Journal articles: 'Molloy'

1

Mével, Yann. "Molloy." Samuel Beckett Today / Aujourd'hui 8, no. 1 (2018): 117–29. http://dx.doi.org/10.1163/18757405-00801011.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Molloy, M. P. "M.P. Molloy." Current Proteomics 18, no. 5 (2021): 605. http://dx.doi.org/10.2174/157016461805210924161310.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

De Larquier, Jeanne-Sarah. "Beckett's Molloy: Inscribing Molloy in a Metalanguage Story." French Forum 29, no. 3 (2004): 43–55. http://dx.doi.org/10.1353/frf.2005.0006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Ross, Ciaran. "L' Affaire Molloy-Moran Repensée : Entre La Pensée De La mère et le Nom-du-pére." Samuel Beckett Today / Aujourd'hui 17, no. 1 (2007): 448–63. http://dx.doi.org/10.1163/18757405-017001031.

Full text

Abstract:

Moran's search for Molloy is analysed here by articulating two different psychoanalytic models of interpretation. First the Molloy-Moran relationship is analysed from the post-kleinian perspective of the mother and the role of her thinking. Molloy is read as a destabilising figure of the un-thought which plunges Moran into a gulf that defies thinking and imagining. The second model is Lacanian and shows that the failure of the function of the Name of the Father leaves a void in the chain of signification. This can be seen through Moran's failure to understand the "question of Molloy".

APA, Harvard, Vancouver, ISO, and other styles

5

Molloy, A. M. "Patrick Christopher Molloy." BMJ 350, may11 13 (2015): h2479. http://dx.doi.org/10.1136/bmj.h2479.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Weiss, Andrea. "Remembering Sylvia Molloy." Review: Literature and Arts of the Americas 56, no. 1 (2023): 100–104. http://dx.doi.org/10.1080/08905762.2023.2195309.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Sheehan, Paul. "No Direction Home: Molloy, Travelogue, and Nomadic Modernism." Journal of Beckett Studies 26, no. 1 (2017): 24–38. http://dx.doi.org/10.3366/jobs.2017.0185.

Full text

Abstract:

The dialectic of movement and rest can be seen at work throughout Beckett's oeuvre, but it is particularly evident in the Trilogy. Rather than treat the trio of novels as a work-in-regress, however – from the two protagonists’ wanderings in Molloy to the tales of confinement and inertia in the sequels – this article shows how the motion / stasis pair is brought together in Molloy. On the one hand, there are generic traces here of ‘travel writing’, given that Molloy and Moran are travellers who (as narrators) record their peregrinations; on the other, Molloy illuminates these traces via Deleuze and Guattari's elucidation of nomadism, a theoretical rationale that can help us to understand what governs the movements of Molloy and Moran throughout the novel. I argue that Beckett, as the most celebrated exemplar of late modernism, provides a pathway whereby first-wave modernism in the interwar period is transformed into continental theory in the decades after the war. Although versions of this modernism-into-theory hypothesis have been posited since at least the 1980s, none of them has attempted to ascertain the specific nexus or juncture whereby modernist writing is transfigured into theoretical reflection. This article proposes that Molloy be read as a potential site for such a rearticulation – for demonstrating how the alienated modernist loner of so much fiction and poetry earlier in the century can be aligned with the theoretical tenets that inform and illuminate deterritorialised wandering. This is complicated by the fact that Molloy and Moran follow two very different nomadic trajectories. Indeed it is, finally, the latter that exemplifies vagrant movement across physically deterritorialised space, thus providing the more useful model for the protean, suggestive formation that is ‘nomadic modernism’.

APA, Harvard, Vancouver, ISO, and other styles

8

García Mora, Mario. "Beckett, "Molloy": lenguaje del silencio." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 33 (January 18, 2020): 153–67. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2020333902.

Full text

Abstract:

En su Carta alemana (1937), Beckett escribió acerca de lo “carente de sentido” que le resultaba el inglés, su lengua materna: “mi propia lengua cada vez se me antoja más un velo que ha de rasgarse para acceder a las cosas —o a la Nada— que haya tras él”. Para rasgar ese velo el autor expone el que será su programa literario (y de pensamiento) punto por punto. De él pretendo servirme para comprender en profundidad su primera novela: Molloy (1951). Al mismo tiempo, diría que el recorrido no puede hacerse en una sola dirección: la lectura de Molloy desde Carta alemana se da paralela a la lectura de Carta alemana desde Molloy.

APA, Harvard, Vancouver, ISO, and other styles

9

Maddra, Sam. "Laura Molloy: shifting focus." Feminist Studies 39, no. 2 (2013): 437–56. http://dx.doi.org/10.1353/fem.2013.0048.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Molloy, C. A., M. Keddache, and L. Martin. "Response by Dr Molloy." Molecular Psychiatry 11, no. 7 (2006): 619. http://dx.doi.org/10.1038/sj.mp.4001829.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Kennedy, Seán. "Mothering Molloy, or Beckett and Cutlery." Journal of Beckett Studies 28, no. 1 (2019): 35–51. http://dx.doi.org/10.3366/jobs.2019.0252.

Full text

Abstract:

This essay reads Beckett's relationship to psychoanalysis as a central concern of Molloy, arguing that Molloy's quest for mother traces Beckett's re-evaluation of the British school of object-relations theory of Wilfred Bion and Donald Winnicott. Tracing fine furniture, in Irish literature of the 1920s and 1930s, as an objective correlative of Anglo-Irish distinction, and linking that tradition to a Winnicottian reading of Molloy's impulsive theft of silverware, I argue that Molloy parodies the language of object-relations in order to situate Beckett newly in relation to it. In other words, Beckett intimates that Molloy's unhealthy obsession with mother is mirrored in psychoanalytic theory itself. In this way, writing Molloy allows him to re-evaluate psychoanalysis in its obsession with ‘mother’ as the founding site of psychic health and wellness.

APA, Harvard, Vancouver, ISO, and other styles

12

González Roux, Maya. "Una inclinación deliberada a leer fuera de lugar: Sylvia Molloy y los Cuadernos de infancia de Norah Lange." Anales de Literatura Hispanoamericana 48 (December 4, 2019): 557–71. http://dx.doi.org/10.5209/alhi.66801.

Full text

Abstract:

Las preocupaciones críticas de Sylvia Molloy encuentran un eco en su ficción literaria, por lo que es posible suponer entonces que ambas escrituras, la ensayística y la ficcional, difícilmente puedan deslindarse. Su libro Acto de presencia. La escritura autobiográfica en Hispanoamérica (1996), en el que estudió las autobiografías hispanoamericanas, es un ejemplo de ello ya que revela un curioso sistema de lectura: si por un lado revela el modo de interpretación de la autobiografía –su propio modo, aquel que lee el texto autobiográfico como una construcción ficcional-, por el otro, al inquietar el texto autobiográfico y desplazarlo de las lecturas habituales, Molloy deja deslizar sus preocupaciones respecto a su propia ficción. De este modo, la lectura de la autobiografía de Norah Lange Cuadernos de infancia (1937) se convierte en una suerte de laboratorio desde el que Molloy reflexiona, subrepticiamente, acerca de la recepción que anhela para su novela En breve cárcel (1981), con motivo de su reedición en 1998.

APA, Harvard, Vancouver, ISO, and other styles

13

Serrano, Alejandra. "Molloy, de Gare St. Lazare." Investigación Teatral. Revista de artes escénicas y performatividad 11, no. 17 (2020): 189–94. http://dx.doi.org/10.25009/it.v11i17.2619.

Full text

Abstract:

En el marco del IV Congreso Anual de la Sociedad Samuel Beckett,1 realizado por primera vez en México, se presentó la Compañía Gare St. Lazare de Irlanda, con una adaptación homónima de Molloy, novela de Samuel Beckett, bajo la dirección de Judy Hegarty Lovett y la actuación de Conor Lovett (beckett-mexico.org).Recibido: 29 de mayo de 2019Aceptado: 18 de febrero de 2020

APA, Harvard, Vancouver, ISO, and other styles

14

Furlani, André. "SAMUEL BECKETT’S MOLLOY: Spartan Maieutics." Samuel Beckett Today / Aujourd'hui 5, no. 1 (1996): 104–23. http://dx.doi.org/10.1163/18757405-90000010.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

BRITTON, C. "Review. Molloy. Sheringham, Michael, Beckett." French Studies 41, no. 4 (1987): 477. http://dx.doi.org/10.1093/fs/41.4.477-a.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Barke, Antonia, Winfried Rief, Beatrice Korwisi, and Rolf-Detlef Treede. "Reply to Goebel and Molloy." Pain 162, no. 1 (2021): 322. http://dx.doi.org/10.1097/j.pain.0000000000002131.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Baranowski, Andrew, Bert Messelink, Ursula Wesselmann, and Winfried Häuser. "Reply to Goebel and Molloy." Pain 162, no. 1 (2021): 321–22. http://dx.doi.org/10.1097/j.pain.0000000000002132.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Irvine, Paul. "Julia S. Molloy (1905-1983)." Journal of Special Education 19, no. 1 (1985): 4–5. http://dx.doi.org/10.1177/002246698501900102.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Bastos, Beatriz Kopschitz Xavier. "M. J. Molloy. Selected Plays." ABEI Journal 2, no. 1 (2000): 171–73. http://dx.doi.org/10.11606/issn.2595-8127.v2i1p171-173.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Thobo-Carlsen, John. "Karakteren læst." K&K - Kultur og Klasse 30, no. 94 (2002): 159–86. http://dx.doi.org/10.7146/kok.v30i94.21278.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Mason, Lyndon, James Widnall, James Redfern, Eric Swanton, and Andrew Molloy. "Posterior Malleolar Ankle Fractures." Foot & Ankle Orthopaedics 3, no. 3 (2018): 2473011418S0008. http://dx.doi.org/10.1177/2473011418s00082.

Full text

Abstract:

Category: Ankle Introduction/Purpose: There is an increasing acceptance that the clinical outcomes following posterior malleolar fractures are less than satisfactory. In creating a treatment guiding classification and algorithm, we report our results in a system change in management of posterior malleolar fractures in our unit. Methods: All fractures were classified according to Mason and Molloy classification (Foot Ankle Int. 2017 Nov;38(11):1229-1235) based on CT scans obtained pre-operatively. This dictated the treatment algorithm. Type 1 fractures underwent syndesmotic fixation. Type 2A fractures underwent ORIF through a posterolateral incision, and type 2B and 3 fractures underwent ORIF through a posteromedial incision. The patient remained NWB for 6 weeks postoperative. Data was collected prospectively from December 2014 to July 2017. Results: Patient-related outcome measures were obtained in 50 patients with at least 1 year follow up (mean 18 months). The overall OMAS score for all posterior malleolar fractures in this cohort was 74.1 (range 35-100). According to Mason and Molloy classification, the mean OMAS for type 1 was 75.9 (Range 30-100), type 2A 75.0 (range 35-100), type 2B 74.0 (range 55-100) and type 3 70.5 (Range 35-100). Using one way ANOVA test, there was no significant difference (p=.886) between groups or within groups. There was a trend, however, that the lower the Mason and Molloy classification had higher OMAS outcomes. The overall 1-year EQ-5D index for this cohort was 0.88 (SD 0.22). The average visual analogue score for this patient group was 77.5 (SD 26.2). Conclusion: We have been able to demonstrate an improvement in functional scores for all posterior malleolar fractures with the treatment algorithm applied using the Mason and Molloy classification. This is compared to our previous study where traditional posterior malleolar management was undertaken. Our OMAS scores have now improved to what would be expected from unimalleolar fractures, illustrating the importance of understanding the injury mechanism and patterns of injury. Mason and Molloy type 3 fractures have marginally poorer outcomes, which correlates with a more significant injury.

APA, Harvard, Vancouver, ISO, and other styles

22

Thoelen, Thomas. "Crippling Crutches." Samuel Beckett Today / Aujourd’hui 32, no. 2 (2020): 306–20. http://dx.doi.org/10.1163/18757405-03202011.

Full text

Abstract:

Abstract While the bicycle in Samuel Beckett’s Molloy has received considerable critical attention, the crutches have largely eluded attention. The present essay examines, accordingly, in what ways the crutches are not simply a means for Molloy to compensate for his stiff leg(s) but might be said to constitute his very ‘end’ in the double sense of the word: his death as a human being and his function or purpose as a technical being, as a body of linguistic conventions working to create the illusion of a human being.

APA, Harvard, Vancouver, ISO, and other styles

23

Rashid, M., R. Islam, S. Marsden, A. Trompeter, and K. H. Teoh. "INTER-RATER AND INTRARATER RELIABILITY OF THREE COMMON CLASSIFICATION SYSTEMS FOR POSTERIOR MALLEOLUS FRACTURES: A MULTICENTRE STUDY." Orthopaedic Proceedings 105-B, SUPP_7 (2023): 62. http://dx.doi.org/10.1302/1358-992x.2023.7.062.

Full text

Abstract:

A number of classification systems exist for posterior malleolus fractures of the ankle. The reliability of these classification systems remains unclear. The primary aim of this study was to evaluate the reliability of three commonly utilised fracture classification systems of the posterior malleolus.60 patients across 2 hospitals sustaining an unstable ankle fracture with a posterior malleolus fragment were identified. All patients underwent radiographs and computed tomography of their injured ankle. 9 surgeons including pre-ST3 level, ST3-8 level, and consultant level applied the Haraguchi, Rammelt, and Mason & Molloy classifications to these patients, at two timepoints, at least 4 weeks apart. The order was randomised between assessments. Inter-rater reliability was assessed using Fleiss’ kappa and 95% confidence intervals (CI). Intra-rater reliability was assessed using Cohen's Kappa and standard error (SE).Inter-rater reliability (Fleiss’ Kappa) was calculated for the Haraguchi classification as 0.522 (95% CI 0.490 – 0.553), for the Rammelt classification as 0.626 (95% CI 0.600 – 0.652), and the Mason & Molloy classification as 0.541 (95% CI 0.514 – 0.569). Intra-rater reliability (Cohen's Kappa) was 0.764 (SE 0.034) for the Haraguchi, 0.763 (SE 0.031) for the Rammelt, 0.688 (SE 0.035) for the Mason & Molloy classification.This study reports the inter-rater and intra-rater reliability for three classification systems for posterior malleolus fractures. Based on definitions by Landis & Koch (1977), inter-rater reliability was rated as ‘moderate’ for the Haraguchi and Mason & Molloy classifications; and ‘substantial’ for the Rammelt classification. Similarly, the intra-rater reliability was rated as ‘substantial’ for all three classifications.

APA, Harvard, Vancouver, ISO, and other styles

24

Mira, Horiba. "Good NVH sells vehicles." Vehicle Dynamics International 2021, no. 2 (2021): 49. http://dx.doi.org/10.12968/s1479-7747(22)50040-9.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Ichida, Yoshihiko. "Descartes politique : Molloy dans la forêt." Multitudes 16, no. 2 (2004): 191. http://dx.doi.org/10.3917/mult.016.0191.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Vint, Sherryl. "Claire Molloy, Popular Media and Animals." Humanimalia 5, no. 1 (2013): 209–12. http://dx.doi.org/10.52537/humanimalia.9979.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Varderi, Alejandro. "En breve cárcel de Sylvia Molloy." Revista Iberoamericana 58, no. 158 (1992): 308–11. http://dx.doi.org/10.5195/reviberoamer.1992.5028.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Ackerley, C. J. "Forest Murmurs: Beckett, Molloy and Siegfried." Journal of Beckett Studies 8, no. 2 (1999): 73–76. http://dx.doi.org/10.3366/jobs.1999.8.2.6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Ullyot, Jonathan. "Molloy or Le conte du Graal." Modern Philology 108, no. 4 (2011): 560–79. http://dx.doi.org/10.1086/660671.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Bourke, Robert H., Mark D. Tunnicliffe, John L. Newton, Robert G. Paquette, and T. O. Manley. "Eddy near the Molloy Deep revisited." Journal of Geophysical Research 92, no. C7 (1987): 6773. http://dx.doi.org/10.1029/jc092ic07p06773.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Molloy, Michael J., and James C. Simeon. "The Indochinese Refugee Movement and the Launch of Canada’s Private Sponsorship Program." Refuge: Canada's Journal on Refugees 32, no. 2 (2016): 3–8. http://dx.doi.org/10.25071/1920-7336.40412.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Kaushall, Justin Neville. "The Death of Moran's Bees: Beckett and Adorno on the Dialectic of Subject and Object." Journal of Beckett Studies 30, no. 2 (2021): 156–73. http://dx.doi.org/10.3366/jobs.2021.0338.

Full text

Abstract:

In this article I argue that Adorno's dialectical principle that reason and nature co-constitute each other is evidenced in Beckett's novel Molloy. Adorno argues that reason regresses to myth – that is, it becomes irrational and reified – in modernity; and that, conversely, myth shows itself to be rational – that is, myth reveals that it has already inhabited enlightenment. In Molloy, Moran relies on dubious positive metaphysical principles in an attempt to spiritualise his bees; however, such spiritualisation leads directly to their death, because his experience of the bees is undialectical and static. Thus instead of the uncritical reproduction of conventional metaphysical principles, metaphysics must show itself to be damaged by historical events.

APA, Harvard, Vancouver, ISO, and other styles

33

Bertrand, Michel. "L'être de boue ne saurait être un être debout: L'eau et la terre dans Molloy de Samuel Beckett." Samuel Beckett Today / Aujourd'hui 20, no. 1 (2008): 83–95. http://dx.doi.org/10.1163/18757405-020001007.

Full text

Abstract:

Molloy, like its double Moran, exists only because he is 'a mud' being ('un être de boue'). For this reason, the polysemia of the term, which 's dictionary details, accounts for the extreme richness of these rejects which the society regards as harmful parasites because they reverse the hierarchy of the social scale of values. This polysemia of the term 'mud' will thus lead us to consider social, ethical, metaphysical and scriptural dimensions of the first novel written in French by Beckett. The central metaphor of this excremential mixture of water and earth induces an existential postulation: Molloy as well as Moran cannot be held upright. Lastly, considering the characters in prospect, it will be advisable to compare them to the concept of "man of habits" that Samuel Beckett defines in ‥

APA, Harvard, Vancouver, ISO, and other styles

34

Bruni, John. "Popular Media and Animals by Claire Molloy." Configurations 21, no. 3 (2013): 369–71. http://dx.doi.org/10.1353/con.2013.0016.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Baker, Phil. "The Stamp of the Father in Molloy." Journal of Beckett Studies 5, no. 1-2 (1995): 142–55. http://dx.doi.org/10.3366/jobs.1995.5.1-2.8.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Byrman, Gunilla. "Gunilla Molloy, När pojkar läser och skriver." HumaNetten, no. 20 (November 27, 2015): 44–47. http://dx.doi.org/10.15626/hn.20072005.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Atkinson, William. "Conrad and Beckett: Jim: Marlow : : Molloy : Moran." Conradiana 48, no. 2-3 (2016): 203–14. http://dx.doi.org/10.1353/cnd.2016.0031.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Bernshteyn, Anton. "The Johansson‐Molloy theorem for DP‐coloring." Random Structures & Algorithms 54, no. 4 (2018): 653–64. http://dx.doi.org/10.1002/rsa.20811.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Staunton, Mathew. "Counter-visualizing Ireland: Redmondite Home Rule in Sinn Féin’s Editorial Cartoons." Review of Irish Studies in Europe 3, no. 2 (2020): 75–90. http://dx.doi.org/10.32803/rise.v3i2.2401.

Full text

Abstract:

This article explores the efforts of the Sinn Féin activists in Arthur Griffith’s circle to define Irish citizenship as an active, nation-building duty rather than the relatively passive electoral and financial support demanded by the Irish Parliamentary Party in the period 1909-11. As the success of the IPP's Westminster strategy became increasingly harder to ignore, illustrator and designer Austin Molloy counter-attacked for Sinn Féin with dramatic visual representations of John Redmond as a naïve and bumbling shyster maintaining power and generating operational funds by making outlandish promises while being manipulated by more seasoned British parliamentarians. Focusing on key propaganda images from the period via the critical visual culture framework established by Nicholas Mirzoeff, I will consider the work of Molloy and Griffith as a concerted 'counter-visualisation' of the mainstream status quo visualised and promoted by the IPP.

APA, Harvard, Vancouver, ISO, and other styles

40

Maradei, Guadalupe. "Lujuria de ver: literatura, género y Estado-nación en la escritura crítica de Sylvia Molloy." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 4 (October 2, 2018): 236–51. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.201843073.

Full text

Abstract:

El artículo ensaya una lectura de los protocolos críticos puestos en juego en la escritura crítica de Sylvia Molloy a la hora de leer cruces entre género, modernidad y Estado-nación en corpus y debates literarios argentinos y latinoamericanos. El análisis hará foco en los textos “La cuestión del género: propuestas olvidadas y desafíos críticos” (2000); “Desvíos de lectura: sexualidad y diferencia en las letras hispanoamericanas”; “Género y modernidad” (2003) y Poses de fin de siglo. Desbordes del género en la modernidad (2012) e indagará el modo en que Molloy ha leído los cánones literarios constituidos como mecanismo de cohesión requerido por las culturas nacionales y su transgresión a partir de una lectura desviada y una relectura llamativa, particularmente atentas a las formas textuales de negación y al trabajo de las escritoras y los escritores con la pose.

APA, Harvard, Vancouver, ISO, and other styles

41

Gasparini, Pablo. ""En ningún lugar lengua materna”: Sylvia Molloy y el (latinoamericano) vivir entre lenguas." Revista Letral, no. 28 (January 31, 2022): 10–25. http://dx.doi.org/10.30827/rl.vi28.21373.

Full text

Abstract:

En Vivir entre lenguas, Sylvia Molloy (2016) compone una serie de escenas autobiográficas signadas por su relación con las lenguas de su entorno familiar “argentino” (el castellano, el inglés y el francés) resignificadas luego en sus escrituras e investigaciones literarias desarrolladas en ámbitos académicos fuertemente internacionalizados. Este trabajo propone leer esta travesía territorial y lingüística en un espectro mayor, el de la alteridad lingüística constitutiva de América Latina. En este sentido, destacamos tanto las condiciones contextuales glotopolíticas subyacentes a la forma en que la autora dice relacionarse con sus lenguas, como las dinámicas territorializantes del “shibboleth”, figura utilizada por Molloy en su ensayo/narración para representar las coerciones políticas y lingüísticas que suelen acompañar los procesos migratorios y fronterizos. Por último, se analiza la manera en que la escritura ensayística permitiría hacer de la experiencia translingüística una posibilidad de escribir y pensar sobre la propia vida.

APA, Harvard, Vancouver, ISO, and other styles

42

De Leone, Lucía. "En estado de asamblea permanente. Intervenciones críticas y literarias argentinas desde el presente." Descentrada 7, no. 1 (2023): e193. http://dx.doi.org/10.24215/25457284e193.

Full text

Abstract:

El objetivo de este artículo es analizar una serie de trabajos sobre literatura argentina y género de Sylvia Molloy y Tamara Kamenszain, quienes, en dos épocas distintas, instalaron nuevos modos de leer desde una perspectiva feminista (los años 90 y el presente, respectivamente). Se analizan las estrategias discursivas e ideológicas desde una perspectiva feminista sobre corpus que abordado desde otros enfoques. Mientras Molloy utiliza el gesto del desvío (geográfico, político, sexoafectivo) para puntualizar las preferencias de autofiguración en escrituras de mujeres frente a heterodesignaciones paternalistas, Kamenszain realiza una apropiación política y militante de la figura de la “poetisa” desde una enunciación adversativa y mediante textos híbridos o inespecíficos. Sus ensayos constituyen intervenciones feministas en tanto se ocupan de problemas aún vigentes, que aparecieron eludidos y/o obliterados en la cultura argentina y que hoy se encuentran en estado de asamblea permanente para los feminismos.

APA, Harvard, Vancouver, ISO, and other styles

43

Davies, William. "Samuel Beckett’s Trilogy and the Revolution of the Body in Vichy France." Twentieth-Century Literature 66, no. 1 (2020): 11–36. http://dx.doi.org/10.1215/0041462x-8196685.

Full text

Abstract:

This essay explores the depiction of the degenerating male form in Samuel Beckett’s post-World War II trilogy of novels (Molloy, Malone Dies, and The Unnamable) in the context of Vichy France’s ideology of the body—specifically the male body—and the propaganda of the regime’s Révolution nationale, which Beckett would have encountered in wartime France. Read with this historical situation in mind, this essay argues that Beckett’s move from the limping Molloy to the bed-bound Malone and finally to the physically limbless figure of The Unnamable gives expression to a reality of physical deterioration that is unique to the degenerating body, a reality that also inverts the ideal of physical perfection that regimes such as Vichy produced. Analyzed in this way, Beckett’s work can be seen to aggravate and challenge both Vichy’s idolization of the strong, athletic male form and the ways in which Vichy and other midcentury ideologies produced narratives of the body steeped in a narrow and ultimately violent essentialism.

APA, Harvard, Vancouver, ISO, and other styles

44

Fernández, Rocío. "Escenas, cuerpos, archivos y persistencias: reflexiones en torno a las lecturas queer de Julián del Casal." Orbis Tertius 28, no. 37 (2023): e263. http://dx.doi.org/10.24215/18517811e263.

Full text

Abstract:

Hacia finales del siglo XX, siguiendo los pasos pioneros de Eve Kosofsky Sedgwick, tanto Oscar Montero con Erotismo y representación en Julián del Casal (1993) como Silvia Molloy con los ensayos que luego va a compilar en Poses de fin de siglo. Desbordes del género en la modernidad (2012) van a inaugurar nuevas formas de leer el modernismo latinoamericano. En este trabajo quisiera detenerme en las operaciones de lectura queer que surgen en torno a la figura de Julián del Casal a raíz del centenario de su muerte en 1993. En clave con las escenas que utiliza metodológicamente Molloy, tanto en los ´90 como en la primera década del 2000 surgen toda una serie de anécdotas e imágenes biográficas que van a dar a ver al cubano en su rareza y que propongo pensar a partir de un archivo visual que configura no solo una sensibilidad otra sino también formas de abrir la nación.

APA, Harvard, Vancouver, ISO, and other styles

45

Brown, Melissa. "In Favor of Lightning by Barbara Molloy-Olund." Iowa Journal of Literary Studies 9, no. 1 (1988): 129–33. http://dx.doi.org/10.17077/0743-2747.1285.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Macaskill, Brian. "The Logic of Coprophilia: Mathematics and Beckett's "Molloy"." SubStance 17, no. 3 (1988): 13. http://dx.doi.org/10.2307/3684921.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

YILMAZ, Tuncer. "HOMO SACERS RESPONSE TO THE SOVEREIGN POWER: MOLLOY." Journal of International Social Research 14, no. (79-4) (2021): 1–14. http://dx.doi.org/10.17719/jisr.2021.4803.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Duffy, Brian. "MOLLOY: As the Story Was Told. Or not." Samuel Beckett Today / Aujourd'hui 7, no. 1 (1998): 177–93. http://dx.doi.org/10.1163/18757405-90000094.

Full text

Abstract:

Narrative convention and expectation lead us to conceive of Molloy's narrative as a chronologically consistent account of a single journey, the events of which are causally, spatially and temporally related to each other. Drawing first upon the narration of the A and B episode, and then upon the evidence of the entire text, this article proposes that what Molloy relates is not, in fact, the story of a journey, nor of a journey, nor of a journey to his mother, hut is, rather, an achronic narrative organised according to the sylleptic theme of Molloy's permanent condition of journeying around the figure of his mother.

APA, Harvard, Vancouver, ISO, and other styles

49

Broadway, Will. "Holes, Orifices, and Porous Subjectivity in Beckett's Molloy." Journal of Beckett Studies 27, no. 1 (2018): 83–94. http://dx.doi.org/10.3366/jobs.2018.0222.

Full text

Abstract:

At first glance, the abundant references to holes and orifices throughout Samuel Beckett's writing may seem to function merely as irreverent provocation or low physical comedy. While Beckett's use of scatological language and imagery indeed serves comic purposes – and participates in a literary tradition of scatological humor that includes Chaucer, Rabelais, and Swift – the figure of the hole serves a more strategic function in his literary texts. His fiction and plays evince a unique preoccupation with cavities, orifices, and holes of all sorts, both anatomical and non-anatomical. In particular, the oscillation between the poles of mouth and anus exemplifies a recurring orificial motif whereby body cavities are substituted for one another, lose their specificity, and become indeterminate and interchangeable holes. In this essay, I argue that the repeated substitution of oral for anal cavity, and vice versa, recasts both holes in terms of a more generalized orifice and upends an anatomical hierarchy that privileges mouth over anus, head over body, cognition over corporeality. The recurring elision between holes produces an image of the body as multiply porous and of embodiment as a condition of radical permeability and exposure. Ultimately, the orificial motif present in Beckett's fiction and plays corresponds to a reconfiguration of the embodied subject as open and porous. In my analysis, I discuss holes as they appear in Molloy, which in my view offers the most elaborated development of the orificial motif and thorough treatment of what I will call porous subjectivity.

APA, Harvard, Vancouver, ISO, and other styles

50

Sousa, Pacelli Dias Alves de. "Às voltas com as poses de Sylvia Molloy." Revista Criação & Crítica, no. 35 (August 2, 2023): 148–69. http://dx.doi.org/10.11606/issn.1984-1124.i35p148-169.

Full text

Abstract:

Este artigo tem como objetivo apresentar uma reflexão sobre a categoria de pose na obra da escritora e crítica literária argentina Sylvia Molloy, tendo em vista as suas modulações em diferentes textos, sejam de criação literária ou de crítica e teoria literária. Defendo que há três zonas da pose em sua obra: por um lado, a pose como ação cotidiana significante, especialmente em seus textos literários; ainda, a ideia de política da pose, desde um olhar que tensiona os cruzamentos entre a literatura e os questionamentos de sexualidade e gênero; e, finalmente, a epistemologia da pose, como salto interpretativo para se compreender o próprio processo de elaboração da pose como problematização, como gesto diferenciado e objeto de reflexão do conhecimento. Procuro apontar ainda alguns paralelos com outras teorias, particularmente com leituras do pós-estruturalismo francês e com certa zona de filosofia e crítica que se constituía à época (e em alguns casos veio a ser lida posteriormente) como queer.

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'Molloy'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles