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1

T, Hoggatt J., Hill S. G, Johnson J. C, and Society for the Advancement of Material and Process Engineering., eds. Materials for space: The gathering momentum. Covina, Calif: Society for the Advancement of Material and Process Engineering, 1986.

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2

Robertson, Brent P. Spacecraft attitude control momentum requirements analysis. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1987.

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3

Dzielski, John Edward. A feedback linearization approach to spacecraft control using momentum exchange devices. Cambridge, Mass: The Charles Stark Draper Laboratory, 1988.

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4

Pearce, Michael C. The light commercial vehicle sector in Western Europe: Sustaining momentum into the 1990s. London: Economist Intelligence Unit, 1988.

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5

Blanchard, Robert C. Free-molecule-flow force and moment coefficients of the Aeroassist Flight Experiment vehicle. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1989.

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6

Blanchard, Robert C. Free-molecule-flow force and moment coefficients of the Aeroassist Flight Experiment vehicle. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1989.

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7

Spencer, Bernard. A study to determine methods of improving the subsonic performance of a proposed Personnel Launch System (PLS) concept. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1995.

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8

Hahne, David E. Evaluation of the low-speed stability and control characteristics of a Mach 5.5 Waverider concept. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1997.

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9

Leve, Frederick A., Brian J. Hamilton, and Mason A. Peck. Spacecraft Momentum Control Systems. Springer, 2015.

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10

Suhada, Jayasuriya, and Lyndon B. Johnson Space Center., eds. Attitude control/momentum management and payload poInting in advanced space vehicles. College Station, Tex: Texas A&M University, 1990.

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11

United States. National Aeronautics and Space Administration., ed. Rarefied gas effects on aerobraking/reentry vehicles with wakes. [Huntsville, AL]: Remtech, 1995.

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12

Apollo 13 (American Moments Set II). ABDO & Daughters, 2004.

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13

Akram, Zaʻatarī, and Arab Image Foundation (Beirut, Lebanon), eds. The vehicle: Picturing moments of transition in a modernizing society. Beirut: Arab Image Foundation, 1999.

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14

Prediction of forces and moments for flight vehicle control effectors. Hampton, VA: National Aeronautics and Space Administration, Langley Research Center, 1990.

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15

United States. National Aeronautics and Space Administration., ed. Steering law design for redundant single gimbal control moment gyro systems. Cambridge, Mass: The Charles Stark Draper Laboratory, Inc., 1987.

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16

Paul, Lin, and United States. National Aeronautics and Space Administration. Scientific and Technical Information Program., eds. Influence of mass moment of inertia on normal modes of preloaded solar array mast. [Washington, DC]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Program, 1992.

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17

National Aeronautics and Space Administration NASA. Prediction of forces and moments for flight vehicle control effectors: Workplan. Independently published, 2018.

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18

Space Shuttle Columbia Disaster (American Moments). Abdo Publishing Company, 2004.

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19

D, Maughmer Mark, and United States. National Aeronautics and Space Administration., eds. Prediction of forces and moments for hypersonic flight vehicle control effectors: Final report. University Park, PA: Dept. of Aerospace Engineering, 1993.

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20

W, Hinson Edwin, and Langley Research Center, eds. Free-molecule-flow force and moment coefficients of the Aeroassist Flight Experiment vehicle. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1989.

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21

N, Long Lyle, Pagano Peter J, and United States. National Aeronautics and Space Administration., eds. Prediction of forces and moments for hypersonic flight vehicle control effectors: Semi-annual report. University Park, PA: Dept. of Aerospace Engineering, 1991.

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22

United States. National Aeronautics and Space Administration, ed. Prediction of forces and moments for hypersonic flight vehicle control effectors: Progress report and workplan. University Park, PA: Dept. of Aerospace Engineering, Pennsylvania State University, 1989.

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23

M, Ware George, MacConochie Ian O, and Langley Research Center, eds. Subsonic aerodynamic characteristics of a circular body earth-to-orbit vehicle. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1996.

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24

H, Fox Charles, Huffman Jarrett K, and Langley Research Center, eds. A study to determine methods of improving the subsonic performance of a proposed Personnel Launch System (PLS) concept. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1995.

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25

Winkler, Kevin. Rhythm of Life. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199336791.003.0006.

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This chapter describes Bob Fosse’s film Sweet Charity, which opened at the top of 1966 and was a compendium of then-current styles and sexual attitudes. Fosse conceived this American adaptation of Federico Fellini’s film Nights of Cabiria (1957) as a vehicle for Gwen Verdon, changing the title character from Roman prostitute to New York City dance hall hostess. He wrote several drafts of the show’s book before relinquishing those duties to Neil Simon. Nonetheless, in Sweet Charity, Fosse’s authorial voice was much in evidence. His staging exhibited a new fluidity, as well as a dark, ambivalent view of sexuality. Sweet Charity was also the vehicle by which Fosse would return to movies, this time as a director. Although full of arresting moments, the film was deemed too busy and full of gimmicky, self-conscious camerawork. Sweet Charity was a commercial and critical failure, but it allowed Fosse to explore the camera’s potential in presenting dance on film.
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26

United States. National Aeronautics and Space Administration., ed. Computational analysis of forebody tangential slot blowing on the high alpha research vehicle. San Jose, CA: MCAT Institute, 1995.

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27

United States. National Aeronautics and Space Administration., ed. Computational analysis of forebody tangential slot blowing on the high alpha research vehicle. San Jose, CA: MCAT Institute, 1994.

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28

Young, Emma. Introduction: Contexts, Politics and Genre. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427739.003.0001.

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The contemporary moment appears to be the moment for women short story writers, who have received increased critical attention and popular acclaim. Indeed, in surveying this literary field and attending to the reoccurring tropes and discourses in this body of work, it seems reasonable to argue that this is an opportune moment for considering the ways in which shifting feminist sensibilities and gendered subjectivities are revealed through women’s short story writing. A prevailing tendency in the short stories of many contemporary British women writers is a preoccupation with issues of gender and sexuality that, in turn, signals a wider engagement with feminist politics. In such narratives, the short story is used as an intentionally feminist literary vehicle in which to explore the issues and debates at the heart of feminist politics today. By framing the discussion in this way, ‘the moment’ brings together the short story and feminist politics and offers a means of conceptualising their independent status in the twenty-first century; as well as offering a new perspective on their interrelationship in the context of British women’s short story writing. The focus on the moment, then, bridges the formal features of the short story, the momentary experience of reading short fiction, and the ‘of the moment’ nature of feminist politics....
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29

Schoultz, Lars. Latin America. Edited by Richard H. Immerman and Petra Goedde. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199236961.013.0012.

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This chapter examines the role of Latin America in the Cold War. It explains that Latin America did not play a significant independent role in the Cold War and largely served as a symbol whereby communist adversaries could attempt to tilt the bipolar balance of power. It discusses how Latin America's military became the U.S. government's vehicle for meeting the communist challenge and highlights America's fear that Moscow-directed local communists would consolidate their strength among important social groups, especially labor unions, and eventually seize power at a propitious moment. Thus, the U.S policy focus for Latin America turned to military aid.
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30

Benkler, Yochai, Robert Faris, and Hal Roberts. Can the Internet Survive Democracy? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190923624.003.0012.

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This chapter examines whether the internet can—or cannot—contribute to democratization, and under what conditions. This chapter discusses five major failure modes that limit the benefits of decentralized digitally-mediated collective action. The first is the failure to convert from a moment’s surge of decentralized passion into a longer-term, sustained effort with competence to engage political institutions systematically over time. The second is the failure to sustain the decentralized openness in the transition to more structured political organization. The third failure mode of the internet and democracy refers to the power of well-organized, data-informed central powers to move millions of people from the center out, instead of the other way around. The fourth failure mode is that precisely what makes decentralized networks so effective at circumventing established forms of control can also make them the vehicles of repressive mobs. The final failure mode is the susceptibility to disinformation and propaganda.
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31

Lopez, Jeremy. Dumb show. Edited by Henry S. Turner. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199641352.013.15.

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This chapter examines the theatrical experience provided by early modern dumb shows and the critical tradition that has emerged around them. It argues that dumb shows are a threshold between drama and theatricality, and that they vividly represent not only the contest between text and performance for authority over theatrical meaning, but also the tendency of each to displace this authority onto the other. In the canon of early modern theatre and in the modern critical tradition, dumb shows are often a sign of a derivative theatricality directed at a merely popular audience. In the dumb show, there is an especially complex and self-conscious encounter between word and action, diegesis and mimesis, presentational vehicles and represented fiction. As a moment of extraordinary semiotic density and redundancy, the dumb show was at once too readerly for the stage and too spectacular for the printed book. The chapter also considers ‘Hamlet’s advice to the players’ and its implications for approaches and responses to the dumb show.
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32

Murnaghan, Sheila, and Deborah H. Roberts. “Very Capital Reading for Children”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199583478.003.0002.

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This chapter treats the transformation of classical myth into children’s pleasure reading by Nathaniel Hawthorne (A Wonder-Book for Girls and Boys, 1851 and Tanglewood Tales, 1853) and Charles Kingsley (The Heroes, 1855), with attention to earlier handbooks and collections and to contemporary reservations about myth as suitable reading for children. Both authors use the fairy tale as a model and assume a natural affinity between children and the time in which the myths originated, but they also differ significantly. In Hawthorne’s Romantic vision, myth is archetypal and universal, equally suited to girls and boys, and conducive to free and imaginative play in an American setting; in Kingsley’s progressive vision, myth belongs to a childlike historical moment and serves as a prelude to the different sorts of education that await his boy and girl readers and as a vehicle for Christian and British values.
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33

Young, Emma. Contemporary Feminism and Women's Short Stories. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427739.001.0001.

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The short story has received renewed attention and notable popular acclaim in the twenty-first century. This book offers a wide-ranging survey of contemporary women’s short stories and introduces a new way of theorising feminism in the genre through the concept of ‘the moment’. By considering the prominent themes of motherhood, marriage, domesticity, sexuality, masculinity and femininity, this work engages with a spectrum of issues that are central to feminism today and, in the process, offers insightful new readings of the contemporary short story. Readers will find new perspectives on both canonical as well as lesser-discussed contemporary writers, including Kate Atkinson, Nicola Barker, A.S. Byatt, Aminatta Forna, Victoria Hislop, Jackie Kay, Andrea Levy, Hilary Mantel, Kate Mosse, Michèle Roberts, Ali Smith, Zadie Smith and Rose Tremain. While serving as a comprehensive introduction to the central themes of feminist politics, the study shows what makes the short story a desirable literary vehicle for creatively and critically contributing to feminist debates.
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34

Miller, Julie. Cry of Murder on Broadway. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501751486.001.0001.

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This book shows how a woman's desperate attempt at murder came to momentarily embody the anger and anxiety felt by many people at a time of economic and social upheaval and expanding expectations for equal rights. On the evening of November 1, 1843, a young household servant named Amelia Norman attacked Henry Ballard, a prosperous merchant, on the steps of the Astor House Hotel. Agitated and distraught, Norman had followed Ballard down Broadway before confronting him at the door to the hotel. Taking out a folding knife, she stabbed him. Ballard survived the attack, and the trial that followed created a sensation. Newspapers in New York and beyond followed the case eagerly, and crowds filled the courtroom every day. The prominent author and abolitionist Lydia Maria Child championed Norman and later included her story in her fiction and her writing on women's rights. Norman also attracted the support of politicians, journalists, and legal and moral reformers who saw her story as a vehicle to change the law as it related to “seduction” and to advocate for the rights of workers. This book describes how New Yorkers followed the trial for entertainment. Throughout all this, Norman gained sympathys, in particular the jury, which acquitted her in less than ten minutes. The book weaves together Norman's story to show how, in one violent moment, she expressed all the anger that the women of the emerging movement for women's rights would soon express in words.
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35

Close, Frank. Eclipses. Oxford University Press, 2019. http://dx.doi.org/10.1093/wentk/9780190902476.001.0001.

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Have you ever seen a total solar eclipse? If the question caused you to search your memory, the correct answer would have been “no.” A common response is: “Yes--I saw one, it was about 90% partial eclipse where I lived.” A 90% partial eclipse is indeed a remarkable phenomenon, but true totality leaves all else in the shade, in all senses of the phrase. Ask the question of anyone who has experienced the full sensation of being obliterated by the moon's shadow, and they will reply “yes”--without hesitation--and continue with a monologue describing the overwhelming experiences and unique phenomena that ensued. On 21 August 2017 millions of people across the United States witnessed “The Great American Eclipse” of the Sun. The moment it was over, people around the world were asking questions: what caused the weird shadows and colors in the build up to totality? Were those ephemeral bands of shadows gliding across the ground in the seconds before totality real or an optical illusion? Why this, what that, but above all: where and when can I see a total solar eclipse again? Eclipses: What Everyone Needs to Know helps explain the profound differences between a 99.99% partial eclipse and true totality, and inform readers how to experience this most beautiful natural phenomenon successfully. It covers eclipses of sun, moon, and other astronomical objects, and their applications in science, as well as their role in history, literature, and myth. It describes the phenomena to expect at a solar eclipse and the best ways to record them--by camera, video, or by simple handmade experiments. The book covers the timetable of upcoming eclipses, where the best locations will be to see them, and the opportunities for using them as vehicles for inspiration and education. As a veteran of seven total solar eclipses, physicist Frank Close is an expert both on the theory and practice of eclipses. Eclipses: What Everyone Needs to Know is a popular source of information on the physics of eclipses.
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36

Evaluation of the low-speed stability and control characteristics of a Mach 5.5 waverider concept. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1997.

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37

Center, Langley Research, ed. Evaluation of the low-speed stability and control characteristics of a Mach 5.5 waverider concept. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1997.

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38

Center, Langley Research, ed. Evaluation of the low-speed stability and control characteristics of a Mach 5.5 waverider concept. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1997.

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39

Center, Langley Research, ed. Evaluation of the low-speed stability and control characteristics of a Mach 5.5 waverider concept. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1997.

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