Relevant bibliographies by topics / Mongolian Folk poetry

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Academic literature on the topic 'Mongolian Folk poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Mongolian Folk poetry"

1

ZORIGT MANDULA. "Research on Folk Tales Sound Features." Academic Journal of Science and Technology 15, no. 3 (2025): 59–62. https://doi.org/10.54097/2faqca31.

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Features of the song culture in the folk tales of Tusheet: Mongolian songs from other countries and Chinese literature have been influenced by the local conditions and the creation of new songs, along with the compositional method that combines the themes of ancient Mongolian literature with the elements of poetry and narration, the ancient form-relational dictionary of Mongolian oral literature, and the melody of all ancient worship songs, which have been carefully preserved and inherited, and have been composed and sung to this day. In particular, the lively and lively nature of the story so
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2

A., Alimaa, та Tseveendorj D. "Байгаль, экологийн сэдэвт монголын аман болон орчин үеийн яруу найргийн бүтээлүүд (= Произведения устной и современной поэзии о природе и экологии)". Бюллетень Калмыцкого научного центра Российской академии наук 15, № 3 (2020): 189–206. http://dx.doi.org/10.22162/2587-6503-2020-3-15-189-206.

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The social priorities of literature are the tribune of environmental idiology. Today, in the Mongolian literature, the direction of ecocriticism has been established. This article makes an analysis in traditional Mongolian poetry and modern poetry on the topic of nature conservation and ecology. In Mongolian folklore praise the purity of nature and the motherland. His idol of pure nature is praise and praise. But each species has its own color. The topic of nature protection in Mongolian folklore (Orthodoxy, Magtaal-praise, Tuul-epic, du-folk songs and myth) is that a person should not control
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3

B, Dulmaa. "About Mongolian translation of poems by Kim So-Wol." Translation Studies 11, no. 1 (2023): 190–205. http://dx.doi.org/10.22353/ts20230120.

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Abstract of the Mongolian language translation of two poems by Kim So-Wol, a famous Korean poet One of the prominent poet Kim So-Wol's poems is famous for being like "traditional folk song lyrics". Kim So-Wol is well known for expressing the feeling of Korean people's "sadness and sorrow" through his poems. In this study, I tried to do side by side comparison of Mongolian language translation by 3 different translators' work in his poems "Azalea Flower" and "Calling the Soul". In these two poems, one describes the sorrow of feeling separated from his love of life by no choice but to let her go
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4

Olzkhuu, Otgonbaatar, and Qiburi. "Principles of God in Nomad Epics." Mongolian Journal of Humanities and Social Sciences 10, no. 20 (2025): 26–34. https://doi.org/10.69542/mjhss.v10i20.4206.

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The Mongolian folk heroic epic is a giant dinosaur of early oral poetry, a complex of multiple forms of the oral art tradition. Therefore, the Mongolian folk heroic epics have created many types of studies covering the wide scope of epic studies from ancient times until now. Herein, dozens of books and articles have been written and published, such as the study of character description of Mongolian heroic epics, the study of symbolism, the study of historical methodology, the biographical works of epic writers, and the rituals of epics. As far as we know our academics have compared and studied
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5

Khaninova, Rimma. "Dombra in Kalmyk folklore and Lyrics of the 20th – early 21st centuries: poetics of a musical instrument." Бюллетень Калмыцкого научного центра Российской академии наук, no. 1 (May 15, 2024): 178–208. http://dx.doi.org/10.22162/2587-6503-2024-1-29-178-208.

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The relevance and novelty of the article is determined by the fact that the poetics of a musical instrument was not the object and subject of research in Kalmyk folklore and poetry. Among the national musical instruments, the dombra retains its functionality at the present stage. The study of dombra as a thing and as a musical instrument in the translation of folk culture and art is of interest in a historical-functional, comparative-comparative sense when referring to both folklore and poetry, since it demonstrates the tradition, the continuity of the works of poets on this topic. In Kalmyk o
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6

Rachewiltz, Igor De. "The Secret History of the Mongols: A Mongolian epic chronicle of the thirteenth century Translated with a historical and philological commentary." Inner Asia 7, no. 1 (2005): 125–32. http://dx.doi.org/10.1163/146481705793647044.

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AbstractThe appearance of this new publication by Igor de Rachewiltz is evidence of the unquenchable interest in the Mongolian medieval literary monument The Secret History of the Mongols. To quote: ‘The real interest of the Secret History lies . . . in its faithful description of the Mongol tribal life in the 12th and 13th centuries’. Why is this text so especially valuable? Firstly, ‘The Secret History stands alone also because it is so close to the events which it relates’ (p. lxiv), and secondly, ‘The Secret History is and remains a true and original Mongol product, unique of its kind, for
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7

Khaninova, Rimma M. "Yatha in Kalmyk folklore and lyrics of the 20th century: the poetics of a musical instrument." Монголоведение (Монгол судлал) 16, no. 3 (2024): 610–27. https://doi.org/10.22162/2500-1523-2024-3-610-627.

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The article examines the poetics of the musical instrument ‘yath’ (yatha) in Kalmyk folklore and lyrics of the 20th century. The purpose of the article is to study the tradition of this Kalmyk musical instrument in the aspect of its reflection in the works of Kalmyk poets. Materials and methods. The Kalmyk epic “Dzhangar”, Kalmyk folk tales, Kalmyk folk songs, as well as Mongolian legends, poems by B. B. Sangadzhieva, S. L. Baidyev, E. N. Lidzhiev of the 1960s – early 1970s were used as materials. Comparative and comparative, historical and functional methods, as well as the method of descript
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8

Baljin, Danbuerjiafu (Damrinjav), та Baazr A. Bicheev. "Орос болон өрнө дахинд ойрад-халимагийн ардын дууг цуглуулан тэмдэглэж, эмхэтгэж, хэвлүүлсэн тойм (= История записи и публикации народных песен ойрат-калмыков в России и Европе)". Монголоведение (Монгол судлал) 12, № 3 (2020): 529–66. http://dx.doi.org/10.22162/2500-1523-2020-3-529-566.

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Introduction. Oirats of China, Mongolia and Kalmyks of Russia live in three different countries — but share common ethnic ancestry. Oirats of China primarily reside in Xinjiang, Qinghai, Gansu, Inner Mongolia, and Hara-Muren (Amur River valley). In Mongolia, Oirats traditionally inhabit western provinces, such as Uvs, Khovd, Bayan-Ölgii, Zavkhan, and Khӧvsgӧl. In Russia, Kalmyks live in the Republic of Kalmykia and Astrakhan Oblast. Some minor Oirat and Kalmyk groups reside in Kyrgyzstan, Europe, and America. Despite being separated by historical eras, state borders and differing cultural-econ
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9

Bicheev, Baazr A., та Yeerda. "Триады в тексте «Истории Усун Дебескерту-хана»". Монголоведение (Монгол судлал) 12, № 1 (2020): 22–36. http://dx.doi.org/10.22162/2500-1523-2020-1-22-36.

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Introduction. Long before the creation of a national writing system, the Oirats (Kalmyks) had developed a unique oral poetic tradition. By the late 17th century, there appeared a large number of translated poetic works distinguished by genre and artistic diversity. Oirat scholars would insistently turn to the rich oral poetic heritage. And triads were one such most ancient type of aphoristic poetry, their genre characteristics still remaining a matter of debate: some classify them as riddles, others as proverbs — but it is universally accepted that triads hold a special place in the oral poeti
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10

Sharifova, S. Sh. "Scientific debate about the genre of the Orkhon-Yenisei inscriptions." Turkic Studies Journal, 2021, 98–111. http://dx.doi.org/10.32523/2664-5157-2021-4-98-111.

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This paper attempts to define the genre of the Orkhon-Yenisei Old Turkic inscriptions. The Orkhon -Yenisei inscriptions, found in the territory of modern Mongolia, attracted researchers’ attention in two directions. First, the interest was shown in scientific field, and then in the field of fiction. Along with the historiography, the Orkhon-Yenisei inscriptions have been studied from a cultural point of view, as well as from the point of view of literary criticism. Today Azerbaijani, Turkish and Russian scientists still dispute about the genre of the Orkhon-Yenisei written monuments. Different
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Books on the topic "Mongolian Folk poetry"

1

Ágnes, Birtalan. Hagyományos mongol műveltség: Szöveggyűjtemény. ELTE Bölcsészettudományi Kar Belső-Ázsiai Tanszék, 1996.

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2

Dorvolzhingiĭn, Oiu︡unt︠s︡ét︠s︡ég. Genezis i évoli︠ut︠s︡ii︠a︡ mongol'skogo vokal'no-poéticheskogo zhanra urtyn-duu. Admon, 2006.

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3

Katuu, Balciġ-un. Altaĭn uriankhaĭn tuulʹ. ["Mȯnkhiĭn U̇sėg" KhKhK], 2001.

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4

P, Khorloo. Narodnai͡a︡ pesennai͡a︡ poėzii͡a︡ mongolov: Problema zhanrovogo sostava. "Nauka," Sibirskoe otd-nie, 1989.

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5

T︠S︡ėrėndorzh, T︠S︡. Quġur maġtaġal-un badaraltu uyangġ-a =: Khuur magtaalyn badralt ui︠a︡nga. Mongol Ulsyn Shinzhlėkh Ukhaany Akademiĭn Khėl Zokhiolyn Khu̇rėėlėn, 2002.

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6

Ėrdėnėchimėg, D., and Ch Pu̇rėvzhal. Mongol ardyn duu. Zhikom Press, 2007.

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7

Su̇khbat, Shagdarzhavyn, and Sh Narantui︠a︡a. Mongol ugsaatny urtyn duu. SodNom Khėvlėliĭn Gazar, 2011.

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8

Su̇khbat, Shagdarzhavyn, and Sh Narantui︠a︡a. Mongol ugsaatny bogino duu. "Mȯnkh Dardas" Khėvlėliĭn Kompanid khėvlėv, 2011.

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9

Altanbaġan-a. Domoġ-un yirtincu̇. Ȯbȯr Mongġol-un Arad-un Keblel-u̇n Qoriy-a, 1988.

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10

Yue, Jin. Qinghai Menggu zu min jian kou tou wen xue ji jin. Nei Menggu jiao yu chu ban she, 2008.

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