Relevant bibliographies by topics / Monologer / Dissertations / Theses
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Dissertations / Theses on the topic 'Monologer'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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1

Segtnan, Birgit Karlsen. "Powered By Nature - Monologer og dialoger på EXPO 2010 :." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for tverrfaglige kulturstudier, 2011. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-13012.

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I denne oppgaven har jeg ønsket å se på hvordan den norske deltakelsen på verdensutstillingen i Shanghai 2010 ble brukt strategisk til å fremme norske interesser og utvikle bilaterale forhold mellom Norge og Kina. Den norske paviljongen var et offentlig-privat samarbeid (OPS) mellom myndigheter og næringsliv om å bygge en paviljong som skulle gi et bilde av Norge. Jeg bygger mine analyser på syv kvalitative intervju med representanter fra bedriftene. I tillegg har jeg gjort intervjuer med andre i EXPO-organisasjonen, inkludert guidene på utstillingen og konseptutviklerne. Jeg bruker også dokum
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2

Folador, Francesca <1997&gt. "Il monologo tragico come esempio di monologo interiore. Un saggio di analisi linguistico-strutturale su alcuni monologhi sofoclei." Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21168.

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La tesi propone un'analisi linguistico-strutturale di alcuni monologhi sofoclei, non già da una prospettiva tradizionale, ma da quella inusitata e originale che tenta di riconoscere nel monologo tragico antico un esempio di monologo interiore. A partire da questa aspirazione, si analizzano i monologhi di Aiace (vv. 430-480), Antigone (vv. 891-928), Filottete (vv. 1348-1372), Elettra (1126-1170) e Edipo Re (vv. 1369-1415).
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3

Šimkutė, Dalia. "Monologo raida lietuvių dramaturgijoje." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2007. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2007~D_20070816_160018-29936.

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Magistro darbo tikslas – aptarti monologą XIX a. pab. – XXI a. pr. lietuvių dramaturgijoje. Monologų sklaida išryškina skirtingų lietuvių dramaturgijos laikotarpių bendrąsias tendencijas: vyraujančių charakterių pobūdį, prasmines slinktis, žanrines, stilistines ypatybes, specifinį estetinį psichologinį poveikį, ryšį su adresatu. Vaižgantas, Keturakis, Žemaitė įtvirtino realistinį tikrovės vaizdavimo būdą. Romantinėse pjesėse formuojamas „aukštasis“, poetinis dramos stilius. Realistiniams kūriniams būdingas šnekamosios kalbos imitavimas. Monologams būdinga funkcija – atpasakoti pasibaigusius įv
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4

Carr, Margaret A. "“Say Me/See Me/Say It”: Staging Stories and Transforming Communities in The Vagina Monologues." Thesis, Boston College, 2010. http://hdl.handle.net/2345/1207.

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Thesis advisor: Caroline Bicks<br>In the last ten years, Eve Ensler’s The Vagina Monologues has morphed from a successful off-Broadway production into an activist movement that fosters fundraising productions of the play by community and campus groups in almost every country. In this thesis, I examine how the ‘body stories’ told by actual women made it to community stages all over the world through a series of translations: first, how Ensler poetically/theatrically interprets their stories; second, how the monologic form (and the current multiple-actor form) of the play affects the meaning of
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5

Moreau, Frédérick. "MONOLOGUES DE FEMM : un montage scénique de sept monologues de la littérature." Thesis, Université Laval, 2009. http://www.theses.ulaval.ca/2009/26464/26464.pdf.

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6

Messagi, Junior Mario. "Dialogos em monologo." reponame:Repositório Institucional da UFPR, 2010. http://hdl.handle.net/1884/24397.

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7

Duponchel, David. "Vnitřní monolog." Master's thesis, Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna, 2006. http://www.nusl.cz/ntk/nusl-78768.

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8

Nyström, Julia. "Fräulein Else : Textanalyse aus psychologischer und epochentypischer Perspektive." Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-53689.

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This literary work has been chosen to focus on a novel called Fräulein Else and is written by Arthur Schnitzler. The author has chosen to focus the work on comparing the work with theera of the time the book was written and analyze the plot and character Else from apsychoanalytic perspective. The title of the paper is therefore ”Fräulein Else-Textanalyse aus epochentypischer Perspektive und Analyse der Hauptfigur auspsychologischer Sicht”. By collecting and reading student literature that touches on factsabout literature of the era: the millennium literature and literature on psychoanalysis, t
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9

Branco, Elizabeth Hey. "Molly's monologue in Ulysses." reponame:Repositório Institucional da UFPR, 2010. http://hdl.handle.net/1884/24339.

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10

Larsdotter, Nilsson Emma, and Maria Almqvist. "Monolog eller Dialog?" Thesis, Uppsala universitet, Företagsekonomiska institutionen, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-168990.

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Konsumentens roll har förändrats. Hon har gått från att ha varit en ständigt utsatt mottagare av företags budskap till att bli en inflytelserik individ med förmåga att påverka och ställa krav. Hennes nya krav innebär att företag tvingas förändra sin syn på kommunikationen som en monolog från företag till konsument, till att behandla den som en dialog mellan de två parterna. Trots att kravet på dialog kommit från konsumenten måste företag motivera dagens upptagna konsument till att delta i dialogen för att denne ska lägga tid på att engagera sig i denna. Sådan problematik utspelas bland annat i
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11

Sitková, Kristina. "Herec a monolog." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-202472.

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This thesis deals with theme The actor and the monologue. After defining the concept of monologue, there is an excursion into history and the development of the monologue. There are given personal experiences of working on monologues during the studies and talks about transformation of the ideas about monologue. In the end there is also definition of the concept of monodrama and experiences with unfinished work on monodrama by Ivan Vyrypajev called July.
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12

Kashioka, Hideki. "ANALYSIS FOR STRUCTURE OF MONOLOGUE." INTELLIGENT MEDIA INTEGRATION NAGOYA UNIVERSITY / COE, 2006. http://hdl.handle.net/2237/10412.

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13

Ohno, Tomohiro, and Shigeki Matsubara. "Corpus-based Speech Monologue Parsing." INTELLIGENT MEDIA INTEGRATION NAGOYA UNIVERSITY / COE, 2005. http://hdl.handle.net/2237/10367.

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14

Floquet, Florence. "La grammaire du monologue intérieur." Thesis, Aix-Marseille, 2019. http://www.theses.fr/2019AIXM0070.

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Ce travail se propose d’étudier, sous un angle grammatical, le phénomène romanesque connu sous le nom de "monologue intérieur", qu’il convient d’emblée de distinguer du "stream of consciousness", auquel il est souvent ramené. Afin de mieux cerner et de définir ce qu’est le monologue intérieur, nous confrontons les définitions qui en sont généralement données à des textes de fiction anglophones, et nous analysons les techniques linguistiques utilisées pour représenter ce discours particulier. Il apparaît donc que le monologue intérieur n’est pas une technique linguistique mais doit plutôt se co
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15

Owens, Christabel Victoria. "The concept of Bildung in Schleiermacher's Reden and Monologen." Thesis, Lancaster University, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.277034.

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16

Muttib, Hussein Thakaa. "La quête identitaire dans le théâtre de Yasmina Reza." Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO20033/document.

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Le théâtre de Yasmina Reza s’inscrit dans le cadre du théâtre contemporain. La présente étude aborde la problématique de la quête identitaire. Dans cet espace conflictuel, les personnages rezaldiens – écrivains en manque d’inspiration, critiques ou historiens – sont en perte d’identité. Ces protagonistes souffrent de l’angoisse de la mort, de la disparition d’un proche ou de leur vieillissement, vécu comme un naufrage. Ils ne peuvent que subir les circonstances qui leur sont imposées et vivent une vie vouée à la répétition des scénarios du passé. Dans ce théâtre sans action, le drame intérieur
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Kammensjö, Helene. "Discourse connectives in Arabic lecturing monologue /." Göteborg : Acta Universitatis Gothoburgensis, 2005. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=014821132&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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18

Hearl, Fiona M. "Synthetic approaches to novel morphinan monologues." Thesis, University of Strathclyde, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366778.

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19

Danan, Joseph. "Transpositions du monologue intérieur au théâtre." Paris 3, 1994. http://www.theses.fr/1994PA030155.

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L'apparition du monologue interieur romanesque coincide, au theatre, avec celui d'une dramaturgie de la subjectivite dont on peut suivre les developpements a la fin du xixe siecle et tout au long du xxe. Peu d'auteurs ont exolicitement cherche ( comme o'neil ) a transposer au theatre le monologue interieur romanesque. Le detour par la theorisation ebauchee par eisenstein, qui se demanda comment transposer le monologue interieur au cinema, permet pourtant de mieux reperer, dans le foisenement des formes theatrales modernes, ces "monologues interieurs de sons et d'images" qui se donnent pour tac
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Kammensjö, Helène. "Discourse connectives in Arabic lecturing monologue /." Göteborg : Göteborg university, 2005. http://catalogue.bnf.fr/ark:/12148/cb402440269.

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Chen, Shu-I. "The dialogicality of interior monologue in 'Ulysses'." Thesis, Royal Holloway, University of London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327048.

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Getova, Radosveta Valtchanova. "Monologue and dialogue in French revolutionary rhetoric." Thesis, University of Southampton, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.398825.

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Lier-De, Vitto Maria Francisca de Andrade Ferreira. "Os monologos da criança : "deliros da lingua"." [s.n.], 1994. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270545.

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Orientador: Claudia Thereza Guimarães de Lemos<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-07-19T20:03:16Z (GMT). No. of bitstreams: 1 Lier-DeVitto_MariaFranciscadeAndradeFerreira_D.pdf: 5774348 bytes, checksum: 44844ff014b6e93f058c34c941c4413f (MD5) Previous issue date: 1994<br>Resumo: São os monólogos da criança que estão em foco nesta tese. Esse acontecimento lingüístico ganha a dignidade de tema na Psicologia do Desenvolvimento com Piaget em seu livro de 1923, A Linguagem e o Pensamento da Criança, sob o
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Conley, Sara J. "Inner Monologue: Relationship to Personality and Psychopathology." Otterbein University Distinction Theses / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=otbndist1620462072270782.

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Cuénin-Lieber, Mariette. "Corneille et le monologue : tradition et evolution." Strasbourg 2, 1996. http://www.theses.fr/1996STR20086.

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Le role que joue le monologue dans le theatre de corneille est caracterise a la fois par la permanence d'une tradition et par une evolution novatrice qui semble propre au poete. Le livre premier de la these est consacre a la naissance, au developpement de la tradition fort ancienne dont corneille a herite, et aux questions que l'existence meme du monologue a posees aux auteurs et aux theoriciens qui mediterent au xviie siecle sur le genre dramatique (chapelain, d'aubignac, lamy et corneille lui-meme). Dans le second livre est etudie ce que corneille a fait des usages qu'il a recueillis. Au cou
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Johnsson, Maria, and Jesper Truedsson. "Bort från monologen : Ett medieteknisk verktyg för verbal kommunikation mellan individer." Thesis, Blekinge Tekniska Högskola, Institutionen för teknik och estetik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-18349.

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Genom smarttelefonens genombrott och framfart har mobiltelefonen på bara några år kommit att bli en av de mest centrala delarna i många individers liv. Den används bland annat för att hålla kontakt med familj, vänner och kollegor, för att kommunicera och vara aktiv i olika sociala flöden. Många människor är sociala varelser som pratar och kommunicerar med andra individer hela tiden. Men det finns något som håller på att glömmas bort, något som kan tyckas självklart; att kunna föra ett muntligt samtal med en annan individ utan att en mobiltelefon på något sätt finns med i bilden. Sherry Turkle
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Chatard, Virginie. "Le monologue dans le théâtre de Michel Tremblay." Bordeaux 3, 1997. http://www.theses.fr/1997BOR30048.

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La premiere partie de l'etude s'intitule : qu'est-ce qu'un monologue ? cette question en apparence naive renvoie a toute la problematique du sujet : a la fois forme et genre, cette manifestation du langage dramatique ne beneficie pas, comme son pendant le dialogue, d'une seule definition simple et precise mais de plusieurs, variant selon les perspectives historiques, litteraires et linguistiques qui l'approchent. Un survol historique de la forme, tant dans le theatre occidental que dans les productions culturelles quebecoises, s'imposait alors afin de mieux extraire une definition permettant d
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Matsubara, Shigeki, Masaki Murata, and Tomohiro Ohno. "Linefeed Insertion into Japanese Spoken Monologue for Captioning." ACL(Association for computational linguistics), 2009. http://aclweb.org/anthology/.

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Kirk, Steven J. "Second language spoken fluency in monologue and dialogue." Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/38421/.

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Although second language spoken fluency has long been recognized as a major component of language proficiency, it has never been clearly defined. It has been shown that fluency is a complex phenomenon, with a host of relevant factors, and it has been suggested that it might be better separated into multiple concepts, such as cognitive fluency and utterance fluency. There is also evidence that fluency has a dialogic aspect, that is, that the fluency of a conversation is a co-construction of the two speakers, rather than simply alternating monologues. This can be observed in the confluence creat
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Painter, Megan G. "The dramatic monologue aesthetic and the reader experience /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9901268.

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Der, Staay Elisabeth van. "Le Monologue intérieur dans l'oeuvre de Valéry Larbaud." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37601691d.

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Cina, Jan. "Zazpívej monolog, baletko! - aneb syntetický herec." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-202473.

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In my thesis, I decided to describe how all the means that actor?s body and soul comprise can by synthesized into something that is able to tell a story, communicate and be passed on. I myself am still in the middle of the process of discovering all the separate particles of those means, as well as of how they function, how they can be used and how they can be worked with. During my studies, and moreover during my lifelong encounter with theatre and art, this topic has intrigued me and I have always come across it to some extent. That is why in my thesis I focus not only on the already discove
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Stevens, Blake Christopher. "Solitary persuasions : the concept of the monologue in French opera from Lully to Rameau /." May be available electronically:, 2007. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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Paul, Jean-Nicolas. "La pensée romanesque suivi de La ballade d'un schizophrène." Thesis, Université d'Ottawa / University of Ottawa, 2019. http://hdl.handle.net/10393/39416.

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Cette thèse de recherche-création se divise en trois parties. La première présente une recherche sur le monologue intérieur en tant que genre littéraire. Il s’agit, pour sortir des apories critiques entourant le monologue intérieur, de remonter aux origines de la notion de genre et de définir le monologue intérieur par ses finalités plutôt que par ses traits formels. D’abord, un des effets propres de ce genre romanesque est de donner au lecteur le sentiment d’une reconnaissance échouée. L’expression littéraire de cet échec de la reconnaissance amène à sa suite une esthétisation des processus
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Watson, Matthew E. "Reference frame selection and representation in dialogue and monologue." Thesis, University of Edinburgh, 2006. http://hdl.handle.net/1842/25291.

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This thesis is an investigation into the use and representation of reference frames. A reference frame is an axial co-ordinate system that is represented by the setting of at least four parameters: origin, orientation, direction and scale (Logan & Sadler, 1996). The reference frame parses space into different regions around an object (<i>reference object</i>) so that the location of other objects (<i>figure objects</i>) can be described in relation to the reference object. There are at least three different types of reference frame recognised in the literature (e.g. Levinson, 2003; Logan & Sad
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Thompson, Susan Elizabeth. "Presenting research : a study of interaction in academic monologue." Thesis, University of Liverpool, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.393678.

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Stephan, Hayek Christelle. "Linguistique et rhétorique du monologue dans le théâtre racinien." Paris 3, 2008. http://www.theses.fr/2008PA030042.

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Nous avons abordé la forme langagière particulière qu’est le monologue pour nous intéresser, plus particulièrement, à la place qu’occupe cette forme dans le théâtre racinien. Défini intuitivement comme un discours que se tient un personnage à lui-même, le monologue devient, au fil de l’analyse, un puits inépuisable de richesses langagières, pragmatiques et rhétoriques. Or, le meilleur moyen d’analyser une forme langagière est de s’intéresser à la langue qui en constitue la trame ainsi qu’aux composantes qui en font une forme de discours. Nous avons tenté, dans une première partie, de définir l
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Triau, Christophe. "Dramaturgies du monologue dans le théâtre du XVIIe siècle." Paris 10, 2003. http://www.theses.fr/2003PA100097.

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Cette thèse étudie les statuts et les utilisations dramaturgiques du monologue dans le théâtre français du XVIIe siècle, de 1616 à 1677. Elle analyse d'abord son évolution numérique, sa place dans les discours théoriques et ses spécificités scéniques (performance, métadramaticité). Elle l'aborde à travers les oeuvres de Racan, Viau, Corneille (de Mélite à Rodogune), Molière et Racine (et, incidemment, Mainfray, Mairet, Rotrou). Il y apparaît comme un élément problématique de la mimèsis dramatique, point d'ancrage du jeu sur les points de vue internes et leurs contradictions : dans la successio
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Lemonnier, Anne-Frédérique. "Aux sources du monologue intérieur :"Les lauriers sont coupés"." Bordeaux 3, 2007. http://www.theses.fr/2007BOR30078.

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Gomes, Mario. "Gedankenlesemaschinen : Modelle für eine Poetologie des Inneren Monologs /." Freiburg, Br. : Rombach, 2008. http://d-nb.info/991718674/04.

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Kakavoulia, Maria. "Interior monologue and its discursive formation in Melpo Axioti's Dyskoles nychtes." München : Institut für Byzantinistik und Neugriechische Philologie der Universität, 1992. http://books.google.com/books?id=N2ZiAAAAMAAJ.

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INAGAKI, Yasuyoshi, Hideki KASHIOKA, Shigeki MATSUBARA, and Tomohiro OHNO. "Simultaneous Summarization of Japanese Spoken Monologue for Real-time Captioning." IEEE, 2007. http://hdl.handle.net/2237/15087.

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Inagaki, Yasuyoshi, Takehiko Maruyama, Hideki Kashioka, Shigeki Matsubara, and Tomohiro Ohno. "Dependency Parsing of Japanese Spoken Monologue Based on Clause Boundaries." ACL(Association for computational linguistics), 2006. http://aclweb.org/anthology/.

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Capp, Laura. "Dramatic audition: listeners, readers, and women's dramatic monologues, 1844-1916." Diss., University of Iowa, 2010. https://ir.uiowa.edu/etd/3438.

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The "dramatic monologue" is curiously named, given that poems of this genre often feature characters not only listening to the speakers but responding to them. While "silent auditors," as such inscribed characters are imperfectly called, are not a universal feature of the genre, their appearance is crucial when it occurs, as it turns monologue into dialogue. The scholarly attention given to such figures has focused almost exclusively upon dramatic monologues by Robert Browning, Alfred Tennyson, and other male poets and has consequently never illustrated how gender influences the attitudes towa
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Lezcano, Tosca Hugo. "El género del soliloquio en la literatura hispánica, desde San Agustín a Lope de Vega /." Madrid : Universidad autónoma de Madrid, 2006. http://catalogue.bnf.fr/ark:/12148/cb40219363x.

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Hýča, Martin. "MONOLOG JAKO AUTENTICKÁ VÝPOVĚD V KONTEXTU MODERNÍHO DRAMATU." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2016. http://www.nusl.cz/ntk/nusl-263148.

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The thesis deals with the notion of monologue and monologicity as a peculiar means of expression of the modern drama. The concept of monologue is defined within the frame of its relation towards dialogue, in the context of theoretical thinking about drama and theater, and in terms of the application of these concepts in everyday life.It is based on the theoretical works by Jan Mukařovský and Jiří Veltruský. The concept of monologue as a lack of dialogicity is being challenged with understanding monologue as a haven of authenticity, a space for authentic testimony. Through the general reflectio
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Landry, Jenny. "Quand le monologue dialogue, le discours monologique d'Yvon Deschamps, 1968-1980." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0028/MQ41936.pdf.

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48

Carter, Mindy Roberta. "The teacher monologues : exploring the experiences and identities of artist-teachers." Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42420.

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In this research I examine the experiences of four Conservatory style trained actors, who go onto complete teacher education programs. In keeping with a/r/tography this research uses social science methods and creative methods of data collection. Interviews and reflective writing about the participant’s educational and experiential backgrounds were complimented by the writing of monologues. Themes from the data collected during interviews, reflective writing and monologues led me to understand that: there is a connection between developing consciousness and having a noetic experience; actor
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49

Inagaki, Yasuyoshi, Naoto Kato, Hideki Kashioka, Shigeki Matsubara, and Tomohiro Ohno. "Incremental Dependency Parsing of Japanese Spoken Monologue Based on Clause Boundaries." ISCA(International Speech Communication Association), 2005. http://hdl.handle.net/2237/15105.

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50

Lin, Chonghui. "Le théâtre de monologue (1900-1990) : une voie vers la création." Paris 4, 1996. http://www.theses.fr/1996PA040021.

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Le phénomène curieux du théâtre de monologue est né au sein du XXème siècle dans le bouleversement radical du théâtre. Visant une création pure, ce théâtre n'hésite pas à bousculer les idées déjà établies sur l'esthétique théâtrale afin de la faire évoluer. La division des pièces utilise une autre technique faite de tableaux et de montages. Dans un cadre spatial et temporel flou, indéfinissable presque insaisissable, les dramaturges présentent un "anti-héros" - un homme déchiré, défiguré- qui est en fait un "moi", le "moi" universel. Grâce à un langage de style plébéien, le côté sombre de l'ho
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