Relevant bibliographies by topics / (Monastery of Augustinian canons)

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  2. Dissertations / Theses
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Academic literature on the topic '(Monastery of Augustinian canons)'

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Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "(Monastery of Augustinian canons)"

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NORTON, MICHAEL LEE. "Further thoughts on Graz 807 and Vienna 13314." Plainsong and Medieval Music 25, no. 1 (March 15, 2016): 73–91. http://dx.doi.org/10.1017/s0961137115000224.

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ABSTRACTGraz, University Library, MS 807 and Vienna, Austrian National Library, latin 13314 have been studied intensively for more than a century, yet unsolved problems remain. Following a brief discussion of the sources and relevant scholarship, the antiphons for the Rogationtide processions in the gradual portions of both manuscripts I examine, along with a supplementary set of Rogationtide antiphons added to the Vienna codex. I then take a closer look at the expanded descriptions for the rites for Holy Thursday, Good Friday and Holy Saturday in the Vienna manuscript's sacramentary. From this evidence, I reaffirm the association of the liturgies in Vienna 13314 and Graz 807 with the canons and canonesses of Klosterneuburg respectively, and argue that the twelfth-century additions to Vienna 13314 suggest that the two manuscripts were kept together already in the twelfth century, most likely at the Augustinian monastery at Seckau. I conclude with further observations on the much-discussed odd placement of the Dedication of the Church in the Sanctorale of Graz 807 and on the occasion that would have brought the two manuscripts to Seckau.
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Sofronova, L. V., and T. G. Chougounova. "Apologia Pro Vita Sua: Erasmus Roterodamus on His Failed Monastic Attempt." Prepodavatel XXI vek, no. 1/2 (March 31, 2024): 332–45. http://dx.doi.org/10.31862/2073-9613-2024-1-332-345.

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The article presents the first Russian translation of a famous letter from the Dutch humanist Erasmus of Rotterdam to his longtime friend Servatius Rogers, dated July 8, 1514. The letter is a response to the Prior’s demand to return to the Augustinian canon monastery in Steyne, of which the humanist had been a member since 1487. This epistolary source should be considered in the context of the “new biographical history”. Erasmus’s renouncing of the monastery is seen as a manifestation of Renaissance individualism. In explaining the humanist’s apostasy, more attention should be paid to his personal situation: it was not so much the shortcomings of the entire monastic community as the physical and psychological maladjustment to monastic life of the Rotterdam man himself that caused his departure from Stein. It is suggested that the epistle should be interpreted as an experience of the author’s self-representation. Erasmus deliberately selects autobiographical information demonstrates to the world the necessary image of himself. The humanist turns his justification for leaving the monastery into an Apology for the modus vivendi of a Renaissance intellectual.
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Krafl, Pavel. "Dva notářské instrumenty z roku 1419 k dějinám řeholních kanovníků sv. Augustina v Kladsku. Pramenná edice." PRÁVNĚHISTORICKÉ STUDIE 53, no. 3 (January 12, 2024): 39–54. http://dx.doi.org/10.14712/2464689x.2023.44.

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During the 14th century, canon law gained considerable influence. All cases which related to clergy and Church property were dealt with solely by the ecclesiastical courts. During the preparatory phases of court proceedings, public notaries were very important. They were mainly involved in appointing legal representatives and producing verified copies of important documents. The objective of this article is to present two notarial instruments produced by public notaries: Materna, the son of Doctor Martin of Kladsko, and Nicolas, called Naso, the son of Henry of Chojnów. Both instruments were produced in 1419 and relate to the monastery of the Canons Regular of St. Augustine in Kladsko. The documents are kept in the Kladsko parish archive under numbers A 4 b and A 12 i. Attached is a critical edition of both notarial instruments. The first instrument incorporates documents of Wenceslas IV, King of Bohemia, Charles IV, King of Bohemia, and Arnošt of Pardubice, Archbishop of Prague, which show the ownership of properties in the Kladsko region and outside it. The second instrument records the appointment of legal representatives of the convent at the ecclesiastical courts. We do not have any direct evidence of the subject of the monastery’s dispute, but one can assume that it related to long-term disputes with the holders of fiefs in the Kladsko region. These disagreements related to economic immunity (unauthorised attempts to collect royal taxes for the monastery’s properties) and, to a lesser extent, other matters.
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Perutková, Jana. "Klosterneuburger Librettodrucke aus dem 18. Jahrhundert – neu bewertet." Musicologica Brunensia, no. 2 (2022): 5–27. http://dx.doi.org/10.5817/mb2022-2-1.

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The music collections of the monasteries and convents in Central Europe contains many interesting sources. To date, they have been only partially accessed and catalogued. Furthermore, not only the music itself has to be considered, but also various other types of sources such as librettos, periochæ, inventories, invoices, requests, diaries, correspondence etc. These sources need to be described and evaluated in a detailed manner, and only on this basis may questions about the interweaving of repertoire or personnel between the different monasteries – both in the field of liturgical and secular music – arise. The aim of this paper is to take a closer look at a valuable source material, namely the libretti preserved in Klosterneuburg Abbey. The Klosterneuburg libretto collection currently contains a total of 77 exemplars in three different groups. The oldest prints date from the last decade of the 17th century to the most recent from 1765. The largest proportion is made up of the Lenten oratorios and those oratorios performed at the Holy Sepulchre during Holy Week (46 pieces). The second group represents a series of oratorios in honour of St. John of Nepomuk (14 pieces), and the last comprises various homage and occasional works (17 pieces). This paper follows on from the essay by Otto G. Schindler, who did the fundamental cataloguing of the libretti in the library of the Augustinian canons' monastery of Klosterneuburg in the second half of the 20th century. This text attempts to classify the librettos of the Abbey library according to the current state of research and to present some interesting examples.
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Bracha, Krzysztof. "Husytyzm jako kąkol. Kalendarium husyckie w kazaniu Dominica V post Epiphaniam Jana z Paczkowa Wettzigera z końca XV w." Studia z Dziejów Średniowiecza, no. 25 (September 16, 2022): 47–66. http://dx.doi.org/10.26881/sds.2022.25.02.

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In a manuscript from the end of the fifteenth century in the University of Wrocław Library, which derives from the Augustinian Monastery (canonici regulares) in Żagań (under the Provost in Zielona Góra), a collection of sermons has survived, a collection of homilies for the entire liturgical year, entitled Sermones varii de tempore et de sanctis, transcribed by Jan z Paczkowa Wettziger (died after 1497). Wettzinger, a canon regularis from Kłodzko (he later lived in Żagań, Wrocław, and Zielona Góra), was not, despite appearances, the author of the collection, but he edited it on the basis of a collection of sermons of the Bernardine Patrick during his stay in Zielona Góra. Between pages 49r and 50v of the manuscript, there is the second (in sequence) sermon Sermo II: Dominica V post Epiphaniam. It is devoted to the phenomenon of heresy, which the preacher compares allegorically to the biblical tares. Wettzinger concentrates, above all, on an anti‑Hussite polemic. He transforms a critical interpretation of heresy into a chronicle‑style piece, incorporating into the sermon a calendar of the history of Czech Hussitism in the form of a long chronicler’s note.
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Łatak CRL, Kazimierz. "Wokół postaci ojca Szymona Mniszka (ok. 1543–1591) – współzałożyciela zgromadzenia polskich augustianek." Textus et Studia, no. 1(29) (July 9, 2022): 65–85. http://dx.doi.org/10.15633/tes.08103.

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The subject of this article is the figure of Szymon Mniszek, a Polish Augustinian active in the second half of the 16th century. After graduating from school in Łowicz, Mniszek entered the Augustinian monastery in Kazimierz near Kraków. He studied in Kraków and Padua, where he obtained a doctorate in theology. He later lectured on philosophy and theology in Padua for several years. He also published his most important works in Italy. As he came back to Poland, he was a preacher in Olkusz and Krakow, a lecturer of theology at the monastery study, provincial of the Polish province of the Order of Saint Augustine, and a royal preacher. In Krakow, he was also known for his social activity. His original work was the organization of a female confraternity at the Augustinian monastery, which in 1583 he transformed into a congregation of the third order of St. Augustine
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Foss, David B. "John Mirk’s Instructions for Parish Priests." Studies in Church History 26 (1989): 131–40. http://dx.doi.org/10.1017/s0424208400010913.

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Little is known of John Mirk. When he wrote Instructions, he was, its colophon informs us, a canon regular of Lilleshall priory, Shropshire. Lilleshall was a house of Arroasian canons, a branch of the Augustinian order, so named because its first house was that of St Nicholas, Arras. Lilleshall was founded in 1144–8, and contained some ten canons in 1400.
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Guijo Pérez, Salvador, and Jesús Sánchez Gil. "Tan conocida, tan venerada y aplaudida. La iconografía guadalupana en el monasterio de San Leandro de Sevilla." ACCADERE. Revista de Historia del Arte, no. 4 (2022): 71–93. http://dx.doi.org/10.25145/j.histarte.2022.04.04.

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This article studies and aims to present the catalogue of Novohispanic paintings with the theme of Our Lady of Guadalupe that are kept in the monastery of San Leandro in Seville. The study is structured in different sections: an introduction, a study that relates the New World and the monastery of San Leandro, the analysis of the iconography of Guadalupe and its arrival in Seville, as well as the works in the Augustinian monastery.
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Hauptman-Fischer, Ewa. "Father Carolus Weldamon (d. 1736), Canon Regular from Fulnek Monastery - Unknown Composer and His Music." Musicologica Olomucensia 35, no. 1 (July 1, 2023): 113–33. http://dx.doi.org/10.5507/mo.2023.008.

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Neel, Carol. "Philip of Harvengt and Anselm of Havelberg: The Premonstratensian Vision of Time." Church History 62, no. 4 (December 1993): 483–93. http://dx.doi.org/10.2307/3168073.

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During the past two decades, a spate of interpretive studies has addressed the spirituality of regular canons in the twelfth century. Caroline Bynum'sDocere Verbo et Exemplo, most notably, has established that there was a distinctive canonical perspective on medieval religious reform. In Bynum's work in particular, the works of two Augustinian canons of the Order of Prémontré, Anselm of Havelberg (d. 1158) and Philip of Harvengt (d. 1183), figure importantly. Both Anselm and Philip—the one a bishop on the Slavic frontier and the other abbot of a double community in Brabant—were prominent apologists for their order's place among a proliferation of new religious groups. But recent scholarship has so far suggested no particular community of ideas between these two eminent twelfth-century Premonstratensians. Nor, more generally, has the ideology and spirituality of canons of their order, founded in 1121 by the Belgian nobleman Norbert of Xanten, been set clearly apart in more than name from the thought and practice of other groups of contemporary Augustinians.
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Dissertations / Theses on the topic "(Monastery of Augustinian canons)"

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Holland, S. W. "An edition of the Admonitio ad Claustrales from Worcester Cathedral Manuscript Q.51." Thesis, Durham University, 1987. http://etheses.dur.ac.uk/946/.

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Ratcliff, Garrett Bateman. "Scottish Augustinians : a study of the regular canonical movement in the kingdom of Scotland, c. 1120-1215." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/8239.

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The Augustinian canons have never enjoyed the level of scholarly attention afforded to the monastic and mendicant movements of the central middle ages. This disparity has been particularly acute in the British Isles, despite being its most prolific religious movement. Scholars working in England, Ireland, and Wales have begun to correct this historiographical lacuna. In Scotland, the regular canons have also received comparatively scant attention, and, indeed, have largely been understood on the basis of imported paradigms. Therefore, the purpose of this study is to address a deficiency in Scottish historiography and make a contribution to the growing scholarship on the regular canons in the British Isles. The regular canonical movement is examined within the kingdom of Scotland over the course of roughly a century. Eleven non-congregational houses of regular canons are considered, namely Scone, Holyrood, Jedburgh, St. Andrews, Cambuskenneth, and Inchcolm and the dependencies of Loch Tay, Loch Leven, Restenneth, Canonbie, and St. Mary’s Isle. The kingdom of Scotland provides both a common context, and a diverse milieu, in which to consider the foundation and development of these institutions and the movement as a whole. The chronological parameters have been determined by the foundation of the first house of regular canons in Scotland in c. 1120 and the Fourth Lateran Council in 1215, which had the effect of artificially creating the Order of St Augustine. By examining individual houses separately, as well as in unison, this study seeks to present an integrated picture of the regular canonical movement in the kingdom of Scotland during the period of its organic development from c. 1120 to 1215. The fundamental question concerning the regular canons is the nature of their vocation and their societal function. It has increasingly been recognised that a spectrum of different interpretations of canonical life existed ranging from the active – pastoral, practical, and outward looking – to the contemplative – ascetic, quasi-eremitical, and inward looking – which were all part of the same decentralised religious movement. This thesis attempts to situate the Scottish Augustinians, as far as possible, within this spectrum. It argues that a unique manifestation of the regular canonical movement emerged in the kingdom of Scotland as the result of a range of factors – including shared patrons, leadership, and episcopal support – which had the effect of creating a group identity, and, thereby, a collective understanding of their vocation and role in society. The subject institutions have been particularly fortunate in terms of the quality and variety of the surviving source material. The evidence is comprised principally of charter material, but also includes chronicles and foundation narratives produced by Scottish Augustinians, and these provide an essential supplement. This thesis sheds light on an important group of religious houses in Scotland and on a complex religious movement that is only beginning to be fully understood, and, thus, it is hoped that this study will lay the groundwork for future research.
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Abram, Andrew. "The Augustinian canons in the diocese of Coventry and Lichfield and their benefactors, 1115-1320." Thesis, University of Wales Trinity Saint David, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683341.

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Fizzard, Allison Dawn. "The Augustinian canons of Plympton Priory and their place in English church and society, 1121-c. 1400." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0027/NQ50028.pdf.

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Parsons, Anna Francesca. "The use of Guisborough : the liturgy and chant of the Augustinian canons of the York Province in the later Middle Ages." Thesis, University of Exeter, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414046.

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Nichols, Donald Dean. "The Augustinian Canons in the Diocese of Worcester and their relation to secular and ecclesiastical powers in the later Middle Ages." Thesis, University of Wales Trinity Saint David, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683234.

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Horst, Harald. "Wissensraum am Niederrhein." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät I, 2017. http://dx.doi.org/10.18452/17761.

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Das Kreuzherrenkloster Hohenbusch bei Erkelenz (Niederrhein) wurde 1802 während der Säkularisation linksrheinischer Gebiete aufgehoben. Etwa 130 Handschriften und frühe Drucke aus seiner Bibliothek befinden sich heute vorwiegend in der Diözesanbibliothek Köln sowie in München, Brüssel, New York u.a. Ein 1801 im Auftrag der französischen Verwaltung erstelltes Inventar von 265 konfiszierten Büchern bildet das einzige Verzeichnis der ehemaligen Klosterbibliothek. Auf der Grundlage dieses Inventars und der erhaltenen Bestände unternimmt die Studie eine Teilrekonstruktion der Bibliothek. Schreibhände, Buchschmuck, Einbände, Besitzeinträge und Marginalien werden erfasst und beschrieben. Die inhaltliche Analyse des Bestandes belegt, dass sich Geschichte, Spiritualität und intellektuelle Ausrichtung des Klosters auch im Restbestand der Bibliothek spiegeln. Um sich in kulturhistorischer, interdisziplinärer Herangehensweise der sozialen und kulturellen Lebenswelt der Kreuzherren zu nähern, wird die Metapher des ‚Wissensraums‘ verwendet. Von dreidimensionaler Beschränkung befreit, umschreibt sie die Bibliothek als dynamischen Wissenskatalysator, der zu verschiedenen Zeiten die Generierung neuen Wissens auf der Grundlage vorhandener Informationen ermöglicht. Zwei Bestandsschnitte bei den Jahren 1520 und 1700 belegen so den Wandel des Klosters: Verstand es sich anfangs als geistlich-seelsorglich ausgerichtetes Haus, das später für die ordensinterne Ausbildung bedeutend wurde, ließen zuletzt Grundbesitz und zunehmender Wohlstand juristisch-administrative Fragen in den Vordergrund treten.
The Crosier monastery of Hohenbusch, situated between Cologne and Aix-la-Chapelle, was dissolved in 1802, on the occasion of the secularization of church property. About 130 manuscripts and early prints from the canonry’s library survived in the diocesan library of Cologne, as well as in libraries in Munich, Brussels, New York etc. An inventory of 265 confiscated books, drawn up on behalf of the French administration in 1801, represents the only description of the former monastery library. The study attempts a reconstruction of the library based on this inventory, and on the material properties of the extant books. Script, book illumination, binding, ownership records and marginal notes in the books are therefore described. An analysis of the contents of the known books shows that they still reflect the history, spirituality, and intellectual bias of the canonry. The German metaphor ‘Wissensraum’ (knowledge space) shall help to approach the social and cultural life of the Crosiers. Perceived as a cultural concept beyond all restrictions of space, the metaphor aims to describe the library as a dynamic instrument which allows generating new knowledge based on existing information. A look on two segments of the library, the first up to the year 1520, the second up to 1700, shows how the monastery changed: Starting in a spiritual and pastoral orientation, it became an important house for the spiritual formation of novices, while at the end, due to its increasing land ownership, and prosperity, legal and administrative questions predominated.
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Kaufman, Cheryl Lynn. "The Augustinian canons of St. Ursus : reform, identity, and the practice of place in Medieval Aosta." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3273.

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This dissertation studies a local manifestation of ecclesiastical reform in the medieval county of Savoy: the twelfth-century transformation of secular canons into Augustinian regular canons at the church of Sts. Peter and Ursus in the alpine town of Aosta (now Italy). I argue that textual sources, material culture, and the practice of place together express how the newly reformed canons established their identity, shaped their material environment, and managed their relationship with the unreformed secular canons at the cathedral. The pattern of regularization in Aosta—instigated by a new bishop influenced by ideas of canonical reform—is only one among several models for implementing reform in medieval Savoy. This study asserts the importance of this medieval county as a center for reforming efforts among a regional network of churchmen, laymen, and noblemen, including the count of Savoy, Amadeus III (d. 1148). After a prologue and introduction, chapter 1 draws on traditional textual evidence to recount the history of reform in medieval Savoy. Chapters 2 through 4 focus on the twelfth-century sculpted capitals in the cloister built to accommodate the common life of the new regular canons. Several of the historiated capitals portray the biblical siblings, Martha and Mary, and Leah and Rachel, as material metaphors that reflect and reinforce the active and contemplative lives of the Augustinian canons. Other capitals represent the regular canons’ assertion of their precedence over the cathedral canons and suggest tensions between the two communities. The final chapter examines thirteenth-century conflicts over bell-ringing and ecclesiastical processions in the urban topography of Aosta to illustrate how the regular and secular canons continued to negotiate their relationship. Appendices include an English translation of a vita of St. Ursus (BHL 8453). The dissertation as a whole reconstructs the places and material culture of medieval Aosta to convey the complexities of religious and institutional life during a time of reform and beyond.
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Silva, Ilídio Jorge Costa Pereira. "Princípio, fundação, união, reformação e progresso: O discurso dos Cónegos Regrantes de Santo Agostinho portugueses na arquitetura cenobítica (1128-1834)." Doctoral thesis, 2021. http://hdl.handle.net/1822/76183.

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Tese de Doutoramento em Arquitetura/Cultura Arquitetónica
Esta tese de doutoramento procura contribuir para uma consciência integrada da produção arquitetónica dos Cónegos Regrantes de Santo Agostinho portugueses no campo da arquitetura cenobítica, isto é, da conceção, produção e uso de edifícios como organismos de suporte duma existência em comum, sob a regra augustiniana e os estatutos da Ordem, no nosso país, da sua génese à sua extinção. A análise centra-se, portanto, tanto na Ordem como agente da arquitetura – sendo promotora e definidora de programas, mas também interlocutora na discussão de opções de desenho – como num registo edificado que engloba sistemas de valências avaliados na sua inter-relação, como alternativa ao foco nos autores individuais e na valorização dos espaços de representação como peças, em detrimento de áreas funcionais e da estrutura integral do conjunto. Como tal, foi importante não só a visita a todos os cenóbios, como a todas as suas partes constituintes, e uma consideração dos sítios na interpretação dos conjuntos. A investigação procura analisar essa arquitetura como um discurso institucional, de tradução de certos núcleos de significado, segundo certas preferências linguísticas, refletindo os contactos e a mundividência dos Regrantes. A prática discursiva crúzia teve vetores individuais perenes, assim como oscilações de tónica, de acordo com as fases de auto-definição da instituição ao longo do tempo. A bibliografia ampliou-se, consequentemente, para abranger esses padrões alargados de mentalidade e expressão. O facto de se tratar da primeira ordem religiosa criada autonomamente em território nacional, a sua ininterrupta (mesmo que variável) importância política e cultural, a extensão da sua presença territorial e o número das Casas que englobou (num total ultrapassando as seis dezenas) tornam-na um caso de estudo particularmente rico. Sinal de relevância é também que sejam expressões desse discurso conjuntos tão marcantes para a História da Arquitetura Portuguesa como os mosteiros de Santa Cruz de Coimbra, São Vicente de Fora, São Salvador de Grijó, Santo Agostinho da Serra do Pilar.
This dissertation aims to contribute to a general framework of the architectural output of the Portuguese Canons Regular of Saint Augustine in regards to coenobitic structures. It therefore looks into the concepts, the production and usage of buildings as supports of communal life under Augustinian rule and according to the statutes of the Order of the Holy Cross of Coimbra, in Portugal, from its inception until its demise. This analysis is focused, therefore, both in the Order as an agent of architecture – being a sponsor of initiatives and actively defining project briefs, but also as a participant in the discussions on design options – as well as in a building theme relying on the appraisal of a global system of facilities in its interconnected whole. Both perspectives try to shift away from the primacy of individual authorship and the concentration on spaces of representation as set pieces, over functional areas and the overall structure of coenobitic complexes. As such, not only was it important to visit all the coenobia but also all of its subsisting parts, and, even where no traces remain, to get a feeling of the sites to properly evaluate them. The research thus strives to analyze that architectural corpus as an institutional discourse, a translation of certain sets of meanings through established linguistic preferences, as a reflection of the interactions and worldview of the Augustinian Canons. The Crucian discourse patterns display long lasting individualized axis of identification, while simultaneously exhibiting shifts in tonal accentuation, as the Order’s self-definition adjusted to changing circumstances in time. Sources used widened accordingly, to encompass such broad patterns of mindset and expression. The fact that this was the first religious order to have autonomously originated in Portugal, its unbroken (even if varying) social and political importance, the extent of its territorial spread and the sheer number of its Houses (surpassing sixty references), make the Canons Regular a particularly valuable theme for investigation. A further sign of their relevance might equally be that we can find amongst their architectural body of work such central buildings to the Portuguese History of Architecture as the monasteries of Santa Cruz in Coimbra, of São Vicente de Fora in Lisbon, of São Salvador de Grijó or São Salvador da Serra do Pilar, in Porto.
Fundação para a Ciência e Tecnologia (FCT): SFRH/BD/61568/2009
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Vrchotová, Michaela. "Nástěnné malby v augustiniánském klášteře v Třeboni." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-307567.

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TITLE: The mural paintings in the Augustinian monastery in Třeboň AUTHOR: Michaela Vrchotová DEPARTMENT: Department of Art History SUPERVISOR: Prof. PhDr. Ing. Jan Royt, Ph.D. ABSTRACT: The subject of this thesis are the mural paintings in St. Giles church and the former monastery of Augustinian Canons in Třeboň, which date from the last quarter of the 14th century until the late Middle Ages and the onset of Renaissance at the beginning of the 16th century. The main objective was to gather all available information that could contribute to elucidating the period context of the creation of the mural paintings in the monastery of Třeboň. The intended output was, to the extent of objective possibilities, an art historical analysis of the works, backed by all the researched facts, and the assessment of the significance of Rosenberg donators and of their links to the imperial court. The extent of preservation and the possibilities for assessment of the artistic quality of the individual mural images form a relatively broad range. The mural paintings were divided into three time periods and the pictures that were the focus of the thesis stand as interesting period documents, not only from the artistic, but also from the cultural point of view, and as such they deserve a place in the history of Třeboň monastery...
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Books on the topic "(Monastery of Augustinian canons)"

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O'Keeffe, Tadhg. An Anglo-Norman monastery: Bridgetown Priory and the architecture of the Augustinian canons regular in Ireland. Cork: Cork County Council, 1999.

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Hann, Kathrin. Sant Ypoelten, Stift und Stadt im Mittelalter: Katalogbuch zur Sonderausstellung des Diözesanmuseums St. Pölten aus Anlass der Verleihung des Privilegs von 1159 : 5. Mai bis 31. Oktober 2009. Edited by Diözesanmuseum St Pölten (Austria). St. Pölten: Diözesanmuseum St. Pölten, 2009.

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Blechová, Lenka. Diplomatarium monasterii Glacensis canonicorum regularium sancti Augustini ab anno 1350 usque ad annum 1381. Brno: Středoevropské centrum slovanskýh studií, 2018.

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Teresa, Webber, and Watson Andrew G, eds. The libraries of the Augustinian Canons. London: The British Library in association with the British Academy, 1998.

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5

Jakubowski, Zbigniew. Czeskie i morawskie fundacje kanonickie XIV-XV wieku: Studium z dziejów devotio moderna. Częstochowa: Wydawn. Wyższej Szkoły Pedagogicznej w Częstochowie, 2001.

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Zielińska, Ewa. Kultura intelektualna kanoników regularnych z klasztoru w Kraśniku w latach 1469-1563. Lublin: Wydawn. Uniwersytetu Marii Curie-Skłodowskiej, 2002.

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7

Pobóg-Lenartowicz, Anna. Kanonicy regularni na Śląsku: Życie konwentów w śląskich klasztorach kanoników regularnych w średniowieczu. Opole: Wydawn. Uniwersytetu Opolskiego, 1999.

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Bruździński, Andrzej. Kanonicy regularni od pokuty na ziemiach polskich. Kraków: Wydawn. UNUM, 2002.

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Ebersonová, Adéla. Roudnická statuta: Zvyklosti augustiniánské kanonie v Roudnici nad Labem : (komentovaná edice a překlad). Dolní Břežany: Scriptorium, 2021.

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Pattis, Karin. Neustift zur Zeit des Bauernaufstandes 1525: Wirtschaftliche, soziale und religiöse Hintergründe. Brixen: A. Weger, 2012.

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Book chapters on the topic "(Monastery of Augustinian canons)"

1

Orme, Nicolas. "The Augustinian Canons and Education." In Medieval Church Studies, 213–32. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.mcs-eb.5.100384.

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Smith, Andrew T., and Garret B. Ratcliff. "A Survey of Relations between Scottish Augustinian Canons before 1215." In Medieval Church Studies, 115–44. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.mcs-eb.5.100380.

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Cross, Claire. "The Last Generation of Augustinian Canons in Sixteenth-Century Yorkshire." In Medieval Church Studies, 387–400. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.mcs-eb.5.100392.

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Abram, Andrew. "Augustinian Canons and the Survival of Cult Centres in Medieval England." In Medieval Church Studies, 79–95. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.mcs-eb.5.100378.

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Nichols, Nick. "The Augustinian Canons and their Parish Churches: A Key to their Identity." In Medieval Church Studies, 313–37. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.mcs-eb.5.100389.

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O'Keeffe, Tadhg. "Augustinian Regular Canons in Twelfth- and Thirteenth-Century Ireland: History, Architecture, and Identity." In Medieval Church Studies, 469–84. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.mcs-eb.5.100396.

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Benvenuti, Anna. "Eziologia di una leggenda. Ipotesi sul culto fiorentino di san Cresci compagno di san Miniato." In La Basilica di San Miniato al Monte di Firenze (1018-2018), 61–84. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.05.

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Abstract:
The essay analyses the cult of St. Cresci and its origins. St. Cresci is considered to be one of the companions of St. Miniato, and it is believed he was martyred ‘sub Decio’ in the 3rd century. St. Cresci’s legend must be interpreted in the context of the Florentine hagiographic production of the 11th century, when the local clergy tried to resuscitate old and long forgotten cults of saints whose relics they possessed. The paper argues that the legend of St. Cresci was ‘invented’ to be opposed to that of St. Miniato. Indeed in the 11th century Ildebrando, bishop of Florence, strongly promoted the cult of Minias in order to support his claims on the lands of the newly founded monastery. It was after this that cathedral’s canons, in opposition with their bishop, proposed the martyrial figure of St. Cresci; the cult of which got a great importance under the Medici, and especially during the reign of Cosimo III.
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St John, Graham. "The Significance of Devotion to the Augustinian Canons by Members of the Nobility and Gentry in the Fourteenth Century." In Medieval Church Studies, 339–61. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.mcs-eb.5.100390.

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Jujeczka, Stanisław. "Dokumenty śląskiej rodziny Hahn (Gallus) w archiwum klasztoru w Herzogenburgu." In Fontes historiae examinare: Studia ofiarowane Profesorowi Rościsławowi Żerelikowi w sześćdziesięciopięciolecie urodzin, 265–83. Ksiegarnia Akademicka Publishing, 2022. http://dx.doi.org/10.12797/9788381386524.14.

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DOCUMENTS OF THE SILESIAN HAHN (GALLUS ) FAMILY IN THE ARCHIVES OF THE HERZOGENBURG MONASTERY The article concerns documents about the Silesian Hahn (Gallus) family kept in the archives of the monastery of Augustinian Canons in Herzogenburg in Lower Austria. These are documents and files of the monastery in St. Andrä an der Treisen. Among the aforementioned documents concerning the Hahn (Gallus) family, there are 34 originals and a paper notebook from 1595 with notarized copies of 12 documents, some of the texts being duplicated. The article contains detailed records of 35 documents concerning the Hahn family collected in Stiftsarchiv Herzogenburg, Urkunden St. Andrä an der Traisen.
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"THE AUGUSTINIAN CANONS." In The Heads of Religious Houses, 327–490. Cambridge University Press, 2001. http://dx.doi.org/10.1017/cbo9780511495632.012.

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