Academic literature on the topic 'Monsters – Juvenile poetry'

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Books on the topic "Monsters – Juvenile poetry"

1

Thud, Phineous. Monster ball. P. Thud, 2004.

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2

ill, Rogers Jacqueline, and Evans Dilys, eds. Monster soup and other spooky poems. Scholastic, 1992.

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3

Paul, Korky, and John Foster. Pirate poems & monster poems. Dingles & Co., 2008.

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4

Ashman, Linda. The essential worldwide monster guide. Simon & Schuster Books for Young Readers, 2003.

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5

Sierra, Judy. Monster Goose. Harcourt, 2001.

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6

ill, Small David 1945, ed. The essential worldwide monster guide. Simon & Schuster Books for Young Readers, 2003.

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7

Harvey, Damian. The monster party. Sea-To-Sea, 2009.

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8

Foster, John, 1941 Oct. 12- and Paul Korky, eds. Dragons, dinosaurs, monster poems. Oxford University Press, 1998.

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9

Katz, Bobbi. The monsterologist: A memoir in rhyme. Sterling Pub. Co., 2009.

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10

Bruce, Lansky, and Gordon Mike ill, eds. Dinner with dracula: A spine-tingling collection of frightening funny poems. Meadowbrook Press, 2006.

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Book chapters on the topic "Monsters – Juvenile poetry"

1

Henderson, John. "Pump up the Volume: Juvenal, Satire 1. 1-21." In Writing down Rome. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198150770.003.0010.

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Abstract Under the Flavians, the second dynasty of Caesars, poetry wrote its powers down, either virtually erasing all scope to signify and not bothering to count for more than a few seconds at a time (Martial’s myriad epigrams of nonchalance, filth, panegyric on a pin-head) or slickly celebrating momentary ingenuity in the rough in denial of both finish and authority (Statius’ instant lyrics gilding the social calendar, putting faces on power, gawping at the grandeur of Rome). Writers of the early second century, in the third dynasty of Nerva, Trajan, and Hadrian, bind the Flavians to their J
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Hopkins, David, and Tom Mason. "Some Eighteenth-Century Wives of Bath." In Chaucer in the Eighteenth Century. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192862624.003.0008.

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Abstract Of all Chaucer’s personages, the Wife of Bath was the most celebrated in the eighteenth century. The words of her Prologue and Tale—or reports or imitations of her words—appear in a wide variety of forms: plays, translations, imitations, dictionaries, anthologies, poetic commonplace books, and in the footnotes to editions of Spenser, Shakespeare, Milton, and occasionally Horace and Juvenal. Presentations of the Wife vary from Blake’s monster to the figure who talks her way into heaven itself in the much-reprinted ballad The Wanton Wife of Bath. This chapter discusses the depictions of
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