Log in

Relevant bibliographies by topics / Monochromie / Journal articles

To see the other types of publications on this topic, follow the link: Monochromie.

Journal articles on the topic 'Monochromie'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Monochromie.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Tjarks, Torsten. "Monochromie und Material als Bedeutungsträger in den Architekturen Borrominis." Zeitschrift für Kunstgeschichte 82, no. 3 (October 25, 2019): 377–99. http://dx.doi.org/10.1515/zkg-2019-3005.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Stefanovic, Ana. "Les poèmes ragusains de Dejan Despic." Muzikologija, no. 5 (2005): 313–45. http://dx.doi.org/10.2298/muz0505313s.

Full text

Abstract:

(francuski) Les ?uvres de Dejan Despic (1930), inspir?es par Dubrovnik: Jadranski soneti op. 17 (1951-1954), Dubrovacki divertimento op. 18 (1952) et Dubrovacki kanconijer op. 96 (1989), r?v?lent, outre leur th?me commun, une parent? suppl?mentaire importante. Elles sont incit?es et, d'une mani?re essentielle, m?diatis?es par la po?sie: soit par les vers de Jovan Ducic (1871-1943), po?te du Parnasse et symbolisme serbe, soit par la po?sie p?trarquiste ragusaine. Or, ces compositions ne se montrent pas seulement en tant qu` issues de l`inspiration par la po?sie sur Dubrovnik, mais aussi d'un conditionnement spirituel plus profond: de l`inspiration po?tique du compositeur lui-m?me par Dubrovnik. C`est le sentiment po?tique du monde, en tant que constante de la vision cr?atrice de Dejan Despic, qui provient de cette inspiration particuli?re. Ce monde ragusain du compositeur est le monde classique dans une signification universelle du concept, selon la nature m?me du milieu ?voqu?. Or, cela n implique pas une monochromie stylistique des compositions consid?r?es. Au contraire, les perspectives musicales de l`impressionnisme, du n?oclassicisme, voire, de la n?orennaissance, varient ce cadre stylistique g?n?ral, tout en marquant les traits distincts d'une po?tique de composition tr?s individualis?e.

APA, Harvard, Vancouver, ISO, and other styles

3

Rose, Gregory M., Carina DeVilliers, and Detmar W. Straub. "Chronism Theory, Culture, and System Delay." Journal of Global Information Management 17, no. 4 (October 2009): 1–28. http://dx.doi.org/10.4018/jgim.2009070901.

Full text

Abstract:

System response delay has been cited as the single most frustrating aspect of using the Internet and the most worrisomeaspect of Web application design. System response time (SRT) research generally concludes that delay should be eliminated where possible to as little as a few seconds, even though delay reduction is costly. Unfortunately, it is not clear if these conclusions are appropriate outside of the developed world where nearly all of the SRT research has taken place. Cultural effects have been, hence, generally missing from SRT research. The one SRT study to date outside of the developed world did report differences using the theoretical construct of cultural chronism, and this finding could limit the generalizability of SRT research findings from developed countries to many economically developing nations. However, limitations and potential confounds in this single study render those findings tentative. The end of Apartheid in South Africa allowed an opportunity to conduct a longitudinal free simulation experiment that overcomes the critical limitations of this previous research. Subjects were members of historically polychronic and monochronic groups who had been segregated by Apartheid and now live in an integrated society with shared infrastructure and computer access. Results find that members of the historically polychronic group are more accepting of longer delays and are more willing to trade longer delays for improved functionality than are their historically monochronic counterparts. Furthermore, tests find that members of the historically monochromic population that came of age in a desegregated, majority-polychronic culture appear to be polychronic themselves and to differ significantly from the older monochronic generation. Results from this study can be applied to design culturally sensitive applications for users in the developing economies of the world.

APA, Harvard, Vancouver, ISO, and other styles

4

O'Neill, Francis Anthony. "Monochrome." British Journal of Psychiatry 210, no. 5 (May 2017): 370. http://dx.doi.org/10.1192/bjp.bp.116.195552.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Wajcman, Gérard. "Yves Le Monochrome." La Cause du Désir N° 107, no. 1 (March 23, 2021): 149–54. http://dx.doi.org/10.3917/lcdd.107.0149.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

McVeigh, Frank J., and Amitai Etzioni. "The Monochrome Society." Contemporary Sociology 31, no. 3 (May 2002): 261. http://dx.doi.org/10.2307/3089650.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Pich, Edgard. "Le Monochrome hugolien." Australian Journal of French Studies 36, no. 3 (September 1999): 280–92. http://dx.doi.org/10.3828/ajfs.1999.3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Choudhury, Indie A. "Frank Bowling’s White Paintings." Nka Journal of Contemporary African Art 2019, no. 45 (November 1, 2019): 34–47. http://dx.doi.org/10.1215/10757163-791684.

Full text

Abstract:

Frank Bowling’s white paintings span a period of some forty years in his practice, resulting in an eponymously titled exhibition The White Paintings (2006). As a body of work, the paintings occupy the longest period within Bowling’s career yet are largely absent from his historiography and are the least referenced, either as single works or as a series. The paradox of Bowling’s white paintings is that they are not all merely white nor are they all monochromes. A consideration of them presents an opportunity to resituate Bowling from a singular focus of formalism and to convey his deep relation to the world around him via a mode of abstraction that is layered with meanings. This investigation follows by centering upon a single painting from Bowling’s white series, Icarus (2005), produced after the death of his eldest son. Icarus explores themes of time, death, and spiritual release that are constant throughout the series. Bowling undercuts attendant ideas of purity and singleness, both in his exploration of whiteness and within the “tradition” of monochrome painting, and exposes its fallacies. Bowling’s white paintings thus mediate the way both modernity and history may be otherwise deployed, speaking inevitably to how the myth of whiteness is imbricated within the construction of modernism.

APA, Harvard, Vancouver, ISO, and other styles

9

Choudhury, Indie A. "Frank Bowling’s White Paintings." Nka Journal of Contemporary African Art 2019, no. 45 (November 1, 2019): 34–47. http://dx.doi.org/10.1215/10757163-7916844.

Full text

Abstract:

Frank Bowling’s white paintings span a period of some forty years in his practice, resulting in an eponymously titled exhibition The White Paintings (2006). As a body of work, the paintings occupy the longest period within Bowling’s career yet are largely absent from his historiography and are the least referenced, either as single works or as a series. The paradox of Bowling’s white paintings is that they are not all merely white nor are they all monochromes. A consideration of them presents an opportunity to resituate Bowling from a singular focus of formalism and to convey his deep relation to the world around him via a mode of abstraction that is layered with meanings. This investigation follows by centering upon a single painting from Bowling’s white series, Icarus (2005), produced after the death of his eldest son. Icarus explores themes of time, death, and spiritual release that are constant throughout the series. Bowling undercuts attendant ideas of purity and singleness, both in his exploration of whiteness and within the “tradition” of monochrome painting, and exposes its fallacies. Bowling’s white paintings thus mediate the way both modernity and history may be otherwise deployed, speaking inevitably to how the myth of whiteness is imbricated within the construction of modernism.

APA, Harvard, Vancouver, ISO, and other styles

10

Schaffler, Roland. "Monochrom." Qualitas 20, no. 1 (January 2021): 3. http://dx.doi.org/10.1007/s43831-021-0001-7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Weichuan Gao, Weichuan Gao, Yu Tong Yu Tong, Yunxia Yang Yunxia Yang, and Guorong Chen Guorong Chen. "Monochromic orange emission of Pr3+ ions in phosphate glass." Chinese Optics Letters 13, no. 10 (2015): 101602–5. http://dx.doi.org/10.3788/col201513.101602.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Journal, Baghdad Science. "Monochrome Image Hologram (MIH)." Baghdad Science Journal 5, no. 2 (June 1, 2008): 261–64. http://dx.doi.org/10.21123/bsj.5.2.261-264.

Full text

Abstract:

A new computer-generated optical element called a monochrome image hologram (MIH) is described. A real nonnegative function to represent the transmittance of a synthesized hologram is used. This technique uses the positions of the samples in the synthesized hologram to record the phase information of a complex wavefront. Synthesized hologram is displayed on laser printer and is recorded on a film. Finally the reconstruction process is done using computerized .

APA, Harvard, Vancouver, ISO, and other styles

13

Paiz, Joshua M. "Over the monochrome rainbow." Journal of Language and Sexuality 4, no. 1 (March 30, 2015): 77–101. http://dx.doi.org/10.1075/jls.4.1.03pai.

Full text

Abstract:

This exploratory study examines the reflection of heteronormativity in English as a Second Language (ESL) reading texts and textbooks aimed at a college-aged audience and a range of proficiency levels. Heteronormativity is the portrayal of the heterosexual sexual identity as the only acceptable and/or normal sexual identity option (Dalley & Campbell 2006). This is often realized through the presentation of only heterosexual relationship structures, while also lacking any alternative relationship structures. The sample for this study consisted of forty-five reading texts/textbooks (ntext = 14; ntextbook = 31). These sample materials were examined by looking for examples of normative relationships and family structures exhibited in the main prose, textual examples, visual elements, and question/discussion activities. After examining the samples, each sample was given a numerical rating on 1–3 nominal level scale; 1 being non-heteronormative, 2 being low-heteronormative, and 3 being heteronormative. The data were then broken down to examine heteronormativity ratings by publisher, text-type, proficiency level, and year of publication. Average heteronormativity ratings were then calculated for each category of the data. These averages were then compared for the types of materials (texts and textbooks) and publishers examined. Changes in the average heteronormativity rating for each 5-year period are also reported. This paper will conclude by highlighting the need for less heteronormative ESL reading materials as these materials often function as valuable identity resources for language learners, and they often allow instructors to create a more diverse classroom environment by queering the classroom discourse.

APA, Harvard, Vancouver, ISO, and other styles

14

Greenslade, Roy. "Fond memories of monochrome." British Journalism Review 4, no. 3 (September 1993): 5–8. http://dx.doi.org/10.1177/095647489300400302.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Clarke, Andrew D. "Book Reviews : Monochrome Destitution." Expository Times 110, no. 5 (February 1999): 153–54. http://dx.doi.org/10.1177/001452469911000517.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Citizen Europe Ltd. "10 on monochrome monitor." Displays 13, no. 3 (January 1992): 166. http://dx.doi.org/10.1016/0141-9382(92)90024-l.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Bloomfield, Bob. "Anthropology: A monochrome Eden." Nature 496, no. 7443 (April 2013): 28–29. http://dx.doi.org/10.1038/496028a.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Wang, Shusen, and Zhihua Zhang. "Colorization by Matrix Completion." Proceedings of the AAAI Conference on Artificial Intelligence 26, no. 1 (September 20, 2021): 1169–75. http://dx.doi.org/10.1609/aaai.v26i1.8274.

Full text

Abstract:

Given a monochrome image and some manually labeled pixels, the colorization problem is a computer-assisted process of adding color to the monochrome image. This paper proposes a novel approach to the colorization problem by formulating it as a matrix completion problem. In particular, taking a monochrome image and parts of the color pixels (labels) as inputs, we develop a robust colorization model and resort to an augmented Lagrange multiplier algorithm for solving the model. Our approach is based on the fact that a matrix can be represented as a low-rank matrix plus a sparse matrix. Our approach is effective because it is able to handle the potential noises in the monochrome image and outliers in the labels. To improve the performance of our method, we further incorporate a so-called local-color-consistency idea into our method. Empirical results on real data sets are encouraging.

APA, Harvard, Vancouver, ISO, and other styles

19

NEMCHANINOVA, O. B. "Experience of treatment of psoriatic patients with monochromic ultraviolet light from excimer lamps in a combination with external drugs." Vestnik dermatologii i venerologii 89, no. 6 (December 15, 2013): 85–89. http://dx.doi.org/10.25208/vdv617.

Full text

Abstract:

Goal. Comparative assessment of the efficacy of treating certain forms of psoriasis with monochromic ultraviolet light from excimer lamps in a combination with topical glucocorticosteroids or Kartalin cream. Materials and methods. As many as 22 patients (14 male and 8 female aged 25—62) with different clinical forms of psoriasis received a therapy with monochromic ultraviolet light from excimer lamps three times a week. The course of treatment with monochromic ultraviolet light from excimer lamps comprised 6—12 procedures. Topical glucocorticosteroids (GCS) or Kartalin cream were administered externally. Results. Complete regression of eruptions or essential clinical improvement was achieved against the background of treatment in 86% of the patients. At the same time, a clinically significant reduction of psoriatic symptoms was observed in most of the patients treated with Kartalin cream as soon as after the second or third phototherapy procedure while similar results were noted in the patients who received topical glucocorticosteroids only after the fourth procedure. Conclusion. Treatment of psoriatic patients with monochromic ultraviolet light from excimer lamps in a combination with Kartalin cream ensures a fast and positive clinical effect.

APA, Harvard, Vancouver, ISO, and other styles

20

Spinks, Jayme. "Monochrom:#2." Senses and Society 5, no. 2 (July 2010): 277–84. http://dx.doi.org/10.2752/174589210x12668381453204.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Krusenstjerna, Mary, Peter Schickele, Andrew Frank, and Robert Dick. "Monochrome V for 8 Flutes." Notes 44, no. 4 (June 1988): 822. http://dx.doi.org/10.2307/941052.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Riches, John. "A Monochrome Reading of Scripture?" Expository Times 132, no. 10 (July 2021): 436–43. http://dx.doi.org/10.1177/00145246211023783.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Newlands, G. M. "Book Reviews : Revelation Not Monochrome." Expository Times 109, no. 8 (May 1998): 251. http://dx.doi.org/10.1177/001452469810900823.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

McManus, I. C. "A monochrome view of colour." Behavioral and Brain Sciences 20, no. 2 (June 1997): 204. http://dx.doi.org/10.1017/s0140525x97421428.

Full text

Abstract:

Saunders & van Brakel's criticism of Berlin & Kay's methodology misunderstands the fact that scientific hypotheses are tested by generating new, replicable data with novel explanatory power. Thus, although Berlin and Kay studied differences in colour words between languages, the same patterns are also present in colour word usage within languages, in a range of literary and other textual databases.

APA, Harvard, Vancouver, ISO, and other styles

25

Bedford, T., F. M. Dekking, M. Breeuwer, M. S. Keane, and D. van Schooneveld. "Fractal coding of monochrome images." Signal Processing: Image Communication 6, no. 5 (October 1994): 405–19. http://dx.doi.org/10.1016/0923-5965(94)90003-5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Wright, Lynn, and Fiona Black. "Monochrome Males and Colorful Females." SAGE Open 3, no. 4 (October 22, 2013): 215824401350925. http://dx.doi.org/10.1177/2158244013509254.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Krauss, Rosalind. "Giovanni Anselmo: Matter and Monochrome." October 124 (May 2008): 125–36. http://dx.doi.org/10.1162/octo.2008.124.1.125.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Novikova, O. "Qing monochrome porcelain from the Collection of the Bohdan and Varvara Khanenko National Museum of Arts." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 27 (February 27, 2019): 168–77. http://dx.doi.org/10.33838/naoma.27.2018.168-177.

Full text

Abstract:

The article analyzes Qing monochrome products of Chinese porcelain and studies the complex technology of their manufacture. This publication is also devoted to the main identification problems of Chinese monochrome thin-walled ceramics and its terminology. When dating and attributing Chinese monochrome porcelain causes the most difficult problem. Thin-walled monochrome glaze ceramic products manufactured at different times are often distinguished only by barely noticeable changes in parts and other proportions of products. Furthermore, the plagiarism was uncharacteristic of Chinese, and the imitation and copying of works of past epochs, in their opinion, only confirmed the value of original works and even gave a sacred meaning to them. The basis for this approach was the idea of connection between epochs, the continuity of traditions and the respect to ancestors supported by the ruling elite, because it was a part of the official religion of the statе – Confucianism. The secret of regenerative firing has been discovered that restores the natural color of metals in their oxides in the glaze composition thanks to the carbon by giving the rich hue color intensity to the monochrome Chinese ceramics. The play of different colors achieved exclusively by ceramic techniques is very attractive, and products colored in such way are sometimes more expensive than the painted glazed ceramics. In Qing times ceramists manufactured a lot of porcelain products that mimicked samples of previous epochs. From time to time potters created almost exact copies of products, so it is sometimes difficult for present-day researchers to tell the difference between late imitations and original ancient works. That’s way the purpose of this article is to analyze works of Chinese Qing monochrome porcelain from the collection of the Bohdan and Varvara Khanenko National Museum of Arts, to demonstrate the manufacturing technology and terminological features and to specify attributions. This study has been illustrated by pieces from the Bohdan and Varvara Khanenko National Museum of Arts.

APA, Harvard, Vancouver, ISO, and other styles

29

Polyukhovich, Alina, and Ruslan Halyshych. "THE ROLE OF LIGHT AND SHADOW IN CREATING A MODERN MONOCHROME INTERIOR." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 4, no. 2 (December 22, 2022): 132–39. http://dx.doi.org/10.23939/sa2022.02.132.

Full text

Abstract:

Nowadays, the monochrome interior is gaining great popularity due to its simplicity and conciseness, which is a sign of new artistic approaches to designing interiors and equipment in the postmodern era. Light and shadow in the artistic design of residential interiors, namely in their monochrome solution, forms an artistic image that has a pronounced emotional character. The basic principles of using light and shadow in creating a modern monochrome residential interior were researched and formulated. Light shade is one of the most important factors in the formation of an interior space, especially a monochromatic one. It is he who complements, unites, changes all aspects that form such an interior, thanks to which the space acquires different scenarios and sounds and ceases to be boring and monotonous. From the results of the study, it follows that in the design of a modern monochrome interior it is worth: 1. Use and combine materials with different texture and texture, which when illuminated, thanks to nuanced shades, set the appropriate emotional mood of the space (calm, coziness, concentration, etc.). 2. Apply bright accents. A monochrome solution serves as a background that allows you to form active color accents on its background, which, when interacting with the environment, enhance the formation of individual interior elements. 3. Combine shades of the same color to achieve contrast and nuance. 4. Combine different types of lighting – natural and artificial: general, local, accent and decorative. 5. Traditional interior decoration is replaced by the use of various types of lighting, which saves materials and forms a stylized artistic image characterized by laconicism and aesthetic sophistication.

APA, Harvard, Vancouver, ISO, and other styles

30

ZELENYUK, YEVHEN, and YULIYA ZELENYUK. "A RAMSEY TYPE RESULT FOR LATIN SQUARES." Bulletin of the Australian Mathematical Society 101, no. 3 (November 22, 2019): 362–66. http://dx.doi.org/10.1017/s0004972719001230.

Full text

Abstract:

We show that for all $m,k,r\in \mathbb{N}$, there is an $n\in \mathbb{N}$ such that whenever $L$ is a Latin square of order $m$ and the Cartesian product $L^{n}$ of $n$ copies of $L$ is $r$-coloured, there is a monochrome Latin subsquare of $L^{n}$, isotopic to $L^{k}$. In particular, for every prime $p$ and for all $k,r\in \mathbb{N}$, there is an $n\in \mathbb{N}$ such that whenever the multiplication table $L({\mathbb{Z}_{p}}^{n})$ of the group ${\mathbb{Z}_{p}}^{n}$ is $r$-coloured, there is a monochrome Latin subsquare of order $p^{k}$. On the other hand, we show that for every group $G$ of order $\leq 15$, there is a 2-colouring of $L(G)$ without a nontrivial monochrome Latin subsquare.

APA, Harvard, Vancouver, ISO, and other styles

31

Kozachuk, V., and M. Sliusarenko. "METHOD OF CONTROLLING PRESENCE OF FOREIGN SUBSTANCES AND OBJECTS IN THE BORE OF THE BARREL USING MONOCHROME LIGHT." Наукові праці Державного науково-дослідного інституту випробувань і сертифікації озброєння та військової техніки, no. 9 (December 3, 2021): 53–57. http://dx.doi.org/10.37701/dndivsovt.9.2021.07.

Full text

Abstract:

In the article, the authors propose a method for controlling the presence of foreign substances and objects inside the barrel. The problem of surface cleanliness control remains relevant in many areas, ranging from sanitary cleaning to nanoelectronics. In the military sphere, this becomes particularly important during the cleaning of cannon barrels. Both powder combustion products and cartridge cap and bullet shell particles are deposited in the barrel during firing from guns. Under the impact of high temperatures, the bullet particles are partially oxidized and cover the barrel channel with a thin layer of deposit of oxides, which are difficult to dissolve. As a result, the density of the bullet abuting the walls changes. This affects the characteristics of its motion inside the barrel. The accuracy of the shot is reduced, and subsequently the precision and accuracy of shooting in general decreases. The essence of the proposed method consists in the fact that a light source is placed in the bore of the barrel on one side, and an optical device is placed on the other side, with the help of which the presence of foreign substances and objects is monitored. Unlike the known methods, this method is characterized in that several monochrome light sources in addition are placed in turn in the bore of the barrel from the breech part, and in the bore of the barrel from the muzzle part there is equipment for receiving (detecting) monochrome light. Then, obtained monochrome light is analyzed, current value of its defined parameters is determined. At the next stage, parameter values of monochrome light fixed during control are compared with parameter values of reference signatures, which had been obtained before the barrel was put in service. These values are stored in equipment memory. If the values of at least one of the parameters from at least one of the monochrome light sources are found to be inconsistent with the parameters of the reference signatures, the equipment for receiving and analyzing monochrome light gives a signal about the presence of foreign substances and objects in the bore of the barrel.

APA, Harvard, Vancouver, ISO, and other styles

32

Korola, Katerina. "Blue like the Mediterranean: the work of the monochrome in the Atlas Group Archive." Journal of Visual Culture 20, no. 2 (August 2021): 455–77. http://dx.doi.org/10.1177/1470412921995222.

Full text

Abstract:

In the prologue to Walid Raad’s Hostage: The Bachar Tapes (2001), the speaker asks that his words appear against a grey background. Or, he continues after a pause, ‘use a blue background . . . blue just like the Mediterranean’. Beginning with this colourful riddle, this article investigates the work of the monochrome in the Atlas Group Archive. With this attention to the monochrome as a format, the author’s goal is to move away from the categories of documentary and fiction that dominate discussions of Raad and parafictional work more generally, towards the formal infrastructure through which such works command belief and emotion. This attention to the aesthetic form of the archive not only brings into focus the constituent role of design in the construction of knowledge, but it also reveals the transformation of the monochrome in its encounters with the archive, technical media, and the chromatics of affective capitalism.

APA, Harvard, Vancouver, ISO, and other styles

33

Macdonald, Iain. "L’art in extremis: le monochrome chez Theodor W. Adorno et Yves Klein." Articles 33, no. 2 (November 7, 2006): 455–71. http://dx.doi.org/10.7202/013892ar.

Full text

Abstract:

Résumé L’oeuvre de Theodor W. Adorno, et plus particulièrement sa Théorie esthétique, témoigne de sa défense soutenue de l’art moderne. Toutefois, dans le cadre de ses réflexions, on ne doit pas oublier qu’elle comporte également une dimension critique. Sa polémique à propos du jazz, par exemple, est devenue célèbre. Par contraste, sa critique de la peinture monochrome demeure relativement inconnue. Ce texte propose d’abord d’esquisser les éléments de celle-ci afin de tester ensuite ses limites en analysant une oeuvre monochrome d’Yves Klein: IKB 79.

APA, Harvard, Vancouver, ISO, and other styles

34

Morley, Simon. "The ‘Zen’ in the western monochrome." Journal of Contemporary Painting 6, no. 1-2 (October 1, 2020): 55–78. http://dx.doi.org/10.1386/jcp_00014_1.

Full text

Abstract:

I look at the impact of Zen Buddhism on western painters during the 1950s and 1960s, focusing on the monochrome in particular, in order to create a historical context for the consideration of transcultural dialogue in relation to contemporary painting. I argue that a consideration of Zen can offer a ‘middle way’ between conceptions of the monochrome (and art in general) often hobbled by models of interpretation that function within a binary opposition between ‘literalist/sensory’ on the one hand, and ‘intellectual/non-sensory’ readings on the other.

APA, Harvard, Vancouver, ISO, and other styles

35

Jeon, Hae-Gon, Sunghoon Im, Jaesung Choe, Minjun Kang, Joon-Young Lee, and Martial Hebert. "CMSNet: Deep Color and Monochrome Stereo." International Journal of Computer Vision 130, no. 3 (January 22, 2022): 652–68. http://dx.doi.org/10.1007/s11263-021-01565-6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Bhushan, Bharat. "News in monochrome: journalism in India." Index on Censorship 42, no. 2 (June 2013): 36–42. http://dx.doi.org/10.1177/0306422013493378.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Quan, L., and R. E. Jacobson. "Granularity of a Monochrome Chromogenic Film." Journal of Photographic Science 34, no. 1 (January 1986): 22–24. http://dx.doi.org/10.1080/00223638.1986.11738389.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Gryshko, Yuliya, and Anatole Khelif. "Monochrome symmetric subsets of colored groups." Journal of Combinatorial Theory, Series A 112, no. 2 (November 2005): 212–21. http://dx.doi.org/10.1016/j.jcta.2005.02.002.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Feria, Erlan H. "Linear predictive transform of monochrome images." Image and Vision Computing 5, no. 4 (November 1987): 267–78. http://dx.doi.org/10.1016/0262-8856(87)90003-5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Tan, D. M., H. R. Wu, and Z. Yu. "Perceptual Coding of Digital Monochrome Images." IEEE Signal Processing Letters 11, no. 2 (February 2004): 239–42. http://dx.doi.org/10.1109/lsp.2003.821730.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Manickavasagan, A., G. Sathya, D. S. Jayas, and N. D. G. White. "Wheat class identification using monochrome images." Journal of Cereal Science 47, no. 3 (May 2008): 518–27. http://dx.doi.org/10.1016/j.jcs.2007.06.008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Noirot-Maguire, Corinne. "Holorime et monochrome : le rire fin de siècle, la rime et le rien Holorime et monochrome." Littérature 143, no. 3 (2006): 61. http://dx.doi.org/10.3917/litt.143.0061.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

van Campen, Jan, and Menno Fitski. "CHINESE MONOCHROMEN IN NEDERLAND." Aziatische Kunst 35, no. 3 (July 5, 2005): 2–21. http://dx.doi.org/10.1163/25431749-90000059.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Tiemeijer, P. C., J. H. A. van Lin, B. H. Freitag, and A. F. de Jong. "Monochromized 200kV (S)TEM." Microscopy and Microanalysis 8, S02 (August 2002): 70–71. http://dx.doi.org/10.1017/s143192760210184x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Dong, Xuan, Weixin Li, Xiaojie Wang, and Yunhong Wang. "Cycle-CNN for Colorization towards Real Monochrome-Color Camera Systems." Proceedings of the AAAI Conference on Artificial Intelligence 34, no. 07 (April 3, 2020): 10721–28. http://dx.doi.org/10.1609/aaai.v34i07.6700.

Full text

Abstract:

Colorization in monochrome-color camera systems aims to colorize the gray image IG from the monochrome camera using the color image RC from the color camera as reference. Since monochrome cameras have better imaging quality than color cameras, the colorization can help obtain higher quality color images. Related learning based methods usually simulate the monochrome-color camera systems to generate the synthesized data for training, due to the lack of ground-truth color information of the gray image in the real data. However, the methods that are trained relying on the synthesized data may get poor results when colorizing real data, because the synthesized data may deviate from the real data. We present a new CNN model, named cycle CNN, which can directly use the real data from monochrome-color camera systems for training. In detail, we use the colorization CNN model to do the colorization twice. First, we colorize IG using RC as reference to obtain the first-time colorization result IC. Second, we colorize the de-colored map of RC, i.e. RG, using the first-time colorization result IC as reference to obtain the second-time colorization result R′C. In this way, for the second-time colorization result R′C, we use the original color map RC as ground-truth and introduce the cycle consistency loss to push R′C ≈ RC. Also, for the first-time colorization result IC, we propose a structure similarity loss to encourage the luminance maps between IG and IC to have similar structures. In addition, we introduce a spatial smoothness loss within the colorization CNN model to encourage spatial smoothness of the colorization result. Combining all these losses, we could train the colorization CNN model using the real data in the absence of the ground-truth color information of IG. Experimental results show that we can outperform related methods largely for colorizing real data.

APA, Harvard, Vancouver, ISO, and other styles

46

Kirdeieva, Maiia. "Semantics of Monochromity Reproductions of Arnold Böcklin’s Painting "Isle of the Dead" and its Influence on the Creation of Rachmaninoff’s Symphonic Poem." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 1(54) (March 21, 2022): 76–90. http://dx.doi.org/10.31318/2414-052x.1(54).2022.255427.

Full text

Abstract:

The author considered the semantics of monochrome reproduction of A. Becklin's painting "Isle of the Dead" and its influence on the creation of the symphonic poem of the same name by S. Rachmaninoff. It was found that the black-and-white reproduction of the painting by Arnold Böcklin's attracted the attention of S. Rachmaninoff and inspired the composer to create a symphonic poem "Islе of the Dead". A remarkable phenomenon in world art is described - the phenomenon of monochrome images. For the first time in musical culturology the semantics of monochrome reproduction of Arnold Böcklin's famous painting "Isle of the Dead" and its both conceptual and artistic embodiment in the symphonic poem by S. Rachmaninoff were studied. The specifics of S. Rachmaninoff's perception and commitment to black-and-white visualization, which is produced, first of all, by the cultural-historical background, are proved. Understanding of the relationship between fine arts and music with the historical period, which is able to explain certain phenomena in culture, is revealed. The content of the concepts "semantics of monochrome" and "decoded semantic loads", which are endowed with black, white and gray colors, is substantiated. The composer's epistolary legacy is analyzed and deep intentions that were the impetus for the creation of the musical poem "Islе of the Dead" are revealed. The intellectual reflection of the composer is described based on the analysis, which substantiated the following conclusions: in the mind of S. Rachmaninoff there was an objectification of the plot of Arnold Böcklin's painting, a certain message was found, encoded in the painting. The semantics of monochrome reproduction of Arnold Böcklin's painting "Islе of the Dead" and, in fact, the musical interpretation of this plot are characterized. A certain, well-defined technique is used, which the composer uses in many of his works - the opposition of "infernal" and bright life-affirming principles. It is proved that black, which represents death, is overcome by S. Rachmaninoff more often by light and multicolor life.

APA, Harvard, Vancouver, ISO, and other styles

47

Crowther, Jonathan. "Monochrome Camera Conversion: Effect on Sensitivity for Multispectral Imaging (Ultraviolet, Visible, and Infrared)." Journal of Imaging 8, no. 3 (February 25, 2022): 54. http://dx.doi.org/10.3390/jimaging8030054.

Full text

Abstract:

Conversion of standard cameras to enable them to capture images in the ultraviolet (UV) and infrared (IR) spectral regions has applications ranging from purely artistic to science and research. Taking the modification of the camera a step further and removing the color filter array (CFA) results in the formation of a monochrome camera. The spectral sensitivities of a range of cameras with different sensors which were converted to monochrome were measured and compared with standard multispectral camera conversions, with an emphasis on their behavior from the UV through to the IR regions.

APA, Harvard, Vancouver, ISO, and other styles

48

Bunguri, Adem. "Different models for the Neolithisation of Albania." Documenta Praehistorica 41 (December 30, 2014): 79–94. http://dx.doi.org/10.4312/dp.41.4.

Full text

Abstract:

According to the archaeological evidence, the Neolithisation process in Albania seems to have passed through three different phases, with chronological gaps between them. The earliest phase is represented at the Vlusha site, where coarse monochrome pottery was found in the same layer as microlithic tools. The second phase can be traced back to the Konispol site, where Impresso pottery appeared immediately above the Mesolithic layer. The third phase is represented by the Podgorie I site, which is characterised by red monochrome slipped ware, white-painted pottery, polychrome pottery, as well as pottery with impresso and barbotine decoration.

APA, Harvard, Vancouver, ISO, and other styles

49

Glowacz, A., A. Glowacz, and P. Korohoda. "Recognition of Monochrome Thermal Images of Synchronous Motor with the Application of Binarization and Nearest Mean Classifier." Archives of Metallurgy and Materials 59, no. 1 (March 1, 2014): 31–34. http://dx.doi.org/10.2478/amm-2014-0005.

Full text

Abstract:

Abstract This article discusses the recognition method of imminent failure conditions of synchronous motor. The proposed approach is based on a study of thermal images of the motor. Studies were carried out for four conditions of motor with the application of binarization and nearest mean classifier with Manhattan distance. Pattern creation process used 40 monochrome thermal images. Identification process was carried out for 160 monochrome thermal images. The experiments show that the method can be useful for protection of synchronous motor. Moreover, this method can be used to diagnose equipments in steelworks and other industrial plants.

APA, Harvard, Vancouver, ISO, and other styles

50

Sun, Chun, Yu Zhang, Sergii Kalytchuk, Yu Wang, Xiaoyu Zhang, Wenzhu Gao, Jun Zhao, et al. "Down-conversion monochromatic light-emitting diodes with the color determined by the active layer thickness and concentration of carbon dots." Journal of Materials Chemistry C 3, no. 26 (2015): 6613–15. http://dx.doi.org/10.1039/c5tc01379h.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!