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Relevant bibliographies by topics / Modo epico

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Journal articles

Academic literature on the topic 'Modo epico'

Author: Grafiati

Published: 10 March 2023

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Journal articles on the topic "Modo epico"

1

Bancheri, Salvatore. "Elementi di plurilinguismo nell’opera di Filippo Orioles." Quaderni d'italianistica 36, no. 2 (2016): 23–40. http://dx.doi.org/10.33137/q.i..v36i2.26898.

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La prima metà del Settecento — periodo in cui scrisse Filippo Orioles (1687–1793), autore del Riscatto d’Adamo — fu segnato in Sicilia da un continuo alternarsi di dominazioni e quindi anche da normale commistione di linguaggi. Di riflesso, i lavori dell’Orioles (La notte in giorno, La S. Rosalia, Il S. Alessio e Il San Basilio Magno), analizzati brevemente nella loro esemplarità linguistica, sono uno specchio di questa realtà. Nelle opere esaminate troviamo una mescolanza di lingue (italiano, spagnolo e latino), frequenti latinismi, dialetti (siciliano e napoletano). La contaminazione dei lin

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2

Fernandelli, Marco. "Ovidio e le ambiguità dell'Eneide." Tabula, no. 17 (November 16, 2020): 125–68. http://dx.doi.org/10.32728/tab.17.2020.5.

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L'ambiguità è un tratto caratteristico del linguaggio epico virgiliano. L'idea che essa sia l'espressione di un dualismo tra piani di significato rappresentati da voci (“Two voices theory'), cui attribuire un grado maggiore o minore di autenticità, è stata superata a favore di una lettura che riconosce tale autenticità nello stato aperto del testo, che insieme stimola all'interpretazione e si presta a una continua riattualizzazione dei propri significati. L'“ambivalenza” (del testo) ha preso il posto della dialettica di “ottimismo” e “pessimismo” (nella visione dell'autore). Virgilio, in Ovidi

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3

Dung, Nguyen Tien. "“Living” Epics in Central Highland-Vietnam." Global Research in Higher Education 2, no. 1 (2019): 59. http://dx.doi.org/10.22158/grhe.v2n1p59.

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<em>This article is about h’mon, an epic genre of Bahnar ethnic in the Central Highlands of Vietnam. Typical of this epic type is H’mon Dam Giong (or The Dam Giong epics). The contents of this article include space and mode of performance of h’mon; characteristics of the “living epic” of h’mon (It is the ability to refresh the content of h’mon by adding new details); characteristics of the character system (including the central character and the re-appearing characters).</em>

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4

Nguyen, Viet Hung. "ARTISTS CHANTING - NARRATING EPIC POEMS PROFESSIONAL OR UNPROFESSIONAL?" UED Journal of Social Sciences, Humanities and Education 10, Special (2020): 62–69. http://dx.doi.org/10.47393/jshe.v10ispecial.881.

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Homer’s creative works Iliad, Odyssey have undergone a history of thousands of years, but the Homeric issues have never ceased to be new to generations of researchers. There still remain unanswered questions: Was Homer a professional writer or a folk artist? Did his epical compositions belong to the written or oral literary genre? Were Homer's poems the works of a single poet or of many contributors? We refer to Homer as an artist, a collector and compiler of Greek epics in relation to the type of epic artists in Vietnam. A study of the artists chanting-narrating epic poems from various perspe

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5

Chalise, Keshav Raj. "Mayavini Sarsi (Circe): Devkota’s Reworking to Western Myths." Literary Studies 33 (March 31, 2020): 20–30. http://dx.doi.org/10.3126/litstud.v33i0.38032.

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Laxmi Prasad Devkota, celebrated poet as the Mahakavi or Poet the Great wasborn in 1966 BS. Writing in distinct style from the tradition, Devkota has broken the convention in Nepalese writing, both in form and content, though he was in the difficult mode of free expression due to Rana observation over writings and even the discouraging situation on free thinking and creative writing. He has adapted Sanskrit tradition of writing epics, (Mahakavya) and also, he has composed the epic on free verse. He has introduced and applied western Romantic trend of writing poetry. With these new modes,

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6

Watten, Barrett. "An Epic of Subjectivation: The Making of Americans." Modernism/modernity 5, no. 2 (1998): 95–121. http://dx.doi.org/10.1353/mod.1998.0044.

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7

Esty, Joshua. "Colonial Odysseys: Empire and Epic in the Modernist Novel (review)." Modernism/modernity 12, no. 3 (2005): 519–21. http://dx.doi.org/10.1353/mod.2005.0083.

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8

Reed, M. D., A. Slayton, A. S. Baran, et al. "Pulsating subdwarf B stars observed with K2 during Campaign 7 and an examination of seismic group properties." Monthly Notices of the Royal Astronomical Society 507, no. 3 (2021): 4178–95. http://dx.doi.org/10.1093/mnras/stab2405.

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ABSTRACT We report the discovery of four new pulsating subdwarf B (sdBV) stars from Campaign 7 of the Kepler spacecraft’s K2 mission. EPIC 215776487, EPIC 217280630, EPIC 218366972, and EPIC 218717602 are all gravity (g)-mode pulsators and we also detect two pressure (p)-mode pulsations in EPIC 218717602. We detect asymptotic $\ell \, =\, 1$ sequences in all four stars, allowing us to identify nearly all of the g modes. We detect evenly spaced frequency multiplets in EPIC 218717602 from which we determine a rotation period near 7 d. Spectroscopic observations determine that EPIC 218366972 is i

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9

Alexander, Neal. "C. D. Blanton, Epic Negation: The Dialectical Poetics of Late Modernism." Modernist Cultures 11, no. 3 (2016): 452–56. http://dx.doi.org/10.3366/mod.2016.0150.

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10

Giesenkirchen, Michaela. ""But Sordello, and My Sordello?": Pound and Browning's Epic." Modernism/modernity 8, no. 4 (2001): 623–42. http://dx.doi.org/10.1353/mod.2001.0084.

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