Academic literature on the topic 'Monologue the music'
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Journal articles on the topic "Monologue the music"
Stevens, Blake. "Monologue Conflicts: The Terms of Operatic Criticism in Pierre Estève and Jean-Jacques Rousseau." Journal of Musicology 29, no. 1 (January 1, 2012): 1–43. http://dx.doi.org/10.1525/jm.2012.29.1.1.
Full textHaltrin-Khalturina, Elena. "Revisiting the Brownings’ Poetry in the Pages of Neo-Victorian Novels and their Russian Translations." Izvestiia Rossiiskoi akademii nauk. Seriia literatury i iazyka 82, no. 5 (2023): 78. http://dx.doi.org/10.31857/s160578800028329-7.
Full textHuebner, Steven. "Édouard Dujardin, Wagner, and the Origins of Stream of Consciousness Writing." 19th-Century Music 37, no. 1 (2013): 56–88. http://dx.doi.org/10.1525/ncm.2013.37.1.56.
Full textHuebner, Steven. "Édouard Dujardin, Wagner, and the Origins of Stream of Consciousness Writing." 19th-Century Music 37, no. 1 (2013): 56–88. http://dx.doi.org/10.1525/ncm.2013.37.3.56.
Full textSalah, Trish. "What’s All the Yap? Reading Mirha-Soleil Ross’s Performance of Activist Pedagogy." Canadian Theatre Review 130 (March 2007): 64–71. http://dx.doi.org/10.3138/ctr.130.011.
Full textFosse, Jon. "How It Was: Monologue." PAJ: A Journal of Performance and Art 45, no. 3 (September 1, 2023): 80–112. http://dx.doi.org/10.1162/pajj_a_00686.
Full textMarks, Kent. "The Interior Monologue in Earl Kim's Violin Concerto." Perspectives of New Music 34, no. 2 (1996): 106. http://dx.doi.org/10.2307/833473.
Full textJuned, Sulaiman. "Penciptaan Teater “Hikayat Cantoi”: Adaptasi dari Konsep Teater Tutur Aceh Adnan PM TOH." Dance and Theatre Review 3, no. 1 (October 19, 2020): 26. http://dx.doi.org/10.24821/dtr.v3i1.4412.
Full textGaunce, Julia. "The End of the Moon: Reports from Elsewhere." Canadian Theatre Review 124 (September 2005): 90–91. http://dx.doi.org/10.3138/ctr.124.018.
Full textSuryandoko, Welly. "Bandura's Social Cognitive Theory and Its Implementation in Markeso Mudo's Garingan Ludrukan Monologue." Gondang: Jurnal Seni dan Budaya 7, no. 1 (June 17, 2023): 182. http://dx.doi.org/10.24114/gondang.v7i1.48188.
Full textDissertations / Theses on the topic "Monologue the music"
Bahr, Mickey. "...and then, Claire an indie-rock monologue; integrating the independent music scene into American musical theatre." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/653.
Full textB.F.A.
Bachelors
Arts and Humanities
Theatre
Stinton, Nicole Desiree. "Acting as song: A holistic pedagogy for sung characterisation in music theatre." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2025. https://ro.ecu.edu.au/theses/2925.
Full textTorres, Michael Rene. "Joseph Kreines and his Music for Alto Saxophone: A Biography, Analysis, and Performance Guide." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338398066.
Full textImbert, Jeanne. "Edouard Dujardin, un cas exemplaire au sein du symbolisme : genres et formes (1885 -1893)." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040145.
Full textEdouard Dujardin (1861-1949), the founder of Revue wagnérienne (the Wagnerian Journal) and Revue Indépendante de littérature et d’art (the independent journal of literature and art) has not only been a theoretician on symbolism but also a practitioner. His literary work between 1885 and 1893 explores verse as well as prose and traces back its questionings. Being resolutely engaged in the avant-Garde, it does not only tackle the structure of realism but also questions the model of mimesis in a sort of formal and intense research. It thus happens that Dujardin’s literary work testifies, in an exemplary way for that matter, to the crisis in verse that the literary universe was undergoing. Genres, forms and confrontations of different forms of arts define this course in three parts which does not follow a linear plan nor a chronological one but rather a specific questioning determined by each literary work. This is the reason why we started by studying his drama which raised the question of the character’s identity. The name of Antonia was thus used as a thread to tackle the relationship between prose and verse, as shown in the poem in prose or in free verse.In a second part, we questioned the forms-The poetic prose of his short stories and of his novel- which partly fulfil the criteria of the poem in verse. Lastly, in the context of the confrontation between the different types of arts, we focused on the text viewed as a phenomenon- Les Lauriers sont coupes- considered by critics as a form of “stream of consciousness” then on the connection between poetry and music through the study of the work Litanies, “mélopées” for piano and song, which confronts poem and music
Bjuggfält, Jonathan. "Hej till publiken - är ni där? : Ett arbete om att hitta vägar att nå sin publik." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-65171.
Full textLütteken, Laurenz. "Das Monologische als Denkform in der Musik zwischen 1760 und 1785 /." Tübingen : M. Niemeyer, 1998. http://catalogue.bnf.fr/ark:/12148/cb39956009r.
Full textYonemaru, Tomoko. "Something about Marybell." Thesis, connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6035.
Full textRinker, John Thomas Glass Philip. "And one of time a composition for full orchestra with narration /." view full-text document. Access restricted to the University of North Texas campus, 1999. http://www.library.unt.edu/theses/open/19993/rinker%5Fjohn%5Fl/index.htm.
Full textFeezel, Mark Brandon. "The light for two narrators and chamber orchestra /." connect to online resource, 2003. http://www.library.unt.edu/theses/open/20031/feezel%5Fmark%5Fbrandon/index.htm.
Full textChristian, Bryan W. Christian Bryan W. Christian Bryan W. Christian Bryan W. "Wanderings." Diss., [La Jolla, Calif.] : University of California, San Diego, 2010. http://wwwlib.umi.com/cr/fullcit?p1477876.
Full textTitle from first page of PDF file (viewed July 14, 2010). Available via ProQuest Digital Dissertations. Sound files consist of recordings of North and Yet somehow comes emptiness in single-channel and stereo. configurations.
Books on the topic "Monologue the music"
Baksa, Robert F. Monologue: For solo flute, 1993. [New York, N.Y.]: Composers Library Editions, 1994.
Find full textLaurence, Senelick, ed. Cabaret performance: Sketches, songs, monologues, memoirs. New York: PAJ Publications, 1989.
Find full textChristophe, Jacques. Steinlein: Partitions musicales illustrées, chansons et monologues d'Aristide Bruant. Lyon: Aléas, 2004.
Find full textGodin, Robert. Full circle : for amplified voice. Springfield, Mass: Soundarts Press, 1987.
Find full textPisaro, Michael. Mind is moving (VI): For reader. Haan: Edition Wandelweiser, 1996.
Find full textNoland, Gary. Teatime in purgatory: For narrator, piano improviser, and pantomimists : op. 16. Berkeley, CA: Freeland Publications, 1990.
Find full textnarrator, Ottonieri Tommaso 1958, Martusciello Maurizio, and Policastro Gilda, eds. Le strade che portano al Fùcino. Firenze: Le lettere, 2007.
Find full textWolfe, Lawrence. Suite dreams: For narrator and orchestra. Boston, Mass: ECS Pub., 1993.
Find full textGraef, Peter de. 10 jaar De Kolonie Muziektheater. Antwerpen (Berchem): Muziektheater De Kolonie mt, 2017.
Find full textBook chapters on the topic "Monologue the music"
Amico, Stephen. "Non-fundamental Tones, or, the Pharmakon of Silence." In Ethnomusicology, Queerness, Masculinity, 177–210. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-15313-6_8.
Full textAmico, Stephen. "Introduction: Silencing." In Ethnomusicology, Queerness, Masculinity, 1–36. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-15313-6_1.
Full textDavison, Peter. "‘The Music Hall Monologue and The Caretaker’ (1963)." In Harold Pinter: The Birthday Party, The Caretaker and The Homecoming. Bloomsbury Publishing Plc, 1986. http://dx.doi.org/10.5040/9781350362857.0024.
Full textReynolds, Roger. "The Indifference of the Broiler to the Broiled." In Samuel Beckett and Music, 195–212. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198184270.003.0016.
Full textSobaskie, James William. "The Dramatic Monologue of Schubert's Mass in Ab Major." In Drama in the Music of Franz Schubert, 51–82. Boydell and Brewer Limited, 2019. http://dx.doi.org/10.1017/9781787444393.005.
Full textSobaskie, James William. "The Dramatic Monologue of Schubert’s Mass in Ab Major." In Drama in the Music of Franz Schubert, 51–82. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctv6jm9rg.11.
Full textSobaskie, James William. "3 The Dramatic Monologue of Schubert’s Mass in Ab Major." In Drama in the Music of Franz Schubert, 51–82. Boydell and Brewer, 2019. http://dx.doi.org/10.1515/9781787444393-009.
Full textFrattarola, Angela. "Turning Up the Volume of Inner Speech." In Modernist Soundscapes, 94–113. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9780813056074.003.0005.
Full text"Chapter 3 Bantock and Browning: Reformulated dramatic monologue in Fifine at the Fair." In British Music and Literary Context, 133–88. Boydell and Brewer, 2012. http://dx.doi.org/10.1515/9781846159558-007.
Full textWalldén, Rea. "Interview with Antoinetta Angelidi." In ReFocus: The Films of Antoinetta Angelidi, 197–221. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474493703.003.0011.
Full textConference papers on the topic "Monologue the music"
TUĞLUK, Mehmet Emin. "A COMPETITION TO FIND AN EQUAL TO THE TWELVE FOREIGN WORDS ORGANIZED BY THE ŞEHBÂL MAGAZINE (1909-1914)." In 3. International Congress of Language and Literature. Rimar Academy, 2021. http://dx.doi.org/10.47832/lan.con3-4.
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