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Rosa, Malvina de Castro. "Design estratégico aplicado ao território: Projeto Monumenta em foco." Universidade do Vale do Rio dos Sinos, 2011. http://www.repositorio.jesuita.org.br/handle/UNISINOS/3155.
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No atual contexto de globalização, a sociedade vem transformando sua relação espaço tempo. Dentro dessa ótica, as cidades vêm fazendo uma busca pela retomada de uma identidade local. Por outro lado, os espaços públicos das cidades vêm apresentando um esvaziamento progressivo. Dessa forma, surgem alternativas para retomar esses espaços buscando estabelecer ou retomar antigas identidades. Uma alternativa que surge é via patrimônio na qual é realizada uma retomada do passado através do restauro desses espaços esvaziados. Esse trabalho irá realizar uma pesquisa sobre essa tendência mundial, através do estudo de caso da atuação do Projeto Monumenta no centro histórico de Porto Alegre/RS sob a ótica do Design Estratégico.
In the current context of globalization, the society has transformed the relationship space - time. Considering this view cities do a search for a resumption of local identity. On the other hand the public space of cities have shown a progressive emptying, so there are alternatives to seeking recovery of these spaces be new or resume old identities. An alternative that comes up is through equity is held in which a resumption of the past through the restoration of these spaces emptied. This paper will conduct a search on this global trend, through a case study of the performance of the Monumenta Project in the historic center of Porto Alegre from the perspective of Strategic Design.
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Farias, Sylvio Carneiro de. "O Programa Monumenta e a sua implementação em Cachoeira." reponame:Repositório Institucional da UnB, 2018. http://repositorio.unb.br/handle/10482/33914.
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Dissertação (mestrado)—Universidade de Brasília, Faculdade de Arquitetura e Urbanismo, Programa de Pós-Graduação em Arquitetura e Urbanismo, 2018.A cidade de Cachoeira, situada às margens do rio Paraguaçu no Recôncavo baiano, é um local economicamente ativo desde o século XVI, por ser o ponto de ligação entre Salvador e o Sertão nordestino. Além de ser um importante entreposto comercial, a região abrigou mais de 300 engenhos de cana-de-açúcar entre os séculos XVI e XIX. Ao longo desse período, várias edificações foram construídas em estilo colonial, levando a cidade a ser reconhecida, pela sua beleza arquitetônica, como a pérola do Recôncavo. Seu apogeu, tanto econômico como arquitetônico e cultural ocorreu no século XIX, em decorrência da riqueza advinda das culturas da cana-de-açúcar e do fumo, além do intenso comércio no entreposto. Na década de 1930, com a construção da rodovia Salvador-Feira de Santana, a cidade deixou de ser o elo de ligação com o sertão, impactando diretamente na sua economia. Cachoeira foi elevada a patrimônio nacional em 1971 com o tombamento do seu conjunto urbano pelo Instituto do Patrimônio Histórico e Artístico Nacional – IPHAN. Tendo em vista o processo econômico e histórico que resultou num rico legado arquitetônico, a cidade fez parte de dois programas estratégicos, nas décadas de 1970 e 2000, de recuperação do patrimônio cultural do governo federal. Portanto, o objetivo desta pesquisa é estudar os ciclos de formulação da política pública do Programa Monumenta, sua implementação e avaliação em Cachoeira.
The city of Cachoeira, located on the banks of the Paraguaçu River in the Bahia Recôncavo, has been an economically active place since the 16th century, since it is the point of connection between Salvador and the Northeastern wilderness. In addition to being an important commercial warehouse, the region sheltered more than 300 sugarcane mills between the 16th and 19th centuries. Throughout this period, several buildings were built in colonial style, leading the city to be recognized, for its architectural beauty, as the pearl of the Recôncavo. Its apogee, both economic and architectural and cultural occurred in the nineteenth century, due to the wealth of sugar cane and tobacco, and the intense trade in the warehouse. In the 1930s, with the construction of the Salvador-Feira de Santana highway, the city ceased to be the link with the hinterland, affecting directly on its economy. The National Historical and Artistic Heritage Institute (IPHAN) elevated Cachoeira to national patrimony in 1971 with the fall of its urban set. In view of the economic and historical process that resulted in a rich architectural legacy, the city was part of two strategic programs in the 1970s and 2000s to recover the cultural heritage of the federal government. Therefore, the objective of this research is to study the cycles of public policy formulation of the Monumenta Program, its implementation and evaluation in Cachoeira.
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EMMERSON, ALLISON L. C. "Memoria et Monumenta: Local Identities and the Tombs of Roman Campania." University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1384333698.
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Niquet, Heike. "Monumenta virtutum titulique : senatorische Selbstdarstellung im spätantiken Rom im Spiegel der epigraphischen Denkmäler /." Stuttgart : Steiner, 2000. http://www.h-net.org/review/hrev-a0c3g5-aa.
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Ferreira, Oscar Luís. "Patrimônio cultural e acessibilidade : as intervenções do Programa Monumenta, de 2000 a 2005." reponame:Repositório Institucional da UnB, 2011. http://repositorio.unb.br/handle/10482/9381.
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Tese (doutorado)—Universidade de Brasília, Faculdade de Arquitetura e Urbanismo, 2011.Submitted by Gabriela Ribeiro (gaby_ribeiro87@hotmail.com) on 2011-09-05T17:28:26Z No. of bitstreams: 1 2011_OscarLuisFerreira.pdf: 14053170 bytes, checksum: 38ac5f193a7ee811f52c80e178bc990e (MD5)
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Cultura, Patrimônio Cultural, Autenticidade, Deficiência e Acessibilidade são conceitos reunidos pela legislação e inseridos hoje no campo da preservação dos Bens Culturais. Dentre estes, a Autenticidade, considerada como a capacidade que um determinado bem possui de comunicar o seu significado ao longo do tempo, foi considerada como uma importante característica para a classificação e, mesmo, proteção do patrimônio cultural. Esta, em si não, é um valor, como por exemplo, a estética, a história ou as relações de identidade entre um grupo ou sociedade e o patrimônio, mas uma forma de avalia-los e conferir-lhes a devida importância. As informações obtidas a partir da verificação da autenticidade podem ser utilizadas para o planejamento de intervenções e, em especial, para a elaboração de planos de conservação que protejam as características identificadas. A introdução da acessibilidade na área da preservação do Patrimônio Cultural, dois mundos completamente diferentes que se em algum momento se encontraram foi mais por mera sorte que por qualquer razão proposital, levou à formulação de uma série de questionamentos, por parte dos conservadores-restauradores, entre estes: como garantir o acesso de todos ao patrimônio arquitetônico garantindo sua plena compreensão e, ao mesmo tempo, preservando as edificações em sua autenticidade, mantendo características físicas, espaciais e também o caráter de obra de arte? Com o intuito de investigar este binômio, Patrimônio Cultural e Acessibilidade, a pesquisa aqui brevemente apresentada avaliou seis edificações que participaram do Programa Monumenta levado a cabo pelo Ministério da Cultura – MinC, pelo Instituto do Patrimônio Histórico e Artístico Nacional – IPHAN e pelo Banco Interamericano de Desenvolvimento – BID. O objetivo foi avaliar por meio da investigação da Autenticidade e da Acessibilidade os possíveis impactos desta última sobre os valores artísticos, históricos, sociais e científicos dos imóveis em seus aspectos: forma e desenho, materiais e substância, uso e função, tradições e técnicas, localização e espaço e espírito e sentimento, conforme indicação da Carta de Veneza (1964) e como proposto por Koenraad van Balen na Tabela de Nara ou Nara-grid. Para tanto, a ferramenta utilizada faz a fusão das duas avaliações, Autenticidade e Acessibilidade, ambas com o mesmo valor, ou seja, como elementos que qualificam o patrimônio e que se influenciam mutuamente. A ferramenta criada foi chamada de Matriz de Autenticidade e Acessibilidade. As conclusões da pesquisa demonstram que as adaptações são possíveis, que as características físicas do patrimônio arquitetônico não são e não podem ser um entrave para o acesso de todos; que o argumento do impacto sobre a autenticidade é, em geral, falacioso e utilizado como desculpa para o uso de “soluções fáceis” que apenas discriminam; que configurada a impossibilidade de acesso mediante o impacto inevitável e danoso sobre a autenticidade, a solução que emana do princípio da dignidade e igualdade expresso na Convenção Interamericana para a Eliminação de Todas as Formas de Discriminação Contra as Pessoas Portadoras de Deficiência consiste na criação de meios alternativos de visitação ao lugar, mas não apenas para as Pessoas com Deficiência, mas para todos. _________________________________________________________________________________ ABSTRACT
Culture, Cultural Heritage, Authenticity, Accessibility and Disability concepts are brought together by law and entered today in the field of preservation of cultural property. Among these, Authenticity (considered as the ability of a given good has to communicate its meaning over time) was regarded as an important feature for the classification and even protection of cultural heritage. This in itself is not a value, such as aesthetics, history or identity relationships between a group or society and the heritage, but a way to evaluate them and give them due importance. Information obtained from the verification of authenticity may be used for planning interventions and in particular for developing conservation plans that protect heritage characteristics. The issue of accessibility in the area of preservation of cultural heritage, two completely different worlds that at some point met more by luck than by any deliberate reason, led to the formulation of a series of questions by the conservator-restorers, among them: how to ensure access for all to the architectural heritage and ensure its full understanding, while preserving the buildings in their authenticity, maintaining physical, spatial and its character of a work of art? In order to investigate this duo, Cultural Heritage and accessibility, the research presented here briefly assessed six buildings that participated in the Monumenta Program conducted by the Ministry of Culture, the Institute of the Historic and Artistic National Heritage – IPHAN and the Inter-American Development Bank – IDB. This study was conducted to evaluate the possible impacts of accessibility interventions over the heritage artistic, historical, social and scientific values and its aspects: form and design, materials and substance, use and function, traditions and techniques, location, space and spirit and feeling, as indicated by the Venice Charter (1964) and as proposed by Koenraad van Balen in Nara-grid. To this end, the tool used is the merge of the two assessments, authenticity and accessibility, both with the same value, i.e. as elements that qualify the property and that influence each other. The tool created was called the Matrix of Authenticity and Accessibility (Matrix A&A). The research findings show that the adjustments are possible; the physical characteristics of the architectural heritage are not and cannot be a barrier to access for all; the simplistic argument about the impact over the authenticity of the heritage is generally misleading and used as an excuse for the use of "quick fixes" that only discriminate; that set the impossibility of access by the inevitable damaging impact on the authenticity, the solution stems from the principle of dignity and equality expressed in the Inter-American Convention on the Elimination of All Forms of Discrimination Against Persons with Disabilities which consists in the creation of alternative means of visiting the place, but not just for Persons with Disabilities, for everyone.
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Rebouças, Thais de Miranda. "Costurando escalas: 7ª etapa de recuperação do Centro Histórico de Salvador, Programa Monumenta e BID." reponame:Repositório Institucional da UFBA, 2013. http://www.repositorio.ufba.br/ri/handle/ri/13058.
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A análise de um processo complexo e conflituoso como o do projeto da 7ª Etapa de Recuperação do Centro Histórico de Salvador, se pretendida a compreensão da sua totalidade, está atrelada ao esforço de compreensão das suas distintas temporalidades e espacialidades. Esta análise implica, necessariamente, na sua relação com os eventos relacionados no mundo e nas suas demais escalas intermediárias. Nesse sentido, são objeto de análise, junto com a 7ª Etapa, o Programa Monumenta e o BID, respectivamente o programa elaborado e desenvolvido pelo Ministério da Cultura e pelo IPHAN – agente financiador do projeto do qual a 7ª Etapa faz parte. É a partir da busca do entendimento dessa interrelação entre escalas e eventos que esse trabalho se estrutura.
Salvador
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Ruggero, Cristina. "Monumenta Cardinalium - Studien zur barocken und spätbarocken Skulptur am Beispiel römischer Kardinalsgrabmäler (1650-1750 ca.)." [S.l. : s.n.], 2004.
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Andrade, Antonio de Pádua Paz. "Os desafios para o sucesso na implementação de projetos de governo: uma análise do programa Monumenta." reponame:Repositório Institucional do FGV, 2016. http://hdl.handle.net/10438/17651.
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This dissertation sought to identify the challenges that influence the implementation of Brazilian government projects the light of the experience of the Monumenta Program, for Sustainable Conservation of the Brazilian Historical Heritage and what can be done so that this public policy step reach success. The theoretical framework and the basis for achieving the purposes of this study were designed from the data collection based on the literature on public management; project management, considering the specificities between private and public administration; about Monumenta Program; and through field research. The field research method was through interviews with actors who participated in establishing and implementing the Monumenta/BID Program, with civil servants working in various spheres of public administration, such as the Ministry of Culture and experts from the Inter-American Development Bank (IDB) and the United Nations Educational, Scientific and Cultural Organization (UNESCO). Therewith, this dissertation, even though it was based on a case study and perceptions of a limited number of interviews with key actors, aims to increase knowledge about causes of difficulties and even failures in implementing Brazilian government projects, bringing lessons learned and enabling the enrichment of intellectual capital on the subject. These contributions, integrated the development agenda of the strategic planning of new projects, will allow policy makers are better able to implement new initiatives in an efficient, effective and efficient, minimizing the uncertainty of the expected results, in addition foster debate and reflections on the subject at all levels of government. The communion of these factors allowed the generation of greater public value associated with better use of resources.
Essa dissertação buscou identificar os desafios que influenciam a implementação de projetos brasileiros de governo a luz da experiência do Programa Monumenta, de Preservação Sustentável do Patrimônio Histórico Brasileiro e o que pode ser feito para que essa etapa de política pública alcance sucesso. O arcabouço teórico e os fundamentos para o alcance dos objetivos do presente estudo foram concebidos a partir da coleta de dados baseada na literatura sobre gestão pública; gerenciamento de projetos, considerando as especificidades entre administração privada e pública; sobre o Programa Monumenta; e através de pesquisa de campo. O método da pesquisa de campo deu-se por meio de entrevistas com atores que participaram da elaboração e execução do Programa Monumenta, com servidores públicos que atuam nas diversas esferas da administração pública, como o Ministério da Cultura (MinC), e com especialistas do Banco Interamericano de Desenvolvimento (BID) e da Organização das Nações Unidas para a Educação, a Ciência e a Cultura (UNESCO). Com isso, essa dissertação, mesmo tendo sido baseada em um estudo de caso e em percepções de um número restrito de entrevistas com atores-chave, pretende ampliar o conhecimento sobre causas de dificuldades e até de fracassos na implementação de projetos brasileiros de governo, trazendo lições aprendidas e possibilitando o enriquecimento do capital intelectual sobre o tema. Estas contribuições, integradas a pauta de elaboração do planejamento estratégico de novos projetos, permitirão aos formuladores de políticas públicas estarem mais aptos a executarem novas iniciativas de forma eficiente, eficaz e efetiva, minimizando a incerteza dos resultados esperados, além de fomentarem o debate e as reflexões sobre o tema em todos os níveis de governo. A comunhão desses fatores permitirá a geração de maior valor público associado a melhor utilização de recursos.
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Picanço, Valéria Maria Pereira Alves. "Preservação patrimonial X qualidade de vida : avaliação pós-ocupação no programa monumenta : Centro histórico de Natividade - Tocantins." reponame:Repositório Institucional da UnB, 2009. http://repositorio.unb.br/handle/10482/4116.
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Dissertação (mestrado)—Universidade de Brasília, Faculdade de Arquitetura e Urbanismo, 2009.Submitted by Jaqueline Ferreira de Souza (jaquefs.braz@gmail.com) on 2010-03-22T14:58:44Z No. of bitstreams: 1 DISSERTAÇÃO VALÉRIA PICANCO.pdf: 11107315 bytes, checksum: 76c3123d185a64c1f835d0c89c5f0efb (MD5)
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A pesquisa se insere em numa temática atual de grande importância para os estudos da preservação do patrimônio cultural e da melhoria da qualidade de vida. Foi feita uma avaliação pós-ocupação de 20 edificações contempladas no Programa Monumenta no município de Natividade - Tocantins. Este trabalho procurou entender a relação da preservação de bens tombados com a melhoria da qualidade de vida, a qual foi focada no conforto ambiental (iluminação e ventilação naturais), dentro do Programa Monumenta. A metodologia utilizada foi a avaliação pós-ocupação a partir da visita em in loco, exame documental e análise do grau de satisfação dos usuários. O trabalho permitiu concluir que o Programa Monumenta intervém nos imóveis tentando apenas resgatar a fachada antiga, sem que haja preocupação maior com a preservação dos interiores e telhados, nem com a melhoria da qualidade de vida dos moradores em relação à ventilação e à iluminação natural. Mas, mesmo assim, a grande maioria dos moradores está satisfeito com o Programa Monumenta. Entretanto, há consenso entre todos – moradores e técnicos – da necessidade de mudanças no Programa para realmente ser possível unir o binômio Preservação e Qualidade de Vida. _________________________________________________________________________________ ABSTRACT
The research highlights a current issue of great importance in the study of preservation of cultural heritage and improvement of the quality of life. This study conducts a post-occupancy evaluation of 20 buildings included in the Monumenta program in the city of Natividade - Tocantins. This study sought to understand the relationship of the preservation deteriorating property to an improvement in the quality of life, and specifically focuses on natural lighting and ventilation within the Monumenta Program. We used the methodology of post-occupancy evaluation from the trip in loco and in the analysis of the degree of satisfaction of users. The result of our research demonstrates that the Monumenta Program meanly tries to rescue the old facade, without a major concern with the preservation of the interior and roof, thus not improving the quality of life of residents in relation to ventilation and natural lighting. But nonetheless, the vast majority of residents are satisfied with the Monumenta Program. However there is a consensus among all - residents and technicians – the program needs reform to effectively unite the binomial Preservation and Quality of Life.
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Mosqueira, Tatiana Meza. "Reabilitação da região da Luz - Centro histórico de São Paulo: projetos urbanos e estratégias de intervenção." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/16/16139/tde-28052010-113207/.
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Poucas regiões na cidade de São Paulo foram tão freqüentemente objeto de projetos como a Luz nas últimas décadas, e só este fato já é um indicador de sua importância no contexto metropolitano. Entretanto, mesmo contando com estudos específicos desde a década de 70, parece que a recuperação das partes degradadas do diversificado tecido urbano que a caracteriza começou a se concretizar só nos anos recentes, em vista do destaque dado aos projetos de reabilitação urbana no discurso do planejamento estratégico, num cenário de competitividade econômica mundial. Neste sentido, os projetos para a região na última década, seguem motivações que vão muito além do restauro e conservação de edifícios monumentais, tanto pela evolução do conceito de patrimônio histórico quanto pela importância da reintegração desta área à dinâmica produtiva da cidade. O Projeto de Revitalização do Conjunto Histórico da Luz, do Programa Monumenta, em vigência, faz parte de um programa nacional resultante do contrato de empréstimo entre o Banco Interamericano de Desenvolvimento BID e o Governo Federal. Ao longo da investigação verificou-se que esta instituição de fomento não se limita apenas ao financiamento, mas também direciona a formulação dos projetos com metodologias de intervenção específicas aplicadas a todos os países latino-americanos que recebem recursos para reabilitação de suas cidades. Isto se torna evidente na análise dos casos de Quito e São Paulo (Luz), sendo o primeiro, modelo para implementação do segundo. Os projetos apostam em intervenções pontuais, mas de grande impacto, capazes de desencadear um processo de valorização imobiliária que crie condições favoráveis para a participação da iniciativa privada, considerada imprescindível para a manutenção dos bens após a intervenção. Desta forma, os programas do BID reforçam e incentivam modelos de intervenção urbana onde as políticas públicas se mantêm indiferentes às demandas sociais e assumem como prioridade o favorecimento de interesses particulares, prática bastante conhecida ao longo da história da produção do espaço urbano da cidade de São Paulo.Few stretches in the city of São Paulo were so frequently the object of projects as the Luz area in the last decades, and this is in itself an indicator of its importance in the metropolitan context. However, despite the specific studies since the 70\'s, the \"deteriorated\" patches within the diversified urban fabric that characterizes the territory, seem to be recovering only in recent years, in view of the prominence given to urban renovation projects by the speech for strategic planning in a global scenario prone towards economical competitiveness. In this sense, the projects for the area in the last decade, follow motivations that go way beyond the renovation and preservation of monumental buildings, resulting as much from the evolution of the historical patromony concept as from the importance of reintegrating the area to the city\'s productive dynamics. The Luz Historical Compound Renovation Project, in the Monumenta Program, now in force, is part of a national program resulting from a loan contract between the Inter-American Development Bank - IDB and the Federal Government. Throughout the investigation it was verified that this fomentation institution doesn\'t just limit itself to the financing, but it also directs the projects formulation, applying specific intervention methodologies in all Latin-American countries that receive resources for their cities rehabilitation. This becomes evident in Quito and São Paulo, while the first a \"model\" for the second. The projects bet on punctual, but high-impact, interventions, capable of unleashing a process of real-estate valorization that creates favorable conditions for the participation of private companies, considered indispensable for the asset maintenance after the intervention. Thus, the BID programs strengthen and motivate urban intervention models where public policies are indifferent to the social demands and assume as a priority the support of private interests, a known practice along the history of São Paulos urban space production.
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Cruz, Luana Hon?rio. "Centros hist?ricos e desenvolvimento urbano: um estudo comparativo entre os programas Monumenta no Brasil e Polis em Portugal." Universidade Federal do Rio Grande do Norte, 2009. http://repositorio.ufrn.br:8080/jspui/handle/123456789/12341.
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Previous issue date: 2009-04-01Both the end of the twentieth century and the beginning of the twenty-first century have been characterized as a period of major political, economic, social and cultural transformations. Two of the major consequences of the political-economical crisis of the end of last century are the restructuring of capitalist production, and the consolidation of neoliberalism as a worldwide phenomenon. This new world political-economical scenario has influenced, in a dialectic way, the contemporary urban development. In that sense, "new" spatial processes and new paradigms in both urban management and urban planning have gained shape. In this context of urban transformations, the central areas of western cities, also known as historic centers, are being increasingly (re)valued. Since the Second World War, the historic centers urban areas which have great infrastructure and symbolic relevance had been undergoing a process of evasion of population and activities, undeniably linked to the neglect of government authorities. However, in recent decades, the question of historic centers rehabilitation has acquired a growing interest, academically and in political agendas. The object of this dissertation is to focus on how the government of each Brazil and Portugal has dealt with the issue of historic center rehabilitation through programs of urban rehabilitation
O final do s?culo XX e o in?cio do s?culo XXI tem se caracterizado como um per?odo de grandes transforma??es pol?ticas, econ?micas, sociais e culturais. A crise pol?tico-econ?mica do final do s?culo XX resultou, entre outros, na reestrutura??o da produ??o capitalista e na consolida??o do neoliberalismo como fen?meno global. Esse novo cen?rio pol?tico-econ?mico mundial tem influenciando, de forma dial?tica, o desenvolvimento urbano contempor?neo. Nesse sentido, novos processos espaciais e novos paradigmas na gest?o e no planejamento urbanos v?m ganhando forma. Diante desse contexto de transforma??es urbanas, as ?reas centrais das cidades ocidentais, tamb?m conhecidas como centros hist?ricos, v?m sendo cada vez mais (re)valorizadas. Desde a Segunda Guerra Mundial, os centros hist?ricos, ?reas urbanas dotadas de infra-estrutura e simbolismo, v?m sofrendo um processo de evas?o populacional e de atividades, associado ao descaso do poder p?blico. Entretanto, nas ?ltimas d?cadas, a quest?o da reabilita??o de centros hist?ricos tem adquirido uma visibilidade cada vez maior, seja no meio acad?mico ou ainda nas agendas pol?ticas. Essas ?reas urbanas consolidadas, que h? muito tempo vinham sendo negligenciadas pelos gestores municipais, agora s?o vistas com novos olhos. E ? a forma como o poder p?blico tem lidado com a quest?o da reabilita??o de centros hist?ricos no Brasil e em Portugal, atrav?s dos seus programas de reabilita??o de urbana, o objeto de estudo dessa disserta??o
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Tozi, Desirée Ramos. "Primavera de estações: o programa Monumenta e as políticas públicas de preservação do patrimônio cultural na região do bairro da Luz / São Paulo." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-04122007-114906/.
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Essa pesquisa de mestrado tem como objetivo discutir as políticas públicas de preservação do patrimônio cultural no Brasil, buscando analisar e compreender o impacto e as conseqüências dessas propostas nos discursos sobre representação e identidade cultural. O recorte da pesquisa (período compreendido entre o final dos anos 1970 e início dos anos 2000) optou por relacionar a análise dos projetos de preservação e renovação urbana da área da Luz - iniciados com o projeto do Escritório Rino Levi (1974) até o polêmico Programa MONUMENTA/ BID (1999- atual ) - às transformações econômicas e culturais sofridas pela sociedade brasileira, refletidas no contexto urbano e também globalizado, utilizando como justificativa a valorização da imagem da cidade, tendo o patrimônio cultural como seu objeto de valorização mercadológica.This Master\'s degree research aims at discussing the public policies for preserving the cultural heritage in Brazil, in view of analyzing and understanding the impact as well as the consequences of these proposals in the discourse of cultural identity and representation. The scope of this research is from the late 1970s to the early 2000s, and it has chosen to relate the analysis of the projects of preservation and urban renovation in the area of Luz - started with the Rino Levi office\'s project (1974) until the polemic MONUMENTA/ BID program (1999 - present) - to the economic and cultural transformations that occurred in the Brazilian society, reflected both in the urban and globalized contexts. The valorization of the image of the city has been used as a justification, and the cultural heritage has been its object for market value.
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Mare, EM. "Monumental complexity: searching for the meaning of a selection of South African monuments." South African Journal of Art History, 2007. http://encore.tut.ac.za/iii/cpro/DigitalItemViewPage.external?sp=1000805.
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In this article I will try to answer two basic questions concerning a selection of representative South
African monuments erected by different groups adhering to various ideologies. Firstly, what truths
and values did patrons and designers intend to express in the Rhodes Memorial (Cape Town), the
Afrikaans Language Monument (Paarl), the Women's Monument (Bloemfontein), the Voortrekker
Monument (Pretoria), the Samora Machel Monument (Mbuzini), the Heroes' Monument (Durban)
and Freedom Park (Pretoria)? Secondly, how did their meaning change over time on various issues
such as gender, language, ethics, site, historiographry, the dialectics between different monuments,
the problematics of heroism, as well as ethnic difference, especially when viewed from a postcolonial
vantage point? However, the notions of "truth" and "values" in the ideological context of monuments
are ambiguous, as can be ascertained from a brief survey of the methodologies applied and conclusions
drawn by researchers representing those disciplines that most often deal with the subject matter
of monuments. These are: art history, architectural history, cultural history, history, postcolonial studies,
and occasionally also practitioners of other disciplines such as philosophy and anthropology.
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DelGenio, Kathryn A. "Meaning and Monuments: Morality, Racial Ideology, and Nationalism in Confederate Monument Removal Storytelling." Scholar Commons, 2019. https://scholarcommons.usf.edu/etd/7778.
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In this thesis I examine the reproduction of nationalism and white supremacy within Confederate monument removal (CMR) storytelling, and the ways collective identity and emotions are implicated within these reproductions. Using reader generated CMR narratives published in a Southern newspaper, the Augusta Chronicle, I conduct narrative analysis in order to identify key story elements, moral arguments, and cultural codes present in the public CMR debate. Findings indicate that two sharply contested narratives emerge during this debate, one calling for the protection of Confederate monuments and one calling for the removal of Confederate monuments. Further, though these contested stories produce opposing moral value judgements of Confederate monuments, they rely on similar cultural and emotion codes, frames, and rhetorical moves which reproduce nationalism and white supremacy. Through reifying national mythologies, constructing individuals as citizens, rhetorically isolating racism and slavery, and reproducing racialized capitalism, CMR narratives on both sides of the debate become sites where nationalism and white supremacy are perpetuated. These findings indicate that there is an important relationship between collective memory and cultural meaning-making processes related to identity and emotions. Further, findings also suggest that collective memory narratives, particularly contested or oppositional narratives, are important sites facilitating continuity in hegemonic systems. Because of their key role in perpetuating nationalism and white supremacy, it is possible that collective memory narratives may also be spaces where the interruption of hegemonic systems can also be facilitated.
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Holtorf, Cornelius. "Monumental past : interpreting the meanings of ancient monuments in later prehistoric Mecklenburg-Vorpommern (Germany)." Thesis, University of Wales Trinity Saint David, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683308.
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Cortesão, Maria João de Castro Cunha Almeida. "Intervir na cidade monumental. Complementaridade dos dois pólos monumentais com o Tejo." Master's thesis, Faculdade de Arquitectura de Lisboa, 2010. http://hdl.handle.net/10400.5/2887.
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Tese de Mestrado em Arquitectura, especialização em Gestão UrbanísticaO trabalho tem por base a busca de uma definição abrangente de Área Monumental. Compreender como se constitui, desenvolve e sobretudo como se atinge esse estatuto, tendo por objectivo a aplicação dos conhecimentos numa proposta de projecto integrado de ordenamento da Área Monumental Belém/Ajuda e projecto para um novo Museu dos Coches. A temática da monumentalidade, aplicada às Cidades, define questões pertinentes e actuais. As Áreas Monumentais definem-se por diversos factores, entre eles, factores históricos, religiosos, paisagísticos, funcionais e morfológicos. Depois, procedeu-se à aplicação desses conhecimentos à cidade de Lisboa. A Área Monumental escolhida foi Belém-Ajuda, um conjunto que se destaca pela sua relevante história ligada aos Descobrimentos e um inegável centro de poder. A questão base que se procura resolver é o problema da ligação da cidade ao rio e a recuperação de uma memória perdida. Posteriormente elaborou-se a definição do Modelo de Ordenamento que permite o trabalho desde a escala global até ao contexto da Área Monumental. A concepção de dois enfoques seleccionados que representam a proposta e a temática do trabalho. Por último, a criação de um equipamento museológico e respectivo espaço público, com a intenção de valorizar a temática em questão. Devolver aos cidadãos e visitantes esta Área monumental tão importante, cheia de qualidades e de valor, que contribuem para uma verdadeira representação da imagem da Cidade de Lisboa
The work is based on finding a comprehensive definition of Monumental Area. Understanding how it is, especially as it develops and reaches that status, with the aim of applying knowledge in a proposal for the integrated planning of Monumental Area Belém/Ajuda and design a new Museum of Coach. The theme of monumentality, applied to cities, defines the relevant issues and current. Monumental Areas are defined by several factors, among them historical factors, religious, scenery, and functional morphology. Then we proceeded to apply that knowledge to Lisbon. The area was chosen Monumental Bethlehem-Help, a group that stands out for its important history linked to the Discovery Center and an undeniable power. The basic question being addressed is the problem of connecting the city to the river and the recovery of a lost memory. Subsequently developed the definition of the Model Ordinance that allows the work from the global to the context of the Monumental Area. The design of two approaches that represent the selected proposal and conceptions. Finally, the creation of an equipment museum and its public space, with the intention of highlighting the issue in question. Return to citizens and visitors to this area as important monumental, full of quality and value, contributing to a true representation of the image of the city of Lisbon.
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Getson, Jennifer. "Jules Dalou and the Problem of Monumental Commemoration in Third-Republic Paris." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1372866676.
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Grossi, Danielle. "Análise do estado de conservação do Monumento a Ramos de Azevedo com utilização de métodos não destrutivos." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/44/44144/tde-14112013-105630/.
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Grande parte dos monumentos, que constituem importantes registros da história da humanidade, é constituída por rochas, sobre as quais atuam processos intempéricos de ordem física e química, principalmente devido à ação do clima. Decorrente da atuação desses processos, essas rochas sofrem alterações que as degradam e colocam em risco a preservação patrimonial, levando, em casos extremos, à perda de parte da própria história da humanidade ou de um determinado local. Como a grande maioria dos monumentos é tombada e a retirada de amostras nem sempre é viável, a melhor maneira de estudá-los é por meio de métodos não destrutivos. O Monumento a Ramos de Azevedo, objeto deste estudo, é constituído pelo Granito Itaquera, apresenta também 7 figuras em bronze e está localizado na Praça Ramos de Azevedo, dentro da Cidade Universitária, na cidade de São Paulo. O estudo do estado de conservação deste monumento com métodos não destrutivos possibilita a verificação do estado de sanidade da rocha sem que a danifique, auxiliando na preservação do patrimônio histórico e cultural. Foram utilizadas técnicas de espectrofotometria, velocidade de onda ultrassônica, esclerômetro, também conhecido como martelo de Schmidt, e tubo de Karsten. As medições de cor com espectrofotômetro foram realizadas utilizando os parâmetros L, a* e b* do sistema CIELab. Com o equipamento de ultrassom foi calculada a velocidade de propagação das ondas P para percorrer o bloco de rocha, por diferentes métodos de acoplagem. Foram utilizados transdutores de 54 e 150 kHz. O esclerômetro foi usado para medir a dureza superficial e esta foi relacionada com a força compressiva uniaxial por meio de curvas de correlação. O tubo de Karsten permitiu medir a absorção de água sob baixa pressão. Os testes foram realizados in situ e em laboratório, utilizando amostra fresca. Os resultados de velocidade de propagação de ondas ultrassônicas encontrados no monumento, de maneira geral, com ambas as frequências de transdutores pelo método semidireto, foram mais baixos do que os encontrados na amostra fresca. O esclerômetro foi usado apenas em rocha fresca, devido ao fato do equipamento deixar marcas em superfícies apicoadas como a do monumento. O valor médio encontrado indica baixo grau de alteração. Nos ensaios com tubo de Karsten, a absorção d\'água observada no monumento foi um pouco maior que a encontrada na amostra fresca, com diferença numérica pequena. Os dados de espectrofotometria foram coletados apenas no monumento devido a dificuldade de deixar a amostra com uma superfície apicoada semelhante ao encontrado in loco. Os dados coletados foram comparados com séries medidas anteriormente, e foi observada a diminuição da luminosidade e aumento da cor amarela. Todos os testes levam a conclusão de que o monumento está em boas condições de conservação, no entanto encontra-se bastante sujo e um pouco amarelado, o que pode ser causado pela degradação da biotita.Most monuments, which are important records of mankind, are composed of stones on which physical and chemical processes act, mainly due to climate action. These processes provoke alteration in the stones that degrade and endanger heritage preservation, leading in extreme cases to the loss of part of the history or of a particular site. The vast majority of the monuments are declared as heritage sites and sample collection is not always possible, so the most feasible way of performing research is using non-destructive method technologies. The Monument to Ramos de Azevedo, object of this study, is constituted of Itaquera Granite and 7 bronze figures. It is located in Ramos de Azevedo square, on the University of São Paulo Campus, in the city of São Paulo. The study of monument conservation status, with non-destructive methods, allows one to identify the stone integrity without damaging it, thus assisting with the historical and cultural heritage preservation. A spectrophotometer, a sclerometer (also known as a Schmidt hammer), ultrasound equipment and the Karsten tube were used. Color measurements were performed with a spectrophotometer, using L, a* and b* parameters from the CIELab system. The P-wave velocities of the stone were calculated with the ultrasound equipment, by different methods of coupling. 54 and 150 kHz transducers were used. The sclerometer was used to measure the surface hardness and the result was related to the uniaxial compressive strength with correlation curves. The Karsten tube allowed for the measurement of water absorption under low pressure. All tests were performed in situ and in the laboratory, using fresh samples. In general, the results of the P-wave velocities found in the monument, with both transducers, by semidirect method, were lower than those found in the fresh samples. The sclerometer was used only on fresh stone, since the equipment leaves marks on the rough surface of the stone monument. The average value found was 50.25 indicating a low degree of alteration. In the tests with the Karsten tube, the water absorption observed was slightly higher than the one found in the sample, with small numerical differences. The data obtained with the spectrophotometer was compared with previously measured series and a decrease in brightness and an increase of the yellow color were observed. All tests lead to the conclusion that the monument is in good condition, however, somewhat dirty and a little yellowish, which can be caused by biotite degradation.
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Couturier, Bastien. "Monuments historiques radiés : caractérisation de la valeur monumentale par l'étude des annulations de protection." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE2031/document.
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Il existe en France plus de 44 236 monuments historiques, dont la diversité des typologies architecturales s’est considérablement accrue ces dernières décennies (édifices industriels, constructions modernes, etc.). Cette diversification constitue cependant une perte de repère des critères discriminant les monuments à conserver. Cette thèse de doctorat s’intéresse donc aux processus de patrimonialisation et à la sélection des édifices à protéger. Précisément, cette étude porte sur le phénomène inverse, celui des annulations de protection, en France depuis 1990. La présente recherche vise à mettre en évidence les facteurs intrinsèques et extrinsèques des radiations de protection - en net accroissement, particulièrement dans les cœurs de ville - et permettre ainsi une réflexion sur l’évolution du patrimoine et des politiques de protectionIn France there are more than 44.236 listed buildings, whose diversity of architectural typolo-gies increased significantly these last decades (industrials buildings, modern constructions, etc.). However, this diversification will entail the loss of criteria specifying the monuments which are meant to be preserved. This doctoral thesis is thus focused on the processes of pat-rimonialisation and on selection rules of buildings considered for listing. To be precise, this study relates to the opposite fact: thereviews, the cancellations of protections and therefore the delisting of buildings, in France, since 1990. This research aims to highlight the intrinsic and extrinsic factors of delisting requests – a net increase, mostly in the city centres - and thus to get an overall picture of the situation on inheritance evolution and on process for listing or delisting
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Haak, Abigail. "Defining monumental realities : a study of inscriptions as monuments in the urban landscapes of Ephesus and Aphrodisias." Thesis, University of Oxford, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.439734.
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Labno, J. J. "The monumental body and the Renaissance child : funeral monuments in Poland and their European context (1500-1650)." Thesis, University of Sussex, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419825.
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Thät, Eva. "Monuments and minds : monument re-use in Scandinavia in the second half of the first millennium AD." Thesis, University of Reading, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.415539.
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Bezerra, Rilciane de Sousa. "Capacidades estatais e programas federais: o processo de implementação de programas de preservação do patrimônio cultural, no município de Olinda, Pernambuco." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/100/100138/tde-15072018-215024/.
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O objeto de estudo do presente trabalho são as capacidades estatais do governo federal em coordenar programas, de abrangência nacional e destinados a preservação do patrimônio cultural brasileiro, mediante a arranjos complexos, isto é, por meio da atuação de instituições em todos os níveis de governo União, estados e municípios e do setor privado. Em perspectiva mais específicas, observou-se o processo de construção da política de preservação do município de Olinda e qual a sua relação com os programas, com a intenção de verificar de que forma estes contribuíram para a sedimentação de conhecimentos técnicos e estruturação da administração municipal para a área da cultura, por meio da implementação do PCH, Programa Monumenta e PAC Cidades Históricas. Diante da necessidade de mais estudos relacionados às políticas públicas não prioritárias, faz-se necessário compreender a formulação, o desenho e o processo de implementação desse tipo de programa, cujos recursos disponíveis são escassos, no intuito de maximizar seu poder de alcance e melhorar a eficiência de suas ações. Assim sendo, o objetivo desse trabalho é analisar de que maneira os programas federais destinados à preservação do patrimônio histórico artístico nacional se estruturam e quais os impactos gerados por eles na administração municipal de Olinda. Para tanto, optou-se pela metodologia do tipo pesquisa qualitativa, devido ao caráter complexo e multidimensional do objeto estudado; para fins de análise das informações coletadas nas entrevistas e na revisão de literatura, utilizou-se o Template Analysis para sistematizar e agrupar os dados e, assim, compreender as capacidades estatais de forma mais intricada e estruturada. Foram apontadas quatro dimensões importantes para o desenvolvimento das capacidades estatais, são elas: dimensão financeira, dimensão de planejamento, dimensão da implementação e dimensão política. Essas dimensões estão presentes em todos os níveis de governo e variam de importância de acordo com o nível hierárquico no qual se localizam. Tendo em mente que Olinda é um município com baixo dinamismo econômico e dependente de recursos externos, verificou-se que os programas tiveram grande influência no processo de institucionalização da política de preservação de Olinda, na medida em que proporcionaram a contratação de servidores públicos municipais especializados na área, capacitação técnica dos servidores e recursos financeiros. Pondera-se, aqui, que apesar dos recursos adicionais providos pelos programas, eles ocorreram de forma intermitente e não foram suficientes para suprir a demanda existente e, portanto, há a necessidade de se criar políticas continuadas de manutenção e zeladoria do sítio históricoThe object of study of the present work are as state capacities of the federal government to coordinate national and financial programs in conservation of Brazilian cultural patrimony, through a complex arrangements, stations of action of institutions at all levels of government - Union, states and municipalities - and the private sector. In a more specific perspective, observe the process of construction of the preservation policy of the municipality of Olinda and its relationship with the programs, with the intention of verifying how to contribute to the sedimentation of technical knowledge and structuring the municipal administration to an area through the implementation of PCH, Programa Monumenta and PAC Cidades Históricas. Faced with the need for more studies related to non-priority public policies, it is necessary, a formulation, the design and process of implementation of the type of program, whose available resources are scarce, with no intention to maximize its reach and improve in a measure of efficiency of its actions. Thus, the objective of this work is to analyze in a way before the federal programs for the preservation of the national historical artistic patrimony are structured and what the impacts generated by them in the municipal administration of Olinda. For this, we chose the methodology of the type qualitative research, due to the complex and multidimensional character of the studied object; for the purpose of analyzing the information collected in the interviews and in the literature review, we used the Analysis Analysis to systematize and group the data and, thus, to understand the state capacities in a more intricate and structured way. Four important dimensions were identified for the development of state capacities, namely: financial dimension, planning dimension, implementation dimension and political dimension. These dimensions are present at all levels of government and vary in importance according to the hierarchical level in which they are located. Keeping in mind that Olinda is a municipality with low economic dynamism and dependent on external resources, it was verified that the programs had great influence in the process of institutionalization of the policy of preservation of Olinda, in that they provided the hiring of specialized municipal public servants in the area, technical qualification of the servers and financial resources. It is considered here that despite the additional resources provided by the programs, they occurred intermittently and were not sufficient to meet the existing demand and, therefore, there is a need to create continued policies of maintenance and janitorial of the historic site
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Xandri, Guitart Marcel. "Monuments "a los caídos por dios y por España" a Catalunya, 1939 a 1970." Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/394062.
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Aquesta tesi doctoral investiga la interacció que existí entre els ajuntaments i les institucions centrals del govern franquista respecte la gestació dels monuments “a los Caídos por Dios y por España” (o “por la Patria”) erigits a Catalunya entre 1939 i 1970, és a dir des de la victòria de les tropes “nacionals” fins gairebé els darrers anys de la dictadura, i amb una pluralitat d’aspectes relacionats amb aquestes obres que es construïren a l’espai públic amb fins propagandístics, sovint substituint-ne d’altres de commemoració o estil rebutjats pel nou règim instaurat. Així, s’ha descrit els cerimonials o actes rituals d’homenatge relacionats amb aquests monuments, així com el tractament arquitectònic i urbanístic que s’atorgà als espais que allotjaven les obres impulsades per les corporacions municipals i les particularitats locals i factors socioculturals i raons d’organització i normatives que haurien influït en l’elecció d’uns models tipològics i estilístics i llurs emplaçaments i en la gènesi dels projectes i l’execució de les obres, elements en els que s’evidencia un escenari caracteritzat per una multiplicitat de situacions distintes.
La part inicial d’aquest treball es centra en la base teòrica, el context històric i els aspectes de ideològics, propagandístics, estètics i relatius a la idiosincràsia del règim franquista que foren determinants per a la gestació d’aquests monuments. L’anàlisi de les realitats locals s’ha portat a terme per poblacions, agrupant les iniciatives monumentals que es van impulsar, i classificades en quatre grans àmbits territorials: l’àrea de proximitat de Barcelona, la Catalunya central, les terres de Ponent i les comarques nord-orientals. La ciutat de Barcelona s’analitza separadament, com a capital i degut a la seva singularitat, tant en el tarannà artístic i urbanístic com per la seva complexitat i diversitat de monuments.
La reconstrucció de les casuístiques dels diferents municipis i els comportaments dels ajuntaments respecte els procediments seguits, la cronologia i temporalitat amb la que els monuments foren aprovats, dissenyats i erigits i l’elecció dels projectes han demostrat que, contràriament a l’estesa visió d’uniformitat amb la que sovint es contempla aquest període històric, no existia un criteri unificat o una interpretació unitària de les directrius, els estàndards i les normes en la matèria. També s’ha comprovat, en línies generals, una evolució entre les obres construïdes amb major immediatesa en consolidar-se l’ascens de Franco, els monuments definitius que s’alçaren durant els primers dos terços dels anys quaranta i els que veieren la llum amb posterioritat. Tanmateix, també s’ha pogut identificar divergències entre, per una banda, zones en què es preferí seguir una tendència continuista d’uns cànons i convencions estètics com la geometria quadrangular, la sobrietat, les formes classicitzants, la severitat i la verticalitat, que responien a uns dictàmens i principis que, de manera genèrica i difusa, havien emès els dirigents o teòrics propers al règim i integrants del pensament feixista espanyol, i unes ciutats que, per altra banda, apostaren per certa innovació i progrés estilístic i cercaren certa originalitat i diferenciació en les creacions que exhibiren en els seus espais urbans. Relacionat amb aquest fet, cal dir que s’ha revelat, en la compilació de la documentació de tramitació d’aprovació dels projectes per part del poder central, que el control fou major durant el primer franquisme, imposant modificacions que són mostra del moment de major obstinació i rigidesa del règim i, com a resultat, redirigint les decisions locals. Paral·lelament, s’han trobat casos en què es projectaren i aprovaren monuments que mai s’arribaren a construir i en què s’adoptà una solució commemorativa alternativa.This dissertation explores the interaction between local governments and the central institutions of the Franco post-military coup regime regarding the creation and construction of the monuments dedicated to the “Caídos por Dios y por España” (the fallen members of the Fascist bloc) erected in Catalonia between 1939 and 1970 (from the victory of the Fascist troops until the last years of the dictatorship) and a number of related issues. The new monuments were used as part of the propaganda artillery of the totalitarian regime of Franco for its construction of a collective memory and the vindication for legitimacy of conferring heroism to the fallen and linking their death to the laudable subjugation to the will of God, while contributing to the imposition of “Catholic-National” identity. It describes the ceremonial or rituals of homage related to these monuments, as well as the architectural treatment given to the urban spaces that housed the works promoted by the municipalities, often replacing other monuments of remembrance or style that were rejected by the new regime installed, as well as the local particularities and sociocultural factors and organizational reasons and regulations that would have influenced the choice of stylistic and typological models and their locations and the genesis of the project and execution of the works, aspects that demonstrate a scenario characterized by a multiplicity of different situations. The initial part of this work focuses on the theoretical framework, the historical, ideological and aesthetic context and in regard to the idiosyncrasy of the Francoist regime which were decisive in the gestation of these monuments. The analysis of local realities has been carried out and presented within a classification by towns and geographic areas: the zone of proximity to Barcelona, Central Catalonia, the West of the region and the Northeast. Barcelona is analyzed separately, as the capital and due to its uniqueness in both urban and artistic character as to its complexity and diversity of monuments. The approach to the various situations, decisions and performance shown by the different local council authorities of the different towns regarding the procedures followed, the chronology and timing with which the monuments were approved, designed and erected and the projects chosen have proved that, in contrast to the widespread view of uniformity of this historical period, there was no unified criterion or unitary interpretation of guidelines, standards and regulations on the matter. It has also demonstrated an evolution, though unevenly, among the works built with greater immediacy after the rise of Franco, the planned monuments that rose during the first two thirds of the forties and those that saw the light later. However, significant differences have been identified between, on the one hand, areas with a remarkable tendency of continuity to preserve the aesthetic canons and conventions (quadrangular geometry, sobriety, classical shapes, severity, verticality), adopting recognizable patterns and respecting to generic principles dictated by the rulers and theoreticians of the Spanish fascism, and, on the other hand, cities that opted for a certain innovation and progress in terms of style and sought originality and differentiation in their creations exhibited in the public space. In addition to this, and revealed by the compilation of documentation of project approval processing, it has been found out that the control by the central power was higher during the first period of the dictatorship imposing changes that are proof of a the moment of greatest obstinacy and rigidity of the regime and, as a result, redirecting local decisions. Simultaneously, several monuments were conceived and approved but never brought to reality.
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Esteves, Ana Cristina Balau. "(Re)desenhar o património." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/18015.
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Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Arquitetura apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.O presente trabalho partiu do interesse pelo património esquecido, no qual se insere a Fortaleza de São Francisco, em Peniche. Debruçada sobre o mar e de atmosfera singular, ela interpela-nos à descoberta da sua história e das camadas que a constroem. Considerada uma das praças-fortes mais importantes do reino, fez parte do conjunto de defesa costeiro da capital e um dos maiores exemplares de arquitetura militar portuguesa que prevaleceu, não intacta, ao passar do tempo. Dos seus apoios defensivos, pouco ou nada resta. Parte-se da reflexão sobre o seu valor patrimonial, do carácter e da sua essência. Da ligação entre o património e o espaço que o envolve. Do que o lugar quer ser, do que se pode tornar. Estuda-se a sua evolução, como se alterou no tempo e explora-se as valências que contem, a singularidade do lugar. Numa tentativa de reavivar a sua importância, de compreender de que modo se reergue um monumento perdido no tempo, apresenta-se uma proposta que assume a sua regeneração, através da ligação entre as suas pré-existências e a atribuição de uma nova linguagem arquitetónica. Concede-se um novo uso, uma nova vivência, como resposta ponderada às fragilidades do lugar.
ABSTRACT: The present work started from the interest in the forgotten heritage, in which the Fortress of San Francisco, in Peniche, is located. Leaning over the sea and with a unique atmosphere, it challenges us to discover its history and the layers that build it. Considered one of the most important strongholds of the kingdom, it was part of the coastal defense complex of the capital and one of the largest examples of portuguese military architecture that prevailed, not intact, over time. Of its defensive supports, little or nothing remains. It starts from the reflection on its patrimonial value, the character and its essence; the link between heritage and the space that surrounds it. What the place wants to be, what it can become. Its evolution is studied, as it has changed over time and explores the valences that it contains, the singularity of the place. In an attempt to revive its importance, to understand how a monument lost in time retains, a proposal that assumes its regeneration, through the link between its pre-existences and the attribution of a new architectural language is presented. A new use, a new experience, is given as a pondered response to the fragility of the place.
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Clark, Douglas. "The neo-monument : monuments of dissent and their emergence in western culture in the late 20th and early 21st century." Thesis, Bath Spa University, 2017. http://researchspace.bathspa.ac.uk/10426/.
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This research addresses contemporary art practice and the monument in the 21st Century. In doing this, the notion of the monument in this research is considered to be an art object, conceived by artist(s) to memorialise, remind, instruct, or warn the public, as in the original derivation of the word ‘monument’. The late 20th Century started to see, in part, the democratisation of the monument. Here I propose that he traditional monument has always been political and a tool of the ruling elite. However, where previously the ‘Establishment’ influence was absolute, in recent times, some artists have sought creative space to place more controversial work in the public arena. Released from the restraints of authority, new monuments have been created that question the vicissitudes of our existence and it is this field of artistic practice that is the central issue in this research. Unlike monuments of the past, although they might have sprung from an historical event, these new monuments are less about memorial and more about the present. Often they ask demanding questions of our culture, our governments and of us, the people. Significantly, they are ‘monuments of dissent’ and because of their rejection of the status quo, it is proposed here that they should be termed ‘Neo-Monuments’. Whereas traditional monuments were normally to be found on the street, in the square or park, these spaces have now been augmented by an increasing number of publicly accessed galleries. We will see that there is now a more open-minded approach to critical, questioning even provocative monuments, and that we are seeing them both in galleries and in the public milieu. It will be argued that they are however still viable forms of communication. This research is informed by the creation, exploration, experimentation and analysis of my own art practice. Conclusions gained from this practice will be used to inform this research. Additionally, case studies of other artists engaged with the form and development of the neo-monument will be analysed to understand their rationale, and from this to determine what sets their work apart and allows them to be regarded as a neo-monument. This research will reflect on art-monuments created from the last quarter of the 20th Century until the present.
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Malti, Maliha. "La question patrimoniale à Tlemcen (Algérie) : héritages, représentations et enjeux territoriaux et sociaux." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30080.
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La cité ancienne, les vestiges, les monuments et sites historiques de la ville portent notre intérêt dans cette étude : comment ont-ils été mis en patrimoine? Le fait notable est que les édifices anciens qui composent la ville ont subi divers changements, autant dans l’aspect aménagement que dans l’usage : « Ces édifices sont par eux-mêmes des signes, des "représentants" qui possèdent une valeur absolue par rapport à l'histoire de l'utilisation du territoire » (Carabelli R., 1999, p.15). Les évènements historiques et les hauts lieux de la vie urbaine ont participé à ces mutations. Comment ces monuments sont intégrés dans le schéma de l’aménagement urbain? Il s’intègre car il s’harmonise avec la physiologie de la ville ? Il s’intègre parce qu’il rappelle aux citadins leur histoire ? Les monuments existaient comme marque de la ville avant même le mot patrimoine. Comment ils nous ont été transmis ? Et dans quel état ? Et pourquoi ? Est-ce par négligence ou bien par méconnaissance ?The ancient city, the ruins, monuments and historical sites of the city are our interest in this study: how have they been heritage? The notable fact is that the old buildings that make up the city have undergone various changes, both in the development aspect in use: "These buildings are themselves signs," representatives "who have an absolute value compared to the history of land use "(Carabelli R. 1999, p.15). Historical events and the high places of urban life have participated in these mutations. How these monuments are integrated in the scheme of urban planning? It integrates as it harmonizes with the physiology of the city? It fits because it reminds urban history? The monuments existed as a mark of the city before the word heritage. How they come to us? And in what state? And why ? And how ? Is it negligence or through ignorance?
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Caleiro, Luis Filipe. "O castelo observatório." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2020. http://hdl.handle.net/10400.5/20399.
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Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Arquitetura apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.Palimpsesto está ligado à literatura e ao ato da escrita sobre o pergaminho onde o ato de apagar a primeira escrita para dar lugar a uma nova faz surgir o conceito. Assim, há́ uma parte da história que é oculta através de outra, apesar de remanescerem sempre as marcas da anterior. Palimpsesto poderá́ estar associado à arquitetura quando advém da reabilitação de um determinado objeto com o intuito de lhe atribuir um novo uso. (HUYSSEN 2014) O projeto final de mestrado pretende que a intervenção na fortificação da Vila de Mourão, estabeleça uma nova utilização do património arquitetónico militar e por conseguinte uma nova organização espacial, que permitirá valorizar a evolução histórico-arquitetónica da fortificação, a sua implantação geográfica e as novas obras de reabilitação propostas, interligando entre si, a arquitetura militar, a ciência e a tradição, através da criação de um observatório astronómico a funcionar na fortificação. A presente dissertação encontra-se apoiada, no estudo do património arquitetónico militar da fortificação e na análise socio- cultural evolutiva da vila e do próprio castelo.
ABSTRACT:Palimpsesto is linked to literature and the act of writing on parchment where the act of erasing the first writing to give way to a new one makes the concept arise. Thus, there is one part of the history that is hidden through another, although the marks of the previous always remain. Palimpsesto will be able to be associated with architecture when it comes from the rehabilitation of a certain object with the intention of assigning it a new use. (HUYSSEN 2014) The final master's project intends that the intervention in the fortification of Vila de Mourão establishes a new use of the military architectural heritage and a new spatial organization that evaluates the historical-architectural evolution of the fortification, its implementation and the new rehabilitation works. proposals, interconnecting themselves, a military architecture, a science and tradition, by creating an astronomical observatory to perform a fortification.
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Craske, Matthew Julian. "The London trade in monumental sculpture and the development of imagery of the family in funerary monuments of the period 1720-1760." Thesis, Queen Mary, University of London, 1992. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1894.
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The thesis is concerned with the use of family imagery in monumental sculpture commissioned from the major London workshops in the mid-eighteenth century. It explores the interaction of the many factors which dictated the way in which the family might be represented in monumental sculpture. The interests of the competing London workshops in producing images which established their fame and increased their profits are studied in conjunction with the interests of the patronage in furthering personal and family reputations. The thesis evaluates the contribution that work upon the social history of the eighteenth century family can make to our understanding of the development of monumental imagery. I investigate the many levels of problems associated with using an art form as a source of "data" in the formulation of social history and the potential of the analysis of artistic images to question, or confirm, the validity of theories of family history. The central objective is to enquire into the reasons why the London market in monumental sculpture thrived and expanded in the first half of the eighteenth century. Much of the analysis is directed at revealing the fundamental reasons which caused patrons to order monuments. Changes in furierary culture are measured in terms of the proportion of monuments commissioned to mark, for instance, the elevation of a family to the peerage, or a bereaved husband's grief for his wife. I conclude that the great majority of monumental sculpture commissioned from London workshops throughout the period was concerned with matters of inheritance and property; marking the end of dynasties, the gratitude of those inheriting land, and the establishment of new families upon country estates. The demand for images marking the transfer of property and the passage of titles and honours is shown to have dominated the sculpture market in the first two decades of the period and, despite a strong cultural reaction against formal dynastic sculpture in the 1740s and 50s, continued to have a commanding role in the success of the London workshops.
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Mrva, Jozef. "Monument." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2014. http://www.nusl.cz/ntk/nusl-232446.
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I base my spatial installations upon working with waste materials. I use characteristic and aesthetics of cardboard and wooden clippings to express dialogue with geometrical drawings, which I have been producing since the last year. Protracted and unexpectedly-carved shapes resemble timber beams or ruins and can lead to ecological or eschatological questions. The title "Monument" is an ironical disputation with human trace and materials we use without giving them any further attention.
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Hayward, Kevin Michael John. "The early development of the Roman freestone industry in South-central England : a geological characterisation study of Roman funerary monuments and monumental architecture." Thesis, University of Reading, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.501316.
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This research investigates the geological character and source of the very earliest examples of fine carving and inscription work in Roman Britain. First to early second century tombstones and architectural fragments at key centres from south-east England have, for the first time, been sampled, analysed and compared with examples of freestone obtained from the Middle Jurassic ridge of England and northern France. The approach employed has been the application of integrated petrology, both to archaeological specimens, and possible outcrop sources. The petrological information/data gathered during the study, supplemented by a range of geochemical information/data, has shown that much of the material traditionally considered "Bath stone" derives from other sources.
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Houlton, Thomas. "Using monuments." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/60993/.
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Pinzón, Néstor Marcelo Gutierrez. "Monumento Deslocado." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27159/tde-17092009-002553/.
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Na Cidade Universitária há um monumento de proporções épicas que contrasta com o ambiente onde está localizado. Foi deslocado do seu lugar original e se encontra no campus da USP desde 1972. Esta dissertação propõe reflexões acerca da problemática de memória colocado pelo deslocamento do monumento a Ramos de Azevedo e as conseqüências desse movimento. Tais reflexões partem da interpretação do monumento em relação a diferentes contextos e momentos: seu lugar de origem, a Cidade Universitária, um álbum de fotos que registra sua construção e o projeto para uma exposição artística na Pinacoteca do Estado de São Paulo, que parte da problemática do deslocamento do monumento a Ramos de Azevedo, desenvolvido por Delenguaamano, grupo que integro como artista.Inside USP\'s campus there\'s a monument of epic proportions, which contrasts with the place where it\'s located. It was displaced from it\'s original site and remains in the campus since 1972. This masters degree project proposes reflections about the memory issues placed by the displacement of the Ramos de Azevedo monument and the consequences of this movement. This reflections interpret the monument in relation to different contexts and moments: it\'s original site, USP\'s campus, a photographic album that registers its construction, and the project for a contemporary art exposition in the Pinacoteca do Estado de São Paulo, which\'s departure point was the displacement of the Ramos de Azevedo monument, produced by Delenguaamano, group which I\'m part of.
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Weber, Matthew John. "Industrial monuments." Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/4790.
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While traveling home from work we may glance out our windows at these industrial structures whose fluorescent lights glow throughout the night. These places, often located on the outskirts of the cityscape, leave the viewer with a mix set of emotions. First, our reactions to the height, shape and form, whose towers and beams stretch high into the sky, loom over our tiny human frames. Regardless of the beauty that may be offered to the viewer at first glance, there is an underlying feeling of disgust and disregard, as these manufacturing plants stand as the agents of our environment issues in this era.
This initial, fleeting, sense of wonder is what draws me to these locations as a photographer. There is a type of ordered rhythm that these locations embody, a type of ceaseless production whose beauty is within the confines of its method of production. Every pipe and tube has a specific purpose, which leads to uniformity in shape and positioning. Every light is set to illuminate the space, not only for functionality, but also for security. Every road, wall and doorway is placed just so in order to maximize efficiency. These places manufacture, process, and ship raw materials in vast sums every single day all across the globe. They provide us with all the tools and materials we need to make our society function, but more importantly, they allow us to transform our surroundings into whatever we may choose. Inside, engines thump and grind at a steady pace. Conveyor belts hum as they slide down their tracks. Outside, a truck comes in through the entrance to pick up its order, followed by another, and still another after that.
In following some of the same techniques laid out by photographers before me, my hope is to capture the massive amount of details and nuisances of these locations. The night skies serve as the constant throughout these images, grounding these locations in the same timeframe; at once connecting them in this fashion, but also allowing each of them to be it's own unique structure as they reach up into the black sky in varying fashions. My hope for the viewer lies in a reassessment of these locations. While they do presume, as any images of industrial locations do of this era, to speak about the connection between manufacturing and environmental issues, my hope is that they are able to offer much more. While they are connected with these problems, they are also connected with the solutions to these problems, and in this regard, deserve a second glance, and hopefully, a second evaluation of their aesthetic qualities.
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Buss, Robert Q. Jr. "Monumental Ephemerality." Thesis, Virginia Tech, 1997. http://hdl.handle.net/10919/35435.
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This thesis completes the process of making architecture. It is a small project designed and built full scale. The act of realizing this work of architecture offered opportunities and limitations that do not exist within the confines of a desk project but, I believe, ultimately produced a stronger project. This is a piece of micro-architecture.
In order to create a project that is realizable for a thesis, I chose a small program: to design an exhibition structure that could be used outdoors to display and sell handmade items such as pottery. Since the use is temporary, the structure is designed to be portable, thus the assembly and disassembly of the building becomes a significant influence on the design. Beyond budget, weight and volume of the collapsed structure were significant design constraints.
This thesis is not just an exploration of tectonics. A great deal of effort was spent to ensure that the inside of the structure is still perceived as an outside space even though it provides protection from the weather and the activities of the street. A membrane keeps the water out while letting the light in; it blocks vision while transmitting shadow, and, while screening large areas from view, it reveals glimpses of people, activities, and the sky beyond.
The lightweight aluminum structural frame visually dissappears. The fabric roof and side panels provide the main visual mass for the building and they are perceived mainly through the quality of light that they transmit and reflect. One looks at a structure but sees only its ephemerality.Master of Architecture
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Marc-Blin, Séverine. "Architecture monumentale et décoration architecturale en Gaule de l’est et dans les Germanies à l’époque impériale : Les monuments publics de Mandeure." Thesis, Lyon 2, 2012. http://www.theses.fr/2012LYO20070.
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Dans l’est des Gaules et les Germanies, quelques monuments encore conservés en élévation témoignent du nombre et de la qualité des constructions publiques en territoire lingon, éduen, leuque, séquane, rauraque ou helvète durant l’époque impériale. Notre connaissance de cette architecture monumentale reste pourtant très lacunaire, du fait de l’absence d’étude monographique sur les monuments ou de catalogue des collections lapidaires. L’étude présentée dans le cadre de cette thèse, consacrée à la ville de Mandeure, révèle une panoplie monumentale ambitieuse, depuis l’époque augustéenne jusqu’à l’époque tétrarchique. Elle s’appuie sur une reprise des recherches sur le terrain depuis 2001, comprenant des fouilles mais surtout des prospections de toute nature. Mandeure, ville où se situait le plus grand sanctuaire civique séquane, présentait sous le Haut Empire toutes les composantes monumentales d’une ville romaine canonique : théâtre, temples, thermes, portes monumentales, horrea , etc. L’étude des vestiges conservés in situ et des blocs isolés permet de restituer les programmes architecturaux de plus d’une dizaine d’édifices complètement inédits et de leurs différentes phases de construction, de restauration ou de réaménagement depuis l’époque médio-augustéenne jusqu’à l’époque sévérienne. L’étude des programmes décoratifs permet également de restituer un répertoire ornemental très riche. L’influence des modèles italiens, sans doute par l’Italie du nord et la Gaule narbonnaise, signale le caractère canonique des réalisations. Plusieurs séries de grands chapiteaux en marbre de Carrare constituent un témoignage rare dans la région de l’activité d’artisans italiensIn Eastern Gaul and Germanies, several monuments still standing witness of the quantity and the quality of public buildings in lingon, aeduan, leuquan, sequan, raurac and helvet territory during the Imperial period. Our knowledge of this monumental architecture remains however incomplete, since there is no monograph dealing with those monuments or any lapidary collection catalog. This study, devoted to the city of Mandeure, reveals an ambitious display of monuments from the augustean period to the tetrarchian's. It is based on the fieldwork carried out since 2001, including digging and more specifically prospecting of all kind. Mandeure, the city where the largest sequani civic sanctuary was located, displayed during the imperial period every monumental elements of a classic roman city: theatre, temples, thermae, monumental gates, horrea, etc. The study of the preserved remains in situ and of isolated blocks unables us to re-establish all the differents process of construction, restitution or redevelopment from the medio-augustean era to the severinian's. The study of the decoration programs allowed us aswell to restore a very rich ornemental repertoire. The influence of italian models, probably coming from Northern Italy and the Narbonese Gaul, is a sign of the classic dimension of those realizations. Several set of large Carrare marble capitals constitute a rare testimony of the work of Italian craftsman in this area
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Dugas, Benoît. "The monument." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq63505.pdf.
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Nunes, Cláudio Alexandre Parada. "Intervir na cidade monumental. Interpretação das partes como um todo." Master's thesis, Universidade de Lisboa. Faculdade de Arquitetura, 2012. http://hdl.handle.net/10400.5/6714.
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Fontes, Ana Carolina Ferreira. "Intervir na cidade monumental. Reencontro com o rio." Master's thesis, Universidade Técnica de Lisboa. Faculdade de Arquitectura, 2010. http://hdl.handle.net/10400.5/2849.
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Tese de Mestrado Gestão UrbanísticaO presente trabalho tem como objecto a análise do conceito de conjunto monumental inserido na cidade na área compreendida entre Belém e Ajuda, a sua ligação ao Rio Tejo e a sua contextualização no âmbito da cidade de Lisboa. Procura-se o desenvolvimento e entendimento do papel do conjunto de valor histórico e patrimonial na evolução espacial e temporal da cidade e o conceito de monumentalidade e outros a este associados, através de leitura bibliográfica e ao recurso de exemplos de cidades com características monumentais. A informação e aspectos relacionados com o conceito de ‘cidades com frentes ribeirinhas’ e relações entre as ‘cidades e a água’ são abordados e apresentados de modo a servir de suporte ao desenho urbano da proposta. Uma proposta baseada no conceito de ‘reencontro com o Rio’, onde se procura o devolver da relação/ proximidade entre cidade/ homem/ edifício/ rio, suportada na afirmação do carácter monumental da área, tendo por base a história e características da mesma. O projecto centra-se no desenvolvimento do novo Museu Nacional dos Coches, tendo dois princípios essenciais, o aspecto museológico e o aspecto urbanístico. Um edifício com o cuidado de preservação, valorização e divulgação de uma colecção de arte notável a nível nacional e mundial, implantado num local com fortes e importantes vínculos históricos e monumentais.
This work aims to the analysis of the concept of monumental area inserted in the city, between Belém and Ajuda, its connection to the Tejo river and its contexture towards the city of Lisbon. We seek for the development and understanding of the role of the whole historic and patrimonial values in the spatial and temporal evolution of the city and the concept of monumentality and other concepts connected to this, using a bibliographic reading and the resource of examples of cities with monumental characteristics. The information and features related to the concept of “cities with riverside front” and relations between the “cities and the water” are approached and presented as a support to the urban design of the proposal. This is a proposal based on the concept of “rediscovery the river”, where we search to restore the relation/proximity between the city/man/building/river, supported in the statement of the monumental character of the area, based on its history and main characteristics. This project centers itself on the development of the new National Carriage Museum, having two main principles, the museum appearance and its urbanity look. A building with a preservation care, valuable and with the propagation of a remarkable collection of art to the national and worldwide level, established in a place with strong and important historical and monumental bonds.
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Pease, García Yrigoyen Franklin. "LOHMANN VILLENA, Guillermo. Francisco Pizarro. Testimonios. Documentos oficiales, Cartas y escritos varios, edición preparada y presentada por. Introducción de Francisco de Solano; Monumenta HispanoIndiana 111, Centro de Estudios Históricos, Consejo Superior de Investigaciones Científicas, Madrid 1986; xxi + 404 págs." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/121680.
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Racine, Camille. "George Desvallières, décorateur monumental (1895-1950)." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040089.
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La production monumentale du peintre français George Desvallières (1861-1950) a été longtemps méconnue, comme en témoigne l’absence jusqu’à présent d’une recension exhaustive. Il s’imposait de réaliser un véritable catalogue et surtout de mettre les thèmes de ses œuvres monumentales et décoratives en regard avec la vie de l’artiste et le contexte historique, artistique et religieux de l’époque. Dès les années 1890, Desvallières se confronte au monumental à travers des panneaux décoratifs dont l’iconographie se limite jusqu’en 1914 à des thèmes profanes. Sa production prend une tout autre ampleur après la Grande Guerre. La mort au combat de son fils, en 1915, et le vœu qu’il a fait dans les tranchées, en 1916, de se consacrer entièrement à la peinture religieuse sont les marqueurs historiques et iconographiques de la seconde partie de sa carrière. Les années 1918-1950 seront celles de ses plus grandes réalisations dans le domaine monumental : fresque, peinture marouflée, cartons de vitraux et de tapisserie, ex-voto monumentaux sont autant de supports qu’il exploite pour peindre une mystique de la Grande Guerre où le Poilu et l’infirmière côtoient les grandes figures religieuses. La création avec Maurice Denis des Ateliers d’Art sacré en 1919 témoigne du rôle important assigné par ces deux artistes aux arts décoratifs, dont Desvallières favorise le développement au Salon d’Automne qu’il préside dès 1935, mais aussi dans des jurys et des expositions en France comme à l’étranger. L’étude des grands ensembles décoratifs de l’artiste complète utilement les recherches menées sur l’art décoratif de la première moitié du XXe siècle et contribuent au war studies en vue du centenaire de la Grande GuerreThe monumental production by the French painter George Desvallières (1861-1950) has long been misunderstood, as shown by the absence so far of a comprehensive review. Therefore, not only the compilation of a real catalogue became inevitable and necessary, but above all putting the artist’s monumental and decorative works into the context of his and the historical, artistic and religious events of his time. By the 1890s, Desvallières turned to monumental decorative panels with an iconography that was until 1914 limited to secular themes. His production takes a very different scale after the Great War. His son’s death in battle, in 1915, and the vow the artist took in the trenches in 1916 to devote himself exclusively to religious paintings are historical and iconographic markers of the second part of his career. The years 1918-1950 will be those of his greatest achievements in monumental works: fresco paintings, marouflages, stained glass and tapestries, as well as monumental votive offerings are all media he is exploiting to paint a mysticism of the Great War where the Poilu , the French soldier, and the nurse are jointly depicted with great religious figures. The creation with Maurice Denis of the Ateliers d’Art sacré , the Sacred Art Workshops in 1919, demonstrates the important role the two artists assigned to the decorative arts. Desvallières promotes its development at the Salon d'Automne , which he presides from 1935 onwards, as well in juries and exhibitions in France and abroad. The study of large decorative ensembles of the artist is a valuable addition to the research on decorative arts of the first half of the Twentieth Century and contributes to the First World War Studies as we are approaching the upcoming centennial anniversary
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Uhlířová, Jana. "Využití kulturních památek v rozvoji měst." Master's thesis, Vysoká škola ekonomická v Praze, 2014. http://www.nusl.cz/ntk/nusl-201796.
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This masters thesis examines the role and involvement of cultural objects in the world today. Its aim is to assess the possible solutions recovery and use of immovable monuments. The thesis is determined by the general definition of cultural monuments, its legislative and institutional framework, the use and sources of funding. Following practical part deals with the previous themes in the context of the particular immovable monument, the monastery of St. Francis of Assisi in Votice. It is a sacred monument of regional significance. The outcome of this masters thesis is to determine the optimal solution of the usage of the monument with an emphasis on preserving its value.
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Varón, Gabai Rafael. "Riva Herrera, Martín de la. La conquista de los motilones, tabalosos, maynas y jíbaros. Compilación, edición crítica e introducción de Fernando Santos Granero. Monumenta Amazónica, Serie A-2. Iquitos: Centro de Estudios Teológicos de la Amazonía (CETA), 2004, 418 páginas." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/121837.
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Oliveira, Irina Alencar de. "Avenida Goiás: lugar, monumento e memória." Universidade Federal de Goiás, 2015. http://repositorio.bc.ufg.br/tede/handle/tede/7489.
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It is proposed to research the urban permanences verified in the initial core of Goiânia, as from Goiás Avenue, its most symbolic and expressive stretch. It starts with the analysis of the political discourse disseminated by Pedro Ludovico Teixeira, in favor of moving the capital to a place better adjusted to his political interests, after the triumph of the Brazilian Revolution of 1930. Therefore, he builds powerful social representations, based on the images of the old and the new capital, in order to oppose those against this change and consolidate his government. In addition to the speech and propaganda, Ludovico uses, as a statement element, the urban plan designed by Attilio Corrêa Lima, creating a modern intentional monument to be immortalized, translated by the monumental Goiás Avenue. Then, the city experiences a vertiginous growth in its territory and population, mainly after the 1950s, resulting in the disfigurement of its pioneering core. The spatial transformations verified in Goiás Avenue are representative of this scenario, such as its verticalization process and the changes in its layout to meet the demands from the public transportation. From these losses, consequences of the progressive mentality that is rooted in the local culture, arise the first initiatives to preserve the material evidences of the beginning Goiânia, culminating with its federal preservation in 2003. From this institutionalization as a national heritage, it is focused the appropriation by the city inhabitants, through the research of the urban imaginary created since the pioneer’s city until the present day, highlighting striking points in this trajectory. For that, it is used literature in prose and verse to reach the local collective memory, focusing on the capital early years and on the current city - violent, disjointed and that is forgetting its history day by day.
Esse trabalho investiga as permanências urbanas verificadas no núcleo inicial de Goiânia, a partir da Avenida Goiás, seu mais simbólico e expressivo trecho. Parte-se da análise do discurso político difundido por Pedro Ludovico Teixeira, em defesa da transferência da capital para um local mais ajustado aos seus interesses políticos, após o triunfo da Revolução de 1930. Para isso, ele constrói poderosas representações sociais, fundamentadas nas imagens da velha e da nova capital, visando combater os antimudancistas e consolidar seu governo. Além do discurso e da propaganda, Ludovico utiliza o próprio plano urbano projetado por Attilio Corrêa Lima como elemento de afirmação, criando um monumento intencional moderno a ser eternizado, traduzido através da monumental Avenida Goiás. A partir de então, a cidade vivencia um crescimento territorial e populacional vertiginoso, sobretudo, após a década de 1950, resultando na descaracterização de seu núcleo pioneiro. As transformações espaciais verificadas na Avenida Goiás são representativas desse cenário, a exemplo de seu processo de verticalização e das modificações em seu traçado para atender às demandas do transporte coletivo. Sentidas as perdas, em consequência da mentalidade progressista que se arraiga na cultura local, surgem as primeiras iniciativas para preservação dos testemunhos materiais da Goiânia dos primórdios, que culminam com o tombamento federal em 2003. A partir de sua institucionalização como patrimônio histórico, volta-se o olhar para sua apropriação por parte dos habitantes locais, através da investigação do imaginário urbano formado desde a cidade dos pioneiros até a atualidade, destacando-se pontos marcantes nessa trajetória. Utiliza-se, para tanto, a literatura em prosa e verso para atingir a memória coletiva local, com foco nos primeiros anos da capital e na cidade atual, violenta, desarticulada e que vem se esquecendo de sua história a cada dia.
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Meilleur, Daniel. "Monument et société." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=55631.
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Beauchêne, Stephanie Laplantine François. "Ethnographie d'un monument." [S.l.] : [s.n.], 2001. http://theses.univ-lyon2.fr/sdx/theses/lyon2/2001/beauchene_s.
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Yusaf, Shundana 1970. "Monument without qualities." Thesis, Massachusetts Institute of Technology, 2001. http://hdl.handle.net/1721.1/70737.
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Thesis (S.M.)--Massachusetts Institute of Technology, Dept. of Architecture, 2001.Includes bibliographical references.
Traditional interpretations of monuments look either at the process of production or of the nature of reception. In this thesis, I take a slightly different approach and look at the monument that exists in peoples' imagination prior to what is actually constructed. The mausoleum of Quaid-e-Azam Mohammed Ali Jinnah, the founding leader of Pakistan, provides an appropriate subject for such an approach. Jinnah was a larger than life figure, who embodied for most of the citizens of the new nation the ideals on which the country was founded. The imagination of his mausoleum is therefore intertwined in very dense ways with the popular imagination of identity, nationhood, and national ideals. Another reason for favoring this approach is the availability of direct information on popular conceptions of the proposed monument. These conceptions were recorded in a series of letters written by ordinary people to Miss Fatima Jinnah, the sister of Mohammed Ali Jinnah, and by most accounts the protector of his idealistic legacy. This mode of inquiry raises a number of theoretical issues. One is the articulation in these correspondences, of the appropriation of the ideal of. the monument in a moment before it is built. It problemitizes the entanglement of the monument with what de Certeau calls 'strategies of power' and 'tactics of below' by illuminating facets of the nature of each. Behind this lies a fundamental question. How does one gain access to and think about a modern monument in order to be able to understand its nature and to narrate its story? I use content of these letters to approach this question.
by Shundana Yusaf.
S.M.
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Falkenäng, Pär. "Skolan; ett monument." Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-208200.
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Skolan; ett monument Några av de ursprungliga byggnaderna i Slakthusområdet, ritade av Gustaf Wickman, ska i programmet omvandlas till gymnasieskolor och få ett kompletterande och samlande tillägg i form av ett lärocenter. Ett lärocenter som blandar läromiljöer med mer publikt inriktade funktioner så som bibliotek, servering och en blackbox för de omkringliggande gymnasieskolorna och området. I mitt projekt har min utgångspunkt varit skolans status och funktion i samhället. En status som under skolans historia har präglats av dess funktion av att vara en viktig grundpelare och förutsättning för ett fungerande demokratiskt samhälle. Själva skolbyggnaden har i en historisk kontext ofta varit en materiell manifestation för att tydliggöra och i viss mån reproducera den status som var/är kopplad till skolan som institution. Skolbyggnaden tilläts ta plats fungerade och fungerar på flera sätt som ett monument. Skolbyggnaden tilläts ta plats i fysiskt bemärkelse men också i en aspekt av tid genom att i sin gestaltning och materialval bli en beständig del i sin kontext. Med begreppet status och kopplingen till skolan som utgångspunkt har jag valt att låta mitt projekt förhålla sig till sammanhängande och sammankopplade begrepp så som makt, hierarki, kunskap, monument (minnesmärke), landmärke, objekt och centrum mfl. Syftet med begreppen har varit att undersöka hur de kan hjälpa mig att skapa en byggnad som manifesterar sitt egna tänka värde och som tydligt avläses som en huvudbyggnad som hierarkiskt överordnar sig de omkringliggande gymnasieskolorna. Jag har i min process låtit symboler, bilder och arkitekturhistoriska referenser påverka utformningen och gestaltningen av mitt lärocenter. Det har handlat om att låta en del av programmets funktioner referera på ett mer eller mindre tydligt sätt till klassiska element som bland annat amfiteatern, agoran och monumentet. Det har också handlat om att låta sig styras och påverkas av resultaten från bildsökningar av de begrepp som jag har valt att förhålla mig till. Mitt lärocenter är en byggnad som präglas av en monolitisk karaktär och placerar sig som en huvudbyggnad runt parken Fållan. Genom att plocka upp material och former från den ursprungliga byggnationen i området blir min byggnad ett med platsen.The School Building; a Monument Some of the original buildings in the so called Slakthusområdet south of Stockholm, designed by Gustaf Wickman, will be transformed into upper secondary schools and receive a complementary and collective supplement in the form of a learning center. A learning center that mixes learning environments with more publicly oriented functions such as library, dining and a black box for the surrounding upper secondary schools and the area. In my project, my starting point has been the school’s status and function in society. A status that historically has been high due to the schools function of being an important pillar for a functioning democratic society. The school building itself has in a historical context often been a material manifestation to clarify and to some extent reproduce the status that was/is linked to the school as an institution. The school building was allowed to take up space and in the same time function and serve as a monument. The school building was allowed to take up space in a physical sense but also in an aspect of time by becoming a permanent part of its context in its form and choice of material. With the concept of status and connection to school as a starting point, I have chosen to let my project relate to coherent and interlinked concepts such as power, hierarchy, knowledge, monument, landmark, object and center, etc. The purpose of the concepts has been to explore how they can help me create a building that manifests its own perceptual value and is clearly read as a main building that is hierarchically superior to the surrounding schools. I have in my process let symbols, pictures and architectural references affect the design and the shape of my learning center. I have let some of the features of the program refer more or less obviously to classical elements such as the amphitheater, the agora and the monument. I have also allowed myself of being guided and influenced by the results of image searches of the concepts I have chosen to relate to. My learning center is a building of a monolithic character and places itself as a main building around the park called Fållan. By using materials and shapes that refers to the original buildings in the area, my building becomes one with its location.
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Onderdonk, John A. "Monument of Travel." Thesis, Virginia Polytechnic Institute and State University, 1995. http://hdl.handle.net/10919/53407.
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Let's go up. Yeah, but it's raining. I know, let's just go. Well, we'll meet you up there.
"Therefore we travel not like messengers but like travelers. We do not think only about the departure and the arrival but also the interval separating them. The trip itself is a pleasure for us." Rousseau Emile, Book V
Convenience is tough on architecture. Most Americans have no time for architecture. Necessity has been diluted by today’s 24-hour, car fax, tummysizing, books-on-tape life-style. It is through a lack of convenience that one can see what is important and appreciate it.
“Primitive” forms, stone circles, mounds, and roads are generators of my projects; not in the sense of an homage or reference, but more in the sense of “that was the image I held in mind.” They try to produce some of the same feeling or presence. Few elements, simple forms, no clutter; I try to achieve clarity and control in the design of the object. Buildings to me are objects.
The ruins of Italy, Hadrian’s Villa and the Foro Romano were inspiring in their formal nature and in the presentation. To see a building as a ruin, to see the building as a section or as a plan, and to experience the generation of the architecture really started to define the basis of architecture.
In the Ticino region of Switzerland, these ideas were present in a different culture, specifically Galfetti’s Castelgrande project, as well as the existing castle. The region’s architecture made it possible to see what was important personally in architecture: the craft, the materials, and the sense of place.Master of Architecture
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Lee, Haeng-Soon. "Monument, espacement, aménagement." Paris 1, 2005. http://www.theses.fr/2005PA010505.
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Mon voyage commence au moment même où ma main glisse et s'enfonce dans le bloc d'argile, par-delà le temps, par-delà l'endroit où je suis à ce moment précis. De temps à autre, les sensations que me transmet la terre à travers mes mains, provoquent des arrêts sur le parcours et je savoure ces haltes momentanées qui ne sont pas des endroits et des moments quelconques mais des sortes de fragments de mémoire constitués de souvenirs riches de lumière, de teintes, de chaleur, de silence, de joie et de tristesse, de visages et de noms. . . Je me laisse imprégner de toutes les sensations qui m'enveloppent et me promènent, comme si j'étais en quelque sorte, visitée et revisitée sans cesse. Mais chaque aller, chaque retour, chaque visite diffèrent. Chaque aller est un nouveau retour, chaque retour est un nouvel aller. Sans me prévenir, mes paumes et le bout de mes doigts me transportent dans le temps ou dans l'espace plus ou moins proches, plus ou moins lointains. Dès que j'arrache une motte d'argile d'un bloc de terre, une partie de ma mémoire et de mes souvenirs font surface et ce morceau d'argile devient un lieu de mémoire.