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Journal articles on the topic 'Monomaniya'

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1

Stewart, Lindsey. "‘A New and Fierce Disorder’s Raging’: Monomania in Mary Barton (1848)." Journal of Victorian Culture 24, no. 4 (2019): 492–506. http://dx.doi.org/10.1093/jvcult/vcy072.

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Abstract This article examines Elizabeth Gaskell’s use of the early psychiatric idea of monomania in her novel Mary Barton (1848). Digital searches show a steep rise in the textual use of the word so that by the mid-1830s it might be described as popularly familiar, albeit still invested with the esotericism and prestige of medical vocabulary. The furore in the press circulating around monomaniacal assassins would not have escaped Gaskell’s notice as she began the novel, which was written intermittently between the years 1844 and 1847 and set in c. 1834 to 1840. John Barton, and his sister-in-
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2

Brittan, Francesca. "Berlioz and the Pathological Fantastic: Melancholy, Monomania, and Romantic Autobiography." 19th-Century Music 29, no. 3 (2006): 211–39. http://dx.doi.org/10.1525/ncm.2006.29.3.211.

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Both the literary program of Berlioz's Symphonie fantastique and his personal letters dating from the year of the work's composition are suffused with the rhetoric of illness, detailing a maladie morale characterized by melancholy, nervous "exultation," black presentiments, and a malignant idee fixe.. Often mistakenly identified as a term new to the 1830s, the idee fixe has a considerably longer history, dating from the first decade of the nineteenth century when it appeared in the writings of French psychiatrists Etienne Esquirol and Jean-Etienne Georget. Both Esquirol's early writings on ins
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3

Bynum, Bill. "Monomania." Lancet 362, no. 9393 (2003): 1425. http://dx.doi.org/10.1016/s0140-6736(03)14643-0.

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4

Trichet, Yohan, and Agnès Lacroix. "Esquirol’s change of view towards Pinel’s mania without delusion." History of Psychiatry 27, no. 4 (2016): 443–57. http://dx.doi.org/10.1177/0957154x16661896.

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We recount how Jean-Étienne Dominique Esquirol (1772–1840) gradually changed his position towards what Philipe Pinel (1745–1826) referred to as mania without delusion. Between 1805 and 1838, Esquirol moved from outright rejection, questioning the very idea of insane persons committing motiveless acts of violence without delusion, to relative acceptance. He eventually incorporated the clinical characteristics of mania without delusion in his description of homicidal monomania, dividing them between reasoning monomania and instinctive monomania. We examine this change by detailing each of Esquir
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5

Smith, Edward W. L. "On Monomania." Psychotherapy Patient 3, no. 2 (1987): 73–83. http://dx.doi.org/10.1300/j358v03n02_08.

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6

Sasa, Ghada, and Abdalhadi Nimer Abdalqader Abu Jweid. "Paranoia, Neurotic Trauma, and Re-Traumatization as the Triad of Psychic Monomania in Edgar Allan Poe’s “The Tell-Tale Heart”." Theory and Practice in Language Studies 12, no. 5 (2022): 948–56. http://dx.doi.org/10.17507/tpls.1205.16.

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This paper attempts to explore paranoia and trauma as the causes of psychological monomania in Edgar Allan Poe’s “The Tell-Tale Heart.” The study focuses on the gradual development of the narrator’s paranoia stimulated by his aversive feelings toward the old man’s eagle eye. The discussion sheds light on Poe’s meticulous narrative descriptions of the narrator’s severe acute senses that make him undergo a horrible experience. The study looks into this experience as stimulation of his paranoia, which becomes the nexus of his hesitant decision to kill the old man. In this sense, paranoia and neur
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7

Walsh, Dermot. "The birth and death of a diagnosis: monomania in France, Britain and in Ireland." Irish Journal of Psychological Medicine 31, no. 1 (2014): 39–45. http://dx.doi.org/10.1017/ipm.2013.65.

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ObjectiveThe purpose of this paper is to trace the origins and decline of the diagnostic entity monomania, which became prevalent in the early 19th century and to investigate its use in Irish psychiatry.MethodThe French psychiatric scientific writings of the early 19th century have been surveyed to identify and describe the clinical entity of monomania. The clinical description of monomania has been investigated and its cultural diffusion through literature and the arts has been reviewed. The increase in its use as a diagnosis and its ultimate decline has been documented in France, Britain and
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8

Bottaccioli, Francesco. "Superare la monomania farmacologica." PNEI REVIEW, no. 2 (October 2017): 5. http://dx.doi.org/10.3280/pnei2017-002001.

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9

Smith, Rachel. "fatality of scientific monomania." Groundings Undergraduate 11 (May 1, 2018): 80–87. http://dx.doi.org/10.36399/groundingsug.11.182.

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In this essay I will investigate the various links between scientific development, death, and monomania in an interdisciplinary analysis of Mary Shelley’s 1818 novel Frankenstein and Christopher Nolan’s 2006 film The Prestige. This essay consists of three parts, focusing on the inventor, the invention, and the relationship between science and the arts. The first part of this essay discusses the inventor. It will compare the characters of Victor Frankenstein and Rupert Angier, contrasting and relating their motivations and behaviours in using scientific means to further their careers and reach
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10

Burgos, Javier S. "Monomania of drunkenness by Géricault." Lancet Neurology 21, no. 9 (2022): 774–75. http://dx.doi.org/10.1016/s1474-4422(22)00304-0.

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11

Bakharev, Dmitry Vadimovich. "On the origins of anthropological criminology. Discussion on monomania (moral insanity)." Право и политика, no. 2 (February 2020): 48–55. http://dx.doi.org/10.7256/2454-0706.2020.2.32112.

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This article presents a brief excurse into the history of the conception of one of the leading movements of criminological science – anthropological criminology. Analytical review of the opinion of leading psychiatrists and forensic pathologists of the early XIX century is given regarding the facts of commission of motiveless violent crimes by individuals without evident mental disorder, which were increasingly recorded by law enforcement of that time. This phenomenon was sequentially named “delirium-free mania”, “monomania”, “moral i
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12

Tytler, Graeme. "Heathcliff’s Monomania: an Anachronism inWuthering Heights." Brontë Society Transactions 20, no. 6 (1992): 331–43. http://dx.doi.org/10.1179/030977692796439621.

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13

Burgos, Javier S. "Monomania of political strife by Géricault." Lancet Neurology 22, no. 6 (2023): 468–69. http://dx.doi.org/10.1016/s1474-4422(23)00159-x.

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14

Tambling, J. "Monomania of a Whale Hunter: Moby-Dick." English 52, no. 203 (2003): 101–23. http://dx.doi.org/10.1093/english/52.203.101.

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15

Paden, Roger. "Monomania and the war of all against all." Philosophia 27, no. 1-2 (1999): 69–86. http://dx.doi.org/10.1007/bf02380996.

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16

MEYER, STEPHEN. "Marschner's villains, monomania, and the fantasy of deviance." Cambridge Opera Journal 12, no. 2 (2000): 109–34. http://dx.doi.org/10.1017/s0954586700001099.

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Marschner's villains occupy an important place in the history of operatic style, forming a bridge between characters such as Dourlinski or Pizarro and Wotan or the Dutchman. His villains may also be understood against the background of early nineteenth-century pathology, and particularly the syndrome of ‘monomania’. Marschner's music, which partially ‘heroicizes’ the villains in keeping with the contemporary rise of the sympathetic villain, parallels efforts to redefine the nature of madness. Marschner's operas could thus simultaneously construct and undermine the hegemony of bourgeois values,
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17

Lepoutre, Thomas, and Dr Tom Dening. "‘De la non-existence de la monomanie’, by Jean-Pierre Falret (1854)." History of Psychiatry 23, no. 4 (2012): 488–95. http://dx.doi.org/10.1177/0957154x12461468.

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The following text is the conclusion of a two-part translation of Falret’s 1854 essay arguing against the concept of monomania. In order to shine new light on the conceptual understanding of madness, the text emphasizes the importance of thorough clinical observations and the perspective of the whole patient, rejecting the disproportionate attention given to isolated symptoms, and in this respect his work represents a turning point away from the more traditional alienism.
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18

Pesic, Peter. "Music, Melancholia, and Mania: Gaetano Brunetti's Obsessional Symphony." 19th-Century Music 43, no. 2 (2019): 67–85. http://dx.doi.org/10.1525/ncm.2019.43.2.67.

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In his symphony “Il maníatico” (1780), Gaetano Brunetti gave a musical portrayal of monomania decades before it became a staple of nineteenth-century alienism (psychiatry), as well as of Romantic music and art. A detailed analysis of his symphony shows both the presenting features of what he called manía as well as the stages of the “maniac's” interaction with the surrounding “normal” world. These stages respond to widely known mental peculiarities of several generations of Spanish royalty, whom Brunetti served as court composer. Though its court audience would likely have compared this portra
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19

Augustyn, Joanna. "Monomania: The Flight from Everyday Life in Literature and Art." Romanic Review 100, no. 3 (2009): 401–3. http://dx.doi.org/10.1215/26885220-100.3.401.

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20

BOIME, A. "Portraying Monomaniacs to Service the Alienist's Monomania: Gericault and Georget." Oxford Art Journal 14, no. 1 (1991): 79–91. http://dx.doi.org/10.1093/oxartj/14.1.79.

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21

Orr, Mary. "Monomania: the Flight from Everyday Life in Literature and Art." French Studies 60, no. 4 (2006): 523. http://dx.doi.org/10.1093/fs/knl090.

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22

Fernanda, Gabriella Costa. "O ARQUÉTIPO POLÍTICO E A DIVINDADE SOCIAL: A MONOMANIA PSEUDOCOGNITIVA." Revistaft 26, no. 115 (2022): 115. https://doi.org/10.5281/zenodo.7158793.

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Na construção do conhecimento das divindades sociais, enquanto oportunistas, os ensejos de primazia coletiva se reencontram regularmente na ficção do bem-comum, haja vista ser a repressão oculta da racionalidade humana, o propósito medidor do agir das divindades, aos quais fundamentam a tirania de modo axiomático, tendo por certo a incapacidade intelectiva expandida, estabelecida pelo senso comum de um exercício necessário.
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23

Murru, Claudia. "Una ripetizione straniante." Incontri. Rivista europea di studi italiani 36, no. 1 (2021): 18–29. http://dx.doi.org/10.18352/inc11004.

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Repetition and estrangement
 The fixed idea in a tale of I. U. Tarchetti
 The article aims to investigate the process of estrangement through the tale La lettera U, by Iginio Ugo Tarchetti. By adopting the point of view of a madman, Tarchetti stages an estrangement that affects the entire discourse of the character. The fixed idea, a symptom of monomania (the psychiatric definition of this type of delirium at the time) gives rise to a narrative device with a strong alienating potential, able to highlight the differences between the notion of Šklovskij's ostranenie and estrangement as
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24

Johnson, John. "Henry Maudsley on Swedenborg's Messianic Psychosis." British Journal of Psychiatry 165, no. 5 (1994): 690–91. http://dx.doi.org/10.1192/bjp.165.5.690.

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BackgroundCreativity, religiosity and madness have long been thought to be aetiologically interrelated.MethodHenry Maudsley's little known pathography of the 17th century Swedish philosopher and polymath, Emanuel Swedenborg, was examined.ResultsSwedenborg developed a messianic psychosis in middle life, considered by Maudsley to be a monomania, possibly due to epilepsy. Many of Swedenborg's contemporaries thought of him, however, as a religious eccentric. Under criticism from Swedenborg's followers, Maudsley avoided further reference to Swedenborg, and the pathography was lost from view.Conclus
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25

Harris, James C. "The Obsession of Envy (Monomanie de l'envie)." Archives of General Psychiatry 60, no. 8 (2003): 764. http://dx.doi.org/10.1001/archpsyc.60.8.764.

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26

Etim, Emmanuel, Odey Jr, and Otu Duke. "International Politics of Oil Monomania and Food Security: The Nigerian Case." Asian Research Journal of Arts & Social Sciences 3, no. 4 (2017): 1–11. http://dx.doi.org/10.9734/arjass/2017/31631.

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27

Mason, Diane. "Latimer's complaint: masturbation and monomania in george eliot's the lifted veil." Women's Writing 5, no. 3 (1998): 393–404. http://dx.doi.org/10.1080/09699089800200064.

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28

Simon, Herbert. "On simulating Simon: His monomania, and its sources in bounded rationality." Studies in History and Philosophy of Science Part A 32, no. 3 (2001): 501–5. http://dx.doi.org/10.1016/s0039-3681(01)00013-9.

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29

D, Manimegalai,, and Senthilkumar, S. "Investigation of Online Compulsive Buying Patterns in the Pandemic Situation." Saudi Journal of Business and Management Studies 7, no. 6 (2022): 192–96. http://dx.doi.org/10.36348/sjbms.2022.v07i06.003.

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This study is to consider the compulsive buying pattern based on a new Compulsive buying index score. It examines the influence of unplanned buying, emotions, purchasing power, impulsiveness, post-purchase, monomania, direct mail response, and online shopping on compulsive buying behavior in the pandemic situation. The quantitative approach used to explore the compulsive buying pattern through the sample size of 33 under the snowball sampling method the study reveals comparability between Gen Z males & females mightily fall into a severe and mild compulsive category to other generations. L
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30

Jubinville, Ginette. "Pour en finir avec les Monomanes de Géricault : considérons leur rôle dans la construction du mythe de l’artiste." RACAR : Revue d'art canadienne 41, no. 1 (2016): 62–75. http://dx.doi.org/10.7202/1037555ar.

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Théodore Géricault’s Monomanes (Portraits of the Insane ; 1820s) were rediscovered in 1863, just four years before his first biography was published. This article examines this previously unstudied conjuncture in order to put to rest some of the myths surrounding these works and to show that their circulation contributed to the discourse on Géricault that was taking shape at the time. These five portraits have been described as displaying a duality that places them between art and psychiatry, between science and popular culture. This article argues that this resulted from the amalgamation of t
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31

Jubinville, Ginette. "Le portrait de la monomanie : rencontres de subjectivités." RACAR : Revue d'art canadienne 36, no. 1 (2011): 41. http://dx.doi.org/10.7202/1066751ar.

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32

Tavares, Hermano. "Transtornos do controle do impulso: o retorno da monomania instintiva de Esquirol." Revista Brasileira de Psiquiatria 30, suppl 1 (2008): S1—S2. http://dx.doi.org/10.1590/s1516-44462008000500001.

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33

Potter, Brian J., Colin Dormuth, and Jacques Le Lorier. "A theoretical exploration of therapeutic monomania as a physician‐based instrumental variable." Pharmacoepidemiology and Drug Safety 29, S1 (2019): 45–52. http://dx.doi.org/10.1002/pds.4757.

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34

Page, Tony. "Friedrich Halm’s Earliest Extant, Melodramatic Novelle, St. Sylvesterabend: An Austrian Dramatist’s Hidden Beginnings as a Narrative Fiction Writer." Manusya: Journal of Humanities 23, no. 2 (2020): 224–52. http://dx.doi.org/10.1163/26659077-02302005.

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To date there has been no scholarly exploration of the genesis and nature of Friedrich Halm’s earliest extant Novelle, St. Sylvesterabend (New Year’s Eve). The present research article attempts to fill that gap by determining the contested date of the story’s origin, establishing it as 1823. Furthermore, the article examines the tale’s simplicity of style, which is distinct from Halm’s later Kleist-influenced narratives. Furthermore, it analyzes the novel’s structural principle of parallels and contrasts, and its themes of monomania, secularised religiosity, and Christian caritas. The article
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35

Williams, Garrath. "Monomaniacs or Schizophrenics?: Responsible Governance and the EU's Independent Agencies." Political Studies 53, no. 1 (2005): 82–99. http://dx.doi.org/10.1111/j.1467-9248.2005.00518.x.

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This paper examines the creation of independent agencies within the EU, such as the European Environment Agency (EEA) and the European Central Bank (ECB). Majone and others have argued the case for European regulatory agencies. Such agencies can provide for continuity, expertise, accountability and effective authority – in short, an institutionalisation of responsibility. Against this optimism, I argue that a dilemma of institutional design naturally arises from the agencies' situation in the EU. On the one side, we risk creating powerful agencies that institutionalise monomania – that is, age
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36

Jones, David W. "Moral insanity and psychological disorder: the hybrid roots of psychiatry." History of Psychiatry 28, no. 3 (2017): 263–79. http://dx.doi.org/10.1177/0957154x17702316.

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This paper traces the significance of the diagnosis of ‘moral insanity’ (and the related diagnoses of ‘monomania’ and ‘ manie sans délire’) to the development of psychiatry as a profession in the nineteenth century. The pioneers of psychiatric thought were motivated to explore such diagnoses because they promised public recognition in the high status surroundings of the criminal court. Some success was achieved in presenting a form of expertise that centred on the ability of the experts to detect quite subtle, ‘psychological’ forms of dangerous madness within the minds of offenders in France a
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37

Spagnoli, Laura. "Monomania: The Flight from Everyday Life in Literature and Art (review)." French Forum 32, no. 3 (2007): 159–62. http://dx.doi.org/10.1353/frf.0.0006.

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38

Cavendish-Jones, Colin. "Trollope’s Monomaniac Monsters: The Fixed Period and the Idée Fixe." Victorians: A Journal of Culture and Literature 135, no. 1 (2019): 28–41. http://dx.doi.org/10.1353/vct.2019.0000.

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39

Renneville, Marc. "L’anthropologie du criminel en France." Criminologie 27, no. 2 (2005): 185–209. http://dx.doi.org/10.7202/017360ar.

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This article examines the birth and growth of criminal anthropology in France. French physicians and anthropologists took an interest in criminals and theorized their behaviors before the famous Italian positivist school. French theorizing in this area developped in the early beginnning of the XIXth century with the concept of Esquirol's "monomanie homicide" and phrenology, the later gaining wide acceptance under the July Monarchy. Paul Rroca, leader of anthropology in France, was interested incidentally in the pathology of crime but it is Lombroso's Uomo delin-quente, which through the reacti
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40

Van Zuylen, Marina. "Monomanie à deux : « Mademoiselle Bistouri » et le dialogue de Baudelaire avec l’insensé1." Études françaises 40, no. 2 (2004): 115–30. http://dx.doi.org/10.7202/008814ar.

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Résumé Rapprochant certaines théories de Kant et de Hegel sur la folie, cet article interprète « Mademoiselle Bistouri », un des poèmes en prose du Spleen de Paris de Baudelaire, par le biais d’une nouvelle interprétation de la monomanie. Entre les mains du narrateur, l’idée fixe de mademoiselle Bistouri devient un antidote à la conscience malheureuse de Hegel. Ses obsessions médicales vont redonner une raison d’être à un monde qui s’est libéré de tout système de croyance. L’ouvrage de Gladys Swain, Dialogue avec l’insensé, sert de support théorique à l’article.
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41

Zaleznik, Abraham. "De la monomanie à la mégalomanie : Harold Geneen et ITT." Gestion 33, no. 3 (2008): 83. http://dx.doi.org/10.3917/riges.333.0083.

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42

Müller, H. V. "Der interessante Fall - Monomanie, beobachtet, ausgelacht zu werden, Morbus Raynaud." Allgemeine Homöopathische Zeitung 246, no. 03 (2007): 100–111. http://dx.doi.org/10.1055/s-2006-936761.

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43

Grossi, Bruno. "La monomanía del genio. Sarraute y la genealogía del tropismo." Çédille, no. 26 (2024): 551–55. https://doi.org/10.25145/j.cedille.2024.26.31.

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Tambling, Jeremy. "Monomania: The Flight from Everyday Life in Literature and Art by Marina Van Zuylen." Modern Language Review 102, no. 1 (2007): 188–89. http://dx.doi.org/10.1353/mlr.2007.0065.

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45

During, Simon. "The Strange Case of Monomania: Patriarchy in Literature, Murder in Middlemarch, Drowning in Daniel Deronda." Representations 23, no. 1 (1988): 86–104. http://dx.doi.org/10.1525/rep.1988.23.1.99p0232h.

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During, Simon. "The Strange Case of Monomania: Patriarchy in Literature, Murder in Middlemarch, Drowning in Daniel Deronda." Representations 23 (1988): 86–104. http://dx.doi.org/10.2307/2928567.

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47

Raoult, Patrick Ange. "Figures de la dangerosité : de la monomanie au tueur en série." Bulletin de psychologie Numéro 481, no. 1 (2006): 31. http://dx.doi.org/10.3917/bupsy.481.0031.

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48

Johns, Fleur. "The sovereignty deficit: Afterword to the Foreword by Neil Walker." International Journal of Constitutional Law 19, no. 1 (2021): 6–12. http://dx.doi.org/10.1093/icon/moab004.

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Abstract The frenzy of sovereign claiming that Neil Walker describes in his enthralling Foreword reveals more about sovereignty’s deficits, and prevailing anxieties about these deficits, than it evinces the expanding range of sovereignty. Sovereignty is clearly not eroding across the board, but it is far more fissured than Walker’s Foreword article suggests, as more and more modes of governmental power perforate, parse and parry it. Sovereignty captures how some things work, some of the time, and a good measure of political rhetoric and aspiration. As a comprehensive or incisive analytic for c
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49

Roberts, John L. "Obsessional subjectivity in societies of discipline and control." Theory & Psychology 27, no. 5 (2017): 622–42. http://dx.doi.org/10.1177/0959354317716308.

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Drawing on the work of the later Foucault, especially that concerning disciplinary power and bio-power, as well as Deleuze on the emergence of “societies of control,” this article traces the trajectory of obsessional subjectivity from its emergence as a firmly psychiatric category within a disciplinary matrix (i.e., monomania) toward its contemporary position within the bio-political sphere (i.e., obsessional neurosis and obsessive–compulsive disorder) in societies of control. It is argued—pursuant to Lacanian formulations—that obsessional neurosis simultaneously contributes to the efficacy of
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50

Koziołek, Ryszard. "Ekonomia polityczna lalek [Dolls' political economy]." Napis XXI (2015) (December 27, 2015): 185–97. https://doi.org/10.18318/napis.2015.1.11.

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The article uses the concept of Marx&rsquo;s commodity fetishism to uncover and describe complex relations between eroticism, political economy and psychology in <em>The Doll</em> [Doll] by Bolesław Prus. The scene under analysis is when Wokulski fires from his shop a shop assistant who was overfamiliar with Izabela Łęcka. The interpretation applying the given contexts unveils political dimension of economy which Wokulski uses to overcome class barriers and also to create new boundaries which are supposed to separate the object of his love from other men.
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