Relevant bibliographies by topics / Monte di pietà

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Academic literature on the topic 'Monte di pietà'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Monte di pietà"

1

Lignola, Gian Piero, and Gaetano Manfredi. "Damage Assessment and Design of Structural Interventions for Monte di Pietà in Naples, Italy." International Journal of Architectural Heritage 5, no. 6 (2011): 647–76. http://dx.doi.org/10.1080/15583058.2010.483565.

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Sordo, Carlotta del, Massimo Fornasari, and Rebecca L. Orelli. "Power and Discipline: The Role of Accounting in the Monte di Pietà of Ravenna between 18th and 19th Centuries." International Journal of Business and Management 14, no. 7 (2019): 93. http://dx.doi.org/10.5539/ijbm.v14n7p93.

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This paper aims to fill a gap in the scant literature on accounting practices in non-Anglo-Saxon countries in under- researched periods by exploring the Monte di Pietà of Ravenna, an Italian non-profit institution. The research draws upon original 18th and 19th century documents found in the Monte di Pietà of Ravenna and offers an internal perspective of the development of accounting technology before and after an ‘intacco’ episode, thus attempting to shed light on the significance of accounting in that context. The originality of the Ravenna episode, compared to other similar ones experienced by Monti, consists in its extension over time and in its recurrence by three generations of administrators linked by kinship bonds, who systematically damaged the Monte between 1797 and 1837. The new form of control of the Monte’s activities after the “intacco” based on accounting technologies, and realised a new relation between power and knowledge in which accounting was the tool to exercise disciplinary power, thus making people more governable. Accounting technologies relied upon a more articulated financial statement that included the institute’s transactions and events.
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Pinelli, Paola. "“Illegal” Pawns for “Immoral” Loans: Testing the Limits of the Monti di Pietà in Late Fifteenth-Century Tuscany." Renaissance and Reformation 35, no. 3 (2013): 11–22. http://dx.doi.org/10.33137/rr.v35i3.19520.

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Les archives toscanes contiennent une importante documentation illustrant divers aspects des premières années des prêteurs sur gages des Monti di Pietà. On y trouve de riches informations sur le sexe et le statut des emprunteurs, sur les montants empruntés, sur les intérêts, ainsi que sur les conditions de rachat des effets mis en gage. Certaines archives — celles du monte de Prato par exemple — contiennent des registres dans lesquels les comptables du monte inscrivaient les opérations « interdites », dont l’existence ne devait pas apparaître dans les registres officiels. Ces registres privés contiennent des entrées qui font état de mises en gage de biens atypiques, telles que des biens précieux, qui, selon les lois, ne pouvaient être reçus en gage en retour de prêts, étant donné que ces emprunteurs n’appartenaient pas au groupe social désigné comme « nécessiteux et pauvre ». Par ailleurs, des gages étaient également donnés en échange d’argent, qui n’était pas utilisé pour les premières nécessitées, mais bien plutôt dépensé pour des activités « immorales » telles que les jeux de hasard et les aventures galantes.
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Carboni, Mauro. "Converting Goods into Cash: An Ethical Approach to Pawnbroking in Early Modern Bologna." Renaissance and Reformation 35, no. 3 (2013): 63–83. http://dx.doi.org/10.33137/rr.v35i3.19523.

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L’émergence des Monti di Pietà dans les villes italiennes des débuts de la modernité a joué un rôle important en permettant une grande circulation des liquidités dans les portions moins nanties du marché. À travers le prêt sur gage, le Monte offrait la possibilité de transformer temporairement en argent liquide les petites richesses non-monétaires, à divers degrés de l’échelle sociale. Le Monte a ainsi contribué à l’expansion du crédit, et exercé une importante fonction anticyclique dans les économies locales. En puisant dans les archives d’une de ces institutions les plus prospères — le Monte de Bologne —, cet article explore l’étendue de ce phénomène, l’importance des montants en jeu, la variété des biens mis en gage, ainsi que l’impressionnante variété des clients. Au sommet des activités du Monte, ses clients n’appartenaient plus seulement à la classe des travailleurs pauvres. Toutefois, ce changement n’a pas nuit à l’accessibilité du crédit aux classes pauvres, mais a plutôt contribué à ce que ces services soit offerts pour moins cher à ceux véritablement dans le besoin.
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Orelli, Rebecca L., Carlotta del Sordo, and Massimo Fornasari. "Credit and accounting in early modern Italy: the case of the Monte di Pietà in Bologna." Accounting History Review 23, no. 3 (2013): 273–93. http://dx.doi.org/10.1080/21552851.2013.850925.

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Connell, William J. "Charity and State in Late Renaissance Italy: The Monte di Pietà of Florence. Carol Bresnahan Menning." Journal of Modern History 68, no. 3 (1996): 709–10. http://dx.doi.org/10.1086/245372.

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Madonna, Salvatore, Greta Cestari, and Francesca Callegari. "Organisational and accounting responses to bankruptcy: the case of the Ferrara Monte di Pietà (1598 and 1646)." CONTABILITÀ E CULTURA AZIENDALE, no. 2 (December 2017): 71–102. http://dx.doi.org/10.3280/cca2017-002004.

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De Rosa, Luigi. "L'Archivio del Banco di Napoli e l'Attività dei Banchi pubblici Napoletani." De Computis - Revista Española de Historia de la Contabilidad 1, no. 1 (2006): 54. http://dx.doi.org/10.26784/issn.1886-1881.v1i1.240.

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Este trabajo versa sobre los bancos públicos napolitanos. Estas instituciones son particularmente interesantes en la historia de la banca y de la contabilidad bancaria porque fueron las primeras en emitir papel moneda en forma de unos certificados de depósito o fedi di credito en la segunda mitad del siglo XVI. Estos certificados eran transmisibles por endoso y su emisión vino impuesta de alguna manera por la necesidad práctica de remediar la escasez crónica de numerario metálico que padecia el Reino de Nápoles, incorporado enaquella época a la Corona española. El primer banco público, llamado asi, no porque fuera de capital público, sino porque gozaba del apoyo y del reconocimiento de las autoridades gubernamentales, al tiempo que estaba sometido a su control, fue el Monte di Pietà. En el curso del trabajo se explican con detenimiento las circunstancias y dificultades económicas del Virreinato, con las frecuentes quiebras de banqueros privados, la creciente escasez de moneda metálica, la falsificación de la moneda, el recorte y cercenamiento de la buena, lafuga de la misma al exterior, el ambiente enrarecido de la nobleza y sus intentos de rebelión, el fracasado intento de Felipe II, en 1574, de auspiciar la creación en el reino de Nápoles de un banco único, con funciones de banco de Estado, con el fin de desarrollar el servicio de Tesoreria y, sobre todo, de conceder a la Corte préstamos en condiciones ventajosas -curioso paralelismo con los debates en España sobre este mismo tema en esos mismos años-, etc., motivos todos ellos que impulsaron al Virrey, entre finales de los años sesenta e inicios de los setenta, a reconocer valor oficial de moneda a los certificados de depósito emitidos por el Monte, en el sentido de concederles el privilegio de poder ser usados en los pagos a hacer al Estado por cualquier concepto. Ante el éxito obtenido por el Monte di Pietà, este mismo privilegio fue concedido a otros seis bancos más a finales del siglo y comienzos del siglo XVII. Los siete bancos públicos napolitanos cumplieron satisfactoriamente la misión para la que habian surgido y sus certificados de depósito fueron un dinero que gozó de general aceptación, alcanzando un elevado volumen de circulación y una rápida tasa de rotación. A finales del siglo XIX se fusionaron los sietebancos para dar lugar al actual Banco di Napoli. Su impresionante documentación contable se conserva en el Archivo histórico de esta entidad. Especialmente interesante es el sofisticado sistema contable instrumentado para contabilizar la emisión, seguimiento, control y cancelación de los certificados de depósito, como puede apreciarse por las explicaciones ofrecidas en la última parte del trabajo.
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Lignola, Gian Piero, and Gaetano Manfredi. "A combination of NDT methods for the restoration of monumental façades: The case study of Monte di Pietà (Naples, Italy)." Journal of Cultural Heritage 11, no. 3 (2010): 360–64. http://dx.doi.org/10.1016/j.culher.2009.11.010.

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Muzzarelli, Maria Giuseppina. "From the Closet to the Wallet: Pawning Clothes in Renaissance Italy." Renaissance and Reformation 35, no. 3 (2013): 23–38. http://dx.doi.org/10.33137/rr.v35i3.19521.

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Dans l’Italie de la Renaissance, ce sont les vêtements qui sont le plus couramment mis en gage par ceux qui cherchent à obtenir des prêts auprès des banquiers juifs et du Monte di Pietà. Des robes, des chemises et même des chaussures sont mis en gage, et les vêtements féminins le sont plus souvent que les vêtements masculins. Cet article examine les divers types de vêtements que les emprunteurs — hommes et femmes — offraient de mettre en gage, dans le but de déterminer leur qualité et leur valeur, et de cerner ainsi l’identité de ces clients. En prenant appui sur cette thématique, cet article montre comment l’analyse des changements de types de vêtements mis en gage à la fin du XVe et au XVIe siècle peut nous aider à mieux comprendre les changements de motivations et d’identités des emprunteurs de cette époque.
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Dissertations / Theses on the topic "Monte di pietà"

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Gugnoni, Gabriele <1981&gt. "Dai Monti di Pietà e le Casse di Risparmio alle Fondazioni Bancarie: evoluzione e profili di riforma." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/2332/.

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La tesi può intendersi schematicamente suddivisibile in quattro macrosettori: il primo concerne un excursus storico-giuridico sulla nascita ed evoluzione dei Monti di Pietà, nonché delle Casse di Risparmio; il secondo macrosettore si riferisce peculiarmente alla profonda trasformazione e riorganizzazione delle Banche Pubbliche in Società per Azioni e alla conseguente nascita delle Fondazioni Bancarie, con l'approfondimento delle problematiche attinenti alla loro natura giuridica, e con il richiamo alle sentenze nn. 300 e 301/2003 della Corte Costituzionale; il terzo prende in esame il ruolo delle Fondazioni nella prospettiva della operatività del principio di sussidiarietà orizzontale; infine, nell'ambito del quarto macrosettore ci si è soffermati sulla struttura organizzativa delle Fondazioni, sul loro regime fiscale e sul tema dell'attività d'impresa delle stesse.
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Books on the topic "Monte di pietà"

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Fiori, Giorgio. Il Monte di Pietà di Piacenza e gli altri monti di pietà del Piacentino. TipLeCo, 1999.

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2

I monti di pietà fra teoria e prassi: Quattro casi esemplari : Urbino, Cremona, Rovigo e Messina. CLUEB, 2009.

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Il Palazzo del Monte di Pietà a Padova. Skira, 2011.

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Carboni, Mauro. Il Monte di pietà di Imola: Cinque secoli di storia cittadina. La mandragora, 2012.

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Il credito disciplinato: Il Monte di pietà di Bologna in età barocca. Società editrice Il mulino, 2014.

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Monte di Pietà di Volterra. Gli antichi statuti del Monte Pio. Pacini, 1994.

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Gabrielli, Guido. Il Monte di Pietà di Lucca in epoca borbonica: Da Maria Luisa al Granducato di Toscana : aspetti economici e sociali. M. Pacini Fazzi, 1992.

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Squadroni, Mario. La memoria scomparsa: L'archivio del Monte di pietà di Città di Castello e il lavoro di riordinamento e inventariazione di Domenico Dragoni-Tiroli (1857-1858). Quattroemme, 1994.

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9

Giacchero, Giulio. La Casana dei Genovesi: Storia dei cinquecento anni del Monte di Pietà di Genova, 1483-1983. Sagep, 1988.

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Bergamini, Giuseppe. Il palazzo del Monte di pietà di Udine. Forum, 1996.

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Book chapters on the topic "Monte di pietà"

1

İstekli, Murat, and Murat Ustaoğlu. "Monte di Pietà." In The Evolution of Interest and Debt. Routledge, 2020. http://dx.doi.org/10.4324/9781003041245-9.

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Athanassakis, Irini. "Monte di Pietà della Città di Firenze, 1645." In Die Aktie als Bild. Springer Vienna, 2008. http://dx.doi.org/10.1007/978-3-211-75490-0_4.

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Ho, Cynthia. "The Visual Piety of the Sacro Monte Di Orta." In Finding Saint Francis in Literature and Art. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230623736_8.

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Skambraks, Tanja. "Expertise im Dienste der Caritas. Die Monti di Pietà zwischen gelehrtem Wissen und Erfahrungswissen." In Wissen und Wirtschaft. Vandenhoeck & Ruprecht, 2017. http://dx.doi.org/10.13109/9783666301223.169.

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Borelli, Anne, Maria Pastore Passaro, Donald Beebe, Alison Brown, and Giuseppe Mazzotta. "Palm Sunday Procession/Monte di Pietà:1 27 March 1496." In Selected Writings of Girolamo Savonarola. Yale University Press, 2006. http://dx.doi.org/10.12987/yale/9780300103267.003.0010.

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Toaff, Ariel. "Witchcraft, Black Magic, and Ritual Murder." In Love, Work and Death. Liverpool University Press, 1996. http://dx.doi.org/10.3828/liverpool/9781874774198.003.0007.

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This chapter explores the accusations against the Jews of the Umbria. It was particularly in the last part of the fifteenth century, in the years following the founding of the Perugia Monte di Pietà in 1462, that accusations against Jews of witchcraft, ritual assassination, and black magic became a positive obsession in Umbria, as in the rest of the Italian peninsula. Hunting Jewish witches was a self-evidently tautologous exercise — simply being Jewish laid one open to accusations of witchcraft — but this did not mean that their uselessness was always quite so clear to those performing or promoting them. The charges of iconoclasm and of the ‘scraping off’ of sacred images were also sometimes brought against the Jews of the Umbrian communities. However, the most serious charge made against Jews was that of ritual murder.
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"Learning from others’ failures: the rise of the Monte di pietà in early modern Bologna." In The History of Bankruptcy. Routledge, 2013. http://dx.doi.org/10.4324/9780203066836-14.

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"1. THE EARLY MONTI DI PIETA AND THE ATTEMPTS TO ESTABLISH A MONTE IN FLORENCE." In Charity and State in Late Renaissance Italy. Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501737206-004.

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"2. THE CREATION AND OPERATION OF THE MONTE DI PIETA OF FLORENCE." In Charity and State in Late Renaissance Italy. Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501737206-005.

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"7. FRAUD AND THEFT IN THE MONTE DI PIETA DURING THE REIGN OF COSIMO." In Charity and State in Late Renaissance Italy. Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501737206-010.

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