Relevant bibliographies by topics / Montale, Eugenio

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Montale, Eugenio'

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Published: 4 June 2021
Last updated: 21 February 2023

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Journal articles on the topic "Montale, Eugenio"

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Tandello, Emmanuela, and Jared Becker. "Eugenio Montale." Modern Language Review 84, no. 3 (July 1989): 754. http://dx.doi.org/10.2307/3732486.

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Thomas, H. "Eugenio Montale: Four Poems." Literary Imagination 2, no. 3 (January 1, 2000): 290–97. http://dx.doi.org/10.1093/litimag/2.3.290.

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Thomas, H. "Eugenio Montale: Two Poems." Literary Imagination 6, no. 1 (January 1, 2004): 94. http://dx.doi.org/10.1093/litimag/6.1.94.

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Popova, Elitza. "Montale, Eugenio (2005). «Las ocasiones»." Quaderns d’Italià 12 (November 3, 2002): 167. http://dx.doi.org/10.5565/rev/qdi.209.

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Brotto, Alessio. "Eugenio Montale, Testimonianza su Valéry." Italianist 29, no. 1 (February 2009): 88–99. http://dx.doi.org/10.1179/026143409x409792.

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Barfoot, Gabrielle, Sergio Campailla, and Cesare Federico Goffio. "La poesia di Eugenio Montale." World Literature Today 59, no. 2 (1985): 255. http://dx.doi.org/10.2307/40141509.

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Frassica, Pietro, and Franco Contorbia. "Eugenio Montale. Immagini di una vita." MLN 105, no. 1 (January 1990): 164. http://dx.doi.org/10.2307/2905135.

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Vilella, Eduard. "Cornudella, Jordi (ed.) (1995). «Eugenio MONTALE, Xènia»." Quaderns d’Italià 2 (November 2, 1997): 163. http://dx.doi.org/10.5565/rev/qdi.459.

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Saburova, Lyudmila Ye. "TOMMASO LANDOLFI AND EUGENIO MONTALE ON THE WAY TO THE GAME (based on autobiographical prose)." Vestnik of Kostroma State University, no. 2 (2020): 185–90. http://dx.doi.org/10.34216/1998-0817-2020-26-2-185-190.

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In the autobiographical prose of Eugenio Montale and Tommaso Landolfi , the theme of travel plays a signifi cant role. The development and refraction of this theme is directly related to the concept of home, which is different for these writers. Tommaso Landolfi , leading the life of a hermit in a small provincial town, seeks to travel to large centres full of social life. Eugenio Montale, who was less attached to the family nest, in the latter part of his life lives in Milan. Tired of the burden of fame and the noise of the big city, he sets off for quiet secluded places unlike Italy, where he can fi nally rest. In the works of both writers, travel is closely related to the theme of the game. Tommaso Landolfi , who sees the meaning of human life in the game, combines his travels with «forays into gambling», that is, to the casino. Roulette becomes an opportunity for him to communicate with a higher power, to receive answers to existential questions that torment him. Eugenio Montale travels in disguise, changing masks. In his imaginary game world, he animates objects and makes friends with them. For both writers in their travel, a special role is played by inscriptions and signs, which are perceived by them as secret messages.
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West, Rebecca, and Eanna O. Ceallachain. "Eugenio Montale: The Poetry of the Later Years." Modern Language Review 98, no. 2 (April 2003): 479. http://dx.doi.org/10.2307/3737875.

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Dissertations / Theses on the topic "Montale, Eugenio"

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Gonin, Jean. "L'expérience poétique de Eugenio Montale /." Toulouse : Presses universitaires du Mirail, 1996. http://catalogue.bnf.fr/ark:/12148/cb35870275b.

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Butcher, John. "Poetry and intertextuality : Eugenio's Montale's later verse /." Perugia : Volumnia, 2007. http://www.loc.gov/catdir/toc/casalini07/07331363.pdf.

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MARCHESI, VALENTINA BARBARA. "LE PROSE CRITICHE DI EUGENIO MONTALE." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1037.

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Eugenio Montale (1896-1981) ha esercitato la professione di critico letterario per tutta la vita. A partire dal 1920 e poi sino alla morte, Montale ha collaborato con numerosi periodici e con le più importanti riviste letterarie del suo tempo. Nel 1948 viene poi assunto al "Corriere della sera", a Milano: qui diventa giornalista per mestiere e si dedica alla divulgazione della letteratura italiana ed europea, con una particolare attenzione a quelle inglese e francese. La presente ricerca analizza le sue prose critiche, individuandone le linee principali: autori e libri recensiti, temi e questioni culturali che Montale analizza nel corso della sua attività. Alcune figure di scrittori, critici e filosofi (Sergio Solmi, Emilio Cecchi, Benedetto Croce, Roberto Bazlen) rappresentano i confini ideali di un'idea di poesia, che Montale mostra nelle sue prose: dialogando con questi personaggi, egli riflette infatti sui principali problemi della cultura e della letteratura contemporanee. Lo stile critico di Montale si colloca perciò tra il giornalismo e la saggistica. Nell'ultima parte della ricerca si è cercato di individuare alcune importanti intersezioni tra prosa critica, prosa narrativa e poesia, che convivono nell'attività montaliana.
Eugenio Montale (1896-1981) has been a literary critic as long as he lived. Since 1920 till death, Montale worked together with many newspapers and with the most important literary reviews of his period. In 1948 was assumed at «Corriere della sera», in Milan: here he became a journalist as a job and dedicated himself to disclosure Italian and European literature, with a particular attention for English and French ones. This essay analyzes his critical proses, identifying their main themes: authors and books reviewed, themes and cultural issues which Montale wrote about as long as he wrote. Some figures of writers, critics and philosophers (Sergio Solmi, Emilio Cecchi, Benedetto Croce, Roberto Bazlen) represent the ideal boundaries for an idea of poetry, which Montale points in his proses: communicating with these figures, he reflects upon the main issues of contemporary culture and literature. Montale’s critical style can infact be placed between journalism and literary criticism. In the last part of this essays it has been tried to find out some important junctions between literary essays, narrative proses and poetry, living all together in Montale’s activity.
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Santini, Maria Cristina. "La farfalla di Dinard e la memoria montaliana." La Spezia : Agorà, 1999. http://books.google.com/books?id=BSddAAAAMAAJ.

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Burnham, J. "Montale and music." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384080.

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Gonin, Jean. "L'Expérience poétique de Eugenio Montale métaphysique et mythe." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb375980318.

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Ó, Ceallacháin Éanna. "Eugenio Montale : the poetry of the later years /." Oxford : European humanities research centre, 2001. http://catalogue.bnf.fr/ark:/12148/cb39261205q.

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Texte remanié de: Doctoral thesis--Cambridge--University, 1998. Titre de soutenance : Figurations of ideology and the retrat from history in the later poetry of Eugenio Montale.
Bibliogr. p. 184-192.
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Gonin, Jean. "L'expérience poétique de Eugenio Montale : métaphysique et mythe." Lyon 3, 1986. http://www.theses.fr/1986LYO31015.

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Cette etude qui se presente comme une approche globale de l'oeuvre monta lienne vise a rendre compte de l'univers poetique a partir de deux dimensions essentielles : d'une part la dimension metaphysique et d'autre part la dimension mythique. La premiere partie retrace le processus d'approfondissement de la visee gnoseologique inherente a la metaphysique montalienne, celle-ci etant envisagee comme un depassement du naturalisme et de la rationalite. Les 5 premiers chapitres analysent les etapes de la genese de l'univers poetique. 1) la quete du reel 2) naissance d'une metaphysique. Ossi diseppia ou la dialectique de l'etre et du non-etre 3) vers une systematique du signe. Le occasioni ou l'enigmaticite du monde 4) le clos et l'ouvert. La bufera ed altro ou l'"ordre different". 5) l'apologie du non-savoir. Satura, diario del '71 e del '72, quaderno di quattro anni, altri versi, ou l'"oxymoron permanent" le cinquieme chapitre intitule une metaphysique de l'absurde analyse le substrat culturel et speculatif qui conditionne l'experience poetique de montale. La deuxieme partie retrace le processus d'elaboration des mythes inherents a l'initiatisme poetique dans leur double articulation morale et religieuse et en fonction d'une problematique du salut 1) l'univers de la chute 2) les voies du salut 3) vita nuova 4) dieu. Le cinquieme chapitre intitule l'aigle, le rat et le sage desenchante pose le probleme de la definition et de la finalite de la sagesse
This study which is a global approach to montale's work ains to explain his poetic universe in two essential dimensions : on one hand the metaphysical, on the other the mythical dimension. The first part retraces the process of deepening the gnosiological aim inherent in montale's metaphysics which is seen as going beyard naturalism and rationality. The first five chapters analyse the main stages of the genesis of his poetic universe 1) the quest of reality 2) genesis of a metaphysics. Ossi di seppia or the dialectic of being or not being. 3) towwards a systematics of the sign. Le occasioni or the enigmaticity of the world 4) the closed and the open. La bufera ed altro or the "different order" 5) the apologue of non knowledgr. Satura. . . Or the "permanent oxymoron". The chapter 6 a metaphysics of the absurd analyse the cultural and speculative substratum which conditions montale's poetic experience. The second part retraces the process of elaboration of myths inherent in poetic initiatism in their moral and religious articulation, and as a fonction of a problematics of a salvation. The chapter 4 approaches the theological substructures which condition montale's poetry and riplaces the problematics of divinity in a cultural perspective. The chapter 5 places the problem of the quest for wisdom
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Lancia, Elisa <1986&gt. "Stili dell'ironia. Le prose narrative di Eugenio Montale." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amsdottorato.unibo.it/9304/1/Tesi%20Elisa%20Lancia%202020.pdf.

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Il «Corriere della Sera» e il «Corriere d’Informazione» ospitarono, tra il 1947 e il 1964, una serie di racconti stesi da Eugenio Montale che confluirono nelle raccolte Farfalla di Dinard (1956) e Fuori di casa (1969). Se la produzione lirica montaliana è stata spesso letta in chiave modernista, anche quella narrativa può essere interpretata in una luce analoga. Rispetto alle prime tre raccolte poetiche la prosa risulta però marcata da una peculiare spinta umoristica che si rileva propedeutica alle ultime poesie. Tra i temi preponderante risulta essere quello della memoria, che si manifesta in fulminee accensioni e nel recupero di frammenti legati a esperienze apparentemente insignificanti. Ancora di matrice modernista è una ferma posizione di ostilità contro ogni forma di progresso, rispetto cui l’autore oppone un ideale snobistico di «decenza quotidiana». Questi e altri motivi si collocano, spesso, lungo una linea temporale stratificata, in cui il momento presente si alterna a quello del passato. A questa molteplicità corrisponde una pluralità di voci narranti, considerati quali suggestivi doppi dell’autore. I personaggi che si muovono tra le prose vengono sottoposti a un significativo processo di svilimento ironico: ne sono messi in risalto particolarità fisiche che alimentano ritratti caricaturali, coinvolgendo anche caratteristici emblemi zoomorfi. Forme umoristiche sono riconoscibili anche a livello stilistico: Montale ricorre al doppio senso linguistico, al mistilinguismo, a citazioni di luoghi letterari propri o altrui rivitalizzati in chiave ironica. I temi e i moduli stilistici ricorrenti e comuni tra le due raccolte instaurano un fruttuoso dialogo con l’universo poetico montaliano. Se ciò è stato evidente per i primi tre libri di poesia fin dalle prime apparizioni delle prose, meno indagato è stato il rapporto che questi ultimi intrattengono con la successiva produzione in versi, in uno scambio reciproco in cui l’umorismo rappresenta il tratto d’unione e il filo di continuità.
If Montale’s lyric production has often been reread in a modernist key, also the narrative production of Farfalla di Dinard (1956) and Fuori di casa (1969), much less explored by critics, can be interpreted in a similar way. This work intends to investigate the themes and the patterns through which Montale’s modernism reveals its humouristic content. Among the themes, as for the lyric, memory seems to be predominant and it occurs with sudden outbursts and with the retrieval of fragments linked to seemingly insignificant experiences that have momentous historical events as a background. Also of modernist matrix is his immovable hostility against any form of progress or cultural homologation, to which the author opposes a snobbish ideal of «everyday decency». These and other motives are often found along a shattered and multi-layered timeline, where the present and the past moment alternate. To this multiplicity corresponds a plurality of narrators that can often be considered as suggestive duplicates of the author. The characters that are found in the prose production are subject to a significant process of ironical degradation: physical traits that generate caricatures are highlighted, preferably even involving zoomophic emblems. Humouristic patterns are identified also at a stylistic level: Montale widely uses linguistic double meaning, mixed-language, quotations of his own or others’ literary common places revitalized in an ironical way. The thematic fields and the stylistic patterns that are recurrent and common between Farfalla di Dinard and Fuori di casa establish a fruitful dialogue with Montale’s poetry. If this has been evident for the first three books of poems since the first prose writings appeared, on the contrary the relationship between these first prose writings and the later poetic production (from Satura onward), a reciprocal exchange where humour represents the continuity thread, has been less explored.
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Sica, Paola. "Modernist forms of rejuvenation : Eugenio Montale and T.S. Eliot /." [Firenze] : L. S. Olschki, 2003. http://catalogue.bnf.fr/ark:/12148/cb41015047p.

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Texte remanié de: Thesis Ph. D.--Princeton university, 1998. Titre de soutenance : Mythical youth : the sense of history and the redemption of the present in the work of T.S. Eliot and Eugenio Montale.
Bibliogr. p. 145-153.
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Books on the topic "Montale, Eugenio"

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Eugenio Montale. Milano: B. Mondadori, 1999.

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Eugenio, Montale. Eugenio Montale. Firenze: Le Monnier università, 2011.

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Becker, Jared. Eugenio Montale. Boston: Twayne Publishers, 1986.

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Milano, Giuseppe. Eugenio Montale. Fasano di Brindisi: Schena, 1996.

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Eugenio Montale critico letterario. Roma: Edizioni di storia e letteratura, 2013.

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Armani, Horacio. Imágenes de Eugenio Montale. Buenos Aires: Editorial Sudamericana, 2002.

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Eugenio, Montale. Eugenio Montale: Immagini e documenti. Milano: Libri Scheiwiller, 1985.

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Mendrisio, Museo d'arte, ed. Filippo De Pisis, Eugenio Montale. Mendrisio: Museo d'arte Mendrisio, 2012.

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Eugenio Montale y la cultura hispánica. Roma: Bulzoni, 1986.

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Metafore e miti di Eugenio Montale. Napoli: Edizioni scientifiche italiane, 1997.

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Book chapters on the topic "Montale, Eugenio"

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Wild, Gerhard. "Montale, Eugenio." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13248-1.

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Seidl-Gschwend, Ragni M. "Eugenio Montale." In Kindler Kompakt Italienische Literatur 20. Jahrhundert, 81–83. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05534-7_11.

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Schwaderer, Richard. "Montale, Eugenio: Le occasioni." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13250-1.

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Seidl-Gschwend, Ragni M. "Montale, Eugenio: Ossi di seppia." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13249-1.

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Schwaderer, Richard. "Montale, Eugenio: La bufera e altro." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13251-1.

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Benedetto, Dario, and Mirko Degli Esposti. "Dynamics of Style and the Case of the Diario Postumo by Eugenio Montale: A Quantitative Approach." In Lecture Notes in Morphogenesis, 157–76. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24403-7_10.

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"EUGENIO MONTALE." In Twentieth-Century Italian Poetry, edited by John Picchione, 225–46. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442682801-016.

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"Eugenio Montale:." In The Foreign Connection, 149–57. Modern Humanities Research Association, 2020. http://dx.doi.org/10.2307/j.ctv1wsgrfk.38.

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Hofmann, Michael. "Eugenio Montale." In Messing About in Boats, 59–82. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198848042.003.0004.

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Montale, in the 1930s, was between wars but also between women. His ‘hermetic’ style shimmers between suggested meanings or implications. ‘Boats on the Marne’ sounds like a pleasure-outing, a Sunday sail or row, and begins with ‘happiness’ but ends with ‘floating’ (like a corpse?); begins with an upside-down sun, and ends among the stars. A poem whose thought takes the characteristically Montalean form of a cyclone, opening and opening.
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Ceallacháin, Éanna Ó. "Introduction." In Eugenio Montale, 1–18. Routledge, 2017. http://dx.doi.org/10.4324/9781351198271-1.

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Conference papers on the topic "Montale, Eugenio"

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Cáceres Sánchez, Iván. "FOTOGRAFÍA Y MEMORIA HISTÓRICA EN LA GENERACIÓN DE LA POSMEMORIA." In IV Congreso Internacional Estética y Política: Poéticas del desacuerdo para una democracia plural. València: Editorial Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/cep4.2019.10319.

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En una realidad democrática cada vez más polarizada es necesario prestar atención a una de las cuestiones clave, fuente de polémica y desencuentro, como es la de la recuperación de la Memoria Histórica. Dentro de un proceso de renovación y redefinición de una democracia moderna, es imprescindible abordar el problema de la Memoria Histórica, especialmente en lo relativo a la Guerra Civil Española, poniendo en cuestión pasado y presente con una mirada crítica. Es aquí donde el arte y, en concreto, la fotografía tiene mucho que aportar. La práctica artística se constituye como espacio de reflexión y reivindicación totalmente integrado en un proceso de reforma democrática. Los fotógrafos y artistas que se valen de la fotografía actúan como agentes dinamizadores de este cambio de paradigma. En esta investigación pondremos el foco en artistas jóvenes actuales (nacidos a partir de los años 70) cuya obra habla directamente sobre la Guerra Civil Española o sobre aspectos derivados de ella, artistas pertenecientes a la “generación de la posmemoria”. Este concepto será clave para analizar la dialéctica presente en los trabajos de artistas nacidos después de la dictadura franquista. La presente investigación consta de dos objetivos fundamentales: analizar el término posmemoria poniéndolo en relación con las propuestas fotográficas de artistas jóvenes relevantes y, por otra parte, dar visibilidad a estos trabajos con la intención de generar un mapa actualizado que hable sobre el estado de la cuestión de la Memoria Histórica en el ámbito de la fotografía contemporánea. Para ello se han trabajo, por una parte, textos de Marianne Hirsch, Clément Chéroux, James Young, Ernst Van Alphen, Beatriz Sarlo y Laia Quílez Esteve (entre otros), y por otra parte, se han analizado propuestas significativas de artistas como Eugenio Merino y varios de los artistas participantes en la exposición Monte de Estépar. Algunos de las propuestas fotográficas contemporáneas más celebres en relación a la Guerra Civil Española proceden de autores nacidos entre los años 50 y 60, sin embargo cabe destacar que el número de artistas nacidos a partir de los 70 que tratan esta problemática es notablemente creciente, como consecuencia de un distanciamiento generacional con el acontecimiento y de una mayor presencia de esta discusión en los medios de comunicación. Sin duda, este hecho está contribuyendo a romper el voto de silencio y a normalizar este debate.
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