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McCabe-Remmell, Patricia A. "Joyce...Beckett...Dedalus...Molloy : a study in abjection and masochism." [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001585.
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Moura, Dayane Campos da Cunha. "Escrita de si, memória e deslocamento nas obras de Sylvia Molloy." Universidade Federal de Juiz de Fora, 2012. https://repositorio.ufjf.br/jspui/handle/ufjf/1881.
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Previous issue date: 2012-11-19<br>CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>Esta dissertação objetiva discutir as relações entre teoria, ficção e escrita de si na obra da escritora argentina Sylvia Molloy, considerando especialmente suas reflexões acerca do gênero autobiográfico e das relações entre exílio, língua e pátria presentes em ensaios e outros textos. A partir dos livros de relatos breves Varia Imaginación (2003) e Desarticulaciones (2010), sem deixar de lado seus romances e entrevistas, procuramos mobilizar um diálogo com os ensaios sobre o gênero autobiográfico (Vale o escrito: a escrita autobiográfica na América Hispânica ─ 2004) e sobre a condição de estrangeirismo que assinala a prática de autores que vivem e pensam a literatura nacional a partir da experiência do exílio (“Back home: un posible comienzo” ─ 2006), com vistas a tentar compreender sua articulação como parte de um projeto que tem no deslocamento e na prática da frontería seu lugar de enunciação. As preocupações ou inquietações teóricas e literárias na obra da autora estão perpassadas pela própria experiência, da mesma forma que na escrita de si o veio literário, bem como as questões abordadas em seus trabalhos teóricos — seja por meio da citação, de um certo modo de contar-se e de contar o outro, das reflexões acerca da memória e da constituição plural do sujeito — estabelecem um diálogo em que esses caminhos/percursos se entrecruzam e se atravessam na conformação de um sujeito em constante deslizamento entre os gêneros, os lugares e as línguas.<br>Esta disertación tiene el objetivo de discutir las relaciones entre teoría, ficción y escritura de sí en la obra de la escritora argentina Sylvia Molloy, considerando especialmente sus reflexiones sobre el género autobiográfico y las relaciones entre exilio, lengua y patria presentes en ensayos y entrevistas. A partir de los libros Varia Imaginación (2003) y Desarticulaciones (2010), sin dejar a un lado sus novelas y entrevistas, buscamos establecer un diálogo con los ensayos sobre el género autobiográfico (Vale o escrito: a escrita autobiográfica na América Hispânica) y sobre la condición de extranjería que señala la práctica de autores que viven y piensan la literatura nacional desde la experiencia del exilio (“Back home: un posible comienzo”), con el intento de comprender su articulación como parte de un proyecto que encuentra en el desplazamiento y en la práctica de la frontería su lugar de enunciación. Las preocupaciones o inquietudes teóricas y literarias en la obra de la autora son atravesadas por su propia experiencia, del mismo modo que en la escritura de sí la vena literaria, así como las cuestiones abordadas en sus trabajos teóricos — ya sea por medio de la práctica de la cita, de cierto modo de narrarse y de narrar al otro, ya sea por medio de las reflexiones sobre la memoria y de constitución plural del sujeto — establecen un diálogo en el cual estos caminos se entrecruzan y se atraviesan en la conformación de un sujeto en constante deslizamiento entre los géneros, los lugares y las lenguas.
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Gonzalez, Roux Maya. "Cheminements de l'étranger : le devenir écrivain d'Edgardo Cozarinsky et Sylvia Molloy." Paris 8, 2011. http://www.theses.fr/2011PA083377.
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Les romans, les essais, de même que les films et les miscellanées d’Edgardo Cozarinsky (Buenos Aires, 1939) et de Sylvia Molloy (Buenos Aires, 1938) expriment de façon exemplaire certaines tensions culturelles et esthétiques propres à la littérature argentine et hispano-américaine actuelles. Auteurs en circulation permanente -« déviés », « excentrés », malgré un début littéraire « classique » dans les années soixante à la mythique revue Sur fondée par Victoria Ocampo-, Cozarinsky et Molloy ont privilégié un parcours hétérodoxe visant à la construction de projets littéraires marqués par les problématiques identitaires. En effet, problématisée, refoulée, interrogée dès le début même, l’identité chez eux sera constamment placée en amont de leur cheminement. Cette étude entend dépeindre le devenir écrivain des deux auteurs -lui est aussi cinéaste, elle enseignante et critique littéraire- et explorer les tournants fondamentaux de leurs parcours esthétiques zigzagants fortement marqués notamment par le bilinguisme et le cosmopolitisme, le passage par la revue Sur, la problématisation de l’identité –et par la culture juive de Cozarinsky et par l’identité homosexuelle de Molloy-, leur expérience à l’étranger, la double profession, la lecture de Borges et une entrée tardive en fiction littéraire<br>The novels, essays, films and miscellanea of both Edgardo Cozarinsky (Buenos Aires, 1939) and Sylvia Molloy (Buenos Aires, 1938) offer a prime example of certain cultural and aesthetic tensions that are specific to contemporary Argentinian and Hispano-American literature. Despite the relative convention of their early literary output in the 1960s at the time when Victoria Ocampo was founding the legendary review Sur, the voluntarily unorthodox careers of the ever-elusive, errant and excentric Cozarinsky and Molloy have favoured literary projects that are marked first and foremost by the problematics of identity. For Cozarinsky and Molloy, the founding precepts of identity are called into question, repressed and scrutinized, their very instability posited as central to the artistic process. This study intends to outline the devenir écrivain — the process by which both authors were to become writers —, as well as a filmaker for Cozarinsky and teacher and literary critic in the case of Molloy. It charts the key turning points in their checkered yet cosmopolitan artistic trajectory, characterised as it was by bilingualism, a period working at the review Sur, the questioning of identity that Cozarinsky's Jewishness and Molloy's homosexuality necessarily required, together with the experience afforded by life abroad, the fact of pursuing twin careers, the impact of reading Borges and their late burgeoning as writers of literary fiction
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O'Reilly, Magessa. "Formes et rythmes romanesques dans Molloy, Comment c'est et Compagnie de Samuel Beckett." Thesis, University of Ottawa (Canada), 1990. http://hdl.handle.net/10393/5596.
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Cangussú, Cristiana Silva Mendes. "Samuel Beckett e a "literatura da despalavra": a reinvenção do romance em Molloy." Universidade Federal de Minas Gerais, 2015. http://hdl.handle.net/1843/ECAP-9U5J72.
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The objective of this thesis is to identify which procedures Beckett uses in his novel Molloy in order to deconstruct the realist novel and to reinvent it in a literary aesthetics based on the deconstruction of language itself. Written in 1947, this work marks a new direction in Beckett's writing, which is transformed into what he calls the 'literature of the unword', thus bringing the genre to a different, self-reflexive level. By questioning the authority of the narrator, Beckett turns the systematization of doubt into the subject matter of the narrative. We investigate the trajectory of the narrators and discuss their function in a narrative that where the plot and action are less important than the presentation of the progressive degradation of the first-person narrators. Among the considerations on crisis of the novel, we analyze the elements that the narrator uses to deconstruct language, such as repetition, bilingualism, and language games.<br>O objetivo desta dissertação é identificar quais procedimentos Beckett usa em seu romance Molloy, a fim de desconstruir o romance realista e reinventá-lo em uma estética literária com base na desconstrução da própria linguagem. Escrito em 1947, esta obra marca uma nova direção na escrita de Beckett, que é transformada no que ele chama de 'literatura da despalavra', trazendo assim o gênero a um nível diferenciado e autorreflexivo. Ao questionar a autoridade do narrador, Beckett transforma a sistematização da dúvida no assunto central da narrativa. Investigamos a trajetória dos narradores e discutimos sua função em uma narrativa na qual o enredo e ação são menos importantes do que a apresentação da degradação progressiva dos narradores em primeira pessoa. Entre as considerações sobre a crise do romance, analisamos os elementos que o narrador usa para desconstruir a linguagem, como a repetição, o bilinguismo, e as brincadeiras linguísticas.
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Kavanagh, Margaret C. "Adult educators' responses to selected issues of practice : a case study at Molloy College /." Access Digital Full Text version, 1992. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11227849.
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Thesis (Ed.D.)--Teachers College, Columbia University, 1992.<br>Typescript; issued also on microfilm. Sponsor: Franceska Smith. Dissertation Committee: Elizabeth Kasl. Includes bibliographical references (leaves 221-234).
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Shaw, Pauline Joanne. "Impotence and making in Samuel Beckett's trilogy: Molloy, Malone Dies and the Unnamable, and how it is." Thesis, Loughborough University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.492720.
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This thesis explores the questions of impotence and making in Samuel Beckett's trilogy. Molloy, Malone Dies and The Unnamable, and How It Is. The male characters, though repeatedly declared to be impotent, somehow conceive, gestate and bear others who are in many ways like themselves.
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Godsland, Shelley. "Writing reflection, reflection on writing : Lacan's mirror stage and female self-construction in Helena Parente Cunha and Sylvia Molloy." Thesis, University of Liverpool, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364206.
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González, José. "Performatividad de la ficción en la novela argentina contemporánea : relaciones de género en Griselda Gambaro, Sylvia Molloy, Perla Suez." Thesis, Toulouse 2, 2016. http://www.theses.fr/2016TOU20127/document.
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La performativité est une théorie qui a été développée de la théorie des actes de paroles (J.L. Austin), aux études anthropologiques (Victor Turner), jusqu’à être considérée comme un modèle épistémologique plus connu sous le nom de tournant performatif. La théorie performative est ainsi devenue une catégorie d’analyse qui cherche à étudier les phénomènes culturels en tant que représentations d’actes et de discours. C’est avec Judith Butler et les études performatives (Performative Studies) qu’elle a atteint son apogée comme outil fructueux pour l’étude des performances théâtrales. Cependant, son application aux phénomènes narratifs a été moindre et elle s’est à peine développée en tant que perspective qui favorise l’observation du genre comme performance dans le roman. À partir de la théorie de la performativité du genre (Butler) et des performances théâtrales considérées comme modificatrices des réalités des spectateurs, ce travail aspire, en premier lieu, à unir les deux concepts et à établir un cadre épistémologique qui permette d’organiser la performativité du genre dans le roman. Ainsi, nous utiliserons les concepts anti-essentialistes de Butler sur le sexe et le genre, le tabou, les livrets de genre et la parodie, puis les éléments propres à tout acte performatif décrits par Erika Fischer-Lichte dans sa théorie de la performance : l’imprévisibilité, la perception et l’ambivalence. Pour mettre en pratique cette théorie, nous avons utilisé un corpus de littérature contemporaine argentine composé des romans Ganarse la muerte de Griselda Gambaro, El común olvido de Sylvia Molloy et “Letargo” de Perla Suez. À travers les diverses stratégies narratives utilisées par ces écrivaines, nous entreprendrons de démontrer la manière dont se performe le genre dans le roman particulièrement à travers la figure du personnage<br>The concept of performativity has been developed by different approaches, ranging from speech act theory (J. L. Austin) to anthropological studies (Victor Turner), and has been considered an epistemological model known as “performative turn”. The performative theory has turned into an analytical category that aims to investigate cultural phenomena as a representation of acts and discourses, reaching its peak by gender studies as created by Judith Butler and the Performance Studies as a tool to analyze dramatic performances. However, its application to narrative phenomena has been scarce and there hardly exists any perspectives that would allow to consider gender as a performance within a novel.Based on the theory of gender performativity (Butler) and drama performance as modifiers of spectators’ realities, the present work aims in the first place to fuse both concepts and establish an epistemological framework that allows the analysis of gender performances in narrative fiction. Among these concepts the anti-essentialist ones by Butler about sex and gender, taboo, gender libretos and parody, stand out, as well as the elements of every performative act as depicted by Erika Fischer-Lichte in her theory on performance: unpredictability, perception and ambivalence.A corpus of contemporary Argentine literature was used to put into practice this theory. It consists of the novels Ganarse la muerte by Griselda Gambaro, El común olvido by Sylvia Molloy and “Letargo” by Perla Suez. The authors of these texts make use of a wide range of narrative strategies whose analysis will prove how gender is performed in novels<br>La performatividad ha sido desarrollada desde la teoría de los actos de habla (J. L. Austin) hasta los estudios antropológicos (Victor Turner) hasta considerarse un modelo epistemológico conocido como giro performativo. La teoría performativa se convirtió en una categoría de análisis que pretendía estudiar los fenómenos culturales como una representación de actos y discursos, cuyo desarrollo alcanzó su cima con los estudios de género de la mano de Judith Butler y con los estudios performativos (Performance studies) como una herramienta capaz de estudiar las performances teatrales. Sin embargo, su aplicación en los fenómenos narrativos ha sido escasa y apenas se ha desarrollado un enfoque que permita contemplar el género como performance en la novela.Partiendo de la teoría de la performatividad del género (Butler) y de las performances teatrales como modificadoras de las realidades de lxs espetadorxs, este trabajo pretende, en primer lugar, aunar ambos conceptos y establecer un marco epistemológico que permita analizar la performatividad del género en la ficción narrativa. Entre ellos destacan los conceptos antiesencialistas de Butler sobre el sexo y género, el tabú, los libretos de género y la parodia, así como los elementos propios de todo acto performativo descritos por Erika Fischer-Lichte en su teoría de la performance: la imprevisibilidad, percepción y ambivalencia.Para poner en práctica esta teoría se ha utilizado un corpus de literatura contemporánea argentina compuesto por las novelas Ganarse la muerte de Griselda Gambaro, El común olvido de Sylvia Molloy y “Letargo” de Perla Suez. Las autoras de estos textos hacen uso de una diversidad de estrategias narrativas a través de las cuales se pretende demostrar cómo se performa el género en la novela, prestando especial atención al personaje
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Uhlmann, Anthony. "A French Beckett : Molloy, Malone Dies, & The Unnamable within discursive formations & nondiscursive milieux of post war two France." Thesis, The University of Sydney, 1994. https://hdl.handle.net/2123/26841.
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In What is Philosophy? (1994) Deleuze and Guattari distinguish between three kinds of thought each in its own way capable of creation: philosophic, scientific, and artistic. The three forms exist as three separate planes. The philosopher creates concepts on the plane of immanence; the scientist lays down functions on the plane of reference or coordination by creating figures or undertaking partial observations; the artist creates affects or sensations on the plane of composition. These three forms of thought are understood as the three active responses of the human brain faced with the chaos of Being; active and necessarily ongoing responses laying down planes on which their concepts, affects, and functions are constantly in movement. These forms are distinguished from 'opinion', a reactive response which pretends that chaos can be tamed once and for all by insisting that concepts, functions, and affects can be forever fixed in place. The three forms not only define themselves against chaos then, they are also in constant conflict with opinion which strives to limit their creation.
Throughout What is Philosophy? the purity of the distinction between the three planes is stressed. Indeed Deleuze and Guattari‘s project in this their final book together is to think these very distinctions, to unravel strands of discourse that often appear hopelessly intertwined, to trace the defining creative potential of each discipline. Their chapter on art in particular (’Percept, Affect, and Concept’) seems a remarkable process of alchemy in which the very essence of art is distilled. They demonstrate that art does not represent, it creates affects or sensations (through the transmission of perceptions) which occur in the present existence of the spectator, reader, or listener. The artist invents affects before unknown, and we experience them immanently when we experience the art. These sensations are not representations: we feel, we really feel the affects that have been created.
The purity of the distinctions is one of the things which resonates. Deleuze and Guattari conclude that the 'three planes, along with their elements, are irreducible' (1994, 216). Yet in drawing this conclusion they concede that there is of course interference; that the distinctions they have made so clear for us, which have been defined with such elegance, were drawn in fact from a seeming confusion. The chaos is still present. Their book has demonstrated the process of philosophic creation they have described: they have created concepts and set them in motion on the plane of immanence which has been formed over chaos. Yet in the process they have demonstrated that the chaos is not alone in being real, they have indicated an order which also really is.
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Desormiere, Catherine. "Sens de l'errance et errance du sens : "molloy", samuel beckett, "le rivage des syrtes", julien gracq, "la vie dans les plis", henri michaux." Caen, 1992. http://www.theses.fr/1992CAEN1093.
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Samuel beckett, julien gracq, henri michaux ont ecrit trois livres contemporains d'une reflexion ou le pouvoir de l'homme etait remis en cause par sa puissance meme, symbolisee par hiroschima. Pour la premiere fois, une pulsion guerriere devenait menace de destruction definitive. C'est dans les annees de guerre froide que ces trois auteurs ont soupconne les mots et le sens. Ils ont pris le sens de l'errance pour debarrasser l'ecriture de tous les acques de l'histoire anterieure. Le texte errant est le lieu de conflits: celui entre le spectre du pere qui veut imposer le langage d'un vouloir et d'un pouvoir caducs face a la parole desirante d'un fils dont les certitudes ont ete confisquees - celui entre la proliferation du verbe qui veut faire surgir une parole imprononcable et la decantation du verbe qui veut ramener la parole a l'essentiel. C'est contre la menade d'une parole rendue au dictateur et contre l'aphasie, que se decide la mutation de l'ecriture errante vers une parole pour soi, ni heritiere, ni bien a transmettre, toutefois parole de succession, laissant la place pour une litterature debarrassee du langage du pouvoir, du vouloir, du savoir. Le texte errant est le signe de son histoire<br>Samuel beckett, julien gracq, henri michaux were writing in an epoch in which the power of man was put into question, through his own strengh, symbolised by hiroshima. For the first time in history, a warlike impulse became a threat of final destruction. It was during those years of cold war that the three authors started to distrust words and meaning. They chose the way of "wandering" in order to loosen writing from a knowledge acquired through the ages. The "wandering" text is a place of conflict: - the conflict between the words full of desire of a son whose certainties were forfeited to the ghost of a father who was willing to impose the words of an obsolete will and power. -the conflict between the emphasis on words that gives rise to an unpronounceable statement and the decanting of words to bring speech back to the dictator, against aphasia, the "wandering" writing is evolving towards a language for oneself, with no heritage, not to be transmitted. However it is a language that allows progression and gives way to a literature free from the words of power, of will, of knowledge. The "passing", "wandering" text conveys a mental empression of its history
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Granström, Arvid. "Genusfrågor i skolan med hjälp av skönlitteratur : Fem gymnasielärares erfarenheter i ämnet svenska." Thesis, Linnéuniversitetet, Institutionen för svenska språket (SV), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-99799.
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Syftet med den här studien är att undersöka vilken didaktisk potential svensklärare ser i att använda skönlitteratur som utgångspunkt för att diskutera genus, könsroller och nor-mer i undervisningen. Undersökningen bygger på en kvalitativ ansats och materialet be-står av en enkät som fem gymnasielärare i svenska besvarat. Det insamlade materialet har analyserats utifrån ett intersektionellt perspektiv där kategorierna medvetenhet och för-väntningar, kön, sexualitet och etnicitet har identifierats, vilka fungerar som en fond mot vilken vi kan förstå lärarnas utsagor. Med utgångspunkt i dessa kategorier utfördes sedan en analys av vilka möjligheter och hinder som lärarna ser i användandet av skönlitteratur i värdegrundsarbete om genusfrågor. Resultatet visar att lärarna ser en didaktisk potential i att använda skönlitteratur för att diskutera genus, könsroller och normer i svenskundervisningen. Lärarna svarar att de ofta använder skönlitteratur som utgångspunkt för normkritiska klassrumsdiskussioner. Dock så påtalar några av lärarna att själva läsandet av skönlitteratur innebär ett hinder, då elever läser mindre idag och överlag har svårare för läsning som aktivitet.
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Juliusson, Carl Magnus. "Papegojor och spel : En analys av monologen och dialogen i Samuel Becketts I väntan på Godot och Slutspel." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-60287.
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Jag har i denna studie av Samuel Becketts (1906-1989) två dramer I väntan på Godot (En Attendant Godot) (1952) och Slutspel (Fin de Partie) (1957) studerat dialogen och monologen i de båda dramerna och diskuterat kring vilka slutsatser man därav kan dra om språk och berättande. Fokus har legat på hur dialogen tar sig ut, vilka faktorer den är under stor påverkan av och dess relation till monologens fundamentala roll i Becketts dramer. Analysen har jag delat upp i två delar vilka för sig behandlar var sitt drama i kronologisk ordning. Först I Väntan på Godot och därefter Slutspel. De båda delarna är sedan i sin tur uppdelade i två delar varav den första diskuterar dialogen och den andra monologen. Första delen av analysen av I väntan på Godot har kallats ”Missförstånd och minne” och där har jag reflekterat kring, som titeln avslöjar, missförståndets roll – hur det tar sig ut och varför – samt dialogens påverkan av karaktärernas bristande minne. I delen som följer har jag fokuserat på berättandet i dramat med utgångspunkt i bland annat Pozzos spel och Luckys förbryllande tal. I första delen av analysen av Slutspel, ”Spelet”, har jag studerat dialogen i relation till det spel vilket karaktärerna i dramat utsätter varandra för. Vidare tar jag upp vanan under samma rubrik och hur den påverkat dialogen. I sista delen, ”Hamms berättande”, har jag undersökt Hamms berättelse, vilket även kommer nämnas under rubriken innan, och monologens roll även i detta drama. För att kunna förankra analysen i de båda dramernas handling, vilka i sig stått fokus för en mängd forskning, har jag valt att använda mig av verk vilka presenterar generella och översiktliga tolkningar av Becketts författarskap, t.ex. Charles R. Lyons Samuel Beckett (1983), Richard N. Coes Beckett (1968) samt portalverket till den absurda teatern, Martin Esslins The Theatre of the Absurd (1961). Jag kommer också bland annat använda mig av två samlingar vetenskapliga essäer om Beckett, Samuel Beckett now (1970) och Samuel Beckett: A Collection of Critical Essays (1964) samt en mer språkinriktad studie om Beckett, Six dramatists in search of a language (1975) av Andrew K. Kennedy. Som stöd till analysen kommer även andra skönlitterära verk av Samuel Beckett användas som kan belysa den tematik om språk och berättande vilket kommer diskuteras i denna analys. Analysen kommer vara en närläsning och allt skönlitterärt material kommer vara i svensk översättning.
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Nguyen, Thi Quyen. "Le désoeuvrement dans la trilogie romanesque de Beckett (Molloy, Malone meurt, L'innommable) et les romans de Blanchot (Thomas l'obscur, L'arrêt de mort, Le Très-Haut, Au moment voulu, L'attente l'oubli)." Thesis, Strasbourg, 2016. http://www.theses.fr/2016STRAC010.
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Le terme désœuvrement apparaît comme une des grandes notions qui peuplent la critique littéraire du 20ème siècle. Il marque la mise en mouvement de l'absence de l’œuvre dans laquelle l'écriture tend vers l'espace où rien ne peut être fait. La Trilogie romanesque de Beckett et les romans de Blanchot se croisent dans cet espace du désœuvrement. Les deux écrivains tentent de faire opérer la fin de la littérature en cherchant une nouvelle forme qui réalise le chaos. Dans leur œuvre, le temps, l'espace, la narration et le langage sont mis en redéfinition en abandonnant tous leurs caractères traditionnels. L’œuvre s'approche donc du fragmentaire<br>The term worklessness became one of the main concepts in the literary criticism of the 20th century. It marked the absence of the work on the way to a literary space where nothing can be done. Both Beckett and Blanchot tried to put an end to literature by creating a new form that could express the chaos. In theirs novels, time, space, narration and language no longer remain their traditional characteristics. The works of the two authors are close to what we call fragmented novel
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Vitera, Jan [Verfasser]. "Wie fühlt es sich an, committed zu sein? Die Entwicklung einer deutschsprachigen Skala der Commitment-Bindung nach Klein, Molloy und Brinsfield (2012) und empirische Beiträge zu deren Konstruktvalidierung / Jan Vitera." Greifswald : Universitätsbibliothek Greifswald, 2016. http://d-nb.info/1093875380/34.
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Tesanovic, Biljana. "Cohérence formelle et dynamique dans la trilogie de Samuel Beckett." Paris 8, 1998. http://www.theses.fr/1998PA081502.
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Le discours critique sur l'oeuvre beckettienne n'est en realite que la redite du meta-discours de l'echec que l'uvre tient sur elle-meme par le biais de ses narrateurs. Ainsi, contrairement a ce qui est generalement admis sur la trilogie, c'est une construction parfaitement coherente et maitrisee, dont le pretendu echec, a travers ses nombreux travestissements, a pour fonction de creer une opposition qui donne au texte sa dynamique. Concu comme une structure ouverte, le corpus est tout d'abord ouvert sur la realite, celle de l'ecrivain samuel beckett. Un systeme de projection de narrateurs aux competences trans-textuelles, cree trois niveaux de signification des romans ; chaque niveau est un eloignement par rapport a la realite de l'auteur. La trilogie est aussi ouverte sur la fiction, puisque ses champs romanesques sont relies entre eux par trois programmes d'ecriture lances dans le molloy anglais, coincidant chacun avec l'un des romans. Ces programmes sont a considerer comme trois etapes d'un meme objectif scriptural et identitaire d'un narrateur commun. De plus, ils sont inclus dans un programme en principe infini, dont la trilogie ne serait a son tour qu'une etape. Au niveau identitaire, il existe deux programmes opposes, l'un effectif mais refuse, et l'autre desire mais considere comme inaccessible. Ils sont a l'origine d'une dynamique textuelle constamment renouvelee par une douloureuse quete de soi, a travers plusieurs hypostases du m-personnage. La dynamique textuelle est egalement creee par l'interdependance des niveaux de signification, particulierement dans malone meurt qui fonctionne comme un texte auto-analytique<br>The critical discourse surrounding beckett's opus is, in reality, no more than a repetition of the meta-discourse of "failure" that the work develops within itself by means of its narrators. Thus the trilogy, contrary to general opinion, is a perfectly controlled and coherent construction in which the so-called failure achieves, through the diversity of its forms, an oppositional function that gives the text its dynamic. Conceived as an open structure, the work is open to reality : that of the writer, samuel beckett. A system of projection of narrators, possessing trans-textual knowledge, creates three levels of novelistic discourse ; each level is situated at one further remove from the author's reality. The trilogy is also open to fiction since its novelistic spaces are inter-linked via three writing programmes, activated in the english molloy, each of which coincides with one of the novels in the trilogy. These programmes are to be considered as three stages of a single identatory and scriptual goal belonging to one common narrator. Furthermore, they are contained within a larger programme, infinite in principal, and of which the trilogy itself is, in turn, only a stage. On the identatory level, there are two programmes that exist in ___oppositipn : one actualised but rejected, the other desired but considered inaccessible. These are the source of a textual dynamic, that is constantly renewed by a painful quest for the self, through the several hypostases of the m-character. The textual dynamic is equally created by the interdependence of the levels of signification, particularly in malone dies, which functions as an auto-analytical text
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Siegel, Suzie. "Safe at home [electronic resource] : agoraphobia and the discourse on women's place / by Suzie Siegel." University of South Florida, 2002. http://purl.fcla.edu/fcla/etd/SFE0000025.
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Title from PDF of title page.<br>Document formatted into pages; contains 90 pages.<br>Thesis (M.A.)--University of South Florida, 2001.<br>Includes bibliographical references.<br>Text (Electronic thesis) in PDF format.<br>ABSTRACT: My thesis explores how discourse and material practices have created agoraphobia, the fear of public places. This psychological disorder predominates among women. Throughout much of Western history, women have been encouraged to stay home for their safety and for the safety of society. I argue that agoraphobic women have internalized this discourse, expressing fears of being in public or being alone without a companion to support and protect them; losing control over their minds or their bodies; and endangering or humiliating themselves. Therapeutic discourse also has created agoraphobia by naming it, categorizing the emotions and behaviors associated with it, and describing the characteristics of agoraphobics.<br>The material practice of therapy reinforces this discourse. Meanwhile, practices such as rape and harassment reinforce the dominant discourse on women&softsign;s safety. I survey psychological literature, beginning with the naming of agoraphobia in 1871, to explain why the disorder is now diagnosed primarily in women. I examine nineteenth-century discourse that told women they belonged at home while men controlled the public domain. In 1871, the Paris Commune revolt epitomized the fear of women publicly out of control. I return to Paris a century later for a reading of the novel Certificate of Absence, in which Sylvia Molloy explores identity through the eyes of a woman who might be labeled agoraphobic.<br>I ask whether homebound women are resisting or retreating from a hostile world. Instead of seeing agoraphobia only as a personal problem, people should question why so many women fear themselves and the world outside their home.My methodology includes an analysis of nineteenth-century texts as well as current media, prose, and poetry. I also support my arguments with material from professional journals and nonfiction books in different disciplines. Common to feminist research, an interdisciplinary approach was needed to situate a psychological disorder within a social context.<br>System requirements: World Wide Web browser and PDF reader.<br>Mode of access: World Wide Web.
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Nugent, Theresa Lanpher. "Reading Molly Bloom." W&M ScholarWorks, 1994. https://scholarworks.wm.edu/etd/1539625891.
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Mitchell, Michelle. "Reading Penelope and Molly: An Intertextual Analysis." Miami University Honors Theses / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1111684298.
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González, Molano Yolanda. "Molly Keane y Kate O'Brien: nación, clase y género." Doctoral thesis, Universitat Autònoma de Barcelona, 2004. http://hdl.handle.net/10803/4910.
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En esta tesis se estudia el tratamiento de la identidad en las novelas de Molly Keane (1904-1996) y Kate O'Brien (1897-1974), cuyas obras se publicaron con posterioridad a la proclamación del Irish Free State en 1922. Mediante un triple enfoque que analiza la interrelación de los aspectos de nacionalidad, clase y construcción genérica, se defiende que ambas autoras coinciden en la presentación de una identidad conflictiva y ambigua que debe conciliar la pertenencia a una clase privilegiada, ya sea la angloirlandesa protestante o la católica de clase media, con un sentimiento de subalternidad como mujeres, cuya identidad femenina responde a una construcción cultural acorde con los discursos de la época. <br/>El uso de un marco teórico que combina las ideas de Bajtín del cronotopo, la polifonía y el carnaval con los conceptos de feminidad acentuada y masculinidad hegemónica de los estudios de género (Connell y Rich principalmente) permite el análisis de los discursos de las novelas, caracterizados por un dialogismo débil en el que el que los discursos de género cobran predominancia frente a los de clase y nacionalidad. Tanto los primeros como estos últimos se apoyan en lo que Bajtín ha llamado carnaval, otorgando a lo marginal, lo grotesco, lo humorístico un valor de protesta cuyo alcance enriquece la representación de las construcciones genéricas pero que, sin embargo, estereotipa las relaciones entre clases y nacionalidades. En otras palabras, la protesta que realizan como mujeres se neutraliza por la aceptación y repetición de los mismos discursos de clase y nacionalidad que intentan cuestionar. <br/>Partiendo del contexto socio-histórico, la construcción del estado independiente irlandés, se estudian las contradicciones de la nueva Irlanda, cuyos discursos dominantes, (familismo, nacionalismo) se reflejan en un registro temático que arranca con la omnipresencia y opresión de la institución familiar para adentrarse en el mundo individual femenino. El cronotopo de la casa familiar revela los motivos literarios comunes en ambas autoras, la Big House y las grandes casas de los comerciantes católicos; permite el análisis de los géneros literarios utilizados novela familiar y generacional para expresar un punto de vista femenino que se resiste a encasillarse en estereotipos: predominancia del asunto amoroso, finales felices, matrimonios perfectos. Así mismo, el cronotopo desvela los discursos de clase y nacionalidad ocultos entre los hechos de los protagonistas, las acotaciones de los narradores y las intervenciones de aquellos que no forman parte de las clases dominantes. <br/>Los discursos de clase y nacionalidad también cobran importancia en la presentación de las diferentes feminidades y masculinidades que habitan las casas irlandesas y que responden a los discursos del good behaviour en las novelas de Keane y la pudeur et la politesse en las de O'Brien. Se constata que ambos son igualmente ejemplos de feminidad acentuada, construcción genérica que obedece a las necesidades políticas y culturales de la época, cuyos pilares son la aceptación de un ideal de belleza, la internalización de un falso romanticismo a través de la lectura y el ejercicio de la maternidad. Por su íntima relación con la feminidad, se analiza la masculinidad hegemónica a través de la preponderancia de lo público sobre lo privado, de la paternidad como medio de afirmación y de la violencia como ejemplo de la hipermasculinidad. Finalmente, se discuten las alternativas a estos discursos, denominadas sex and snobbery en Keane y protesting conscience en O'Brien. Frente al ideal de belleza, se intenta el juego de la mascarada y la ironía, así como el esbozo de una mirada lesbiana que cuestione el deseo heterosexual masculino. Frente al falso romanticismo, una educación que rechace el matrimonio. Frente al ideal masculino, se esbozan identidades homosexuales que cuestionan tanto la masculinidad hegemónica como el concepto de identidad.<br>This thesis analyses identity in Molly Keane and Kate O'Brien's novels, which were published after the proclamation of the Irish Free State (1922). By using a perspective which encompasses three aspects nationality, class and gender it is argued that both writers depict a conflictive and ambiguous identity that cannot harmonise its privileged class features (Anglo-Irish or middle class) with its subaltern female nature, which agrees to the cultural construction of femininity imposed by the current ideological discourses. <br/>The theoretical framework that informs the thesis relies on Bakhtin's ideas on the chronotope, polyglossia/heteroglossia and carnival, as well as on the concepts of emphasised femininity and hegemonic masculinity developed in gender studies (Connell). The thesis makes the case for the existence of a weak dialogism in the novels, since gender discourses preclude class and nationality ones from surfacing. Class, nation and gender discourses are all couched in the scope of the carnival. This conveys the possibility to interrogate the cultural construction of identity by enhancing its grotesque, humorous and marginal representations. However, it is suggested that carnival favours the dismantling of gender identities but at the same time it may enable the stereotyping of nation and class identities. That is, O'Brien and Keane's protest against the cultural construction of gender is counteracted by the acceptance of the nation and class discourses they try to avoid. <br/>Departing from a socio-historical panorama of the independent Ireland, the thesis targets the relation between the dominant discourses and the main topics of the novels. The chronotope of the family house illustrates the predominance of literary motives: the house (the Big House and the catholic middle class house); it also discloses a feminine perspective which inverts the rules of the so-called feminine literary genres by rejecting happy endings, the prominence of love and perfect marriages. At the same time, the chronotope exposes nationality and class discourses concealed in the narrator's comments and the acts performed by both the privileged and unprivileged characters. <br/>Class and nationality discourses are also part and parcel of the depiction of the masculinities and femininities in the house. Femininities respond to the discourses of good behaviour and la pudeur et la politesse, in Keane's and O'Brien's novels respectively, which are an examples of emphasised femininity. This is a cultural construction of femininity based on the acceptance of a beauty ideal, the reproduction of mothering and internalisation of romance through reading. Similarly, hegemonic masculinity is defined on terms of its public, rather than private, scope, its fathering role and its violence, especially when masculinity becomes hypermasculinity. <br/>Alternatives to emphasised femininity and hegemonic masculinities are also explored by decoding the discourses of sex and snobbery in Keane's works and protesting conscience in O'Brien's. These attempt to question the ideal of beauty by emphasising the performance of the female masquerade and its ironic and grotesque effects. They also account for a female gaze which does not correspond to male desire, as well as vindicate the need to educate women instead of preparing them for marriage. An appraisal of hegemonic masculinity is also traced by depicting homosexual masculine identities which do not only confront hegemonic masculinity but also blur the very concept of identity.
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Käbisch, Renate. "Molto Glorioso." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-22944.
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Dries, Laurie Ann. "The evolutionary persistence of the gynogenetic Amazon molly, Poecilia formosa /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.
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Schmidt, Escobar Valentina. "Parque de conservación y protección natural Los Molles CIEM — centro de investigación y extensión Los Molles." Tesis, Universidad de Chile, 2010. http://www.repositorio.uchile.cl/handle/2250/100308.
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ARADIAN, Achod André. "Quelques problèmes de dynamique d'interfaces molles." Phd thesis, Université Pierre et Marie Curie - Paris VI, 2001. http://tel.archives-ouvertes.fr/tel-00001386.
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Ce travail de thèse, de nature théorique, présente quatre axes de recherche portant sur la dynamique d'interfaces molles. (1) Gouttes et films de liquide sur substrats poreux : Nous avons étudié la déformation d'une goutte soumise simultanément à une aspiration de liquide et à un ancrage de sa ligne de contact avec le substrat. Nous nous sommes aussi intéressés au problème de l'entraînement d'un film de liquide sur une surface poreuse tirée hors d'un bain : le film a une hauteur finie, que nous avons calculée, et présente une structure non-triviale à l'approche de la ligne de contact. (2) Réticulation et interdiffusion à l'interface entre deux polymères : La formation de joints entre deux pièces de polymère nécessite une bonne interdiffusion des chaînes, qui peut cependant être considérablement contrariée lorsqu'un agent réticulant est introduit (dans le but de renforcer le matériau final). Nous avons modélisé la compétition qui s'installe, en montrant qu'il existait un paramètre de contrôle simple permettant d'optimiser le système et en donnant des prédictions sur l'énergie d'adhésion attendue dans deux régimes-limites. (3) Ecoulements granulaires : Nous donnons le scénario analytique complet du déroulement d'une avalanche sur un tas de sable, en tenant compte de l'effet d'un profil de vitesse linéaire dans la couche roulante. Parmi les prédictions, nous avons trouvé que l'épaisseur maximale devait varier comme la racine carrée de la taille de l'empilement. (4) Dynamique de films de savon verticaux : Les propositions actuelles concernant le mécanisme du drainage de ces films font appel à des instabilités hydrodynamiques se développant au bord du film ("régénération marginale"). Nous avons cherché à en déterminer précisément l'état précurseur : de manière générique, le profil forme une zone de striction, dont nous avons calculé analytiquement les dimensions typiques ; celle-ci pourrait rassembler les caractéristiques nécessaires à l'émergence des instabilités.
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Girot, Antoine. "Manipulation et déformation optiques d'interfaces molles." Thesis, Bordeaux, 2018. http://www.theses.fr/2018BORD0393/document.
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Ce travail de thèse est consacré à la manipulation et la déformation optique d'interfaces liquides molles, cela dans deux géométries fondamentales: plane et sphérique. Nous montrons alors que les déformations induites par pression de radiation optique permettent de déduire les propriétés des interfaces, comme la tension interfaciale par exemple. Dans le cadre de la déformation d'une interface liquide plane par pression de radiation, nous généralisons pour la première fois la manifestation électro-hydrodynamique des cônes de Taylor au régime optique, en montrant que des cônes liquides peuvent émerger sous fortes excitation laser. Nous avons alors caractérisé la morphologie de ces « cônes optiques » et nous montrons que l'angle de ces derniers dépend à la fois des paramètres de l'excitation laser mais aussi des caractéristiques des fluides. Une étude analytique ainsi qu'une étude numérique ont alors été menées afin de rendre compte des comportements observés.Afin d'étudier la déformation d'interfaces molles en géométrie sphérique, nous avons développé un double piège optique fibré en dispositif microfluidique dans une configuration inédite en termes de longueur d'onde excitatrice et de puissance laser. Nous avons alors appliqué notre dispositif à la déformation de vésicules en tant qu'objets modèles mous et nous montrons que notre double piège est bien adapté à la caractérisation rhéologique d'objets micrométriques déformables. Grâce à l'utilisation de faisceaux laser de forte puissance, nous mettons ici en évidence expérimentalement l'apparition d'un régime non-linéaire de déformation au sein de notre double piège optique<br>This thesis work is devoted to the optical manipulation and deformation of soft liquid interfaces, in two fundamental geometries: plane and spherical. We then show that the deformations induced by optical radiation pressure allow to deduce the properties of interfaces, such as interfacial tension for example. In the framework of the deformation of a plane liquid interface by optical radiation pressure, we generalize for the first time the electro-hydrodynamic manifestation of Taylor cones to the optical regime, showing that liquid cones can emerge under intense laser excitation.We then characterized the morphology of these "optical cones" and we show that their angle depends both on the parameters of the laser excitation and on the characteristics of the fluids. An analytical study as well as a numerical investigation were then conducted to account for the observed behaviors. In order to study the deformation of soft interfaces in spherical geometry, we have developed a fiber-based dual-beam optical trap in a microfluidic device in a novel configuration in terms of excitation wavelength and laser power. We then applied our device to the deformation of vesicles as soft model objects and we show that our dual-beam trap is well adapted to the rheological characterization of deformable micron-sized objects. Thanks to the use of high laser power beams, we experimentally highlight the appearance of a non-linear deformation regime within our double optical trap
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Aradian, Achod André. "Quelques problèmes de dynamique d'interfaces molles." Paris 6, 2001. https://tel.archives-ouvertes.fr/tel-00001386.
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Wattez, Sourbier Anne Gouin François. "Imagerie des tumeurs des parties molles." [S.l.] : [s.n.], 2004. http://theses.univ-nantes.fr/thesemed/SPEwattez.pdf.
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EL, GHOMARI MOHAMED-JAMAL. "Basicite molle et antithyroidiens." Nantes, 1996. http://www.theses.fr/1996NANT2020.
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La determination d'une nouvelle echelle thermodynamique de basicite molle a partir des energies de gibbs de complexation des bases organiques par le diiode revele que les thiourees sont les bases molles les plus fortes. Or les agents antithyroidiens les plus actifs presentent le pharmacophore thiouree. Nous avons donc etabli un lien entre structure, basicite et activite antithyroidienne pour les deux antithyroidiens les plus prescrits, le methimazole et le carbimazole. Nous proposons que non seulement la basicite molle, par complexation de i+, mais egalement la basicite dure, par complexation de l'heme de la peroxydase thyroidienne, sont a l'origine de l'activite antithyroidienne
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Armstrong, Jessica Plasketes George. "A narrative look at the regional voice of political columnist Molly Ivins." Auburn, Ala., 2005. http://repo.lib.auburn.edu/2005%20Summer/master's/ARMSTRONG_JESSICA_45.pdf.
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Campbell, Jennifer 1983. "The bear at the boundary : carnival and community in Prats de Mollo." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116008.
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This thesis explores the symbolic and sensory dimensions of local carnival celebrations in the southern French village of Prats de Mollo. During carnival an ideal, locally-rooted Prateen community is articulated and experienced by participants through repeated acts of commensality and physical displays of friendship that are intensified by carnival's sensual indulgences and ritual interactions in public space. The aesthetic dimensions of carnival festivities in Prats de Mollo thus reflect an enduring desire for experiences of belonging that are deeply implicated in and informed by an affective relationship between self, community, and place, but that are at the same time in dialogue with a number of wider social processes currently shaping daily life in Prats de Mollo. These include the continued urbanization of rural areas in the Pyrenees, contemporary negotiations of French and Catalan identities in France, and increasing tourism in the region.
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Kern, Benjamin David. "An Iroquois Woman Between Two Worlds: Molly Brant and the American Revolution." Miami University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=miami1376538884.
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Perot, Sandra. "Reconstructing Molly Welsh race, memory and the story of Benjamin Banneker's grandmother /." Connect to this title, 2008. http://scholarworks.umass.edu/theses/210/.
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Rodriguez, Marcos Cardoso [UNESP]. "Assimetria +- no espalhamento Moller no modelo padrão." Universidade Estadual Paulista (UNESP), 1997. http://hdl.handle.net/11449/132681.
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Rodriguez, Marcos Cardoso. "Assimetria +- no espalhamento Moller no modelo padrão /." São Paulo : [s.n.], 1997. http://hdl.handle.net/11449/132681.
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Rezende, Larissa Cavalcante de. "Novos fenólicos do caule de Cratylia mollis." Instituto de Química, 2006. http://repositorio.ufba.br/ri/handle/ri/20635.
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Dissertação de Larissa C. de Rezende.pdf: 3108743 bytes, checksum: cc38f90b9b20dfdb5a4e05e8f6020493 (MD5)<br>FAPESB<br>Este trabalho descreve o reestudo fitoquímico dos extratos em clorofórmio e em acetato
de etila do caule de Cratylia mollis Mart. ex. Benth. C. mollis é um arbusto pertencente
à família Leguminosae, subfamília Faboideae (Papilionoideae) de ocorrência na
América do Sul. Esta é uma espécie forrageira e de incidência predominante na caatinga
nordestina, onde é conhecida popularmente como “camaratu” ou “camaratuba”. A
espécie é utilizada na dieta de bovinos, caprinos e ovinos especialmente em épocas de
seca no Nordeste do Brasil. O objetivo deste trabalho é o estudo da composição química
de C. mollis uma vez que, só existe descrito na literatura apenas um trabalho realizado
com a espécie. Assim, o extrato metanólico foi particionado entre MeOH/H2O:Hex,
MeOH/H2O:CHCl3 e AcOEt:H2O. Os extratos em clorofórmio e em acetato de etila
foram submetidos a fracionamento cromatográfico em gel de sílica e em Sephadex
LH20 e análise em camada delgada preparativa sob gel de sílica. As substâncias puras
obtidas tiveram suas estruturas elucidadas através da análise dos dados de Ressonância
Magnética Nuclear 1H e 13C (BB, DEPT) e de experimentos bidimensionais (HMBC,
HMQC), além de dados de EM das substâncias e de seus derivados acetilados. Deste
modo, do extrato em clorofórmio foram isoladas a 2’-hidroxi-6,7-metilenodioxiflavana
e 7,2’-dihidroxi-6-metoxiflavana, anteriormente isolada da espécie, além da nova
flavana 7,3’-dihidroxi-6,2’-dimetoxiflavana, pinoresinol, vanilina e o novo flavanol
2R*,3S*-7,3’-dihidroxi-6,2’-dimetoxi-flavan-3-ol. Do extrato em acetato de etila foram
isolados dois novos flavanóis, o 2R*,3S*-7,3’-dihidroxi-6,2’-dimetoxi-flavan-3-ol e o
2R*,3S*-7,2’-dihidroxi-6-metoxi-flavan-3-ol.<br>This work describes the chemical investigation of chloroformic and ethyl acetate
extracts from the stem of Cratylia mollis Mart ex. Benth, a specie belonging to
Leguminosae family. This species is a small tree of the Faboidae subfamily
(Papilionoideae) and occurs throught South America. This is one of the most abundant
plant of the brazilian northeastern, especially the Semi-arid region and, it is popularly
known as “camaratu” and “camaratuba”. In this region it is employed as substitute of
cattle´s alimentation. Thus, the methanol extract of stem C. mollis was submitted to
liquid:liquid partition between MeOH/H2O:Hex, MeOH/H2O:CHCl3 e AcOEt:H2O.
The chloroformic and ethyl acetate extracts were submitted to CC and TLC over silica
gel and gel permeation on Sephadex LH20. The identification and structural elucidation
of pure compounds were based on analysis of the data obtained from the spectroscopic
methods including NMR bidimensional experiments. From the chloroformic extract
were
isolated
2’-hydroxy-6,7-methylenodioxyflavan
and
7,2’-dihydroxy-6-
methoxyflavan, besides of the new flavan 7,3’dihydroxy-6,2’-dimethoxyflavan,
pinoresinol, vanilin and the new flavanol 2R*,3S*-7,3’-dihydroxy-6,2’-dimethoxy-
flavan-3-ol. The ethyl acetate extract furnished the new flavanols named 2R*,3S*-7,3’-
dihydroxy-6,2’-dimethoxy-flavan-3-ol and 2R*,3S*-7,2’-dihydroxy-6-methoxy-flavan-
3-ol.
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Camatta, Silvia. "I Molly-Lieder di Gottfried August Bürger e la recensione di Friedrich Schiller." Doctoral thesis, Università degli studi di Padova, 2009. http://hdl.handle.net/11577/3426544.
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Gottfried August Bürger (1747-1794) was one of the most important poets of the Sturm und Drang. His most famous works are the ballads "Lenore" and "Der wilde Jäger", and the translation and new elaboration of the original englisch novel "Münchhausen".
I analyse here his so-called "Molly-Lieder", that is poems that he dedicated to her sister-in-law, which he loved madly. For the first time, I determine the exact number of the "Molly-Lieder". I also propose a new interpretation of the famous Schiller's review of Bürger's poetry.<br>Gottfried August Bürger (1747-1794) fu uno dei migliori poeti dello Sturm und Drang. Le sue opere più conosciute sono le ballate "Lenore" e "Der wilde Jäger", nonché la traduzione e rielaborazione in tedesco dell'originale romanzo inglese "Münchhausen".
Questo lavoro prende in esame i cosiddetti "Molly-Lieder" di Bürger, un ciclo di poesie che egli dedicò all'adorata cognata. I contributi innovativi della tesi riguardano la ricostruzione completa dell'aspetto biografico soggiacente, la determinazione del numero esatto delle poesie che possono essere considerate "Molly-Lieder" e una nuova interpretazione della famosa recensione schilleriana alle poesie di Bürger, incentrata sulle opinioni espresse da Schiller sulla lirica d'amore.
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Creson, Thomas Kyle. "Dose-response effects of lithium on spatial memory in the black molly fish." [Johnson City, Tenn. : East Tennessee State University], 2002. http://etd-submit.etsu.edu/etd/theses/available/etd-0829102-150014/unrestricted/CresonT091102f.pdf.
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Steele, George McIver. "Restoring Silence: Samuel Beckett's "Molly" Viewed as a Parody of James Joyce's "Ulysses"." W&M ScholarWorks, 1989. https://scholarworks.wm.edu/etd/1539625527.
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Severi, Matteo. "Studio delle molle a balestra." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2021. http://amslaurea.unibo.it/24351/.
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Thouzé, Arsène. "Méthode numérique d'estimation du mouvement des masses molles." Thèse, Poitiers, 2013. http://hdl.handle.net/1866/10763.
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L’analyse biomécanique du mouvement humain en utilisant des systèmes optoélectroniques et des marqueurs cutanés considère les segments du corps comme des corps rigides. Cependant, le mouvement des tissus mous par rapport à l'os, c’est à dire les muscles et le tissu adipeux, provoque le déplacement des marqueurs. Ce déplacement est le fait de deux composantes, une composante propre correspondant au mouvement aléatoire de chaque marqueur et une composante à l’unisson provoquant le déplacement commun des marqueurs cutanés lié au mouvement des masses sous-jacentes. Si nombre d’études visent à minimiser ces déplacements, des simulations ont montré que le mouvement des masses molles réduit la dynamique articulaire. Cette observation est faite uniquement par la simulation, car il n'existe pas de méthodes capables de dissocier la cinématique des masses molles de celle de l’os. L’objectif principal de cette thèse consiste à développer une méthode numérique capable de distinguer ces deux cinématiques.
Le premier objectif était d'évaluer une méthode d'optimisation locale pour estimer le mouvement des masses molles par rapport à l’humérus obtenu avec une tige intra-corticale vissée chez trois sujets. Les résultats montrent que l'optimisation locale sous-estime de 50% le déplacement des marqueurs et qu’elle conduit à un classement de marqueurs différents en fonction de leur déplacement. La limite de cette méthode vient du fait qu'elle ne tient pas compte de l’ensemble des composantes du mouvement des tissus mous, notamment la composante en unisson.
Le second objectif était de développer une méthode numérique qui considère toutes les composantes du mouvement des tissus mous. Plus précisément, cette méthode devait fournir une cinématique similaire et une plus grande estimation du déplacement des marqueurs par rapport aux méthodes classiques et dissocier ces composantes. Le membre inférieur est modélisé avec une chaine cinématique de 10 degrés de liberté reconstruite par optimisation globale en utilisant seulement les marqueurs placés sur le pelvis et la face médiale du tibia. L’estimation de la cinématique sans considérer les marqueurs placés sur la cuisse et le mollet permet d'éviter l’influence de leur déplacement sur la reconstruction du modèle cinématique. Cette méthode testée sur 13 sujets lors de sauts a obtenu jusqu’à 2,1 fois plus de déplacement des marqueurs en fonction de la méthode considérée en assurant des cinématiques similaires. Une approche vectorielle a montré que le déplacement des marqueurs est surtout dû à la composante à l’unisson. Une approche matricielle associant l’optimisation locale à la chaine cinématique a montré que les masses molles se déplacent principalement autour de l'axe longitudinal et le long de l'axe antéro-postérieur de l'os.
L'originalité de cette thèse est de dissocier numériquement la cinématique os de celle des masses molles et les composantes de ce mouvement. Les méthodes développées dans cette thèse augmentent les connaissances sur le mouvement des masses molles et permettent d’envisager l’étude de leur effet sur la dynamique articulaire.<br>Biomechanical analysis of human movement using optoelectronic system and skin markers considers body segments as rigid bodies. However the soft tissue motion relative to the bone, including muscles, fat mass, results in relative displacement of markers. This displacement is the results of two components, an own component which corresponds to a random motion of each marker and an in-unison component corresponding to the common movement of skin markers resulting from the movement of the underlying wobbling mass. While most studies aim to minimize these displacements, computer simulation models have shown that the movement of the soft tissue motion relative to the bones reduces the joint kinetics. This observation is only available using computer simulations because there are no methods able to distinguish the kinematics of wobbling mass of the bones kinematics. The main objective of this thesis is to develop a numerical method able to distinguish this different kinematics.
The first aim of this thesis was to assess a local optimisation method for estimating the soft tissue motion using intra-cortical pins screwed into the humerus in three subjects. The results show that local optimisation underestimates of 50% the marker displacements. Also it leads to a different marker ranking in terms of displacement. The limit of local optimisation comes from the fact that it does not consider all the components of the soft tissue motion, especially the in-unison component.
The second aim of this thesis was to develop a numerical method that accounts for all the component of the soft tissue motion. More specifically, this method should provide similar kinematics and estimate large marker displacement and distinguish the two components to conventional approaches. The lower limb is modeled using a 10 degree of freedom chain model reconstructed using global optimisation and the markers placed only on the pelvis and the medial face of the shank. The original estimate of joint kinematics without considering the markers placed on the thigh and on the calf avoids the influences of these markers displacement on the kinematic model reconstruction. This method was tested on 13 subjects who performed hopping trials and obtained up to 2.1 times of marker displacement depending the method considered ensuring similar joint-kinematics. A vector approach shown that marker displacements is more induce by the in-unison component. A matrix approach combining the local optimisation and the kinematic model shown that the wobbling mass moves around the longitudinal axis and along the antero-posterior axis of the bone.
The originality of this thesis is to numerically distinguish the bone kinematics from the wobbling mass kinematics and the two components of the soft tissue motion. The methods developed in this thesis increases the knowledge on soft tissue motion and allow future studies to consider their movement in joint kinetics calculation.
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Kearns, Barbara. "Being no-one : the life of Mollie Skinner." Thesis, The University of Sydney, 2014. http://hdl.handle.net/2123/12286.
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This partial biography of West Australian nurse and author, Mary Louisa (Mollie) Skinner (1876-1955), is an in-depth study of the period covered by her posthumously published autobiography The Fifth Sparrow (1972), which was itself an edited and sanitized version of her 1952 memoir. It is also an experiment in biographical method, shaped by the Buddhist concept Anatta (essencelessness, or soullessness). The study brings to light many of Skinner’s hitherto undiscovered writings and much of the subtext concerning the influence this once well-connected woman was able to wield. It also interrogates the point of view that her collaboration with D H Lawrence on the novel The Boy in the Bush was an ‘unlikely’ one. Using Skinner’s conceptualisations of ‘The Hand of God’ as external agent, along with Lawrence's conceptualisations of the ‘Biological Psyche’, it outlines the struggle to ‘be someone’ in light of existential insubstantiality. In so doing, it undermines the depiction of biographical subject as instigatory agent. Anatta is a concept resonating throughout contemporary cognitive science and is therefore, it is here argued, an ideal biographical tool.
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Conte, Susannah. "The Fifth Sparrow: In Memory of Mollie Skinner." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2018. https://ro.ecu.edu.au/theses/2080.
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This thesis offers a case study in adapting Australian literary biography to the theatre, specifically in the form of a one woman show or monologue performance. The thesis consists of a novel play script, together with exegetical writing which outlines the source materials used and the process and themes under consideration. These themes include those of family (specifically a difficult relationship with her mother), love (including a lesbian affair), life as an aspiring writer, and the protagonist’s difficult to shake sense of damage, pain and struggle. The play offers a portrait of West Australian writer Mollie Skinner (1876- 1955). Sources included her autobiography (both the original manuscript and that edited and published by Mary Durack), Mollie’s novels and her letters—particularly her extensive correspondence with the British author D.H. Lawrence, who she met in WA—and secondary writings. Skinner’s writing has been described as akin to an “untended garden,” rich in imagery, but scattered and often difficult to follow. In recognition of this, my play takes the form of a series of vignettes and images, a succession of heightened moments, choreographed with sound and movement elements for dramatic impact. Mollie’s life thereby emerges as one marked by pain and suffering, yet suffused with rich language and visions. Although Mollie was more than just a friend of D.H. Lawrence, it is nevertheless clear that the better known author offered her support and encouragement that few others did. Together with her Sybil these two figures emerge as Mollie’s only true loves and companions, figures physically separated from her, yet who enabled her life and many of her joys. Skinner emerges then as a modest but indomitable spirt, poised on the veranda, looking at the world through her failing eyesight; touched by the beauty of it all.
The aim of the play is thus to do justice to the spirit of Skinner, without presenting an exhaustive account of her entire life, and in doing so, to present her story to a new generation of West Australians.
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Hammer, Molly [Verfasser]. "Identifying Antecedents to Learning Effectively with Digital Media : A Student-Centered Approach / Molly Hammer." Tübingen : Universitätsbibliothek Tübingen, 2020. http://d-nb.info/1223451003/34.
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Colbert, Robert Neil. "Evenings with Molly| A Grounded Theory Discovery with Adult Couples Who Use MDMA Recreationally." Thesis, California Institute of Integral Studies, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10844511.
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<p> The substance 3,4-methylenedioxymethamphetamine (a.k.a., MDMA, Ecstasy, Molly, Midomafetamine) is currently listed by the Food and Drug Administration as a breakthrough therapy for post traumatic stress disorder. The drug however remains a Schedule I controlled substance in the United States, and is listed in the top four most frequently used recreational drugs. Use by young people in social venues like all night dance parties (raves) and clubs around the world is widely documented, but evidence suggests that an increasing demographic of users is older adults (over age 27). Research is lacking about how this growing demographic uses MDMA and how assumptions of illegal/deviant models of drug use may or may not apply. Several decades of research on MDMA produced three primary models of use: the psycho-spiritual model, medical/psychotherapeutic model, and the illegal/deviant model. Each model of use is socially constructed along certain epistemological assumptions about users and the sought after outcome or effects of the drug. It is currently unclear which model of use older demographics of users fit within or if an entirely new model of use is needed to understand evolving trends. The current grounded theory investigation used snowball sampling methods to recruit adult participants who actively use MDMA in privacy with their committed partner. Semi-structured interviews were used to explore eight couples’ experiences using MDMA with their partner. Transcripts were analyzed with an iterative process of open and focused coding, followed by member checking. Major themes reported by couples include <i> a different reason to relate to each other, serving me in so many ways, added depth to relationship and practice returning to MDMA experience</i>. Together, themes from this study support a cognitive-relational model of recreational MDMA use, that is best described as a process that involves acquisition of knowledge, rational thinking, reasoning, and collaboration about ingesting MDMA together, all based on the expectation of durable change to their relationship together and other relationships in their lives. This investigation provides a critical lens for uncovering epistemological assumptions of other models, and provides a pathway for research into the use of medicines and drugs in the context of committed relationships.</p><p>
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Marecaux, Emily N. "Effects of potassium permanganate on the sailfin molly, Poecilia latipinna, at varying salinity levels." [Gainesville, Fla.] : University of Florida, 2006. http://purl.fcla.edu/fcla/etd/UFE0013398.
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McGraw, Kenneth W. "Dangerous Discourse: Language and Sex between Men in Eighteenth-Century London." Cleveland, Ohio : Case Western Reserve University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=case1246630633.
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Thesis(Ph.D.)--Case Western Reserve University, 2009<br>Title from PDF (viewed on 2009-11-23) Department of English Includes abstract Includes bibliographical references and appendices Available online via the OhioLINK ETD Center
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Möller, Teresia. "Selective crystalline inorganic materials as ion exchangers in the treatment of nuclear waste solutions." Helsinki : University of Helsinki, 2002. http://ethesis.helsinki.fi/julkaisut/mat/kemia/vk/moller/.
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LONG, DIDIER. "Systemes hors d'equilibre en matiere molle." Paris 11, 1996. http://www.theses.fr/1996PA112022.
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1) nous avons decrit comment le modele de reptation d'une chaine d'adn dans un gel s'effondre en champ fort ou pour les tres longues chaines. Des instabilites apparaissent qui se traduisent par des hernies evoluant en competition. Ce modele ouvre la perspective d'une description analytique de l'electrophorese en champ fort. Le meme modele s'applique pour decrire la permeation de grandes molecules a travers des membranes rigides et poreuses et fournit un nouveau systeme de separation. 2) nous avons etudie le processus d'etalement d'une goutte sur un substrat viscoelastique mince, comme une brosse en fondu ou un film de caoutchouc. Dans le cas de la brosse nous prevoyons une dissipation qui varie comme v#2 tandis que la dissipation croit comme v#1#+#m dans le cas du caoutchouc, ou m est compris entre 0 et 1 et depend du caoutchouc considere. En particulier cela permet de retrouver le resultat experimental de shanahan ou p v#1#. #5. La cinetique d'etalement peut etre controllee par la dissipation dans le substrat. 3) nous nous sommes interesses a la description du comportement d'un polyelectrolyte soumis simultanement a des forces electriques et non electriques. En contradiction avec l'image de forces locales utilisee jusqu'alors par differents auteurs, nous avons montre que la deformation d'un polyelectrolyte attache et soumis a un champ electrique est la meme que celle que l'on observe en le soumettant a un flux de solvant a la vitesse v = e. ( est la mobilite electrophoretique du polyelectrolyte). Ceci s'applique pour calculer la mobilite electrophoretique de polyelectrolytes inhomogenes
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Sen, Ramendranarayan. "A Socio-Cultural Study On The Molsom Tribe of Tripura." Thesis, University of North Bengal, 1999. http://hdl.handle.net/123456789/156.
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Weiler, Stefanie [Verfasser], and Peter [Akademischer Betreuer] Michler. "Mollow triplet emission properties and dephasing effects in semiconductor quantum dots / Stefanie Weiler. Betreuer: Peter Michler." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2014. http://d-nb.info/1046564447/34.
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