Relevant bibliographies by topics / Monologues with music (Bassoon, clarinet, flute, percussion)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Monologues with music (Bassoon, clarinet, flute, percussion)'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Monologues with music (Bassoon, clarinet, flute, percussion)"

1

Nasibulina, Alisa V. "THE MUSICAL STYLE OF COMPOSER YURI KASPAROV." Arts education and science 2, no. 39 (2024): 137–46. http://dx.doi.org/10.36871/hon.202402137.

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This article is devoted to the musical style of Yuri Kasparov (b. 1955), Russian composer and music teacher, Professor at the Moscow State Tchaikovsky Conservatory, who writes primarily chamber music. Many of his compositions are scored for a chamber orchestra comprising flute, oboe, clarinet, bassoon, horn, trumpet, trombone, harp, piano, percussion, two violins, viola, cello and double bass (an instrumentation derived from A. Schoenberg’s Chamber Symphony No. 1). His works include over 80 chamber compositions of different genres written for one to 17 instruments. He tends to use non-standard
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Asaulyuk, I. O., та A. A. Diachenko. "Особенности физической подготовленности студентов учебных заведений в процессе физического воспитания". Health, sport, rehabilitation 5, № 1 (2019): 9. http://dx.doi.org/10.34142/hsr.2019.05.01.01.

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<p><em>The main goal of the work</em> is to study the level of physical fitness of students of music specialties. The objectives of the study reflect the gradual achievement of the goal. It also gives the analysis of the static strength endurance of the muscles of the body <em>Methods of research</em>: analysis and generalization of data in literature, pedagogical methods of research (experiment, testing), methods of mathematical statistics. 154 students of the first and second year of the Vinnitsa School of Culture and Arts named after M. D. Leontovich participat
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Wheeler, Scott, and Judith Weir. "The Consolations of Scholarship: Music-Drama in the Form of a Yuan (Chinese 13th/14th Century) Opera (1985) [Mezzo Soprano; Flute/Alto Flute/Piccolo, Oboe, B-Flat Clarinet, Bassoon; Horn; Violin, Cello; Piano; Percussion (Side Drum and Set of Tubular Bells)]." Notes 50, no. 2 (1993): 772. http://dx.doi.org/10.2307/898526.

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Cicovacki, Borislav. "Zora D. by Isidora Zebeljan: Towards the new opera." Muzikologija, no. 4 (2004): 223–45. http://dx.doi.org/10.2298/muz0404223c.

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Opera Zora D., composed by Isidora Zebeljan during 2002 and 2003, and which was premiered in Amsterdam in June 2003, is the first Serbian opera that had a world premiere abroad. It is also the first Serbian opera that has been staged outside Serbia since 1935, after being acclaimed at a competition organized by the Genesis Foundation from London. Isidora Zebeljan was commissioned (granted financial backing) to compose a complete opera with a secured stage realization. The Dutch Chamber Opera (Opera studio Nederland) and the Viennese Chamber Opera (Wiener Kammeroper) were the co-producers of th
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Dissertations / Theses on the topic "Monologues with music (Bassoon, clarinet, flute, percussion)"

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Seymour, John. "Syncretisms for wind quintet and percussion, a study in combining organizational principles from Southeast Asia with western stylistic elements /." connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-6055.

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Thesis (M.M.)--University of North Texas, 2008.<br>For flute oboe, clarinet, horn, bassoon, and marimba, with an optional percussion part (glockenspiel, chimes). Duration: ca. 6:45. System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 61-64).
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Seymour, John. "Syncretisms for wind quintet and percussion: A study in combining organizational principles from Southeast Asian music with western stylistic elements." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc6055/.

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Syncretisms is an original composition scored for flute, oboe, clarinet, horn, bassoon, and marimba (2-mallet minimum, 4 recommended) with an optional percussion part requiring glockenspiel and chimes, and has an approximate duration of 6 min. 45. sec. The composition combines modern western tuning, timbre, and harmonic language with organizational principles identified in music from Southeast Asia (including music from cultures found in Thailand, Cambodia, Malaysia, and Indonesia). The accompanying paper describes each of these organizational principles, drawing on the work of scholars who h
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3

Goodner, Robert Lynn. "Chamber music featuring trumpet in three different settings with voice, with woodwinds, with strings." 2007. http://hdl.handle.net/1903/9729.

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"A portfolio of music compositions." Thesis, 2004. http://library.cuhk.edu.hk/record=b6073653.

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Alien-colour : for woodwind quintet -- Two bagatelles for the solo piano -- Duodecat : for large ensemble -- Moonlight : for solo voice and percussion -- Activation : for orchestra.<br>Yang Jin Fong.<br>"June 2004."<br>Thesis (D.Mus.)--Chinese University of Hong Kong, 2004.<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Abstracts in English and Chinese.
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"A portfolio of four original music compositions." 1998. http://library.cuhk.edu.hk/record=b5889514.

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Trombone concerto (first movement) -- Post-Zero -- Trio for flute, violin and cello, no. 2.<br>submitted by Tang Pan-hang Benny.<br>Thesis submitted in: December 1997.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 1998.<br>Abstract also in Chinese.<br>Abstract --- p.i<br>摘要 --- p.ii<br>Acknowledgment --- p.iii<br>Declaration --- p.iv<br>Introduction --- p.1<br>Trombone Concerto (first movement) --- p.2<br>Programme notes --- p.3<br>Remarks --- p.5<br>Instrumentation --- p.6<br>Seating Plan --- p.7<br>Scores --- p.8<br>Post-Zero 零後 --- p.56<br>Introduction --- p.57<br>Progra
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Books on the topic "Monologues with music (Bassoon, clarinet, flute, percussion)"

1

Schuman, William. Dances: Divertimento for wind quintet and percussion. Merion Music, 1987.

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2

O'Reilly, John. Flute: A comprehensive band method that develops creativity and musicianship. Alfred Publishing Co., Inc., 1997.

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Williams, Mark, and John O'Reilly. B-flat Clarinet: CD+ inside, Accompaniments of all exercises plus the latest software. Alfred Publishing Co., Inc., 1998.

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Luciano, Berio. Opus number zoo: Children's play for wind quintet (1951, rev. 1970). Universal Edition, 1998.

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O'Reilly, John. E-flat Alto Saxophone: A comprehensive band method that develops creativity and musicianship. Alfred Publishing Co., Inc., 1997.

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Williams, Mark, and John O'Reilly. Electric Bass: CD+ inside, Accompaniments of all exercises plus the latest software. Alfred Publishing Co., Inc., 1998.

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O'Reilly, John. Teacher's Resource Kit: A comprehensive band method that increases creativity and musicianship. Alfred Publishing Co., Inc., 2004.

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8

O'Reilly, John. Two Compact Disk Set. Alfred Publishing Co., Inc., 2006.

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9

Jones, Kathleen. An annotated bibliography of works written for Camerata Caribe from 1982 to 2008, for flute, oboe, clarinet, bassoon, and piano, and combinations thereof, sometimes including horn, percussion, and/or voice: By Kathleen Jones. Conservatorio de Música de Puerto Rico, 2008.

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Combined Percussion: CD+ inside, Accompaniments of all exercises plus the latest software. Alfred Publishing Co., Inc., 2016.

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Book chapters on the topic "Monologues with music (Bassoon, clarinet, flute, percussion)"

1

Wright, Simon. "A Brazilian In Paris: The Synthesis (1923-1929)." In Villa-Lobos. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780193154766.003.0003.

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Abstract Villa-Lobos’s Nonet is one of the most extraordinary pieces of chamber music ever written. Its scoring, founded on ideas from the Sexteto mistico and the Quarteto simb6lico, pushes the definition of ‘chamber’ to absurd limits: flute/piccolo, oboe, clarinet, saxophone, bassoon, celesta, harp, piano, a large percussion section using 18 instruments and requiring at least two players, and a mixed chorus dividing into, at most, 12 parts. All the disparate strands which lay together in the Canfiies tipicas were, in the Nonet, at last reconciled.
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