Relevant bibliographies by topics / Monasterio del Corpus Domini

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  2. Dissertations / Theses
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Academic literature on the topic 'Monasterio del Corpus Domini'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Monasterio del Corpus Domini"

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Marszalska, Jolanata M. "Najważniejsze źródła rękopiśmienne do dziejów klasztoru oo. Cystersów w Szczyrzycu." Nasza Przeszłość 104 (December 30, 2005): 37–70. http://dx.doi.org/10.52204/np.2005.104.37-70.

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Celem niniejszego artykułu jest przedstawienie znaczenia trzech kopiariuszy i inwentarzy ruchomości i nieruchomości kościoła i klasztoru w Szczyrzycu. Dokumenty te można również uznać za kroniki i źródła z pierwszej ręki do dziejów klasztoru cystersów w Szczyrzycu. Pierwszy egzemplarz księgi, zatytułowany Inventarium praediorum, pecorum, villarum..., został sporządzony w 1643 r., prawdopodobnie przez przeora o. Zygmunta Strychowskiego. Najwcześniejszym i najcenniejszym z trzech zachowanych kodeksów jest drugi egzemplarz, zatytułowany De Origine et Fundatione Monasterii Ciricensis..., A.D. 1627
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Moranti (book author), Luigi, and Konrad Eisenbichler (review author). "La Confraternita del Corpus Domini di Urbino." Confraternitas 3, no. 1 (1992): 20–21. http://dx.doi.org/10.33137/confrat.v3i1.13537.

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Pozorski, Kamil. "Włoskie pochodzenie tradycji dekoracyjnych uroczystości Corpus Domini." Biuletyn Uniejowski 8 (November 19, 2019): 67–75. http://dx.doi.org/10.18778/2299-8403.08.04.

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Niniejszy artykuł ma za cel ukazanie genezy kultury florealnej na Półwyspie Apenińskim, która do dziś jest bardzo żywa i stanowi istotny element tradycji w wielu włoskich miastach i miejscowościach. Zwyczaj zdobienia dywanami kwiatowymi uroczystości Bożego Ciała sięga XVIII wieku, choć pierwsze wzmianki o takowych dekoracjach pochodzą z okresu Baroku. To zapewne z terenu dzisiejszych Włoch elementy kultury florealnej zostały przeszczepione na ziemie okupowanej Rzeczpospolitej w XIX wieku.
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Guadagnuolo, Mariateresa, Mariano Nuzzo, and Giuseppe Faella. "The Corpus Domini Bell Tower: Conservation and Safety." Procedia Structural Integrity 11 (2018): 444–51. http://dx.doi.org/10.1016/j.prostr.2018.11.057.

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Pérez Gordillo, Mª Eugenia. "Estudio y traducción del Sermo in Diem Apparitionis Domini, recogido en London, Bristish Library, ADD.30853, FF.277V-280V." Helmántica 72, no. 206 (2021): 121–86. http://dx.doi.org/10.36576/summa.146005.

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En este trabajo ofreceremos la primera edición crítica completa del Sermo in diem apparitionis Domini que se recoge en los ff. 277v- 280v del códice London, British Library, Add. 30853, anteriormente conservado en el Monasterio de Santo Domingo de Silos, en Bur- gos, y datado a finales del s. XI. El artículo incluye además un estu- dio literario y de fuentes, un análisis lingüístico, una comparación entre los testimonios que han conservado este texto, así como las ediciones precedentes de otros autores y la correspondiente traduc- ción del mismo. A partir de este estudio, arrojaremos nueva luz
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Justo Sánchez, Daniel, and Francisco José Álvarez López. "Protagonistas colaterales de la historia monástica en el ámbito rural. Procesos históricos locales y génesis documental en los primeros textos del archivo del monasterio de Oseira." Studia Historica. Historia Medieval 41, no. 2 (2023): 85–110. http://dx.doi.org/10.14201/shhme202341285110.

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Este artículo ofrece una investigación acerca de cómo las sociedades locales aparecen representadas en la documentación del monasterio de Oseira antes y después de su fundación (1025-1199). A partir del estudio de las tradiciones diplomáticas y gráficas ursarienses, así como de una lectura histórica de sus textos, este trabajo confirma la existencia de un filtro monástico que se hace presente en los documentos en los que interviene directamente el monasterio desde el momento de su fundación. Además de resaltar cómo dicho filtro se intuye en los múltiples aspectos que conforman la génesis docum
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Milner, Stephen J. "Piero Pollaiuolo's Lost Sacramental Altarpiece of the Corpus Domini." Journal of the Warburg and Courtauld Institutes 67, no. 1 (2004): 157–92. http://dx.doi.org/10.1086/jwci40026029.

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SHERWIN, BYRON L. "CORPUS DOMINI: TRACES OF THE NEW TESTAMENT IN EAST EUROPEAN HASIDISM?" Heythrop Journal 35, no. 3 (1994): 267–80. http://dx.doi.org/10.1111/j.1468-2265.1994.tb00944.x.

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Азарова, Т. В. "Festive Discourse and Conceptosphere of the Corpus Domini Holiday in Italian." Nasledie Vekov, no. 3(35) (September 30, 2023): 57–71. http://dx.doi.org/10.36343/sb.2023.35.3.004.

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Исследование направлено на выявление основных характеристик, определяющих лексико-семантические особенности праздничных текстов на примерах, тематически относящихся к существующему в католической традиции празднику il Corpus Domini (Тела Христова). Основой для работы явились три текста на итальянском языке, написанные от имени католической церкви. Основное внимание уделено сопоставительно-аналитическому разбору изучаемых текстов. Проведен этимологический анализ основных слов, связанных с понятием «праздник» вообще и с рассматриваемым праздником в частности. Определено семантическое наполнение
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Katz, Dana E. "The Contours of Tolerance: Jews and the Corpus Domini Altarpiece in Urbino." Art Bulletin 85, no. 4 (2003): 646. http://dx.doi.org/10.2307/3177363.

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Dissertations / Theses on the topic "Monasterio del Corpus Domini"

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Provini, Simone <1994&gt. "Francesco Salviati a Venezia. Novità e proposte sulla Deposizione del Corpus Domini." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19685.

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Prendendo le mosse dalla letteratura sul soggiorno veneziano di Francesco Salviati (1539-1540), la tesi propone uno studio approfondito delle opere realizzate in laguna dal pittore e della rete culturale, politica e sociale ad esse sottesa. Grazie a una lunga e paziente ricerca presso l’Archivio di Stato di Venezia, è stato possibile riportare alla luce alcuni documenti inediti in grado di fornire nuovi spunti di riflessione sulla Deposizione del Corpus Domini, e soprattutto sulla committenza ad opera di Bernardo Moro, procuratore di San Marco.
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Books on the topic "Monasterio del Corpus Domini"

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Wuffarden, Luis Eduardo. La procesión del Corpus Domini en el Cuzco: La procession du Corpus Domini à Cuzco. Union Latine, 1996.

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Moranti, Luigi. La Confraternita del Corpus Domini di Urbino. Il lavoro editoriale, 1990.

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Italy) Convegno internazionale sul Corpus Domini (2014 Orvieto. "Il Corpus Domini": Teologia, antropologia e politica. SISMEL · edizioni del Galluzzo, 2015.

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Francioni, Carlo Fabbri Paola. Capitoli della compagnia del "Corpus Domini" della Penna. aska edizioni, 2002.

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1934-, Crifò Giuliano, Campolunghi Maria, Accademia romanistica costantiniana, Università di Perugia. Facoltà di giurisprudenza, Biblioteca capitolare di Perugia, and Istituto di diritto romano, eds. Adnotationes Codicum Domini Justiniani (Summa Perusina). Mauro Pagliai editore, 2008.

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Renzo, Savarino, Tamburini Luciano, and Dardanello Giuseppe, eds. La basilica urbana del Corpus Domini: Il miracolo di Torino. U. Allemandi per Associazione Amici dei beni culturali piemontesi, 2004.

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Italy) Istituto di istruzione superiore "D. M. Turoldo" (Zogno. La chiesa del Corpus Domini a Cornalita di San Giovanni Bianco: Ricerca interdisciplinare realizzata dalle classi 4aA Liceo e 4eG Geometri dell'Instituto "Turoldo" anno scolastico 2004/05. Corponove, 2005.

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Arthur, Kathleen Giles. Women, Art and Observant Franciscan Piety. Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462984332.

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Caterina Vigri (later Saint Catherine of Bologna) was a mystic, writer, teacher and nun-artist. Her first home, Corpus Domini, Ferrara, was a house of semi-religious women that became a Poor Clare convent and model of Franciscan Observant piety. Vigri's intensely spiritual decoration of her breviary, as well as convent altarpieces that formed a visual program of adoration for the Body of Christ, exemplify the Franciscan Observant visual culture. After Vigri's departure, it was transformed by d'Este women patrons, including Isabella da Aragona, Isabella d'Este and Lucrezia Borgia. While still p
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Piazzolla, Piero. Corpus Domini. Independently Published, 2018.

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J, M. Deva: Corpus Domini. Independently Published, 2020.

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Book chapters on the topic "Monasterio del Corpus Domini"

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Robertson, Ben P. "A Public Discourse by a Professor at the Academy of Arts at Bologna—Procession of Corpus Domini—Modena—Parma—Different Opinions respecting a Famous Picture of Correggio." In The Travel Writings of John Moore Vol 2. Routledge, 2024. http://dx.doi.org/10.4324/9781003553113-79.

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"Corpus Domini Celebration." In Church and State in Spanish Italy. Cambridge University Press, 2020. http://dx.doi.org/10.1017/9781108779555.006.

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Faragó, István. "Corpus Christi Procession: An Extension of the Elevation of the Host." In They Shall Mount Up with Wings Like Eagles: Theological Studies. Verbum, 2024. http://dx.doi.org/10.52258/stthtr.sup.03.sd.01.04.

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The procession of Corpus Domini is most closely connected with the Elevation of the Host in the Holy Mass. The progressively enriching liturgy of the celebration of the Eucharist, the introduction of the Solemnity of the Body and Blood of Christ, entailed that the Blessed Sacrament was carried in procession under a decorative canopy, a baldachin. Looking at the liturgical practice of the procession of Corpus Domini, we can safely say that it is nothing other than a prolongation of the rite of raising in the Holy Mass.
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Vicelja-Matijašić, Marina, and Barbara Španjol-Pandelo. "The Altarpiece of the Corpus Domini in Venice Revisited." In Scripta in honorem Igor Fisković: zbornik povodom sedamdesetog rođendana. Filozofski fakultet Sveučilišta u Zagrebu, FF-press, 2015. http://dx.doi.org/10.17234/9789531755887.14.

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Lansing, Carol. "Corpus Domini and the Creation of Adam and Eve." In Power & Purity. Oxford University Press, 2001. http://dx.doi.org/10.1093/acprof:oso/9780195149807.003.0008.

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"Ioannis Oecolampadii de his Verbis Domini, Hoc est corpus meum, Expositio." In Ausgewählte Abendmahlsschriften, edited by Florence Becher-Häusermann and Peter Litwan. Evangelische Verlagsanstalt, 2023. http://dx.doi.org/10.5771/9783374073214-1.

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Weddle, Saundra. "Santa Lucia and Corpus Domini at the Turn of the Sixteenth Century." In A View of Venice. Duke University Press, 2023. http://dx.doi.org/10.2307/jj.7762653.24.

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Weddle, Saundra. "Santa Lucia and Corpus Domini at the Turn of the Sixteenth Century." In A View of Venice. Duke University Press, 2023. http://dx.doi.org/10.1215/9781478023807-016.

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The Venetian lagoon’s geography isolated the city’s earliest convent complexes, but over time, networks of bridges and calli ultimately wove these monastic houses into the urban fabric. In Venice, as in most Italian cities, almost all convents founded during the fifteenth and sixteenth centuries were sited around urban edges that were later filled in, although some were established within already densely developed areas, thereby altering the character of their neighborhood in significant ways. Focusing on the convents of Corpus Domini and Santa Lucia, which exemplify both foundation models, ch
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Bernardi, Claudio. "Corpus Domini: ritual metamorphoses and social changes in sixteenth- and seventeenth-century Genoa." In The Politics of Ritual Kinship. Cambridge University Press, 1999. http://dx.doi.org/10.1017/cbo9780511523496.014.

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Crowther, Victor. "Albergati’s La Beata Caterina da Bologna (1697)." In The Oratorio in Bologna (1650-1730). Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198166351.003.0014.

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Abstract This oratorio, like Perti’s Beata Imelde (see Chapter 11) and Albergati’s L’iride di pace o sia il Beato Nicolo Albergati (1690), was composed in honour of a Bolognese saint. The embalmed body of Caterina de’Vigri had a place of honour in an ornate chapel in the church of the Poor Clares, Corpus Domini. Pirro Albergati, whose family palace lay in the same quarter of the city, com posed his oratorio about Caterina when the Catholic Church venerated her as a ‘Beata’. She was canonized and rose to the rank of ‘saint’ in 1712. That is why the composer, when he published the oratorio as pa
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