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Books on the topic 'Monstrosity'

Author: Grafiati

Published: 4 June 2021

Last updated: 21 February 2023

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1

Monstrosity. New York: Leisure Books, 2002.

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2

Lee, Edward. Monstrosity. New York: Leisure Books, 2002.

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3

Lee, Edward. Monstrosity. New York: Leisure Books, 2002.

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4

Monstrosity. Auckland, N.Z: HarperCollins, 2010.

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5

Stephen, Bann, ed. Frankenstein, creation, and monstrosity. London: Reaktion Books, 1994.

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6

Medieval monstrosity and the female body. New York: Routledge, 2010.

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7

Miller, Sarah Alison. Medieval monstrosity and the female body. New York: Routledge, 2010.

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8

Ng, Andrew Hock-soon. Dimensions of Monstrosity in Contemporary Narratives. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230502987.

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9

ek, Slavoj Z. iz. The monstrosity of Christ: Paradox or dialectic? Cambridge, MA: MIT Press, 2009.

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10

Combe, Kirk, and Brenda Boyle. Masculinity and Monstrosity in Contemporary Hollywood Films. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137359827.

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11

Monstrosity: The human monster in visual culture. London: I.B. Tauris, 2013.

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12

Sublime disorder: Physical monstrosity in Diderot's universe. Oxford: Voltaire Foundation, 2001.

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13

Kreuter, Peter Mario, and Paul L. Yoder. The horrid looking glass: Reflections on monstrosity. Oxford: Inter-Disciplinary Press, 2011.

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14

Queer Others in Victorian Gothic: Transgressing Monstrosity. Cardiff, UK: University of Wales Press, 2012.

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15

Wie̜ckowska, Katarzyna. On alterity: A study of monstrosity and otherness. Toruń: Wydawnictwo Naukowe, Uniwersytetu Mikolaja Kopernika, 2008.

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16

The monster imagined: Humanity's recreation of monsters and monstrosity. Oxford: Inter-Disciplinary, 2010.

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17

Dimensions of monstrosity in contemporary narratives: Theory, psychoanalysis, postmodernism. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2004.

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18

In Frankenstein's shadow: Myth, monstrosity, and nineteenth-century writing. Oxford [Oxfordshire]: Clarendon Press, 1987.

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19

McClorey, Phil, and Brian Evinou. Monstrosity. Alterna Comics, 2013.

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20

Arce, Laura Diaz de. Monstrosity. Smoking Mirror Press, 2018.

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21

Lee, Edward. Monstrosity. Cemetery Dance Publications, 2002.

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22

Ang, Ally. Monstrosity. Damaged Goods Press, 2016.

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23

Wohlgemuth, Karen. Monstrosity. Independently Published, 2018.

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24

Arce, Laura Diaz de. Monstrosity. Next Chapter, 2021.

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25

Lonardo, Paul. Monstrosity. Spectral Visions, 2002.

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26

Lee, Edward. Monstrosity. Leisure Books, 2003.

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27

Monstrosity. Blurb, 2020.

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28

Candela, Kevin, and Laura Diaz de Arce. Monstrosity. Independently Published, 2019.

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29

Stine, R. L. Monstrosity. BOOM! Studios, 2021.

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30

Proulx, Shea. ABC Monstrosity. Renegade Arts Canmore Limited, 2020.

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31

Robinson, Nathan J. American Monstrosity. OR Books, LLC, 2020.

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32

Monstrosity Me. Independently Published, 2019.

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33

Proulx, Shea. ABC Monstrosity. Renegade Arts Canmore Limited, 2020.

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34

Metzen, Chris, and Flint Dille. Transformers: Monstrosity. IDW Publishing, 2013.

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35

Petersen, Jesse. Club Monstrosity. Pocket Star, 2013.

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36

Robinson, Nathan J. American Monstrosity. OR Books, LLC, 2020.

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37

Monstrosity: Volume 2. Alterna, 2015.

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38

Palacios, Julian. Beck : Beautiful Monstrosity. Boxtree Ltd, 2000.

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39

Leon, Frank. Monstrosity among Men. Pegasus Elliot Mackenzie Publishers, 2021.

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40

Mathenge, Natalie. Monster, Monstrous, Monstrosity. Independently Published, 2017.

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41

Munteán, László, and Hans Christian Post, eds. Landscapes of Monstrosity. BRILL, 2016. http://dx.doi.org/10.1163/9781848883703.

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42

Del Lucchese, Filippo. Monstrosity and Philosophy. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474456234.

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43

Carpi, Daniela, ed. Monsters and Monstrosity. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110654615.

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44

Del Lucchese, Filippo. Monstrosity and Philosophy. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474456203.001.0001.

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This volume is the first systematic investigation into the concept of monstrosity in ancient philosophy and culture. The Author suggests that far from being a peripheral problem, monstrosity is one of the main conceptual challenges for every philosophical system. Ancient authors explores metaphysics, ontology, theology, politics attempting to respond to the threat presented by the radical alterity of monstrous manifestations, both in nature and in thought. Does order come from, and put an end to, chaos or is chaos the monstrous destiny of any supposed order? Is monstrosity a positive sign of the divine or is it its negation and perversion? Does everything, in nature have a meaning and a purpose and, if so, what is the purpose of monsters? Is monstrosity what we call the lowest level of nature's reassuring hierarchy or does it, more threateningly, speak about the absence of such a hierarchy and the illusion of axiology? These are only some of the questions that ancient authors discussed across the centuries, from the early mythical cosmogonies, through the classic and hellenistic period, up to late antiquity and early Christianism. This book offers a fundamental reading not only of the different answers to these questions, but also of the reasons why and the manners in which they have been asked in different cultural and intellectual contexts.

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45

Stine, R. L. Just Beyond: Monstrosity. Boom! Studios, 2021.

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46

Stine, R. L. Monstrosity: Just Beyond Volume 7. Spotlight, 2022.

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47

Arce, Laura Diaz De. Monstrosity: Large Print Edition. Independently Published, 2019.

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48

O’Gorman, Edmundo. Art or Monstrosity (1960). Translated by Cecilia Beristáin and Robert Eli Sanchez. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190601294.003.0015.

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Abstract:

In this essay, Edmundo O’Gorman questions the historian’s effort to make sense of “art” from another culture. Before the art historian can theorize about the meaning of art in an “exotic” or “strange” culture, she first must identify which artifacts are genuine works of art (for that culture) and which are not. It could turn out, O’Gorman suggests, that none of the artifacts typically called works of art (pottery, sculpture, painting) is in fact a work of art for that culture. Contemplating the Aztec statue of Coatlique, O’Gorman then suggests that, aside from the historical project of “getting inside the mind of the creator,” one might imagine, as a literary exercise, that rather than representing “beauty” in the Western sense, the ancient statue represents “the monstrous,” which reveals the mythical fluidity of the universe and the mythical foundation of art.

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49

Žižek, Slavoj, and John Milbank. The Monstrosity of Christ. Edited by Creston Davis. The MIT Press, 2009. http://dx.doi.org/10.7551/mitpress/8208.001.0001.

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50

Messy Anne Meets the Monstrosity. Bluefoot Publishing, 2015.

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