Relevant bibliographies by topics / Mongolian arts

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Mongolian arts'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Mongolian arts"

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Хертек, А. С. "Tuva and Mongolia: cooperation in the fine arts." Iskusstvo Evrazii [The Art of Eurasia], no. 3(22) (September 30, 2021): 116–25. http://dx.doi.org/10.46748/arteuras.2021.03.010.

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Статья посвящена культурным связям между Республикой Тыва и Монголией в связи со 100-летием российско-монгольских дипломатических отношений. Автор приводит обзор ряда фактов из истории тувинского и монгольского изобразительного искусства, совместных выставочных проектов. Так, ключевыми событиями, повлиявшими на творчество мастеров, стали первая крупная выставка тувинских художников и Нади Рушевой в Монгольской Народной Республике в 1984 году, другие выставки в Монголии, Москве и Туве, групповые обменные поездки монгольских и тувинских художников в XX–XXI веках. Важными для сотрудничества стали
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Norov, Batsaikhan, Binderiya Batsaikhan, and Batchimeg Usukhbayar. "Mongol Familiarisation with European Medical Practices in the Nineteenth–Twentieth Centuries." Inner Asia 22, no. 2 (2020): 299–319. http://dx.doi.org/10.1163/22105018-12340152.

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Abstract It was primarily Russian activities in Mongolia between 1860 and 1921, reflecting its geopolitical interests, that introduced European medical practices to the Mongols. Competing alongside other European powers, the Russian Government capitalised on conditions within Mongolia to increase Mongolia’s dependency on Russia. Thus, the Russian government’s motives for medical intervention, like that of other European groups, were mainly political, economic and cultural. In the context of Buddhist dogmatism and the expansive territorial distances between the Mongols (a term this paper uses t
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Borjigin, Huhbator. "The History and the Political Character of the Name of ‘Nei Menggu’ (Inner Mongolia)." Inner Asia 6, no. 1 (2004): 61–80. http://dx.doi.org/10.1163/146481704793647207.

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AbstractAfter the independence of ‘Outer Mongolia’ in 1911, and especially after the founding of the Mongolian People's Republic in 1924, ‘Outer Mongolia’ (Wai Menggu in Chinese or Gadaad Mongol and Ar Mongol in Mongolian) became a historical term. Inner Mongolia, on the other hand, became the focal point of the so–called ‘Mongolian problem’, and its name Nei Menggu (C) or Dotood Mongol (M) remained sinocentric, denoting direct rule as it did in the Qing geographical– administrative demarcation of the Mongols. The question of naming Inner Mongolia in both Chinese and Mongolian has thus become
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Гантулга, Д., and С. Г. Батырева. "Basic Principles of Meaning Expression in the Applied Arts of Ancient Mongolia." Nasledie Vekov, no. 4(24) (December 31, 2020): 53–63. http://dx.doi.org/10.36343/sb.2020.24.4.005.

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В статье рассматривается проблема влияния концептов сознания, разделявшихся творцами древней культуры Монголии на образы, заложенные в произведениях декоративно-прикладного творчества. В качестве стержневой идеи такого смысловыражения принято учение арга билиг. Материалами послужили произведения древнего искусства Монголии и результаты исследований монгольских и российских археологов, искусствоведов и культурологов. Изучены традиционные принципы и символика монгольского декоративно-прикладного искусства. На многочисленных примерах (оленные камни, гуннское литье, печати ханов, стеганый войлок и
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Polyanskaya, Oksana. "Expeditionary Activity of Aleksey Pozdneev (1851—1920) with the Reference to the History of the Development of Scientific Mongolian Studies in Russia." ISTORIYA 13, no. 4 (114) (2022): 0. http://dx.doi.org/10.18254/s207987840021200-9.

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The article deals with the expeditionary work of an outstanding Russian specialist in Mongolian studies Aleksey Matveyevich Pozdneev. He can be characterized by a wide range of work, from collecting field materials, compilation of manuscripts in oriental languages and objects of the religious cult of Buddhists to the creation of fundamental works in the history of the development of scientific Mongolian studies and the organization of leading centers for practical Mongolian studies in Russia, whose tasks were to train specialists in the modern East. The author of the article gives details of t
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Ahearn, Ariell, and D. Bumochir. "Contradictions in Schooling Children among Mongolian Pastoralists." Human Organization 75, no. 1 (2016): 87–96. http://dx.doi.org/10.17730/0018-7259-75.1.87.

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Mongolian pastoralist households with children face an annual decision at the start of the school year—how to take care of both herds and children separated by long distances and resource needs. This article draws on twelve months of ethnographic research on rural work practices among mobile pastoralists in Mongolia to illustrate how children's access to primary education spatially transforms the organization of herder livelihoods. By prioritizing herder reflections and theoretical insight into their own lives and experiences, we show that educating children within the conditions of Mongolia's
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Ulziibadrakh, Zoljargal, and Zoltán Szakály. "Market landscape and the role of marketing in the field of Mongolian performing arts organizations." Anali Ekonomskog fakulteta u Subotici, no. 00 (2024): 40. http://dx.doi.org/10.5937/aneksub2400001u.

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Classical music is a formal music tradition of the Western world; an accepted genre having had many positive benefits on human and animal lives. The most common benefits of classical music are to provide an immersive live experience, support psychological and physiological needs, boost our health and brain functions, and improve productivity. Many countries have a well-developed history and achievement in this field, thus gaining an advantage; however, as classical music entered Mongolian culture comparatively late, it is a promising field in which to conduct research. This study aims to explo
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Уранчимэг, Д., and Ян Гоу Чин. "The formation of the art of socialistic realism in Mongolia: the main stages, the role of the Russian art school." Iskusstvo Evrazii [The Art of Eurasia], no. 4(23) (December 29, 2021): 170–87. http://dx.doi.org/10.46748/arteuras.2021.04.013.

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Статья посвящена стилю социалистического реализма в изобразительном искусстве Монголии. Выделены основные этапы становления и факторы его формирования: революционные события и утверждение идеологии социализма; поддержка нового направления правительством Монголии, а также влияние российской художественной школы. Показана роль Российской академии художеств, Института им. И.Е. Репина, Института им. В.И. Сурикова в обучении и передаче художественных традиций и навыков монгольским художникам. Отмечено своеобразие монгольского варианта стиля соцреализма, синтезировавшего приемы и методы российской ш
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Bikmaeva, Karina I. "Этапы языковой политики в Монгольской Народной Республике". Монголоведение (Монгол судлал) 14, № 2 (2022): 232–46. http://dx.doi.org/10.22162/2500-1523-2022-2-232-246.

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Introduction. The 20th century reform of Mongolian writing shaped the basis for wide transformations in the country’s culture, science, and education. It is noteworthy that the language policy in the Mongolian People’s Republic was not only reduced to the Cyrillic reform of 1941. Goals. The article attempts a variety of insights into multiple directions of language policy in the Mongolian Peo\ple’s Republic. The work distinguishes four main stages of the latter’s implementation, and also compares those to similar processes in the USSR. Materials and methods. The paper analyzes Russian and Mong
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Batmunkh, Mungunchimeg. "The Shugden-Controversy in Contemporary Mongolia." Inner Asia 23, no. 2 (2021): 330–49. http://dx.doi.org/10.1163/22105018-12340177.

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Abstract Since the political upheavals in Mongolia in 1989, the traditional Tibetan-Mongolian protective deity Dorj-Shugden has been rediscovered. Today the Buddhist monasteries Delgeriin khiid, Amarbayasgalant Monastery and Tögsbayasgalant töv venerate him. This paper analyses the role of this deity with particular emphasis on Gungaachoilinig datsan in Gandandegchilin and the Amarbayasgalant Monastery in Mongolia, based on ethnographic fieldwork and semi-structured interviews with monks from six monasteries and visitors of Amarbayasgalant conducted in 2016, 2019 and 2020. The paper also outli
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Dissertations / Theses on the topic "Mongolian arts"

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Munkhuu, Munkhsaikhan <1990&gt. "FUNDING OF MONGOLIAN ARTS AND CULTURE SECTOR IN A FREE MARKET ECONOMY (1990-2014)." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/5125.

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ABSTRACT During the seventy years of socialism in Mongolia, the state governed arts and culture sector (1921-1990) was established based on the European and Soviet models. The state arts organizations had full funding support with widely available human and material resources and well-established implementing structures. However, despite these advantages, the arts organizations and artists were limited by the socialist ideology, suffered from strong censorship, and restricted exposure to the international exchange platform. Conversely, Mongolia became a democratic country in the re
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Curtet, Johanni. "La transmission du höömij, un art du timbre vocal : ethnomusicologie et histoire du chant diphonique mongol." Phd thesis, Université Rennes 2, 2013. http://tel.archives-ouvertes.fr/tel-00949955.

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Cette thèse est une étude ethnomusicologique à dimension historique portant sur la transmission globale du höömij en Mongolie. Pour expliquer l'évolution de cette technique vocale, sont explorés les légendes, les conceptions autochtones, l'histoire des années 1950 au début des années 2010 et la mise en patrimoine pour l'avenir.La première partie montre comment le chant diphonique prend forme dans sa culture. Perçu comme un art du timbre par ses détenteurs, il entretient des relations avec la nature, ainsi qu'un ensemble de techniques vocales et instrumentales issues des contextes rituel et pas
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Berends, J. W. "Escaping the rhetoric : a Mongolian perspective on participation in rural development projects : a thesis submitted in partial fulfilment of the requirements for the degree of Master of Applied Science in International Rural Development at Lincoln University /." Diss., Lincoln University, 2009. http://hdl.handle.net/10182/1307.

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This thesis explores how stakeholders in Mongolian rural development projects interpret the concept of 'participation'. While previous research has provided an ethnographic snapshot of participation in rural development projects, none has yet focused on Mongolia – a post-socialist nation that receives significant amounts of foreign aid. To gain a holistic picture of 'participation', this study explores: how stakeholders understand participation; what stakeholders perceive and prioritise as the benefits of participation; and which factors motivate or inhibit participation. This study's methodol
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Light, Nathan. "Répertoire des pétroglyphes d'Asie Centrale. Fascicule no. 6. By Esther Jacobson, et al. : Mongolie du Nord-Ouest, Tsagaan Salaa/Baga Oigor." Bloomington : The Mongolia Society, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-201647.

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Blanchier, Raphaël. "Les danses mongoles en héritage : performance et transmission du bii biêlgee et de la danse mongole scénique en Mongolie contemporaine." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEP027/document.

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Au croisement de l’anthropologie sociale et des arts du spectacle, cette thèse est consacrée à la transmission dans les danses mongoles en Mongolie contemporaine. En abordant l’étude de la performance dansée sous l’angle de la transmission, l’objectif principal de ce travail est de comprendre le rôle des danses dans l’engendrement d’un sentiment d’appartenance national. Dans cette perspective, la Mongolie constitue un terrain d’investigation particulièrement fécond. D’une part le bii bielgee, danse des Oirad (Mongols de l’ouest), inscrit au Patrimoine Culturel Immatériel de l’UNESCO, est intim
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Mohler, Sarah Lynn. "The Bones of the Horse: A Personal and Cultural History." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1587401648900525.

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O'Sullivan, Rebecca. "Landscape and connections : petroglyphs of the Altai in the 2nd and 1st Millennium BCE." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:0171a563-274b-4b02-9577-4c31dfe9f388.

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This thesis presents a holistic study of connections in the Altai Mountains of the eastern Eurasian Steppe, as shown by rock-art. Currently divided by four countries, pecked images (petroglyphs) and painted images from the 2<sup>nd</sup>-1<sup>st</sup> millennium BCE have been subjected to very separate research traditions, exacerbated by language barriers. This thesis focusses on the entire Altai Mountain range as a study area, integrating research published in Chinese and Russian, with supplementary literature in Kazakh and Mongolian consulted. To demonstrate the potential for connectivity a
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"Höömii-Tsol-Thinking Computer: Applying Selected Ancient Mongolian Vocal Practices to Contemporary Computer Music Composition." Doctoral diss., 2016. http://hdl.handle.net/2286/R.I.41244.

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abstract: Mongolian overtone singing (höömii) and Mongolian wrestling songs (tsols) are vocal styles that evoke physical and mental strength in the vocalist through the accessing of nature. The phrase “höömii-tsol-thinking computer” conveys my end-goal while composing, performing, and researching for my original composition strong.mng. I wanted to create a work in which the computer would be informed by the performance methods and philosophies employed during Mongolian höömii and tsols. Strong.mng is a 25-minute production for dancer, live digital illustrator, and overtone singer with a l
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Enkhtaivan, Ochirt, and Ochirt Enkhtaivan. "Predicting the Influence of Relationship on Purchase Intention in Fine Arts Sector of Mongolia." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/vm2s9v.

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碩士<br>亞洲大學<br>經營管理學系碩士班<br>101<br>This study was an effort to determine the principles of Relationship Marketing (RM) on consumer behavior in fine arts sector. Specifically, the study examined the influencing factors that represent a significant impact for relationship marketing (RM) involving potential art purchasers and relationship building process. Mediating effects of perceived trust and perceived satisfaction were examined. This study proposed and tested a structural equation modeling (SEM) to7 explain how and to what extent each variable affects purchase intention using Statistical Prod
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Books on the topic "Mongolian arts"

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T͡sultėm, Ni͡amosoryn. Dekorativno-prikladnoe iskusstvo Mongolii =: Mongolian arts and crafts = Art artisanaux de la Mongolie = Arte decorativo aplicado de Mongolia. Gosizdatel'stvo, 1987.

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I︠A︡damzhav, T︠S︡. Mongol ardyn khėė ugalzyn ėkh du̇rsu̇u̇d. Ulsyn Khėvlėliĭn Gazar, 1985.

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Sonomt︠s︡ėrėn, L. Du̇rslėkh urlagiĭn onol, tu̇u̇khiĭn asuudald. Ulsyn Khėvlėliĭn Gazar, 1987.

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(Organization), Visiting Arts. In the steppes of Genghis Khan: [art and artefacts from Mongolia: 6 May - 19 June 1993.]. Visiting Arts, 1993.

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Bayan. Ȯljei uġalja-yin tebu̇bu̇ri. Śinjiyang-un Arad-un Keblel-un Qoriy-a, 1987.

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T︠S︡ultėm, Ni︠a︡mosoryn. Mongoru mandara bijutsu kōgei: Mongġol-un ġoyul cimeglel-u̇n uraliġ = Mongolian arts and crafts. Shin Jinbutsu Ōraisha, 1988.

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Wickhamsmith, Simon. Politics and Literature in Mongolia (1921-1948). Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462984752.

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Politics and Literature in Mongolia (1921-1948) investigates the relationship between literature and politics during Mongolia’s early revolutionary period. Between the 1921 socialist revolution and the first Writers’ Congress held in April 1948, the literary community constituted a key resource in the formation and implementation of policy. At the same time, debates within the party, discontent among the population, and questions of religion and tradition led to personal and ideological conflict among the intelligentsia and, in many cases, to trials and executions. Using primary texts, many of
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Tui︠a︡a, I︠A︡. Ardyn urlagiĭn ulamzhlal. Mongolyn Urlagiĭn Zȯvlȯl, 2006.

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Sarantui︠a︡a, U. Bogd Zhavzandamba khutagtuudyn du̇r du̇rslėl XVII-XX zuun: G. Zanabazaryn nėrėmzhit Du̇rslėkh Urlagiĭn Muzeĭn san khȯmrȯgȯȯs = Portrayal of Bogd Jebtsundamba Khutuktus XVIII - XX century : from the collection of Fine Arts Zanabazar Museum. Mȯnkhiĭn U̇sėg, 2018.

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Batu, Qing, ed. Menggu min zu zong jiao wen hua. Wen wu chu ban she, 2008.

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Book chapters on the topic "Mongolian arts"

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Eizenhöfer, Paul R. "Accretionary Collision Between the Mongolian Arcs and North China Craton." In Springer Theses. Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-32-9200-0_6.

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Lent, John A. "The Embryonic Stage of the Transnationalizing of Mongolian Comics." In Transnationalism in East and Southeast Asian Comics Art. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95243-3_7.

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Miao, Wencai. "An Analysis of Traditional Mongolian Sports Game Bokh." In Proceedings of the 3rd International Conference on Education, Language and Art (ICELA 2023). Atlantis Press SARL, 2024. http://dx.doi.org/10.2991/978-2-38476-214-9_6.

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Kelley, David. "Rare Earth Image Bank: Extraction Geology and Stock Photos, from Wyoming to Inner Mongolia." In American Art in Asia. Routledge, 2022. http://dx.doi.org/10.4324/9781003130284-9.

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An, Da. "A Comparative Study of the Music of the Turghut Mongolians and the Kalmyks of Russia." In Proceedings of the 2nd International Conference on Education, Language and Art (ICELA 2022). Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-004-6_63.

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D’evelyn, Charlotte, and Jennifer C. Post. "Music and Ethnic Identity in Inner Mongolia." In Mongolian Sound Worlds, edited by Sunmin Yoon and Charlotte D’evelyn. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044373.003.0005.

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This chapter offers an introduction to music and the politics of ethnicity in Inner Mongolia, China. It focuses on the themes of regional sub-ethnic diversity and state arts policies—features that noticeably distinguish Inner Mongolia from the nation of Mongolia. It explores the complexities of Mongol and sub-ethnic Mongol categories in Inner Mongolia, categories that are less visible to the Han Chinese and to foreign outsiders, but with which locals are intimately familiar and aware. To illustrate the close intersections between ethnicity and regional musical style in Inner Mongolia, this cha
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Yoon, Sunmin. "Mongolian Sound Worlds." In Mongolian Sound Worlds, edited by Jennifer C. Post, Sunmin Yoon, and Charlotte D’evelyn. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044373.003.0001.

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The introduction offers the overall background and structure of the volume. Additionally, the chapter includes three short vignettes: Sharav, one of the contemporary composers; Mongolia’s first opera, Uchirtai Gurvan Tolgoi (Three Fateful Hills); and the context and changing performance style of the National Academic State Ensemble. Through these three snapshots, the introduction explores Mongolia’s musical history, reflecting the current musical scene in Ulaanbaatar, aspects of Western art music in Mongolia, and finally the fluid mobility of Mongolia’s culture.
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Jagchid, Sechin, Paul Hyer, and Joseph Fletcher. "Letters and Arts." In Mongolia’s Culture and Society. Routledge, 2019. http://dx.doi.org/10.4324/9780429050855-5.

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Wickhamsmith, Simon. "Staging a Revolution." In Politics and Literature in Mongolia (1921-1948). Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462984752_ch02.

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Since the vast majority of Mongolia’s population was illiterate, its revolution was initially acted out upon the stage. Amateur actors and revolutionary youth groups came together – the former portraying the ideological material promoted by the latter – in an attempt to develop a new understanding of, and approach to, theatrical performance. In this way, small theater groups spread across the country, performing ideological education to show, through satire and through historical and social drama, the misery and inequality of pre-revolutionary Mongolia and the benefits the revolution had broug
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Jacobson-Tepfer, Esther. "Mongolian Rock Art:." In Rock Art Studies: News of the World V. Archaeopress Publishing Ltd, 2016. http://dx.doi.org/10.2307/j.ctvxrq0fv.15.

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Conference papers on the topic "Mongolian arts"

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Belokurova, Sophia. "CREATIVITY OF THE MONGOLIAN ARTIST Z. UYANGA: ANALYSIS OF THE GRAPHIC SERIES "WOMEN OF MONGOLIA"." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s22.003.

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Li, Kun. "The Influence of Mongolian Students’ Emotional Factors on Language Acquisition." In 2015 International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.161.

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Zhang, Hong. "Research on Horqin Mongolian Traditional Sports Culture." In 2018 4th International Conference on Economics, Social Science, Arts, Education and Management Engineering (ESSAEME 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/essaeme-18.2018.87.

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He, Hongyan. "New Trend of Evolution in Modern Mongolian Costume Art." In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.37.

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Yue, Junying, Guanglai Gao, and Min Lin. "Study on Root + Affix Form-Based Mongolian Information Retrieval Unit." In 3rd International Conference on Management Science, Education Technology, Arts, Social Science and Economics. Atlantis Press, 2015. http://dx.doi.org/10.2991/msetasse-15.2015.155.

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"The Collapse of Yuan Dynasty from the Drinking Habit of the Mongolian." In 2018 2nd International Conference on Social Sciences, Arts and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ssah.2018.004.

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Chen, Yugang. "The application of Mongolian costume elements in modern fashion design." In 4th International Conference on Management Science, Education Technology, Arts, Social Science and Economics 2016. Atlantis Press, 2016. http://dx.doi.org/10.2991/msetasse-16.2016.25.

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Byambasaikhan, Nomindari, Mungunchimeg Amar, Enkhbaatar Tsedenbazar, and Zolzaya Choijin. "Analysis of the Use of English Article by Mongolian Students: On the Cases of GMIT Students." In The Asian Conference on Arts & Humanities 202. The International Academic Forum(IAFOR), 2024. http://dx.doi.org/10.22492/issn.2186-229x.2024.31.

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9

Ma, Zhanxin, and Batbaatar Altantuya. "Research on the efficiency of Mongolian large and medium commercial banks." In Proceedings of the 2018 International Conference on Management, Economics, Education, Arts and Humanities (MEEAH 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/meeah-18.2018.8.

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Huo, Suyalema, Baojun Chu, and Luoxuan Zhou. "The Application of Mongolian Cultural Symbols in the Design of Dynamic Character Emoticons." In The 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210106.119.

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