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Books on the topic 'Monstrous-feminine'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Creed, Barbara. The monstrous-feminine: Film, feminism, psychoanalysis. Routledge, 1993.

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2

Dumas, Raechel. The Monstrous-Feminine in Contemporary Japanese Popular Culture. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92465-6.

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3

Ussher, Jane M. Managing the monstrous feminine: Regulating the reproductive body. Routledge, 2006.

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4

Creed, Barbara. The Monstrous-Feminine. Routledge, 2015. http://dx.doi.org/10.4324/9780203820513.

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5

Creed, Barbara. The Monstrous-Feminine. Routledge, 2015. http://dx.doi.org/10.4324/9780429236143.

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6

Ussher, Jane M. Managing the Monstrous Feminine. Routledge, 2006. http://dx.doi.org/10.4324/9780203328422.

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7

Managing the Monstrous Feminine. 2006.

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8

Hoorn, Jeanette, Nicholas Chare, and Audrey Yue. Re-Reading the Monstrous-feminine. Taylor & Francis Group, 2021.

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9

Creed, Barbara. Monstrous-Feminine: Film, Feminism, Psychoanalysis. Taylor & Francis Group, 2015.

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10

Monstrous-Feminine: Film, Feminism, Psychoanalysis. Routledge, 2023.

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11

Re-Reading the Monstrous-feminine. Taylor & Francis Group, 2019.

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12

Creed, Barbara. Monstrous-Feminine: Film, Feminism, Psychoanalysis. Taylor & Francis Group, 2015.

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13

Creed, Barbara. Monstrous-Feminine: Film, Feminism, Psychoanalysis. Taylor & Francis Group, 2015.

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14

Creed, Barbara. Monstrous-Feminine: Film, Feminism, Psychoanalysis. Taylor & Francis Group, 2015.

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15

Monstrous-Feminine: Film, Feminism, Psychoanalysis. Routledge, 2012.

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16

Monstrous-Feminine: Film, Feminism, Psychoanalysis. Taylor & Francis Group, 2015.

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17

Monstrous-Feminine: Film, Feminism, Psychoanalysis. Routledge, 2023.

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18

The monstrous-feminine: Film, feminism, psychoanalysis. Routledge, 1993.

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19

Dumas, Raechel. Monstrous-Feminine in Contemporary Japanese Popular Culture. Springer International Publishing AG, 2019.

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20

Ussher, Jane M. Managing the Monstrous Feminine: Regulating the Reproductive Body. Taylor & Francis Group, 2006.

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21

Managing the Monstrous Feminine: Regulating the Reproductive Body. Routledge, 2006.

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22

Creed, Barbara. Horror and the monstrous-feminine: An imaginary abjection. 1986.

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23

Dumas, Raechel. The Monstrous-Feminine in Contemporary Japanese Popular Culture. Palgrave Macmillan, 2018.

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24

Ussher, Jane M. Managing the Monstrous Feminine: Regulating the Reproductive Body. Taylor & Francis Group, 2006.

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25

Ussher, Jane M. Managing the Monstrous Feminine: Regulating the Reproductive Body. Taylor & Francis Group, 2006.

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26

Ussher, Jane M. Managing the Monstrous Feminine: Regulating the Reproductive Body. Taylor & Francis Group, 2006.

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27

Ussher, Jane. Managing the Monstrous Feminine: Regulating the Reproductive Body. Taylor & Francis Group, 2004.

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28

Managing the monstrous feminine: Regulating the reproductive body. Routledge, 2005.

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29

Creed, Barbara. Return of the Monstrous-Feminine: Feminist New Wave Cinema. Taylor & Francis Group, 2022.

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30

Creed, Barbara. Return of the Monstrous-Feminine: Feminist New Wave Cinema. Taylor & Francis Group, 2022.

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31

Creed, Barbara. Return of the Monstrous-Feminine: Feminist New Wave Cinema. Taylor & Francis Group, 2022.

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32

Creed, Barbara. Return of the Monstrous-Feminine: Feminist New Wave Cinema. Taylor & Francis Group, 2022.

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33

Monstrous Bodies: Feminine Power in Young Adult Horror Fiction. McFarland & Company, Incorporated Publishers, 2014.

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34

Monstrous Bodies: Feminine Power in Young Adult Horror Fiction. McFarland & Company, Incorporated Publishers, 2014.

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35

Return of the Monstrous-Feminine: Feminist New Wave Cinema. Taylor & Francis Group, 2022.

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36

Hoorn, Jeanette, Nicholas Chare, and Audrey Yue. Re-Reading the Monstrous-Feminine: Art, Film, Feminism and Psychoanalysis. Taylor & Francis Group, 2019.

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37

Hoorn, Jeanette, Nicholas Chare, and Audrey Yue. Re-Reading the Monstrous-Feminine: Art, Film, Feminism and Psychoanalysis. Taylor & Francis Group, 2019.

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38

Hoorn, Jeanette, Nicholas Chare, and Audrey Yue. Re-Reading the Monstrous-Feminine: Art, Film, Feminism and Psychoanalysis. Taylor & Francis Group, 2019.

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39

Hoorn, Jeanette, Nicholas Chare, and Audrey Yue. Re-Reading the Monstrous-Feminine: Art, Film, Feminism and Psychoanalysis. Taylor & Francis Group, 2019.

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40

Young, Serinity. Winged Goddesses of Sexuality, Death, and Immortality. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780195307887.003.0003.

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The winged Egyptian goddess Isis is an ancient and complex deity, whose mythology presents her as bestower of fertility and immortality. This chapter follows up on these themes, and the linked relationship between fertility and immortality, by exploring the involvement of women with funeral rites, and concepts of the afterlife in the Ancient Near East and Ancient Greece involving goddesses, who combine sexuality and fertility, war and death, and the promise and hope of immortality. There is a further exploration of ancient bird goddesses demonized via the concept of the monstrous-feminine: fur

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41

Milbank, Alison. Hideous Progeny. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824466.003.0007.

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Chapter 6 centres on discussions of Dante and Mary Shelley. Brought up as Godwin’s daughter in the tradition of rational dissent, Mary Shelley has recourse to Dante’s Commedia to think theologically. She uses it allusively in Frankenstein to import a perspective of divine judgement on her scientist through dramatic irony and parallels with Dante’s Ulysses. Dante’s Gothic aesthetics of the damned as grotesque signs makes sense of Frankenstein’s failure to acknowledge his Creature, or admit any relation between them, thus making the Creature his monstrous double. In Mathilda and Valperga, by con

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42

Weidhase, Nathalie. Pop & Postfeminism. Bloomsbury Publishing Plc, 2024. https://doi.org/10.5040/9781350158054.

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Nathalie Weidhase conceptualises the female dandy as a figure that simultaneously embodies and disrupts postfeminist notions of femininity, including maintaining a physique conforming to contemporary beauty standards, constant self-surveillance and self-improvement, and the naturalisation of gender difference and heterosexuality. She examines how music videos function as spaces in popular culture where the politics of the feminine can be articulated. These spaces allow female pop stars to be valued as artists with distinct contributions to popular music. Focusing on Amy Winehouse, Rihanna, Lad

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43

Carr, Jeremy. Repulsion. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859326.001.0001.

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Roman Polanski’s Repulsion (1965), starring Catherine Deneuve as a repressed and tormented manicurist, is a gripping, visually inventive descent into paranoia and self-destructive alienation. Emblematic of recurrent Polanski motifs, evinced in his student short films, in his striking debut feature, Knife in the Water (1962), and in subsequent features like Death and the Maiden (1994), Repulsion is a tour de force examination of crippling anxiety and the sinister potency of inanimate objects. Repulsion amplifies the realm of psychological horror by evoking the seething impact of increasing delu

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