Relevant bibliographies by topics / Monochrome painted vessels

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Academic literature on the topic 'Monochrome painted vessels'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Monochrome painted vessels"

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Nuray, Mammadli. "MIDDLE BRONZE AGE MONOCHROME PAINTED VESSELS OF NAKHCHIVAN." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 104 (May 20, 2025): 20–21. https://doi.org/10.5281/zenodo.15476859.

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The Middle Bronze Age (c. 2000–1500 BC) is considered an important stage in the material and cultural development of Azerbaijan and the South Caucasus. The Nakhchivan region, being one of the ancient cultural centers of Azerbaijan, is distinguished by its rich archaeological materials dating back to the Middle Bronze Age (c. 2000–1500 BC). The Middle Bronze Age is a fairly rich and dynamic stage in terms of cultural complex. This period is of particular importance from an archaeological point of view as a period in which both local development and broad regional cultural influences
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Fischer, Peter M., Teresa Bürge, L. Franz, and R. Feldbacher. "The New Swedish Cyprus Expedition 2011. Excavations at Hala Sultan Tekke. Preliminary results." Opuscula. Annual of the Swedish Institutes at Athens and Rome 5 (November 2012): 89–112. http://dx.doi.org/10.30549/opathrom-05-04.

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The main objective of the excavations of the Late Cypriote city of Hala Sultan Tekke is the investigation and determination of the complete occupational sequence of the pre-12th century levels. The groundpenetrating radar survey (GPR) led to the discovery and excavation of numerous rooms of a large Late Cypriote complex. During the second year of excavations at the site the expedition exposed a third phase of occupation (Stratum 3). A Stratum 2 compound, with extraordinarily wide walls was uncovered in the eastern part of the excavations. Intact vessels include Base-ring I and II, and White Pa
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Miller, Allison R. "Painting Bronze in Early China." Archives of Asian Art 72, no. 1 (2022): 1–53. http://dx.doi.org/10.1215/00666637-9577685.

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Abstract Scholars of Greek and Roman art have long recognized that many sculptures that today appear unpainted were originally covered in bright, polychrome paint. In contrast, the hallowed works of China's classical antiquity, the bronzes, are generally believed to have been monochrome works. In recent years, however, many varieties of bronzes have been unearthed with polychrome ornamentation including sacrificial vessels, figural sculptures, mirrors, lamps, weapons, and personal ornaments. This article summarizes and interprets the current evidence for painting on early Chinese bronze artifa
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Reents-Budet, Dorie, Ronald L. Bishop, Jennifer T. Taschek, and Joseph W. Ball. "OUT OF THE PALACE DUMPS." Ancient Mesoamerica 11, no. 1 (2000): 99–121. http://dx.doi.org/10.1017/s0956536100111083.

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An interdisciplinary approach to Late Classic Maya polychrome-painted ceramics from Buenavista del Cayo and Cahal Pech, Belize allows for preliminary observations relevant to a better understanding of elite pottery production and use in the western Belize Valley. The combination of typological and contextual data from archaeological investigations of ceramics along with art-historical stylistic analyses and ceramic-paste chemical-composition data identifies ordinary and special-purpose vessels excavated from palace-midden contexts as having been created in the same elite-oriented or “palace” w
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Źrałka, Jarosław, Christophe Helmke, Bernard Hermes, et al. "POLITICAL ALLIANCES AND TRADE CONNECTIONS OBSERVED IN THE CERAMIC RECORD OF THE CLASSIC PERIOD: THE PERSPECTIVE FROM THE MAYA SITE OF NAKUM, GUATEMALA." Ancient Mesoamerica 31, no. 3 (2020): 461–75. http://dx.doi.org/10.1017/s0956536120000152.

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AbstractRecent research carried out at the Maya site of Nakum, located in northeastern Guatemala, has brought about the discovery of a large collection of ceramic artefacts. This substantial assemblage, apart from monochrome ceramics, includes fragments of polychrome vessels that are decorated with elaborate iconographic scenes and painted hieroglyphic texts. Most of them date to the Late Classic period (ca. a.d. 600–800), which represents the peak of the pre-Columbian Maya civilization. The style of these ceramics, their iconography and accompanying glyphic texts, supplemented in many cases b
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Ilgar Aliyeva, Gulana. "Qarabağın antik dövr bədii keramikası". ANCIENT LAND 12, № 6 (2022): 5–10. http://dx.doi.org/10.36719/2706-6185/12/5-10.

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As a result of large-scale archaeological excavations of ancient settlements and burial grounds, carried out over the past 25 years in the zone of the lowland part of Karabakh, the number of ceramic finds has increased several times. A significant place in the composition of ceramic products belongs to artistic ceramics: zoomorphic and anthropomorphic vessels, terracotta figurines of people, animals and birds. In the studied period, painted jugs occupy a significant place in pitcher burials. The discovered archaeological materials indicate that painting was used less in the Northern territory
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Teslenko, I. B. "BYZANTINE GLAZED CERAMICS OF THE 13th CENTURY IN THE CRIMEA (short review)." Archaeology and Early History of Ukraine 35, no. 2 (2020): 395–404. http://dx.doi.org/10.37445/adiu.2020.02.31.

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Despite political and military upheaval in Byzantium in the 13th century, the most important of which were the conquest of Constantinople and the central territories of the empire by the Latins in 1204, and then the restoration of the state and the return of the capital by Michael VIII Palaeologus in 1261, the manufacture of marketable glazed tableware on its historical territory had not stopped. Moreover, delivery of this ceramic into the territory of the Crimea also continued. This was largely due to the new owners of the maritime market — Italian merchants, first Venetians, and then Genoese
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Conference papers on the topic "Monochrome painted vessels"

1

Panti, Anna. "Glazed pottery from the Maroneia cave in Aegean Thrace." In XIII Congreso Internacional sobre Cerámica Medieval y Moderna en el Mediterráneo (AIECM3). La Ergástula, 2024. https://doi.org/10.63114/k1374584.

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An exceptional quantity of glazed ceramics was unearthed from the Maroneia cave located on Mt. Ismaros, in Aegean Thrace, north of the homonymous city. It consists mainly of open vessels: Sgraffito, “Black and Green Painted”, “Slip painted” and Monochrome ware. Zeuxippus derivatives comprise the most abundant group, a great amount of which is associated with the local Mikro Pisto workshop in the vicinity. The Mosynopole and Serres workshops are attested too; a unique example belongs to Lemnos workshop. The cave offered a refuge to the Maroneia habitants during the Normans’ raids in 1185, the t
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