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Journal articles on the topic 'Mondo movie'

Author: Grafiati

Published: 21 February 2023

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1

Tassinari, Cosimo. "La censura cinematografica nel cinema documentario. I "mondo movie" e il filone africano, alcuni casi di studio." Schermi. Storie e culture del cinema e dei media in Italia 6, no. 11 (2022): 117–33. http://dx.doi.org/10.54103/2532-2486/16338.

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In the present essay, I will investigate the role of censorship in Italian Mondo films made in the 1960s and 1970s, such as Africa addio (1966, Gualtiero Jacopetti, Franco Prosperi), Africa segreta (1969, Angelo Castiglioni, Alfredo Castiglioni, Guido Guerrasio), Africa ama (1971, Angelo Castiglioni, Alfredo Castiglioni, Guido Guerrasio). In particular, I will focus my analysis on the works made by Angelo and Alfredo Castiglioni with Guido Guerrasio. In addition to their relationship with censorship boards, their film – despite some similarities with Mondo genre – demonstrates the attempt to e

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Martusciello, Mariaelena. "Stereotipi di lingua e cultura italiana nel film d'animazione americano: il caso di "Luca"." Lingue e culture dei media 6, no. 1 (2022): 103–18. http://dx.doi.org/10.54103/2532-1803/18575.

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L’articolo propone l’analisi linguistica degli italianismi presenti nel doppiaggio in lingua originale del film d’animazione Disney Pixar “Luca”, ambientato nell’Italia del 1959 e uscito sulla piattaforma streaming Disney+ nell’estate del 2021. Tale ricerca ha avuto lo scopo di verificare quale immagine della lingua e della cultura italiane venga veicolata dal film e quali siano gli stereotipi culturali sul nostro Paese maggiormente diffusi nel mondo, in particolare nel contesto anglo-americano. Sono state prese in considerazione due categorie di italianismi, quelli lessicali e quelli fraseolo

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Szendy, Peter. "L’archi-road movie, ou le routage des sens." Intermédialités, no. 19 (October 9, 2012): 139–54. http://dx.doi.org/10.7202/1012660ar.

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Chaque film est l’ouverture, le frayage d’un monde (de ce que Jean-Luc Nancy a pu appeler un cinémonde). Et d’un tel frayage, la route et le road movie sont plus que la figure ou la métaphore : ils en sont le schème moteur. Dès lors, la question de la synchronisation audiovisuelle se trouve déplacée : elle se reformule comme celle du routage, chaque fois singulier, des sens et de leur accrochage en tel ou tel point où leurs voies se touchent. C’est ce que l’on appelle ici, respectivement pour l’oeil et l’oreille, l’optoroute et l’otoroute cinématiques, dont on recense et décrit les tracés dans

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Finkelshtein, Yu A. ""TOUS LES MATINS DU MONDE": POETRY OF FADING SOUND." Arts education and science 1, no. 4 (2021): 100–107. http://dx.doi.org/10.36871/hon.202104013.

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The object of the article is Alain Corneau's feature film "All the Mornings of the World" ("Tous les matins du monde", 1991). The movie is considered as a work of art with strong postmodern tendencies. The director uses music written in the XVIIth century to create an image of the era. The image of the gambist de Sainte-Colombe is formed on the basis of the aesthetic and emotional perception of his works by the creators of the movie. The timbre of viola da gamba, one of the key features of which is rapid fading, defines the main philosophical idea of the film. The "disadvantage" of the instrum

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Stirone, Valentina. "Focus: E pur si move! Psicoanalisi, mondo e contemporaneità. Introduzione intervista a Miguel Benasayag." RICERCA PSICOANALITICA, no. 1 (April 2018): 9–10. http://dx.doi.org/10.3280/rpr2018-001002.

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Gens, Jean-Claude. "Les catégories diltheyennes de signification et de force." Aoristo - International Journal of Phenomenology, Hermeneutics and Metaphysics 2, no. 1 (2019): 67–83. http://dx.doi.org/10.48075/aoristo.v2i1.21564.

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Pendant la construction de sa philosophie Dilthey montre qu’une de sa principale tâche est le travail con les catégories de la vie que, différemment de les catégories formelles de l’entendement, ne se comprennent pas isolées, mais comme part d’un tout. Même si ce tout soit donné comme la plus grande expression de la histoire, la signification est plus une catégorie de la vie que une catégorie de la histoire, parce que le concept de force, que est originalement de la vie comme ce qui la move contre la pression exercé par le monde, se trouve aussi dans le monde historique, quand elle est l’essai

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Kadi Sossou, Pierre. "On the road to Kandahar." Cinémas 18, no. 2-3 (2008): 165–90. http://dx.doi.org/10.7202/018557ar.

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RésuméVoyage, rencontre de cultures, double identité du personnage Nafas constituent des éléments qui fondentKandahar, le film du réalisateur iranien Mohsen Makhmalbaf (2001), comme road movie interculturel. Prenant pour prétexte la quête d’une soeur à sauver à Kandahar, le film fait de la narration de la route un expédient pour promener le spectateur dans les méandres de l’Afghanistan des Talibans. Sur cette route qui oriente vers les clivages entre hommes et femmes afghans, Nafas n’a de cesse d’enlever et de mettre son voile (burqa), donnant ainsi lieu de s’interroger sur la posture du dévoi

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Bachand, Denis, and Karine Bertrand. "Récits croisés d’une migration intérieure. L’identité à l’épreuve du territoire dans Deux Frogs dans l’Ouest et Le divan du monde." Hors dossier 26, no. 1 (2016): 109–27. http://dx.doi.org/10.7202/1037004ar.

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Partant d’une réflexion menée par Walter Moser (2008) sur les déclinaisons du road movie, cet article examine la reprise du genre dans deux films franco-canadiens qui utilisent le motif de la route pour mettre en scène une quête identitaire : celle de deux jeunes femmes francophones (une Québécoise et une Acadienne), dont la traversée du territoire canadien, où prédomine la langue de la majorité anglophone, illustre comment la déterritorialisation du sujet minoritaire l’amène à se redéfinir dans un espace d’altérité qui, ultimement, contribue à la reconfiguration de son identité. L’analyse de

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Brégent-Heald, Dominique. "“Come to Canada”: Wartime Tourism Promotion and the Amateur Film Movement." Canadian Journal of Film Studies 31, no. 1 (2022): 23–48. http://dx.doi.org/10.3138/cjfs-2021-0008.

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Le présent article, qui s’appuie sur des documents d’archives et des périodiques spécialisés tels que Movie Makers et American Cinematographer, examine les liens entre la promotion gouvernementale du tourisme au Canada et le monde du cinéma amateur pendant la Seconde Guerre mondiale. Malgré les pénuries et les mesures de rationnement ayant limité les voyages et déplacements à des fins récréatives de part et d’autre de la frontière canado-américaine, l’idée selon laquelle les campagnes de tourisme au Canada avaient cessé au cours de cette période est erronée. Les dollars des touristes américain

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Frey, Marco, and Francesco Rizzi. "La geotermia in Italia e nel mondo: dibattito scientifico e segnali di mercato." ECONOMICS AND POLICY OF ENERGY AND THE ENVIRONMENT, no. 3 (July 2009): 5–18. http://dx.doi.org/10.3280/efe2008-003001.

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- This paper describes the state of the art in development and utilization of geothermal resources in Italy and Tuscany. Departing from the geological peculiarities of this region, which have contributed to Italy's leading role in technological innovation since the beginning of geothermoelectric power generation (GPG), recent evidences from the market and scientific community are here analyzed in order to answer the question whether the economic downturn will put geothermal energy on the back burner, or if it will function as a catalyst for change. The first section explores the role of geothe

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Nunn, Robert. "Marginality and English-Canadian Theatre." Theatre Research International 17, no. 3 (1992): 217–25. http://dx.doi.org/10.1017/s0307883300016564.

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Le théâtre canadien anglais a toujours été et est encore un art marginal. Bien que certaines transformations culturelles et économiques–nous pensons, par exemple, à la poussée exponentielle de la culture de masse–aient contribué à marginaliser le théâtre, au Canada aussi bien que dans le reste du monde, nous considérons que cette marginalisation constitue un élément positif de la culture post-coloniale et postmoderne. Le théâtre Canadian anglais, plus que tout autre, est un produit presque exclusif des théâtres «à cote», ou alternatifs. Trois pièces récentes, deux écrites en anglais (Love and

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Argod, Pascale. "Le carnet de voyage audiovisuel ou cinématographique." Téoros 30, no. 1 (2012): 119–27. http://dx.doi.org/10.7202/1012115ar.

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Compte rendu du témoignage vécu du voyageur, le carnet de voyage se déclinerait aussi sous diverses formes audiovisuelles : l’émergence des arts graphiques dans l’oeuvre cinématographique, des séries télévisuelles de carnets de voyage, du documentaire de création d’un périple à la quête ethnographique ou encore du reportage d’expéditions naturalistes à visée « scientifique ». Par son regard sensible sur le monde et le voyage, le carnet de voyage interroge le réel dans son ambivalence entre documentaire de création et fiction. Autobiographie filmée d’un périple original, le carnet de voyage cin

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Haralambidou, Penelope. "The architectural essay film." Architectural Research Quarterly 19, no. 3 (2015): 234–48. http://dx.doi.org/10.1017/s1359135515000524.

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Recent advancements in digital technology, have not only deeply transformed the production of film and architecture but brought the two disciplines closer than ever before. The digital has allowed ground-breaking, if not hasty, changes in the way that architecture is not only produced, but also designed and conceived. In contrast, however, to the extensive use of computational design to interrogate the formal, material and structural possibilities of architecture, this article explores how new time-based media and computer generated imagery in film can unlock the story-telling, political and p

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Coura Guimarães, Gustavo. "L’intertexte entre le réel et l’imaginaire dans le cinéma de Wim Wenders." Fotocinema. Revista científica de cine y fotografía, no. 6 (March 17, 2013): 43–53. http://dx.doi.org/10.24310/fotocinema.2013.v0i6.5908.

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Cet article interroge la façon dont le cinéma représente à l’écran la frontière qui existe entre le monde imaginaire des personnages et celui qu’on appelle « monde réel ». Afin de vérifier la figuration à l’écran de cette relation parfois contradictoire, voir complémentaire, on fera une brève étude du film l’Etat des Choses (1982), de Wim Wenders. Le cinéaste est né en Allemagne, en 1945. Initialement, Wenders a étudié médicine et philosophie pendant deux ans, mais, en 1967, il a changé d’avis afin de poursuivre ses études dans l’audiovisuel. A partir de là, le réalisateur s’est fait connaître

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Bracci, Francesca. "Creativity and educational practices. Towards a model of development of critical and creative skills." Form@re - Open Journal per la formazione in rete 22, no. 1 (2022): 217–28. http://dx.doi.org/10.36253/form-12955.

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This article proposes a reflection on the development of an educational model to promote creative thinking skills specifically addressed to students who are preparing for teaching professions. The reasons underlying this interest are related to recognizing: (1) creativity, also in light of the development of technologies, as one of the most requested and rewarded skills compared to the professional scenarios that are taking shape; (2) the centrality that future professionals working in school institutions have in forming global citizens who are able to move in a world that is constantly changi

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Edwards, Natalie. "Linguistic Rencontres in Kim Thúy’s Mãn." PORTAL Journal of Multidisciplinary International Studies 15, no. 1-2 (2018): 6–19. http://dx.doi.org/10.5130/portal.v15i1-2.5738.

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Linguist Ofelia Garcia proposes the term ‘translanguaging’ to refer to a ‘dynamic bilingualism’ that ‘is centred, not on languages as has often been the case, but on the practices of bilinguals that are readily observable in order to make sense of their multilingual worlds’. In this article, I examine Kim Thúy’s practice of translanguaging in her 2013 text Mãn. In this text, Francophone Vietnamese writer Thúy blends French and Vietnamese to create a dynamic, plurilingual idiom. I focus on three narrative strategies that Thúy develops: her bilingual inscriptions in the margins of each page, her

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Seville, Adrian. "The Game of the Sphere or of the Universe — a Spiral Race Game from 17th century France." Board Game Studies Journal 10, no. 1 (2016): 1–16. http://dx.doi.org/10.1515/bgs-2016-0001.

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Abstract Simple race games, played with dice and without choice of move, are known from antiquity. In the late 16th century, specific examples of this class of game emerged from Italy and spread rapidly into other countries of Europe. Pre-eminent was the Game of the Goose, which spawned thousands of variants over the succeeding centuries to the present day, including educational, polemical and promotional variants.1 The educational variants began as a French invention of the 17th century, the earliest of known date being a game to teach Geography, the Jeu du Monde by Pierre Duval, published in

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Calderaro, Monica, and Marta Senesi. "Disney: crime in fairy tales*." Rivista di Psicopatologia Forense, Medicina Legale, Criminologia 22, no. 1-2-3 (2017): 27–30. http://dx.doi.org/10.4081/psyco.2017.10.

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The screen is colored by a celestial sky and begins to outline a castle under whose white gold stands the "Walt Disney Pictures", a semi-crown crown all and the doors of the fantasy are ready to open to the spectators. This is the classic presentation of a Disney Movie that at least once in a lifetime will happen to each of us to attend and accompany the childhood of millions of children. But what is waiting behind that castle? Charming spells and sparks of magic? Absolutely. Princesses to save and charming princes to dream? Absolutely yes. Speaking animals and an Never Land? All this and much

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Romero, Maria Vita. "Medicina e morale in Descartes / Medicine and ethics in Descartes." Medicina e Morale 66, no. 5 (2017): 603–15. http://dx.doi.org/10.4081/mem.2017.509.

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Descartes considera la medicina e la morale come due discipline accomunate dal conseguimento – ciascuna con mezzi e metodi propri – di un fine comune: la salute psicofisica sia come valore in sé, sia come indispensabile premessa per cogliere la felicità in questo mondo. Infatti, se l’uomo non è una “macchina animale”, ma un “composto umano” di anima e di corpo, allora bisogna riconoscere che la medicina e la morale mirano entrambe all’integrità di questo composé humain: l’una guardando al corpo unito alla mente, l’altra alla mente unita al corpo. Sulla scia degli studi condotti sulla machine a

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SAIFI, Mohammed El amine. "Investigating Teachers’ Attitudes towards Implementing an Intercultural Approach to Teach Speaking. The Case of 1st Year EFL Learners at Mentouri University of Constantine." ALTRALANG Journal 2, no. 01 (2020): 283–303. http://dx.doi.org/10.52919/altralang.v2i01.66.

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ABSTRACT: This study investigates the attitudes of Oral Comprehension and Expression (OCE) teachers towards the adaptation and implementation of intercultural language teaching insights to teach speaking for 1st year students of English as a Foreign Language (EFL) at ‘Frères Mentouri’ University (FMU) of Constantine. Regarding those students’ relatively low level in oral proficiency and their remarkable communication deficiencies when using English, the efficiency of the underlying OCE course was questioned. Hence, it was assumed that adapting some insights from the prevailing intercultural ap

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Stoffel, Jean-François. "«Comme la chair rôtie à la broche…»." Revue des questions scientifiques 189, no. 1-2 (2018): 101–201. http://dx.doi.org/10.14428/qs.v189i1-2.68753.

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Attestée à partir du XIVe siècle, l’analogie de la chair rôtie à la broche soutient que vouloir faire tourner le Soleil autour d’une Terre rigoureusement immobile serait aussi ridicule que prétendre faire tourner le feu à l’entour de la viande à rôtir, car c’est au contraire à la Terre qu’il convient de tourner sur elle-même pour profiter, en tout point de sa surface, des bienfaits du Soleil, tout comme c’est à la viande qu’il incombe de tourner à la broche devant un feu immobile pour être parfaitement cuite de tous les côtés. Destinée, dans le géocentrisme, à souligner la plausibilité logique

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Testa, Bart. "Film and Religion the Hidden God: Film and Faith. Edited by Mary Lea Bandy and Antonio Monda; Perspectives on the Passion of the Christ: Religious Thinkers and Writers Explore the Issues Raised by the Controversial Movie; The End of the World: The Apocalyptic Imagination. John W. Martens; Film As Religion: Myths, Morals, and Rituals. John Lyden; Alien Sex: The Body and Desire in Cinema and Theology. Gerard Loughlin; Cinema, Religion and the Romantic Legacy. Paul Coates." Canadian Journal of Film Studies 15, no. 1 (2006): 75–87. http://dx.doi.org/10.3138/cjfs.15.1.75.

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Bonham, Oliver, Bruce Broster, David Cane, Keith Johnson, and Kate MacLachlan. "The Development of Canada's Competency Profile for Professional Geoscientists at Entry-to-Practice." Geoscience Canada 44, no. 2 (2017): 77–84. http://dx.doi.org/10.12789/geocanj.2017.44.118.

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Competency-based assessment approaches to professional registration reflect the move by professions, both in Canada and around the world, away from traditional credentials-based assessments centred on a combination of academic achievements and supervised practice time. Entry to practice competencies are the abilities required to enable effective and safe entry-level practice in a profession. In 2012, Geoscientists Canada received funding from the Government of Canada’s Foreign Credentials Recognition Program. A central component of the funding involved the development of a competency profile t

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Ross, Kenneth. "Christian Mission and the End of Poverty: Time for Eschatology La Mission chrétienne et la fin de la pauvreté : le temps de l'eschatologie Christliche Mission und das Ende der Armut: Zeit der Eschatologie Misión cristiana y el fin de la pobreza: Tiempo de escatología." Mission Studies 24, no. 1 (2007): 79–97. http://dx.doi.org/10.1163/157338307x191589.

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AbstractThe measures required to end extreme poverty have been well-defined. The motivation to implement them has been conspicuously lacking. In attempting to make good this deficit and to create a sense of urgency, an eschatological framework has been created, notably with the Millennium Development Goals and their target date of 2015. However, the climate of hope and expectation engendered by the MDGs is vulnerable to disenchantment when the political and economic forces at play seem to frustrate the efforts being made to combat poverty. Christian faith offers a blend of hope and realism whi

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Pélissier, René. "Le Mozambique et ses « cousins » [Benjamin Nûnez : Dictionary of Portuguese-African Civilization, vol. 1 : From discovery to independence ; Jaroslav Cerny & Otakar Hulec (eds) : Africana Bohemien. Bibliographia 1918-1988 ; Tim Youngs : Travellers in Africa. British travelogues, 1850-1900 ; Sven Lindqvist : « Exterminate all the brutes » ; Nils Chr. Stenseth, Kjetil Paulsen & Rolf Karlsen (red.) : Afrika. Natur, samfunn og Bistand ; Abdulai Sila : L'ultime tragédie ; Colin Darch : Tanzania. Revised edition ; Pierre Macaire : L'héritage makhuwa au Mozambique ; Andrew C. Ross : Blantyre Mission and the making of modern Malawi ; Allen Isaacman : Cotton is the mother of poverty. Peasants, work and rural struggle in colonial Mozambique, 1938-1961 ; Ricardo de Saavedra : Os dias do fini ; Carlos Vale Ferraz : Os lobos nâo usam coleiras ; Rachel Waterhouse : Mozambique. Rising from the ashes ; Satu Ojanperâ : When people have to move away. Ressettlement as part of erosion control in Nacala, Mozambique ; Jean Dominique Durand et Régis Ladous : Andréa Riccardi, Sant'Egidio, Rome et le Monde ; Éric Morier-Genoud : Of God and Caesar : The relation between Christian Churches and the State in colonial Mozambique, 1974-1981 ; Nations unies : The emergency situation in Mozambique. Priority, requirements for the period 1990-1991 ; Philippe Val : Allez-y, vous n 'en reviendrez pas (la suite) ; Joseph Hanlon : Peace without profit. How the IMF blocks rebuilding in Mozambique ; Brazâo Mazula : Educaçâo, culturel e ideologia em Moçambique : 1975-1985 ; Stephen John Stedman : Peacemaking in civil war. International mediation in Zimbabwe, 1974-1980 ; Thomas Ohlson, Stephen John Stedman & Robert Davies : The new is not born. Conflict resolution in Southern Africa ; Edmond J. Keller & Donald Rothchild (eds.) : Africa in the new international order. Rethinking State sovereignty and régional security ; hester A. Crocker, Fen Osler Hampson & Pamela Aall (eds.) : Managing global chaos. Sources of and responses to international conflict ; Paul B. Rich (éd.) : Reaction and renewal in South Africa ; Jakkie Cilliers & Greg Mills (eds.) : Peacekeeping in Africa, vol. 2]." Revue française d'histoire d'outre-mer 84, no. 317 (1997): 127–33. http://dx.doi.org/10.3406/outre.1997.3592.

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Alonge, Ayodele, and Toluwase Asubiaro. "Associations between Nollywood Movies and Risky Sexual Behaviours among in-School Youths in Nigeria: An Ongoing Study." Proceedings of the Annual Conference of CAIS / Actes du congrès annuel de l'ACSI, November 8, 2020. http://dx.doi.org/10.29173/cais1142.

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Nollywood, the second largest movie industry in the world after America’s Hollywood, is Nigeria’s movie industry. This ongoing study investigates how sexual messages and scenes are communicated to viewers and if there is correlation between the pattern of Nollywood movies exposure and sexual behaviour of in-school adolescents in the southwestern part of Nigeria. Data will be collected from the participants through questionnaire while content of popular Nollywood movies among the participants will be content analyzed. It is expected that this study will provide information about the frequency o

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Abedin, Zaynul. "The Magic Realist World of “Mondo” in Le Clézio’s Mondo and Other Stories." Spectrum, November 17, 2022, 207–17. http://dx.doi.org/10.3329/spectrum.v16i100.61079.

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Born of a French mother, and an English-descent Mauritanian father, Jean-Marie Gustave Le Clézio (Le Clézio for short) often identifies himself as Franco- Mauritanian writer always on the move. In spite of his vehement repudiation of a fixed identity for himself, he has bought himself a home in Mexico, extensively travelled the length and breadth of Africa and wistfully pondered the questions of the other, especially through his representation of the locale, the flora and fauna, and the culture of the world outside Europe. This article singles out “Mondo”, arguably the most important short sto

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Louet, Sylvain. "Sur les seuils du road movie de cavale. Réinventer le héros populaire états-unien." Captures 7, no. 1 (2022). http://dx.doi.org/10.7202/1091537ar.

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Comment, à la fin du XXe siècle, le road movie de cavale réinvente-t-il le héros populaire états-unien à travers la figure du seuil? Qu’une fiction fasse du seuil une séparation, une ouverture ou un espace tiers, elle interroge ce genre filmique, la culture états-unienne et l’identité de ses personnages à l’aune du jugement des spectateurs. Cette étude vise à montrer comment les protagonistes, en affirmant des valeurs authentiques dans un monde dégradé, deviennent des héros par leur capacité de médiation.

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Rose, Chad A., Susan M. Swearer, and Dorothy L. Espelage. "Bullying and Students with Disabilities: The Untold Narrative." Focus on Exceptional Children 45, no. 2 (2012). http://dx.doi.org/10.17161/fec.v45i2.6682.

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The documentary Bully was released nationwide in theaters in March 2012. Originally titled The Bully Project, the filmmakers followed five families whose lives had been turned upside down by bullying. Two of the families in the movie lost their sons, Tyler and Ty, to suicide, and three of the youth in the movie,Alex, Kelby, and Ja'Meya, were bullied in school and on the school bus. The movie shows the devastating consequences of bullying and the depressingly poor response on the part of adults. What the movie does not address is the mental health history of one of the boys, who commits suicide

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Rose, Chad A., Susan M. Swearer, and Dorothy L. Espelage. "Bullying and Students with Disabilities: The Untold Narrative." Focus on Exceptional Children 45, no. 2 (2012). http://dx.doi.org/10.17161/foec.v45i2.6682.

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The documentary Bully was released nationwide in theaters in March 2012. Originally titled The Bully Project, the filmmakers followed five families whose lives had been turned upside down by bullying. Two of the families in the movie lost their sons, Tyler and Ty, to suicide, and three of the youth in the movie,Alex, Kelby, and Ja'Meya, were bullied in school and on the school bus. The movie shows the devastating consequences of bullying and the depressingly poor response on the part of adults. What the movie does not address is the mental health history of one of the boys, who commits suicide

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Quadrio Curzio, Alberto. "TEORIE E REALTA' NEL MONDO DELL'ECONOMIA QUANTITATIVA." Istituto Lombardo - Accademia di Scienze e Lettere - Incontri di Studio, November 18, 2013, 13–41. http://dx.doi.org/10.4081/incontri.2008.47.

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Riassunto. – La scienza economica e la realtà economica si muovono insieme, in quanto la prima si propone di spiegare la seconda, attraverso l’interpretazione del passato e del presente, cercando di governare il presente stesso, anticipando e cercando di governare il suo futuro. La scienza economica ha lo scopo di conoscere la realtà economica per accrescere il controllo umano su di essa. Per questo aspetti positivi e normativi sono parte della natura della scienza economica, in quanto regole e piani di azione e di controllo. Il quesito se la scienza economica sia più vicina alle scienze matem

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Juan, Myriam. "« Gloire, amour et cinéma »." Déméter, no. 4 | Hiver (February 1, 2020). http://dx.doi.org/10.54563/demeter.138.

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Si le cinéma a permis à certains de ses artistes d’accéder à une renommée internationale sans avoir à entreprendre de longues tournées à l’étranger, les stars américaines n’en sont pas moins nombreuses à voyager de par le monde dans les années 1920. Étape quasi obligée dans leurs parcours, la France reçoit ainsi régulièrement, au cours de la décennie, des étoiles hollywoodiennes officiellement venues se reposer de leur dur labeur au pays des movies. À travers des récits de ces séjours proposés par la presse et par les artistes eux-mêmes, des photographies et des actualités filmées, cet article

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Heyer, Paul. "Live from the Met: Medium Theory and Digital Broadcast Cinema." Canadian Journal of Communication 33, no. 4 (2008). http://dx.doi.org/10.22230/cjc.2008v33n4a2090.

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Abstract: Beginning with the 2006-07 season, the New York Metropolitan Opera began broadcasting live performances into select movie theatres around the world. This article explores the phenomenon using an approach known as medium theory. It draws from the work of three analysts in that tradition who have focused on the performing and recording arts: Edmund Carpenter, John Ellis, and James Monaco. The author coins the term “digital broadcast cinema” (DBC) to refer to the virtual experience of seeing a live opera on a big screen in high definition. The Met’s project is assessed with respect to t

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Landi, Andrea. "Street knowledge. Stories, codes and street life / Conoscere la strada. Storie, codici e vita di strada / Conocer la calle. Historias, códigos y vida callejera." Rivista di Psicopatologia Forense, Medicina Legale, Criminologia, September 30, 2019. http://dx.doi.org/10.4081/psyco.2019.45.

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This work, besides making a careful examination, represents a real journey inside of a world that has gone through times and places, broke patterns of the past to live without, has undergone changes and revolutions, has known love to destroy hatred, is the knowledge of the movement, the movement of the body and mind ... is the hip hop!! The word "hip hop" contains the term "movement", that it is not only part of its meaning, but is what it represents. The hip hop, in fact, is born and begins to move from a road, or rather from a more restricted and circumscribed place, a house in the neighborh

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Hagedorn, Anselm C. "Place and Space in the Song of Songs." Zeitschrift für die alttestamentliche Wissenschaft 127, no. 2 (2015). http://dx.doi.org/10.1515/zaw-2015-0012.

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The article investigates the role of space in the Song of Songs. Taking recent theoretical insights into spatiality (M. Foucault, E. Soja, H. Lefebvre) as a starting point for an exegesis of selected passages from Song of Songs (Cant 4,12–5,1; 6,2 f.) it is argued that by using the imagery of the garden and the vineyard, Song of Songs creates spaces that are in between the enclosed world of city and house and the wide-open countryside. Since the protagonists of the Song of Songs move and operate in all of these three spaces, binary opposites are only of a limited usefulness when explaining the

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Hähnel-Mesnard, Carola. "La RDA dans le (rétro)viseur. Plaidoyer pour une autre perception." SYMPOSIUM CULTURE@KULTUR, April 5, 2020. http://dx.doi.org/10.2478/sck-2019-0012.

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AbstractDer Beitrag hinterfragt die Konstruktion und Vermittlung der Erinnerung an die DDR. Heutzutage ist die Interpretation der DDR-Geschichte in den Medien, in den meisten staatlichen Museen sowie in erfolgreichen Kinoproduktionen immer noch stark durch das totalitaristische Paradigma geprägt. Diese Darstellung steht im Widerspruch zur Alltagswahrnehmung der meisten ehemaligen DDR-Bürger. Obwohl sich die Forschung seit langem für Aspekte der Alltagsgeschichte interessiert, sind solche Elemente in den meisten aktuellen Darstellungen der DDR kaum vorhanden. Andreas Dresens und Laila Stielers

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Mignolo, Walter D. "NOVAS REFLEXÕES SOBRE A “IDÉIA DA AMÉRICA LATINA”: a direita, a esquerda e a opção descolonial." Caderno CRH 21, no. 53 (2008). http://dx.doi.org/10.9771/ccrh.v21i53.18970.

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Este texto tem um caráter específico de debate, retomado pelo autor em função de resenhas e entrevistas realizadas sobre o seu livro The Idea of Latin America, publicado em 2005. Inicia demonstrando como as narrativas diversificadas da história da colonização são plurais, mas, ao serem difundidas, unificam-se em narrativas globais de caráter universal, como efeito de processos de totalidade. Para o autor, essa diversidade de forças históricas caladas, mas vivas, hoje se expõem sem perspectiva de retorno ao passado. Nesse sentido, ele fala do projeto modernidade e colonialismo, de descolonizar

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Eggeling, Kristin Anabel, and Rebecca Adler-Nissen. "The Synthetic Situation in Diplomacy: Scopic Media and the Digital Mediation of Estrangement." Global Studies Quarterly 1, no. 2 (2021). http://dx.doi.org/10.1093/isagsq/ksab005.

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ABSTRACT What happens to the diplomatic encounter when it is digitally mediated? This article investigates how multilateral diplomats, who understand themselves as bringing people and polities together, cope with and resist the move to online settings, replacing handshakes with touchless greetings in videoconferences. Our starting point is the Covid-19 pandemic, but the article theorizes the effects of digital technological mediation already under way years before. Translating Knorr Cetina's notion of “synthetic situation” into the discipline of international relations (IR), we address how the

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Hayward, Mark. "Two Ways of Being Italian on Global Television." M/C Journal 11, no. 1 (2008). http://dx.doi.org/10.5204/mcj.25.

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“We have made Italy, now we must make Italians,” in the (probably apocryphal) words of the Prime Minister, sometime after the unification of the nation in 1860. Perhaps in French, if it was said at all. (The quotation is typically attributed to Massimo D’Azeglio, the prime minister of Piedmont and predecessor of the first Italian prime minister Camillo Cavour. Many have suggested that the phrase was misquoted and misunderstood (see Doyle.) D’Azeglio spoke in Italian when he addressed the newly-formed Italian parliament, but my reference to French is meant to indicate the fragility of the natio

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Hayward, Mark. "Two Ways of Being Italian on Global Television." M/C Journal 10, no. 6 (2008). http://dx.doi.org/10.5204/mcj.2718.

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   “We have made Italy, now we must make Italians,” in the (probably apocryphal) words of the Prime Minister, sometime after the unification of the nation in 1860. Perhaps in French, if it was said at all. (The quotation is typically attributed to Massimo D’Azeglio, the prime minister of Piedmont and predecessor of the first Italian prime minister Camillo Cavour. Many have suggested that the phrase was misquoted and misunderstood (see Doyle.) D’Azeglio spoke in Italian when he addressed the newly-formed Italian parliament, but my reference to French is meant to indicate the f

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Sawyer, Mark, and Philip Goldswain. "Reframing Architecture through Design." M/C Journal 24, no. 4 (2021). http://dx.doi.org/10.5204/mcj.2800.

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Re-Framing Participation in the Architecture Studio Recently, within design literature, significant attention has been given to collaboration across different disciplines (see for instance, Nicolini et al.; Carlile), as well as consideration of the breakdown of traditional disciplinarity and the corresponding involvement of users in co-generation (Sanders and Stappers, “Co-Creation” 11–12) through the development and deployment of structured methods and toolkits (Sanders et al., “Framework”; Sanders and Stappers, “Probes”). Relatively less attention has been paid to the workings of the “commun

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Howley, Kevin. "Always Famous." M/C Journal 7, no. 5 (2004). http://dx.doi.org/10.5204/mcj.2452.

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Introduction A snapshot, not unlike countless photographs likely to be found in any number of family albums, shows two figures sitting on a park bench: an elderly and amiable looking man grins beneath the rim of a golf cap; a young boy of twelve smiles wide for the camera — a rather banal scene, captured on film. And yet, this seemingly innocent and unexceptional photograph was the site of a remarkable and wide ranging discourse — encompassing American conservatism, celebrity politics, and the end of the Cold War — as the image circulated around the globe during the weeklong state funeral of R

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Senger, Saesha. "Place, Space, and Time in MC Solaar’s American Francophone." M/C Journal 19, no. 3 (2016). http://dx.doi.org/10.5204/mcj.1100.

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Murray Forman’s text The ‘Hood Comes First: Race, Space, and Place in Rap and Hip-Hop provides insightful commentary on the workings of and relationship between place and space. To highlight the difference of scale between these two parameters, he writes that, “place defines the immediate locale of human interaction in the particular, whereas space is the expanse of mobile trajectories through which subjects pass in their circulation between or among distinct and varied places” (25). This statement reflects Doreen Massey’s earlier observation from her book Space, Place, and Gender that “one vi

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Allmark, Panizza. "Photography after the Incidents: We’re Not Afraid!" M/C Journal 11, no. 1 (2008). http://dx.doi.org/10.5204/mcj.26.

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This article will look at the use of personal photographs that attempt to convey a sense of social activism as a reaction against global terrorism. Moreover, I argue that the photographs uploaded to the site “We’re Not Afraid”, which began after the London bombings in 2005, presents a forum to promote the pleasures of western cultural values as a defence against the anxiety of terror. What is compelling are the ways in which the Website promotes, seemingly, everyday modalities through what may be deemed as the domestic snapshot. Nevertheless, the aura from the context of these images operates

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Allmark, Panizza. "Photography after the Incidents." M/C Journal 10, no. 6 (2008). http://dx.doi.org/10.5204/mcj.2719.

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   This article will look at the use of personal photographs that attempt to convey a sense of social activism as a reaction against global terrorism. Moreover, I argue that the photographs uploaded to the site “We’re Not Afraid”, which began after the London bombings in 2005, presents a forum to promote the pleasures of western cultural values as a defence against the anxiety of terror. What is compelling are the ways in which the Website promotes, seemingly, everyday modalities through what may be deemed as the domestic snapshot. Nevertheless, the aura from the context of t

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