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Journal articles on the topic 'Moira Gatens'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Willett, Cynthia. "Three Questions for Moira Gatens and Spinoza." Philosophy Today 63, no. 3 (2019): 773–80. http://dx.doi.org/10.5840/philtoday2019633286.

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2

Colebrook, Claire. "From Radical Representations to Corporeal Becomings: The Feminist Philosophy of Lloyd, Grosz, and Gatens." Hypatia 15, no. 2 (2000): 76–93. http://dx.doi.org/10.1111/j.1527-2001.2000.tb00315.x.

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Contrasting the work of Genevieve Lloyd, Elizabeth Grosz, and Moira Gatens with the poststrueturalist philosophy of Judith Butler, this paper identifies a distinctive “Australian” feminism. It argues that while Butler remains trapped by the matter/representation binary, the Spinozist turn in Lloyd and Gatens, and Grosz's work on Bergson and Deleuze, are attempts to think corporeality.

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3

Lloyd, Genevieve, and Moira Gatens. "The Power of Spinoza: Feminist Conjunctions: Susan James Interviews." Hypatia 15, no. 2 (2000): 40–58. http://dx.doi.org/10.1111/j.1527-2001.2000.tb00313.x.

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As a constructive alternative to the exclusionary binaries of Cartesian philosophy, Genevieve Lloyd and Moira Gatens turn to Spinoza. Spinoza's understanding of the body as “in relation” takes the focus of philosophical thought from the homogeneous subject to the heterogeneity of the social, and the focus of politics from individual rights to collective responsibility. The implications for feminism are radical; Spinoza enables a reconceptualization of the imaginary and the possibility of a sociability of inclusion.

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4

DiPalma, Carolyn. "Moira Gatens. Imaginary Bodies: Ethics, Power and Corporeality. New York, Routledge, 1996." Hypatia 12, no. 4 (1997): 217–22. http://dx.doi.org/10.1017/s0887536700009363.

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5

Deutscher, Penelope. "Counter-Intelligence and Blunders in the Philosophical Novel (George Eliot and Moira Gatens)." Philosophy Today 63, no. 3 (2019): 781–94. http://dx.doi.org/10.5840/philtoday2019633287.

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6

Balza Múgica, Isabel. "Los feminismos de Spinoza: corporalidad y renaturalización." Daimon, no. 63 (December 3, 2014): 13. http://dx.doi.org/10.6018/daimon/199491.

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<p>La corporalidad es pensada en el feminismo contemporáneo como el ámbito que permite articular un nuevo modo de la comunidad política, invirtiendo así el paradigma liberal al poner el acento sobre la materialidad y carnalidad de los sujetos, aquello considerado “impersonal” por la tradición liberal. En este trabajo analizo las condiciones éticas y ontológicas necesarias para enunciar tal modo del orden político. Ello a partir de las propuestas de autoras como Moira Gatens, Elizabeth Grosz, Rosi Braidotti o Hasana Sharp, que han llevado a cabo una interpretación de la filosofía de Spino

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7

Walsh, Mary. "Twenty years since ‘a critique of the sex/gender distinction’: a conversation with Moira Gatens." Australian Feminist Studies 19, no. 44 (2004): 213–24. http://dx.doi.org/10.1080/0816464042000226447.

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8

Buker, Eloise A. "Feminism and Philosophy: Perspectives on Difference and Equality. Moira Gatens. Bloomington: Indiana University Press, 1991." Hypatia 10, no. 2 (1995): 171–73. http://dx.doi.org/10.1111/j.1527-2001.1995.tb01382.x.

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9

Donovan, Sarah. "BOOK REVIEW: Moira Gatens and Genevieve Lloyd.COLLECTIVE IMAGININGS: SPINOZA, PAST AND PRESENT. New York: Routledge, 1999." Hypatia: A Journal of Feminist Philosophy 19, no. 2 (2004): 175–77. http://dx.doi.org/10.2979/hyp.2004.19.2.175.

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10

Douglas, Stacy, and Moira Gatens. "Revisiting the Continental Shelf: Moira Gatens on Law, Religion, and Human Rights in Eliot, Feuerbach, and Spinoza." Feminist Legal Studies 19, no. 1 (2011): 75–82. http://dx.doi.org/10.1007/s10691-011-9167-4.

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11

Goetschel, Willi. "Moira Gatens, ed. Feminist Interpretations of Benedict Spinoza. University Park, PA: Pennsylvania State University Press, 2009, xiv, 239 pp." AJS Review 35, no. 1 (2011): 197–200. http://dx.doi.org/10.1017/s0364009411000250.

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12

Sundén, Jenny. "Corporeal Anachronisms: Notes on Affect, Relationality, and Power in Steampunk." Somatechnics 3, no. 2 (2013): 369–86. http://dx.doi.org/10.3366/soma.2013.0103.

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Steampunk is an aesthetic technological movement incorporating science fiction, art, engineering, and a vibrant 21st century Do-It-Yourself counterculture. This article explores the feminist potentials of ‘thinking with’ steampunk as a playful, affective and decidedly political response to the present technological condition. It starts out by navigating the field of affect theory with a Deleuzian reading of Baruch Spinoza on affect, to then engage in the affective renderings of the relations, rhythms, and power of a soma-technology central to steampunks as well as their Victorian predecessors:

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13

PUWAR, NIRMAL. "Gender and Institutions: Welfare, Work and Citizenship, Moira Gatens and Alison Mackinnon (eds.), Cambridge: Cambridge University Press, 1999, £45.00 (£15.95 pbk), xix+214 pp. (ISBN: 0-521-63576-4)." Sociology 35, no. 1 (2001): 219–58. http://dx.doi.org/10.1017/s0038038501300159.

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14

Stewart, Fiona. "Book Reviews : LOVE AND FREEDOM: PROFESSIONAL WOMEN AND THE RESHAPING OF PERSONAL LIFE Alison Mackinnon Cambndge, Cambndge University Press, 1997, xvii, 298 pp , $29 95 (paperback) GENDER AND INSTITUTIONS: WELFARE, WORK AND CITIZENSHIP Moira Gatens and Alison Mackinnon (eds) Cambndge, Cambndge University Press, 1998, xx, 214 pp., $29 95 (paperback)." Journal of Sociology 35, no. 2 (1999): 228–29. http://dx.doi.org/10.1177/144078339903500207.

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15

Cilia-López, V. Gabriela, J. Rogelio Aguirre-Rivera, Juan Antonio Reyes-Agüero, and Bertha I. Juárez-Flores. "Etnobotánica de Heliopsis longipes (Asteraceae: Heliantheae)." Botanical Sciences, no. 83 (June 9, 2017): 81. http://dx.doi.org/10.17129/botsci.1790.

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Heliopsis longipes known as chilcuague is a perennial herb endemic to Sierra de Álvarez and Sierra Gorda, where the States of San Luis Potosí, Guanajuato and Querétaro converge, and its root has traditional uses. However, there is a lack of studies that document the current traditional uses within its entire distribution area. The objectives of this research were to determine the traditional forms of use of chilcuague, and to determine the current demand of its root. Gathers, merchants, and consumers in traditional markets (tianguis) in San Luis Potosí, Guanajuato and Querétaro were interviewe

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16

Mackenzie, Adrian. "The Infrastructural-Political." M/C Journal 6, no. 4 (2003). http://dx.doi.org/10.5204/mcj.2229.

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To analyse critically contemporary communications and network technologies, and to understand how they become more (or less!) political, we need to learn about the forms of attachment, the kinds of 'stickiness', and the 'velcro effects' which block or negate as well as enable contemporary infrastructural politics. In the following tableau, the heuristic fiction comes from psychotherapy (Orbach, 2000). Imagine the cultural/new media/critical researcher as the analyst. The forms of attachment to be analysed include the analyst's own as she/he comes into relation with changing infrastructural reg

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17

Burgess, Jean, Joy McEntee, and Emma Nelms. "How to Pick a Fight." M/C Journal 6, no. 1 (2003). http://dx.doi.org/10.5204/mcj.2131.

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In a post September 11 era “the fight”, as a cultural construct, could hardly be more pertinent. We are seemingly forever poised on the edge of controversial U.S. led attacks on wayward Middle Eastern states and unexamined oppositions between the concepts of ‘good’ and ‘evil’ are evoked as valid justifications for battle. Our leaders muster us into wars of vigilance and national cohesion against unseen, unknown and uncomprehended terrorists hiding where communists once lurked under our beds. The articles in this issue examine fights in terms of media strategies and cultural divides in a range

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18

Vares, Tiina. "Viagra and 'Getting it up'." M/C Journal 6, no. 5 (2003). http://dx.doi.org/10.5204/mcj.2265.

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Viagra, Pfizer's diamond blue shaped pill for erectile difficulties, has spawned thousands of jokes - just check out the internet and you'll be amazed by the variety (from vaguely amusing to downright nasty). Greeting and birthday cards have also latched onto Viagramania ("Potent"). The idea of an erection on demand and/or an erection which won't let you down or, in fact, go down, has captured our popular imagination. Size is still an issue but the erect penis now seems to be the primary focus of humour. A decade ago penile size and erection jokes were popular but with the advent of Viagra in

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19

Slater, Lisa. "Anxious Settler Belonging: Actualising the Potential for Making Resilient Postcolonial Subjects." M/C Journal 16, no. 5 (2013). http://dx.doi.org/10.5204/mcj.705.

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i) When I arrived in Aurukun, west Cape York, it was the heat that struck me first, knocking the city pace from my body, replacing it with a languor familiar to my childhood, although heavier, more northern. Fieldwork brings with it its own delights and anxieties. It is where I feel most competent and incompetent, where I am most indebted and thankful for the generosity and kindness of strangers. I love the way “no-where” places quickly become somewhere and something to me. Then there are the bodily visitations: a much younger self haunts my body. At times my adult self abandons me, leaving me

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20

Probyn, Elspeth. "Indigestion of Identities." M/C Journal 2, no. 7 (1999). http://dx.doi.org/10.5204/mcj.1791.

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Do we eat what we are, or are we what we eat? Do we eat or are we eaten? In less cryptic terms, in eating, do we confirm our identities, or are our identities reforged, and refracted by what and how we eat? In posing these questions, I want to shift the terms of current debates about identity. I want to signal that the study of identity may take on new insights when we look at how we are or want to be in terms of what, how, and with whom we eat. If the analysis of identity has by and large been conducted through the optic of sex, it may well be that in western societies we are witnessing a shi

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21

Bartlett, Alison. "Business Suit, Briefcase, and Handkerchief: The Material Culture of Retro Masculinity in The Intern." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1057.

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IntroductionIn Nancy Meyers’s 2015 film The Intern a particular kind of masculinity is celebrated through the material accoutrements of Ben Whittaker (Robert De Niro). A retired 70-year-old manager, Ben takes up a position as a “senior” Intern in an online clothing distribution company run by Jules Ostin (Anne Hathaway). Jules’s company, All About Fit, is the embodiment of the Gen Y creative workplace operating in an old Brooklyn warehouse. Ben’s presence in this environment is anachronistic and yet also stylishly retro in an industry where “vintage” is a mode of dress but also offers alternat

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