, las dos traducciones al español existentes de la novela Rue des boutiques obscures de Patrick Modiano, este artículo se propone plantear la necesidad de una crítica de la traducción que permita indagar los problemas, dislocaciones y desplazamientos que las variedades del español presentan a la hora de traducir a Modiano y su topografía de la posmemoria y su injerencia en la recepción de la obra del escritor francés.

APA, Harvard, Vancouver, ISO, and other styles

20

Tomé, Mario. "La actual narrativa francesa (y II)." Estudios Humanísticos. Filología, no. 10 (December 1, 1988): 205. http://dx.doi.org/10.18002/ehf.v0i10.4352.

Full text

Abstract:

<p>Presentación y breve comentario de la obra más significativa de los actuales novelistas franceses. Grandes figuras actuales: Michel Tournier, J.M.G. Le Clézio, Patrick Modiano. Premios literarios y éxitos editoriales: Romain Gary, Yves Navarre, Angelo Rinaldi, Dominique Fernández, Frédérick Tris-tan, Héctor Bianciotti, Marguerite Duras, Yann Queffelec.</p><p>A short introduction of the most outstanding works of some recent French novelists. Top novelists: Michel Tournier, J.M.G. Le Clézio and Patrick Modiano. Literary Prizes and best-sellers: Emile Ajar, Yves Navarre, Angelo Rinaldi, Dominique Fernández, Frédérick Tristan, Héctor Bianciotti, Marguerite Duras, Yann Queffélec.</p>

APA, Harvard, Vancouver, ISO, and other styles

21

Lee, Mark D. "L’herbe des nuits by Patrick Modiano." French Review 87, no. 1 (2013): 275. http://dx.doi.org/10.1353/tfr.2013.0082.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Garvey, Brenda. "Patrick Modiano by John E. Flower." Modern Language Review 105, no. 2 (2010): 571–72. http://dx.doi.org/10.1353/mlr.2010.0251.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Talbot, Emile J., Colin W. Nettlebeck, and Penelope A. Hueston. "Patrick Modiano, pièces d'identité: Ecrire l'entretemps." World Literature Today 61, no. 2 (1987): 247. http://dx.doi.org/10.2307/40143036.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Goloborodko, Iaroslav, and Anastasiia Lepetiukha. "Virages des visions de Patrick Modiano." Neophilologus 104, no. 2 (December 23, 2019): 165–76. http://dx.doi.org/10.1007/s11061-019-09630-9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Davronova, Zulfiya. "ARTISTIC AND STYLISTIC FEATURES OF THE WORKS OF PATRICK MODIANO." Frontline Social Sciences and History Journal 02, no. 04 (April 1, 2022): 161–69. http://dx.doi.org/10.37547/social-fsshj-02-04-19.

Full text

Abstract:

Almost all the works of the contemporary French writer Patrick Modiano, starting with his first novel "The Square of the Star", are built around two main themes: the search for identity and the period of the German occupation of France. Two problems are closely connected with them, namely: memory as a synonym for the past and renunciation of oblivion.

APA, Harvard, Vancouver, ISO, and other styles

26

de Saint-Cheron, Jean. "Comme une danse." Esprit Novembre, no. 11 (October 31, 2023): 128–29. http://dx.doi.org/10.3917/espri.2311.0128.

Full text

Abstract:

La Danseuse (Gallimard, 2023) de Patrick Modiano dépeint avec nostalgie une errance dans des atmosphères parisiennes. La littérature y est ascétique comme une danse, peut-être mystique, dans un monde trop dur.

APA, Harvard, Vancouver, ISO, and other styles

27

Bonadei, Enrico. "Patrick Modiano, Edited by John E. Flower." Studi Francesi, no. 156 (LII | III) (December 1, 2008): 703–4. http://dx.doi.org/10.4000/studifrancesi.8735.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Martino, Andrew. "Scene of the Crime by Patrick Modiano." World Literature Today 97, no. 3 (May 2023): 79–80. http://dx.doi.org/10.1353/wlt.2023.0140.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Holm, Helge Vidar. "Voyance, chronotopie et intertextualité dans Dora Bruder de Patrick Modiano." Bergen Language and Linguistics Studies 10, no. 1 (November 6, 2019): 8. http://dx.doi.org/10.15845/bells.v10i1.1358.

Full text

Abstract:

In Dora Bruder, Patrick Modiano gives the following comment on his own novelistic writing: “Like many writers before me, I believe in coincidence, and, sometimes, in the novelist’s gift for clairvoyance - the word ‘gift’ not being the right one, for it implies a kind of superiority. Clairvoyance is simply part of the profession: the essential leaps of imagination, the need to fix one’s mind on detail - to the point of obsession, in fact - so as not to lose the thread and give in to one’s natural laziness. All this tension, this cerebral exercise, may well lead in the long run to ‘flashes of intuition concerning events past and future’, as defined by Larousse dictionary under ’clairvoyance’.” (Dora Bruder (Paris 1997), English edition: The Search Warrant, Harvill Secker, London 2014, p. 47-48). By analyzing some selected passages from this novel, I study some relations between M. Bakhtin’s theory of the chronotope and the effects of the novelist Modiano’s “gift for clairvoyance” as presented in the quotation above. I also comment on some representations of intertextuality and intratextuality in Dora Bruder.

APA, Harvard, Vancouver, ISO, and other styles

30

Grenaudier-Klijn, France. "Jeux et hasard dans l’écriture de Patrick Modiano." Quêtes littéraires, no. 13 (December 30, 2023): 184–94. http://dx.doi.org/10.31743/ql.16870.

Full text

Abstract:

De nombreux romans de Patrick Modiano font intervenir le motif du jeu – prédicat et espace – dans la narration, aux niveaux actoriel, thématique et structural. L’introduction de cet élément mineur – il ne s’agit pas d’un thème – nous renseigne toutefois autant sur la technique romanesque employée par Modiano que sur les considérations métaphysiques sous-tendant son écriture. Une lecture attentive centrée sur divers épisodes articulés autour du jeu nous permet ainsi de mieux comprendre les modalités adoptées par l’écrivain dans l’élaboration de ses personnages et dans l’architecture de ses récits. L’insertion du motif du jeu nous permet en outre d’identifier et d’analyser la valeur accordée au hasard et à l’indéterminabilité sous toutes ses formes dans le récit modianien, à partir duquel se déploie une véritable métaphysique, voire une éthique, de l’indétermination.

APA, Harvard, Vancouver, ISO, and other styles

31

Ivasiutyn, Taras. "Patrick Modiano: a nostalgic look at the past." Current issues of social sciences and history of medicine, no. 4 (November 24, 2016): 41–45. http://dx.doi.org/10.24061/2411-6181.4.2016.194.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Abdel Latif, Laila. "Patrick Modiano, une autobiographie pas comme les autres." مجلة کلیة الآداب . حلوان 45, no. 1 (July 1, 2017): 93–120. http://dx.doi.org/10.21608/kgef.2017.96226.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Çağlakpınar, Bülent. "Memory Space in the Works of Patrick Modiano." LITERA 31, no. 1 (June 10, 2021): 137–58. http://dx.doi.org/10.26650/litera2020-0071.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Morris, A. "PATRICK MODIANO: 'A MARCEL PROUST OF OUR TIME'?" French Studies Bulletin 36, no. 134 (March 1, 2015): 1–3. http://dx.doi.org/10.1093/frebul/ktv001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Carriedo, Lourdes. "Écriture, mémoire et structure d’horizon chez Patrick Modiano." French Cultural Studies 23, no. 4 (November 2012): 341–49. http://dx.doi.org/10.1177/0957155812456149.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Zelinsky, Zeno. "Présence urbaine et images maritimes chez Patrick Modiano." French Cultural Studies 23, no. 4 (November 2012): 358–65. http://dx.doi.org/10.1177/0957155812457534.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Gratton, J. "Postmemory, Prememory, Paramemory: The Writing of Patrick Modiano." French Studies 59, no. 1 (January 1, 2005): 39–45. http://dx.doi.org/10.1093/fs/kni067.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Goudot, Marie. "Patrick Modiano , L’horizon , Gallimard, 201O, 172 pages, 16,50 €." Études Tome 413, no. 7 (June 30, 2010): II. http://dx.doi.org/10.3917/etu.4131.0119b.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Pérez, Claude-Pierre. "Imaginer sur pièces. Imagination et documentation chez Patrick Boucheron et Patrick Modiano." Littérature 190, no. 2 (2018): 102. http://dx.doi.org/10.3917/litt.190.0102.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Lévy, Clara. "Patrick Modiano – articulação entre o campo de difusão restrito e o campo da grande produção." Revista do Instituto de Estudos Brasileiros, no. 68 (December 13, 2017): 101. http://dx.doi.org/10.11606/issn.2316-901x.v0i68p101-121.

Full text

Abstract:

Em 9 de outubro de 2014, o Prêmio Nobel de literatura foi concedido ao escritor francês Patrick Modiano pela “arte da memória com a qual ele se referiu aos destinos humanos mais difíceis e revelou o mundo da Ocupação”. Nosso texto analisará a posição de Modiano nos campos literários francês e internacional e como seu sucesso de crítica e comercial questiona e desafia parcialmente a teoria composta por P. Bourdieu acerca dos dois subcampos que compõem o campo cultural. Modiano tem sido hábil em reconciliar sua posição no campo da produção restrita (avaliação por críticos, pares, acadêmicos, sendo publicado em coleções de prestígio, obtendo vários prêmios literários, como o mais prestigioso – Prêmio Nobel etc.) com acesso direto ao campo da produção ampliada (grande visibilidade e altas cifras de vendas de seus trabalhos; visibilidade fora do campo literário, por meio de filmes e músicas). Em seguida, analisaremos o impacto da obtenção do Prêmio Nobel em números em termos de impressões e vendas, não só no mercado de livros francês, mas também nos mercados de literatura francesa no exterior.

APA, Harvard, Vancouver, ISO, and other styles

41

SEZGİNTÜRK-, Pınar. "TRAVMANIN NESİLLER ARASI AKTARIMI: PATRİCK MODİANO VE POST-BELLEK." Turkish Studies - Language and Literature Volume 14 Issue 3, Volume 14 Issue 3 (2019): 1547–59. http://dx.doi.org/10.29228/turkishstudies.29334.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Stupazzoni, Marco. "Donato Sperduto, Les farces nocturnes: Balzac et Patrick Modiano." Studi Francesi, no. 156 (LII | III) (December 1, 2008): 687. http://dx.doi.org/10.4000/studifrancesi.8664.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

McPherson, Karen. "Review Essay: Meeting Nobel Laureate Patrick Modiano in Translation." Translation Review 94, no. 1 (January 2, 2016): 107–13. http://dx.doi.org/10.1080/07374836.2015.1123918.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Carvalho Canarinos, Ana Karla, and Fabio Ávila Arcanjo. "MEMÓRIA E RASTRO EM DORA BRUDER DE PATRICK MODIANO." Revista Araticum 24, no. 1 (February 8, 2023): 121–38. http://dx.doi.org/10.46551/issn2179-6793ra2022v24n1_a07.

Full text

Abstract:

Este trabalho tem por objetivo a análise do romance Dora Bruder (1997), de Patrick Modiano, tendo em vista as questões em torno de rastro e da memória. Considerando que se trata de uma narrativa inserida na tradição literária testemunhal, ao longo deste artigo pretendemos discutir de que maneira o rastro e os vestígios deixados pela protagonista do romance funcionam como uma forma – ainda que lacunar – de resgatar a memória de pessoas anônimas e esquecidas pela História. Sob este aspecto, este artigo apresenta a seguinte hipótese: o rastro em Dora Bruder se configura a partir de três instâncias narrativas principais: 1) na representação de Paris; 2) no hibridismo de gênero e 3) na temática do Holocausto.

APA, Harvard, Vancouver, ISO, and other styles

45

Cesereanu, Ruxandra. "Cenotaph and Tumulus – Ethics and Memory. The Micronovel Dora Bruder by Patrick Modiano and the Fiction of Herta Müller." Caietele Echinox 44 (June 1, 2023): 156–66. http://dx.doi.org/10.24193/cechinox.2023.44.10.

Full text

Abstract:

"The present study approaches the micro-novel Dora Bruder by Patrick Modiano from the perspective of memory (and post-memory) which, through documentary work, restores the identity of the victims definitively annulled by the Nazi regime (victims who have no grave). Our hypothesis is that Modiano is building a literary cenotaph for Dora Bruder. For her part, Herta Müller tries, in at least two of her novels (The Land of Green Plums and The Appointment), to build for the victims of the Securitate (the Political Police in Communist Romania, during the neo-Stalinist regime under Nicolae Ceaușescu), a memorial, a literary tumulus. In this case, it is about victims who have a grave, but the author is building a second grave from an ethical point of view."

APA, Harvard, Vancouver, ISO, and other styles

46

De Lemos, Thiago Tremonte. "MÉMOIRE OUBLIEUSE: POSSÍVEL CONTRIBUIÇÃO “INVOLUNTÁRIA” DE PATRICK MODIANO À NARRATIVA DO PASSADO." História: Questões & Debates 65, no. 1 (July 12, 2017): 307. http://dx.doi.org/10.5380/his.v65i1.46019.

Full text

Abstract:

O presente artigo procura oferecer reflexões a partir da noção de mémoire oublieuse, do escritor francês Patrick Modiano, tomando-a como instrumento possível de métodos historiográficos que tenham como seu principal mote o diálogo interdisciplinar da história com outras áreas do conhecimento, sobretudo no que se refere às potencialidades da memória como fonte para a construção de narrativas do passado.

APA, Harvard, Vancouver, ISO, and other styles

47

De Lemos, Thiago Tremonte. "Modiano historiador: a ambiguidade francesa durante a ocupação alemã compreendida na obra Ronda da noite." Esboços: histórias em contextos globais 25, no. 40 (January 18, 2019): 300–316. http://dx.doi.org/10.5007/2175-7976.2018v25n40p300.

Full text

Abstract:

A partir da obra do escritor francês Patrick Modiano, o presente artigo propõe uma reflexão sobre os limites e os encontros entre a história e a ficção literária nas narrativas da ocupação alemã na França, durante a Segunda Guerra Mundial. Concomitantemente, discute-se a ambígua posição da sociedade francesa, particularmente em Paris, ora tolerando e, às vezes, colaborando com os invasores, ora resistindo à presença estrangeira.

APA, Harvard, Vancouver, ISO, and other styles

48

Duffy, Helena. "Paris as a Material Witness in a Differend: Patrick Modiano's Dora Bruder." Environment, Space, Place 15, no. 2 (2023): 111–35. http://dx.doi.org/10.1353/spc.2023.a910013.

Full text

Abstract:

Abstract: The article examines Patrick Modiano's much commented upon semi-autobiographical historiographic metafiction Dora Bruder [The Search Warrant] (1997) through the lens of two interconnected theoretical concepts: the "differend", coined by Jean-François Lyotard to designate a situation where a plaintiff is divested of linguistic and legal means to claim her damage, and the "material witness", as Susan Schuppli has dubbed an object capable of testifying to past violence. I argue that, in the face of the evidential deficit that proceeds from the destruction of the Jewish diaspora of Paris during the Holocaust and from France's post-war memory politics in relation to the Occupation and Deportation, Modiano relies on the French capital's topography and architecture for information about Dora, her parents, and her community. Moreover, like Schuppli, he invests Parisian addresses with juridical significance so that they can become witnesses in the case he builds against wartime and post-war French authorities with a view to countering the differend to which Dora and her likes have been sentenced.

APA, Harvard, Vancouver, ISO, and other styles

49

Mañes, Montserrat Serrano. "Les sentiers de la mémoire ou comment découvrir la silhouette de Proust dans l’œuvre de Modiano." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 47, no. 2 (November 30, 2012): 305–19. http://dx.doi.org/10.1075/rro.47.2.04ser.

Full text

Abstract:

The influence of La Recherche du Temps perdu by Proust can be felt in many current French writers. His style, as well as his various elements, have had many followers who have focused on some aspects of the proustian work. One of those writers is Patrick Modiano. The memories of the Occupation period, which Modiano didn’t witness himself, but he feels he belongs to, hover over his work, sometimes clearly, sometimes in a more subtle way. All this creates an atmosphere that we can consider « proustian » and that reaffirms itself when we see how his most important topics are memory, time and oblivion. This is particularly evident in Livret de Famille, where he at times keeps obvious similarities with, and at times far and clear echoes of Proust.

APA, Harvard, Vancouver, ISO, and other styles

50

Cadieu, Morgane. "How the Grass Grows in the Works of Patrick Modiano." Contemporary French and Francophone Studies 25, no. 2 (March 15, 2021): 183–93. http://dx.doi.org/10.1080/17409292.2021.1876453.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'Modiano, Patrick'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles