Relevant bibliographies by topics / Monstrosity

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Monstrosity'

Author: Grafiati
Published: 4 June 2021
Last updated: 21 February 2023

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Journal articles on the topic "Monstrosity"

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Vanderhaeghen, Yves. "Monstrosity." Visual Anthropology 28, no. 5 (October 20, 2015): 458–59. http://dx.doi.org/10.1080/08949468.2015.1086219.

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Adams, James Eli. "Monstrosity." Victorian Literature and Culture 46, no. 3-4 (2018): 776–79. http://dx.doi.org/10.1017/s1060150318000815.

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Darmawan, Adam, Aquarini Priyatna, and Acep Iwan Saidi. "UNSUR-UNSUR GOTIK DALAM NOVEL PENUNGGU JENAZAH KARYA ABDULLAH HARAHAP (Gothic Elements in the Novel Penunggu Jenazah by Abdullah Harahap)." METASASTRA: Jurnal Penelitian Sastra 8, no. 2 (June 6, 2016): 161. http://dx.doi.org/10.26610/metasastra.2015.v8i2.161-178.

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Tulisan ini mengkaji unsur-unsur gotik yang terdapat dalam novel Penunggu Jenazah karya Abdullah Harahap. Novel yang dikaji menunjukkan keterkaitan unsur-unsur gotik sebagai pembangun cerita, yaitu hal-hal supernatural, bentuk-bentuk transgresi, latar yang menyeramkan, bentuk-bentuk monstrositas, excess dan fetis. Kajian ini dilandasi dengan menggunakan teori gotik. Hasil analisis menunjukkan bahwa unsur gotik dalam novel Penunggu Jenazah saling tumpang tindih. Hal-hal supernatural digunakan sebagai sumber konflik dan bentuk transgresi. Transgresi sebagai unsur gotik menggunakan pelanggaran terhadap tabu yang melibatkan transgresi terhadap seksualitas, tubuh, dan kematian. Latar yang menyeramkan, bentuk-bentuk monstrositas dan excess dihadirkan sebagai unsur gotik yang menggangu tatanan norma dan normalitas. Fetis yang muncul dalam Penunggu Jenazah adalah fetis terhadap tubuh perempuan dengan kecenderungan sadomasokis. Novel disajikan dengan mencampurkan semua unsur gotik dengan unsur supernatural, transgresi dan monstrositas sebagai unsur gotik yang dominan. Oleh sebab itu, penelitian ini saya fokuskan untuk mengungkap cara gotik ditampilkan dalam karya Harahap.Abstract: This paper examines the gothic elements in the novel entitled Penunggu Jenazah written by Abdullah Harahap. The novel shows that the gothic elements are supernatural, forms of transgression, scary setting, forms of monstrosity, excess and fetish. This study uses gothic theories. Furthermore, the results of the analysis also show that the gothic elements are overlapping. Transgression as the gothic element is using violation of taboo of sexuality, body and death. The scary setting, the forms of monstrosity and excess are representing to disturb norms and normality. The fetish in the Penunggu Jenazah novel is the fetish of a woman body with a tendency to sadomasochism. Gothic is represented by blending all gothic elements with the supernatural, transgression and monstrosity as the majority elements. Moreover, this study is focused on the way gothic represented.
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McKellips, Jenna M. "Miraculous Monstrosity." Medieval Feminist Forum 56, no. 2 (March 25, 2021): 176–203. http://dx.doi.org/10.17077/1536-8742.2220.

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Van Elferen, Isabella. "Sonic monstrosity." Horror Studies 7, no. 2 (October 1, 2016): 307–18. http://dx.doi.org/10.1386/host.7.2.307_1.

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Jones, Steve. "Gender Monstrosity." Feminist Media Studies 13, no. 3 (July 2013): 525–39. http://dx.doi.org/10.1080/14680777.2012.712392.

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Tobin, Theresa Weynand. "Taming Augustine’s Monstrosity." Journal of Philosophical Research 34 (2009): 345–63. http://dx.doi.org/10.5840/jpr_2009_11.

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Krisch, N. "Europe's Constitutional Monstrosity." Oxford Journal of Legal Studies 25, no. 2 (June 1, 2005): 321–34. http://dx.doi.org/10.1093/ojls/gqi016.

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RIESER, KLAUS. "Masculinity and Monstrosity." Men and Masculinities 3, no. 4 (April 2001): 370–92. http://dx.doi.org/10.1177/1097184x01003004002.

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HAYWARD, H. "PHILOSOPHY AND MONSTROSITY." Essays in Criticism XLIX, no. 1 (January 1, 1999): 91–99. http://dx.doi.org/10.1093/eic/xlix.1.91.

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Dissertations / Theses on the topic "Monstrosity"

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Dodd, Sarah Louise. "Monsters and monstrosity in Liaozhai zhiyi." Thesis, University of Leeds, 2013. http://etheses.whiterose.ac.uk/6445/.

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In Liaozhai zhiyi, a collection of almost five hundred tales by Pu Songling (1640-1715), young scholars fall in love with beautiful fox spirits or meet ghosts in abandoned temples; corpses walk and men change into birds; hideous apparitions invade the home, bodies become unfamiliar, children are born to women long dead, and things are rarely what they first seem. Throughout the collection, the monstrous intrudes on the ordered spaces of the human world, bringing disorder but also the fulfilment of desire. The collection was written by a man who was trapped in the 'examination hell' of the Chinese civil service system, and in the years since his death has brought him the success he never achieved in his professional life, being read, critiqued, loved, and adapted by successive generations, until the work itself has become as monstrous as a hybrid as some of the creatures within its pages. The Liaozhai tales which have received the most critical and popular attention are the tales of enchantment and romance between human men and ghosts or fox spirits. Yet this focus on only certain types of tale has meant that the collection, which is made up of patchwork of different traditions and influences, is rarely considered as a whole. This thesis attempts to redress the balance by arguing that the collection is a monstrous hybrid, made out of fragments of folklore, myth, previous stories and pure invention, using different literary traditions and created by the assumed persona of an author -the Historian of the Strange -who is himself as hybrid as some of the creatures in his tales. Because of this textual hybridity, combined with the myriad anomalous figures within its pages, the thesis takes the representation of monstrosity as central to the collection, using Jeffrey Jerome Cohen's 'Monster Culture' as a starting point. His influential work, first published in 1996, argues that the monster is a 'cultural body', containing the fears, anxieties and desires of the culture in which it is born. I hope that the thematic focus on the monster will allow the collection to be approached as an entity, considering the different types of tale, and the different figures within them, and how they work together or against each other. I argue that the examination of the monster as a 'cultural body' will add to the understanding of Liaozhai within the context of early Qing society and culture, in the way it can be seen as paradoxically both subverting and supporting social norms.
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Lazaro-Reboll, Antonio. "Facing monstrosity in Goya's Los Caprichos (1799)." Thesis, University of Nottingham, 2004. http://eprints.nottingham.ac.uk/12958/.

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The aim of this thesis is to offer a re-evaluation of our cultural assumptions concerning the monstrous in the work of Francisco Jose de Goya y Lucientes (1746- 1828), specifically his collection of etchings Los Caprichos (1799). In my study there are three closely related areas of investigation: the image of the monstrous body in Goya's work; the cultural aspects of monsters and monstrous forms in Western discourses and in the Spanish Enlightenment; and the theoretical encounter between the history of the sciences and deconstructive criticism. The interaction between these three areas provides a background against which to understand the Goyaesque body within the context of Spanish cultural practices. Through an examination of eighteenth-century Spanish reformist absolutism, this thesis explores the contradictions, limits, or insufficiencies of the Spanish Ilustraciön in order to establish the ideological, cultural and artistic context out of which Los Caprichos emerged. One of the central issues that runs through my study is to establish how far, and in what ways, Los Caprichos can be seen as an Enlightenment work. Traditional readings of Los Caprichos have paid very little critical attention to the monstrous human bodies depicted in the collection in the context of eighteenth century discourses on monstrosity and corporeality. Los Caprichos invite a more complex, multifaceted consideration both of the body and the monster, of corporeality and monstrosity. By focusing on the Goyaesque body, the aim of this thesis is to open up a series of questions on the ways in which the monstrous body can be thought of in the critique of culture. This study therefore seeks to provide a cultural history of the monstrous body in the art of Goya, showing how his pictorial representations in the collection of etchings Los Caprichos offer a critique of reason and problematize the perception and treatment of (European and Spanish) Enlightenment configurations of the body. It is my contention that Los Caprichos can be read in Enlightenment ways yet there are elements of an ideological, cultural and artistic nature that problematize such credentials, pointing to the limits and contradictions of the Spanish Enlightenment itself.
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Fawcett, Christina. "J.R.R. Tolkien and the morality of monstrosity." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/4993/.

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This thesis asserts that J.R.R. Tolkien recreates Beowulf for the twentieth century. His 1936 lecture, ‘Beowulf: The Monsters and the Critics’ sets the tone not only for twentieth century criticism of the text, but also Tolkien’s own fictional project: creating an imagined world in which ‘new Scripture and old tradition touched and ignited’ (‘B: M&C’ 26). At the core of his analysis of Beowulf, and at the core of his own Middle-earth, are the monsters. He creates creatures that are an ignition of past and present, forming characters that defy allegory and simple moral categorization. To demonstrate the necessity of reading Tolkien’s Middle-earth through the lens of his 1936 lecture, I begin by examining the broad literary source material that Tolkien draws into his creative process. I assert that an understanding of the formation of monstrosity, from classical, Augustinian, late medieval, Renaissance, Restoration and Gothic sources, is fundamental to seeing the complexity, and thus the didactic element, of Tolkien’s monsters. As a medieval scholar and professor, Tolkien’s focus on the educational potential of a text appears in his critical work and is enacted in his fiction. Tolkien takes on a mode of writing categorized as Wisdom Literature: he writes a series of texts that demonstrate the imperative lesson that ‘swa sceal man don’ (so shall man do) found in Beowulf. Tolkien’s fiction takes up this challenge, demonstrating for the reader what a hero must do when faced with the moral and physical challenge of the monster. Monsters are a primarily didactic tool, demonstrating vice and providing challenges for the hero to overcome. Monsters are at the core of Tolkien’s critical reading; it must be at the core of ours.
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McLennan, Alistair. "Monstrosity in Old English and Old Icelandic literature." Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/2287/.

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Thesis Abstract. The purpose of this thesis is to examine Old English and Old Icelandic literary examples of monstrosity from a modern theoretical perspective. I examine the processes of monstrous change by which humans can become identified as monsters, focusing on the role played by social and religious pressures. In the first chapter, I outline the aspects of monster theory and medieval thought relevant to the role of society in shaping identity, and the ways in which anti-societal behaviour is identified with monsters and with monstrous change. Chapter two deals more specifically with Old English and Old Icelandic social and religious beliefs as they relate to human and monstrous identity. I also consider the application of generic monster terms in Old English and Old Icelandic. Chapters three to six offer readings of humans and monsters in Old English and Old Icelandic literary texts in cases where a transformation from human to monster occurs or is blocked. Chapter three focuses on Grendel and Heremod in Beowulf and the ways in which extreme forms of anti-societal behaviour are associated with monsters. In chapter four I discuss the influence of religious beliefs and secular behaviour in the context of the transformation of humans into the undead in the Íslendingasögur. In chapter five I consider outlaws and the extent to which criminality can result in monstrous change. I demonstrate that only in the most extreme instances is any question of an outlaw’s humanity raised. Even then, the degree of sympathy or admiration evoked by such legendary outlaws as Grettir, Gísli and Hörðr means that though they are ambiguous in life, they may be redeemed in death. The final chapter explores the threats to human identity represented by the wilderness, with specific references to Guthlac A, Andreas and Bárðar saga and the impact of Christianity on the identity of humans and monsters. I demonstrate that analysis of the social and religious issues in Old English and Old Icelandic literary sources permits nuanced readings of monsters and monstrosity which in turn enriches understanding of the texts in their entirety.
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Rodriguez-, Pereira Victor. "Change, Monstrosity, and Hybridity in Medieval Iberian Literature." Thesis, Indiana University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10937457.

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Monstrosity and transformation were intrinsically connected topics during premodern times. From Ovid’s Metamorphoses ( circa 8 CE) to Isidore of Seville’s Etymologies (560–636 CE), intellectuals of all fields of knowledge explored the possibility of human physical transformation, and its consequences. This dissertation will approach hybrid monstrosity in imaginative literature of medieval Iberia on the basis of its textual and formal representations, but also as the repository of cultural significance and ideologies that characterize a particular time and place. My study focuses on five medieval Spanish texts: the Libro del cavallero Zifar (Book of the Knight Zifar, c. 1300) often considered one of the first chivalric novels written in Spain; the Libro de buen amor (Book of Good Love, c. 1330–1343) a satirical and parodic poem fully grounded in both learned and popular culture; the Amadís de Gaula ( Amadís of Gaul) (1508) and its sequel, Las sergas de Esplandián (The Adventures of Esplandián ) (1510); and the Alborayque (circa 1454–74), an anti-Jewish illustrated pamphlet published in Castile at the end of the fifteenth century. My dissertation unpacks the concepts of monstrosity and transformation present in medieval European culture, and the ways these are displayed in a variety of texts in order to reinforce or undermine religious, gender, and ethnic anxieties. In addition, my research traces the shifts in attitudes akin to processes of transformation in monstrous beings between the thirteenth and sixteenth centuries. It will be clear that during the fourteenth century monstrosity and change were connected to religious identity, while during the fifteenth and sixteenth centuries the texts studied embody the political agenda aimed at unifying the Peninsula through the idea of the Reconquista (the Christian retaking of Muslim lands), and the cultural and social struggles between the different cultural and religious communities.

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Bowring, Nicola. "Figures of anxiety: communication and monstrosity in Gothic fiction." Thesis, University of Nottingham, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.606008.

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This thesis seeks to explore the subject of communication in gothic fiction, identifying this as a key theme in terms of anxiety as explored in this genre of fiction. Communication is related specifically here to the concept of monstrosity, and representations of monstrous figures within the genre of gothic fiction. The study is made through three key areas, the first focusing on language and communication, the second on the concept of the other and how alterity relates to communication, and the third examining the question of community as a key aspect within the theme of communication in gothic narratives. A wide range of texts is taken for discussion, historically speaking, from the earliest, Dacre's 1806 novel ZoJloya, through to the 2002 film 28 Days Later. Literary texts, films and television are included here for the different aspects they bring to the debate.
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Saunders, Rosalyn. "The monster within : emerging monstrosity in Old English literature." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4166/.

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This thesis examines representations of monstrosity in Old English literature. The literary studies herein examine the construction of monstrous individuals in Old English poetry, and I demonstrate that literary monstrous types converge and develop a tradition of monstrosity that informs the monsters of the Liber monstrorum and Anglo-Saxon Wonders of the East. I argue that, for Old English writers, a monster was not necessarily a deformed being located in the distant lands of the East; rather, the literary and linguistic evidence suggests that any man or woman had the potential to become a monstrous type within the conventional social order. The Old English works examined are Precepts, Maxims I and II, Vainglory, Judith, The Battle of Maldon and Beowulf because each text reveals that Old English writers utilised binary sex and gender differences to define the social roles and behaviours appropriate for the masculine and feminine. According to critical theory, gender is a performance and both men and women must therefore prove their gender identities by behaving in a certain way and fulfilling the roles deemed appropriate for their gender. In failing to conform to the expectations of their gender, a gender-monstrosity matrix works upon the social transgressors, excluding them from the social order and distorting their gender identities into a monstrously confused yet recognisable construct. In the literary works examined, the monstrous type is not only the antithesis to the idealised masculine and feminine, but is also a malevolent figure whose anti-social words and actions transgress gender expectations. I demonstrate that the danger posed by the monster is not only physical, but also psychological. The monster threatens the communal harmony of the social order because, in Old English literature, monstrosity emerges in the form of an uncontrolled riot that incites unrest and enmity in the hall, or as words and outward actions that are purposely deployed (or withheld) in order to demoralise, destroy, and even consume the masculine symbolic order in the pursuit of self-gratification.
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Leno, Olivia. "Holy monstrosity: a study of François Mauriac’s Thérèse Desqueyroux." Thesis, Kansas State University, 2017. http://hdl.handle.net/2097/35455.

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Master of Arts
Department of Modern Languages
Kathleen Antonioli
In a world painted black and white, monsters are always evil and they always seek to destroy what is good, with or without reason. However, twentieth-century Catholic novelist François Mauriac, in his Thérèse Desqueyroux, proposes that the matter of monstrosity is not so easily defined. In a mysterious preface to the novel, Mauriac employs a Baudelarian epigraph that brings murkiness to this definition: “O Créateur ! peut-il exister des monstres aux yeux de celui-là seul qui sait pourquoi ils existent, comment ils se sont faits.. ” (13, italics original). Through the words of Baudelaire, Mauriac questions the nature of his protagonist Thérèse, a “semi-empoisonneuse,” and in the process of doing so, revolutionizes the Catholic novel and the role of women in literature. In this paper, I intend to prove that Mauriac’s departure from the typical Catholic novel and its clichéd protagonist brings complexity to feminine representation by analyzing a “monstrous” female protagonist. Through analysis of historical development of the Catholic novel, as well women’s roles (inside and outside of literature) during and after World War I, this paper seeks to demonstrate that François Mauriac’s representation of women is groundbreaking in comparison to literary works at the time. Mauriac dismisses the pious prototype of the Catholic novel and instead choses a dark and “monstrous” woman as his creation. This paper will examine Thérèse’s refusal of societal roles as wife and mother, as well as Mauriac’s tone, in order to demonstrate the revolutionary portrayal of a monster as his protagonist.
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Villanueva, Aura. "Institution and Monstrosity in the Narrative of Fernando Contreras Castro." Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/77427.

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This thesis examines the ways in which the rapid economic changes, as portrayed in two Costa Rican novels, Única mirando al mar (1993) and Los Peor (1995) by Fernando Contreras Castro, serve as solid foundation for laying out the deep-rooted economic and political challenges that have profoundly affected not only Costa Rican society but many of the national institutions. It focuses on revealing the uprising unfertile relationship between the residents and the governmental institutions, whose monstrous model of behavior are incompatible with the Costa Rican Constitution and thus, generating a systematic shift in the social norms. It explores the historical and literary Costa Rican context demonstrating how the narrative shade considerable light on the complex system of governance and its fragility in a democratic society.
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Roberts, Evan David. "History, power and monstrosity from Shakespeare to the fin de siècle." Thesis, Swansea University, 2007. https://cronfa.swan.ac.uk/Record/cronfa43132.

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This thesis examines the historical significance of literary representations of monsters and monstrosity over several centuries, in the belief that literary monstrosity is symptomatic of wider anxieties concerning contemporary fears of historical change during periods of potentially revolutionary social upheaval. This leads to the conclusion that history itself thus becomes monstrous, through symbolising a disruptive, chaotic, and above all uncanny return of such repressed fears from the monstrous past of the British bourgeoisie. My first chapter examines how Renaissance authors such as William Shakespeare, Christopher Marlowe and John Milton use monstrosity to depict a nascent bourgeoisie's fears of increasing royal and aristocratic tyranny. Following this, my second chapter investigates how the Monster becomes an overdetermined cultural sign of revolutionary historical change in Mary Shelley's Frankenstein. Bram Stoker's Dracula is discussed in my third chapter, with fears of monstrous foreign invaders showing the fin-de-siecle bourgeoisie as haunted, both by their horrific past, and by a future loss of power to radical historical forces represented above all by the monstrous New Woman. In my fourth chapter, H.G. Wells's scientific romances embody the finde- siecle bourgeoisie's unease at their increasing dependence upon monstrous science to maintain their power, especially since its military applications would soon bleed their empire dry in the First World War. My fifth chapter, meanwhile, explains how monstrous criminals in texts by Sir Arthur Conan Doyle, Robert Louis Stevenson and Oscar Wilde show the irruption of uncanny history into the ideological self-image of the fin-de-siecle social order. I shall then conclude by reaffirming the contribution that all this makes to advancing the study of monstrosity, and in particular to exploring connections between history and the monstrous.
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Books on the topic "Monstrosity"

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Monstrosity. New York: Leisure Books, 2002.

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Lee, Edward. Monstrosity. New York: Leisure Books, 2002.

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Lee, Edward. Monstrosity. New York: Leisure Books, 2002.

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Monstrosity. Auckland, N.Z: HarperCollins, 2010.

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Stephen, Bann, ed. Frankenstein, creation, and monstrosity. London: Reaktion Books, 1994.

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Medieval monstrosity and the female body. New York: Routledge, 2010.

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Miller, Sarah Alison. Medieval monstrosity and the female body. New York: Routledge, 2010.

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Ng, Andrew Hock-soon. Dimensions of Monstrosity in Contemporary Narratives. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230502987.

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ek, Slavoj Z. iz. The monstrosity of Christ: Paradox or dialectic? Cambridge, MA: MIT Press, 2009.

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Combe, Kirk, and Brenda Boyle. Masculinity and Monstrosity in Contemporary Hollywood Films. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137359827.

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Book chapters on the topic "Monstrosity"

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Uebel, Michael. "Muslim Monstrosity." In Ecstatic Transformation, 25–53. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1007/978-1-137-11140-1_3.

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Howells, Coral Ann. "Monsters and Monstrosity." In Contemporary Canadian Women's Fiction, 125–42. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1057/9781403973542_7.

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Carpi, Daniela. "Introduction: What Is a Monster?" In Monsters and Monstrosity, edited by Daniela Carpi, 1–16. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110654615-001.

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Costantini, Cristina. "The Monster’s Mystique: Managing a State of Bionormative Liminality and Exception." In Monsters and Monstrosity, edited by Daniela Carpi, 19–34. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110654615-002.

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Larsen, Svend Erik. "Monsters and Human Solitude." In Monsters and Monstrosity, edited by Daniela Carpi, 35–44. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110654615-003.

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Pelloso, Carlo. "Sew It up in the Sack and Merge It into Running Waters! Parricidium and Monstrosity in Roman Law." In Monsters and Monstrosity, edited by Daniela Carpi, 45–76. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110654615-004.

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Carpi, Daniela. "The Technological “Monstrum”: Her by Spike Jontze (2013)." In Monsters and Monstrosity, edited by Daniela Carpi, 77–88. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110654615-005.

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Antor, Heinz. "Monstrosity and Alterity in H.G. Wells’s The Island of Dr. Moreau." In Monsters and Monstrosity, edited by Daniela Carpi, 91–114. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110654615-006.

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Onega, Susana. "Patriarchal Law and the Ethics and Aesthetics of Monstrosity in Mary Shelley’s Frankenstein." In Monsters and Monstrosity, edited by Daniela Carpi, 115–30. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110654615-007.

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Soccio, Anna Enrichetta. "Victorian Frankenstein: From Fiction to Science." In Monsters and Monstrosity, edited by Daniela Carpi, 131–40. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110654615-008.

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Conference papers on the topic "Monstrosity"

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Desyatskov, Konstantin. "The Monstrosity Phenomenon In Russia During Peter’s The Great Time." In International Scientific and Practical Conference «MAN. SOCIETY. COMMUNICATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.02.111.

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