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Books on the topic 'Monstres – Au cinéma'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

Grim, Olivier R. Mythes, monstres et cinéma: Aux confins de l'humanité. Grenoble: Presses universitaires de Grenoble, 2008.

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2

Grim, Olivier R. Mythes, monstres et cinéma: Aux confins de l'humanité. Grenoble: Presses universitaires de Grenoble, 2008.

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3

Creed, Barbara. The monstrous-feminine: Film, feminism, psychoanalysis. London: Routledge, 1993.

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4

Hyŏn-suk, Kim. Misul hanŭn maŭm: Kim Hyŏn-suk, Sin I-yŏn, Yong Sŏn-mi int'ŏbyujip. Kyŏnggi-do P'aju-si: Chech'ŏlso, 2020.

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5

Bissette, Stephen. Bissette's Cryptid cinema: Meditations on Bigfoot, Bayou Beasts & Backwood Bogeyman of the movies. Windsor, VT: SpiderBaby Grafix and Publications, 2017.

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6

Andrea, Ferrari. Il cinema dei mostri. Milano: Mondadori, 2003.

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7

Bocchi, Pier Maria. Freakshow: Il cinema della difformità. Bologna: Puntozero, 1998.

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8

Eljaiek-Rodríguez, Gabriel. The Migration and Politics of Monsters in Latin American Cinema. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97250-3.

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9

Cozzi, Luigi. Il cinema dei mostri: Da Godzilla a Dario Argento. Roma: Fanucci, 1987.

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10

Abruzzese, Alberto. La grande scimmia: Mostri, vampiri, automi, mutanti : l'immaginario collettivo dalla letteratura al cinema e all'informazione. Roma: L. Sossella, 2007.

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11

Colloque Frankenstein littérature/cinéma (1997 Liège, Belgium). Actes du colloque Frankenstein littérature/cinéma. Liège [Belgium]: Editions du CÉFAL, 1997.

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12

Coates, Paul. The Gorgon's gaze: German cinema, expressionism, and the image of horror. Cambridge [England]: Cambridge University Press, 1991.

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13

Creed, Barbara. Phallic panic: Film, horror and the primal uncanny. Carlton, Vic., Australia: Melbourne University Press, 2005.

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14

Bob, Burns. It came from Bob's basement: Exploring the science fiction and monster movie archive of Bob Burns. San Francisco: Chronicle Books, 2000.

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15

Les monstres au cinéma. Paris: Colin, 2009.

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16

Landis, John. Créatures fantastiques et monstres au cinéma: 100 ANS DE CAUCHEMARS AU CINÉMA. FLAMMARION, 2012.

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17

Ashgate Encyclopedia of Literary and Cinematic Monsters. Taylor & Francis Group, 2014.

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18

Weinstock, Jeffrey Andrew. Ashgate Encyclopedia of Literary and Cinematic Monsters. Taylor & Francis Group, 2016.

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19

Weinstock, Jeffrey Andrew. Ashgate Encyclopedia of Literary and Cinematic Monsters. Ashgate Publishing, Limited, 2014.

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20

Weinstock, Jeffrey Andrew. Ashgate Encyclopedia of Literary and Cinematic Monsters. Ashgate Publishing Company, 2014.

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21

Weinstock, Jeffrey Andrew. Ashgate Encyclopedia of Literary and Cinematic Monsters. Taylor & Francis Group, 2016.

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22

Weinstock, Jeffrey Andrew. Ashgate Encyclopedia of Literary and Cinematic Monsters. Taylor & Francis Group, 2016.

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23

Weinstock, Jeffrey Andrew. Ashgate Encyclopedia of Literary and Cinematic Monsters. Taylor & Francis Group, 2016.

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24

Ashgate Encyclopedia of Literary and Cinematic Monsters. Taylor & Francis Group, 2021.

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25

Monsters and the Monstrous: Myths and Metaphors of Enduring Evil (At the Interface/Probing the Boundaries). Rodopi, 2007.

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26

Creed, Barbara. Monstrous-Feminine: Film, Feminism, Psychoanalysis. Taylor & Francis Group, 2015.

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27

Creed, Barbara. Monstrous-Feminine: Film, Feminism, Psychoanalysis. Taylor & Francis Group, 2015.

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28

Creed, Barbara. Monstrous-Feminine: Film, Feminism, Psychoanalysis. Taylor & Francis Group, 2015.

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29

Creed, Barbara. Monstrous-Feminine: Film, Feminism, Psychoanalysis. Taylor & Francis Group, 2015.

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30

Unnameable Monster in Literature and Film. Routledge, 2013.

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31

Beville, Maria. Unnameable Monster in Literature and Film. Taylor & Francis Group, 2019.

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32

Beville, Maria. Unnameable Monster in Literature and Film. Taylor & Francis Group, 2013.

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33

Beville, Maria. Unnameable Monster in Literature and Film. Taylor & Francis Group, 2013.

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34

Beville, Maria. Unnameable Monster in Literature and Film. Taylor & Francis Group, 2013.

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35

Beville, Maria. Unnameable Monster in Literature and Film. Taylor & Francis Group, 2013.

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36

Unnameable Monster in Literature and Film. Taylor & Francis Group, 2013.

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37

Monstrous-Feminine: Film, Feminism, Psychoanalysis. Routledge, 2023.

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38

The monstrous-feminine: Film, feminism, psychoanalysis. London: Routledge, 1993.

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39

Monstrous-Feminine: Film, Feminism, Psychoanalysis. Routledge, 2012.

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40

Monstrous-Feminine: Film, Feminism, Psychoanalysis. Taylor & Francis Group, 2015.

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41

Monstrous-Feminine: Film, Feminism, Psychoanalysis. Routledge, 2023.

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42

Tim Burton: The monster and the crowd : a post-Jungian perspective. London: Routledge, 2010.

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43

Schwadron, Hannah. Black Swan, White Nose. Edited by Rebekah J. Kowal, Gerald Siegmund, and Randy Martin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199928187.013.59.

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This chapter analyzes Darren Aronofsky’s Black Swan (2010) as a Jewish horror film with fake lesbian monsters. The Swan Lake remake offers a site of racial and sexual containment for Jewish actresses in ballet roles. Against damaging pressures of professional dance on the female psyche, the film recasts White and Black Swan roles as monstrous representations of the Ethnic Other, the Woman, and the Sexual Deviant. Analysis of select plot and performance components challenge fatal disfigurements of the film’s female characters: In what ways does Black Swan use ballet to appropriate social and political identities with tenuous relationships to the mainstream? How might these appropriations amount to an ultimate domestication of the very identities the film puts forward for thrilling appeal? This linkage of dance and politics intersects critical race theory, queer theory, and horror film theory as revealing dimensions of classical dance in narrative cinema.

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44

Monster Cinema. Rutgers University Press, 2018.

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45

author, McCorkle Brooke 1980, ed. Japan's green monsters: Environmental commentary in Kaiju cinema. McFarland, 2018.

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46

Donnar, Glen. Troubling Masculinities. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828576.001.0001.

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Abstract:

The association of the attacks of 9/11 with Hollywood science fiction and disaster spectacle was immediate and pervasive. Succeeding calls in media and politics for the reassuring return of ‘strong’ masculine types—predominantly drawn from Hollywood westerns, action and war films—were widespread, revealing renewed cultural fears of threats to America from both within and without.Troubling Masculinities is the first dedicated multi-genre study of representations of masculinity in encounters with terror in post-9/11 American cinema. The book examines the impact of “terror-Others”, from Arab terrorists to giant monsters, across a broad range of sub-genres—including disaster melodrama, monster movies, post-apocalyptic science fiction, discovered footage and ‘home invasion’ horror, action-thrillers and ‘frontier’ westerns—especially in relation to cinematic representations of masculinity in previous periods of national turmoil. The book demonstrates that the supposed reassertion of masculinity and American national identity in post-9/11 cinema repeatedly unravels across genres. Engaging critical arguments about how Hollywood cinema attempts to resolve male crisis in part through Orientalizing figures of terror, he shows how this unraveling reflects an inability to effectively extinguish the threat or frightening difference of terror. The heroes in these movies are unable to heal themselves or restore order, often becoming as destructive as the threats they encounter. The book concludes by showing how interrelated anxieties about masculinity and nation continue to affect contemporary American cinema and politics. By showing how persistent these cultural fears are, Troubling Masculinities offers an important counternarrative in this supposedly unprecedented moment in American history.

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47

Magic, myth, and monsters: Music, sound, and fantasy cinema. Sheffield, South Yorkshire: Equinox Pub., 2012.

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48

Cinema serial killers: The real monsters behind the movies. Scoresby, Vic: Five Mile Press, 2011.

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49

The Migration and Politics of Monsters in Latin American Cinema. Palgrave Macmillan, 2018.

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50

Eljaiek-Rodríguez, Gabriel. The Migration and Politics of Monsters in Latin American Cinema. Palgrave Macmillan, 2019.

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