Relevant bibliographies by topics / Monuments (Historic), France: Paris

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Monuments (Historic), France: Paris'

Author: Grafiati
Published: 28 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Monuments (Historic), France: Paris"

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Pryce, Huw. "HARRY LONGUEVILLE JONES, FSA, MEDIEVAL PARIS AND THE HERITAGE MEASURES OF THE JULY MONARCHY." Antiquaries Journal 96 (July 25, 2016): 391–414. http://dx.doi.org/10.1017/s000358151600024x.

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This paper explores the hitherto overlooked influence of France on the archaeological interests and approach of Harry Longueville Jones (1806–70), whose best-known contributions to archaeology centred on Wales. Focusing mainly on the period down to his co-founding ofArchaeologia Cambrensis(1846) and the Cambrian Archaeological Association (1847), it analyses Jones’s engagement with both archaeological monuments and heritage measures in France. The discussion assesses the significance of his recording of medieval churches in and around Paris while resident in the city 1835–42, including an unpu
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Wüstenberg, Jenny. "Berlin's Changing Memory Landscape: New Scholarship in German and English." German Politics and Society 24, no. 2 (2006): 82–88. http://dx.doi.org/10.3167/104503006780681911.

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Claus Leggewie and Erik Meyer, “Ein Ort, an den man gerne geht” Das Holocaust-Mahnmal und die deutsche Geschichtspolitik nach 1989 (Munich: Carl Hanser Verlag, 2005)Karen E. Till, The New Berlin: Memory, Politics, Place (Minneapolis: University of Minnesota Press, 2005)Peter Carrier, Holocaust Monuments and National Memory Cultures in France and Germany since 1989: The Origins and Political Function of the Vél’ d’Hiv’ in Paris and the Holocaust Monument in Berlin (New York: Berghahn Books, 2005)
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Hallman, Diana R. "Napoleonic Commemoration on the Operatic Stage." French Historical Studies 45, no. 2 (2022): 287–317. http://dx.doi.org/10.1215/00161071-9531996.

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Abstract The retour des cendres, the commemorative return of Napoleon's remains in 1840, represented an important gesture of Napoleonic restoration in the July Monarchy, along with the creation of monuments, paintings, histories, plays, and encomiums to the defeated emperor. The monarchy's commemoration expanded to the stage of the Paris Opéra in 1841 with the appearance of La reine de Chypre, the five-act grand opera by Fromental Halévy and Henri de Saint-Georges, which reverberated with sonic, visual, literary, and political allusions to the Napoleonic legend and overt references to the cere
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Droit, E. "Book Review: Holocaust Monuments and National Memory Cultures in France and Germany since 1989: The Origins and Political Function of the Vel'd'Hiv'in Paris and the Holocaust Monument in Berlin." German History 24, no. 3 (2006): 502–3. http://dx.doi.org/10.1177/026635540602400325.

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Karlsgodt, Elizabeth Campbell. "Holocaust Monuments and National Memory Cultures in France and Germany since 1989: The Origins and Political Function of the Vél d’Hiv’ in Paris and the Holocaust Monument in Berlin." Journal of Cold War Studies 17, no. 3 (2015): 260–62. http://dx.doi.org/10.1162/jcws_r_00592.

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Robson, Kathryn. "Holocaust Monuments and National Memory-Cultures in France and Germany since 1989: The Origins and Political Function of the Vél d'Hiv in Paris and the Holocaust Monument in Berlin." French Studies 60, no. 4 (2006): 556–57. http://dx.doi.org/10.1093/fs/knl099.

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Timbert, Arnaud. "Jacques Thiébaut , Nord Gothique , Picardie, Artois, Flandre, Hainaut , Paris, Picard, collection Les Monuments de la France gothique dir. Anne Prache, 2006, 439 pages. ISBN : 2-7084-0738-4, 59 €." Revue du Nord 375-376, no. 2 (2008): V. http://dx.doi.org/10.3917/rdn.375.0611e.

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Thiébaut, Jacques. "Dany Sandron , Picardie Gothique. Autour de Laon et Soissons. Les édifices religieux , Paris, Picard, 2001, in-8°, 448 p., pl., ill., cartes, plans (les Monuments de la France Gothique)." Revue du Nord 362, no. 4 (2005): XIII. http://dx.doi.org/10.3917/rdn.362.0885m.

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Bruner, M. L. "PETER CARRIER. Holocaust Monuments and National Memory Cultures in France and Germany since 1989: The Origins and Political Function of the Vel'd'Hiv' in Paris and the Holocaust Monument in Berlin. New York: Berghahn Books. 2005. Pp. 267. $60.00." American Historical Review 111, no. 1 (2006): 251–52. http://dx.doi.org/10.1086/ahr.111.1.251.

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Niven, Bill. "Review: Peter Carrier, Holocaust Monuments and National Memory Cultures in France and Germany since 1989: The Origins and Political Function of the Vél' d'Hiv' in Paris and the Holocaust Monument in Berlin, Berghahn: New York, Oxford, 2005; 280 pp., 15 illus.; 9781571819048, $75.00/£45.00 (hbk); 9781845452957, $25.00/£15.00 (pbk)." European History Quarterly 38, no. 4 (2008): 644–45. http://dx.doi.org/10.1177/02656914080380040305.

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Dissertations / Theses on the topic "Monuments (Historic), France: Paris"

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Sniter, Christel. "Les femmes célèbres dans la statuaire publique à Paris (1870-2004) : enjeux politiques et spécificité de la mémoire féminine." Paris 1, 2005. http://www.theses.fr/2005PA010326.

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Intégrées au culte des grands hommes développé à la fin du XIXe siècle, les statues de femmes célèbres tranchent sur les représentations publiques des femmes en politique, comme allégorie, et dans l'espace public, comme corps décoratifs. Elles proposent une image de la femme comme sujet, digne de servir de modèle dans le cadre du processus de socialisation politique, alors même que les femmes doivent attendre 1944 pour devenir citoyennes. Ces projets d'hommages résultent de mobilisations publiques et privées, qui visent à inscrire le monument dans Paris, à représenter la personne honorée sous
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Fiori, Ruth. "La construction d'une conscience patrimoniale parisienne à la fin du XIX siècle : acteurs, pratiques et représentations (1884-1914)." Paris 1, 2009. http://www.theses.fr/2009PA010572.

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Cette histoire de la sauvegarde du patrimoine parisien s’appuie sur l’activité de groupements locaux fondés à Paris entre 1884 et 1914 : la Société des Amis des Monuments parisiens, les sociétés savantes d’arrondissements, la Commission municipale du Vieux Paris. Dans un contexte marqué par l’édification de la ville moderne et ses bouleversements urbains, ces nouveaux acteurs engagent une redéfinition du patrimoine qui révèle, dans ce tournant des XIXe et XXe siècles, une période fondatrice pour la patrimonialisation de la ville. Cette redéfinition, dominée par la valorisation de la notion de
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Rouge-Ducos, Isabelle. "L' Arc de Triomphe de l' Etoile : construction et appropriation d'un lieu patrimonial (1806-1945)." Paris, EPHE, 2006. http://www.theses.fr/2006EPHE4091.

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L'étude de la création et de la réception de l'Arc de l'Etoile permet de démontrer comment ce monument a intégré le patrimoine français. Comment est-il passé du statut de monument napoléonien à l'emblème de la République? L'histoire de sa lente construction, remise en cause du premier Empire à la monarchie de Juillet, révèle la difficulté de chaque régime à hériter de l'Arc. Son iconographie le transforme en manifeste impérial puis royaliste, enfin en monumeny historique de la Révolution et de l'Empire à la gloire de la monarchie institutionnelle. La genèse de l'Arc témoigne du primat de l'arc
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Dujon-Attali, Ben Mayer Caroline. "Notre-Dame de Reims, de Laon et de Paris : étude comparée de la restauration de l'architecture et de la statuaire de 1789 à 1914." Thesis, Reims, 2015. http://www.theses.fr/2015REIML001.

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Dans une démarche scientifique liant la tradition et l'innovation, cette recherche s'inscrit dans la continuité historique, tout d'abord celle de l'histoire culturelle, du patrimoine, initiée par les premiers travaux portant sur les politiques patrimoniales et les administrations responsables: le Conseil supérieur des Beaux-arts et la thèse de Marie-Claude Genet-Delacroix, l'institution des musées et la patrimonialisation étudiées par Dominique Poulot, puis dans la continuité de l'histoire générale de la restauration, avec les travaux de Jean-Michel Léniaud portant sur le service des Edifices
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Bassieres, Laurence. "Un inventaire architectural et urbain pour le premier Grand Paris : le casier archéologique et artistique de Paris et du département de la Seine, 1916-1928." Thesis, Strasbourg, 2016. http://www.theses.fr/2016STRAG009.

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Pas plus que le Grand Paris aujourd’hui en préparation, l’éphémère premier Grand Paris envisagé dans les années 1910-1920 ne parut placer la protection du patrimoine au rang de ses priorités. Pourtant, une tentative en ce sens eut bien lieu. L’ambition d’œuvrer selon des principes que l’on était encore loin d’appeler « urbanisme patrimonial » suscita la création, un demi-siècle avant le vote des lois Malraux, d’un outil d’urbanisme original, le « Casier archéologique et artistique de Paris et du département de la Seine ».L’étude de cet inventaire architectural et urbain, constitué entre 1916 e
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Mazel-Nguyen, Claire. "Les monuments funéraires à Paris (1610-1715)." Paris 10, 2003. http://www.theses.fr/2003PA100093.

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Cette étude repose sur le corpus de l'ensemble des monuments funéraires (120) commandés et placés dans les églises parisiennes entre 1610 et 1715 et s'interroge sur les causes de leur succès durant cette période. La première partie s'attache à l'histoire de la réception et permet d'appréhender les perceptions multiples de cet objet. Dans la deuxième partie, on s'interroge sur les fonctions assignées au monument dans l'église : quel est son rapport avec la dépouille du défunt ? Aide-t-il au salut humain ? Pourquoi l'Eglise, en ces temps de Contre-Réforme, favorise-t-elle un tel art ? La troisiè
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Bernard, René-Paul. "La sculpture funéraire médiévale à Paris (1140-1540)." Paris 4, 2000. http://www.theses.fr/2000PA040028.

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L'étude de la sculpture funéraire médiévale à Paris de 1140 à 1540 permet d'envisager plusieurs aspects de la vie et de la mort de cinq cents individus qui y vécurent et y moururent alors. Leurs tombes et tombeaux nous sont parvenus le plus souvent grâce aux dessins réalisés pour Gaignières qui constituent le corpus le plus important de toute la France médiévale pour une superficie aussi réduite. Les aspects sociaux révèlent les liens familiaux unissant certains de ces personnages et leurs fonctions sociales, administratives et au service du roi le plus souvent. Vêtements et armoiries illustre
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Van, Leeuwen Claire. "Les monuments d'architecture parisiens : pratiques patrimoniales et représentations (1790-1840) : genèse d'une conservation du patrimoine." Paris 1, 2001. http://www.theses.fr/2001PA010562.

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L 'historiographie du patrimoine en Révolution a traditionnellement privilégié l'étude de la conservation des objets, livres et oeuvres d'art, nationalisés en même temps que l'ensemble des biens du clergé. La législation et les institutions mises en place à partir de 1790 ont permis la préservation d'une partie de ces objets, en liaison avec la création muséale. Mais la partie immobilière du patrimoine ecclésiastique est restée le plus souvent en marge de ces efforts pour conserver un patrimoine national en construction, et poser des limites à un iconoclasme officiel condamné à partir de Therm
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Stara, Alexandra. "Lenoir, Quatremère and the hermeneutic significance of the Musée des Monuments français." Thesis, University of Oxford, 2000. http://ora.ox.ac.uk/objects/uuid:ad27bf29-8c6f-4926-949e-2395c9b7099b.

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This thesis proposes an interpretation of the Musée des Monuments français in Paris (1795-1816) in conjunction with Quatremère de Quincy's contemporary writings on the museum in general. The aim of this is twofold: Firstly, to identify and explore the significance of the Musée as an important instance in the history of the modern museum institution; and, secondly, to offer new insight into Quatremère's celebrated critique against the institution in general, and the Musée des Monuments in particular. Through an examination of the Musée's history and its intellectual context, alongside a detaile
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Lenoir-Quintard, Magalie. "Entretenir un monument gothique sous l'Ancien Régime : la Sainte Chapelle du Palais." Paris, EPHE, 2007. http://www.theses.fr/2007EPHE499A.

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Pour un monument aussi lié à l'identité de la monarchie car l'unissant aux relique de la Passion dans une même liturgie , la Sainte Chapelle de Paris se trouve dans un état déconcertant à la fin du XVIIIe siècle: l'édifice et ses décors apparaissent assez dégradés avant la même Révolution. L'étude de l'entretien et des embellissements de la Sainte Chapelle entre la fin du Moyen Age et 1795 a permis de restituer son évolution en insistant sur les principales campagnes de travaux et sur l'entretien au quotidien de l'architecture, du mobilier et des ornements liturgiques. La méthodologie, fondée
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Books on the topic "Monuments (Historic), France: Paris"

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Champollion, Hervé. Monumental Paris. Vendome Press, 2011.

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Camille, Morineau, ed. Monuments de France. Chêne, 1998.

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Camille, Morineau, ed. Monuments de France. Chêne, 1991.

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Williams, Ellen. The historic restaurants of Paris. Little Bookroom, 2001.

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Chicurel, Arnaud. Paris monuments: Splendeurs de la Ville Lumière. Parigramme, 2011.

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Barba-Negra, Paul. Symbolique de Paris: Paris sacré, Paris mythique. Huitième jour, 2004.

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Arnold, Wendy. The historic hotels of Paris: A select guide. Chronicle Books, 1990.

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Arnold, Wendy. The historic hotels of Paris: A select guide. Thames and Hudson, 1990.

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Beaudouin, François. Paris-Seine. Nathan, 1989.

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Malraux, André. La grande pitié des monuments de France: Débats parlementaires, 1960-1968. Presses universitaires du Septentrion, 1998.

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Book chapters on the topic "Monuments (Historic), France: Paris"

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Benhamou, Françoise. "Conserving Historic Monuments in France: A Critique of Official Policies." In Economic Perspectives on Cultural Heritage. Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25824-6_12.

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Wilkie, Simeon, David Farrell, Nicola Lauder, and Ana Paula Arato Goncalves. "Performance Evaluation of Patch Repairs on Historic Concrete Structures (PEPS): Preliminary Results from Two English Case Studies." In RILEM Bookseries. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-39450-8_73.

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AbstractThe development of reinforced concrete through the 20th century has resulted in a wealth of historically and culturally significant concrete structures around the world. However, the durability and deterioration mechanisms of this new material were not well understood and, as a result, many historic reinforced concrete structures require ongoing maintenance and repair. Patch repairs are common during repair campaigns. However, balancing traditional conservation principles, such as minimal intervention and retreatability, with the best practices of contemporary concrete repair and the n
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Sterckx, Marjan. "Women Sculptors and their Male Assistants: a Criticised but Common Practice in France in the long Nineteenth-Century." In L’Invention partagée. Presses universitaires Blaise-Pascal, 2019. https://doi.org/10.4000/141mj.

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The creation process of sculpture always has relied on the use of assistants. However, women sculptors often have faced a double standard. Despite simply following standard sculpting practices, they have commonly been reproached for not being the true authors of their works, as sceptics could hardly believe a woman, due to her slighter physique, could be a sculptor. The multitude of references to such rumours and comments in historic and more recent publications on women sculptors shows that it has been an international and persistent phenomenon. This article takes France, and particularly Par
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Smith, Justin. "6. Occupational Therapy." In The Birds That Wouldn’t Sing. Open Book Publishers, 2024. https://doi.org/10.11647/obp.0430.06.

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With the end of the war in Europe, the principal task of ANCXF became the management of German naval disarmament, alongside its ongoing logistical oversight of the liberated ports whose repair and re-opening were vital to the supply lines of the Allied forces amassed in Europe. Their move from France into Germany, on 15 June 1945, marked the transition from liberation to occupation. It also changed the nature of the Wrens’ work somewhat, and their social and cultural lives considerably. Minden, in Westphalia, became the site of Admiral Burrough’s (Ramsay’s replacement as ANCXF) headquarters in
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Moreira, Isabel. "Abolitionist Icon." In Bathild of Francia. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780197518663.003.0007.

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Abstract This chapter examines the evolution of Balthild’s reputation from royal founder to proto-abolitionist. In the early modern era her convent, Chelles, became an important royal institution at a time when the rise of slave ownership in the colonies worked in parallel with the French myth that there were no slaves in France. Balthild’s life and actions contributed to this myth. After the destruction of the convent of Chelles in the French Revolution, Balthild’s cult and relics survived through the actions of the nuns and priests of Chelles. Under Napoleon her life was given a gothic, roma
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Matsuda, Matt K. "Introduction Histories: The Philosophy of Today." In The Memory Of The Modern. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195093643.003.0001.

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Abstract Memories of the turn of the century: revolutionaries and a bronze colossus at the Place Vendome; a doctor with Europe’s finest collection of brains; a murderer and rapist on the road; a magician and master of illusion; savages on the floor of the stock exchange; a scholar in the world of the ancients; cynical politicians and a woman outraged; in a glittering ballroom, a couple dancing a tango; at the edge of town, a desperate wanderer with a question. Why call these images “memories,” a word so overcharged with meanings and allusions? What follows is after all in some ways a general h
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‘Connor, Thomas O. "The Role of Irish Clerics in Paris University Politics 1730-40." In History of Universities. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198205333.003.0008.

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Abstract Anti-Jansenist Purges and Irish Clerics The debate about grace, which divided the Counter-Reformation Church and pitted Jesuits against Jansenists, would have been a mere affaire de cures had the European ancien regime distinguished theology and politics. This was emphatically not the case. In France, the Gallican church was a monument to the interpenetration of the ecclesiastical and the civil domains. The French king had a particular duty to uphold its privileges and protect true religion.2 In the early eighteenth century it mattered a great deal to Louis XIV that his Gallican churc
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Bradley, Richard, Colin Haselgrove, Marc Vander Linden, and Leo Webley. "Regional Monumental Landscapes (3700–2500 BC)." In The Later Prehistory of North-West Europe. Oxford University Press, 2015. http://dx.doi.org/10.1093/oso/9780199659777.003.0008.

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By about 3700 BC every region of the study area had been settled by farmers (Fig. 3.1), although there must have been local differences between the areas that were colonized by immigrants and those where the indigenous population had changed its way of life. The expansion of agriculture would extend little further and, when it did so, it would be mainly a feature of Fennoscandia. In some of the regions discussed here farming had already been practiced for between a thousand and fifteen hundred years. That was certainly true in the Rhineland, the southern Netherlands, and parts of France, but i
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Conner, Thomas H. "The American Battle Monuments Commission and World War II, 1939–1945." In War and Remembrance. University Press of Kentucky, 2018. http://dx.doi.org/10.5810/kentucky/9780813176314.003.0006.

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This chapter discusses the measures taken in order to secure the safety of the American memorials and the employees who tended them during the Second World War. Concern over the spreading war and growing hardship culminated in the evacuation of all the American employees of the commission, along with their dependents, from France and Belgium in 1941. Surprisingly, the monuments only suffered minor damage during the war. This chapter also highlights the efforts of army captain Charles G. Holle and Colonel T. Bentley Mott, the last two Americans to lead the Paris office of the ABMC before the Un
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McCarren, Felicia. "Veil, Flower, and Dagger." In One Dead at the Paris Opera Ballet. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190061814.003.0001.

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In May 2018, a Chechen-born Frenchman killed one and injured several people in a knife attack near the Opera. A scene anticipated in the ballet La Source? In four historic performances, over 150 years, this book explores the sacrifice of an embodied Nature to the ballet’s contemporary cosmopolitics. The original ballet, via its natural history, reflected on the history of difference within France as well as the question of “force” or regeneration of the “race.” By 1875, La Source revealed the colonial stakes of national technologies, ethnic tensions and competition for resources, racialized an
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Conference papers on the topic "Monuments (Historic), France: Paris"

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Zammit, Sarah-Jane. "Notre-Dame as the Memory of Paris: Hugo, the Historical Novel and Conservation." In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2023. http://dx.doi.org/10.55939/a5050pxtvl.

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Controversies surrounding the restoration and representation of the narrative and memory of Notre-Dame de Paris are not new. The latest debates remind us that the building has been at the centre of conservation controversies since the nineteenth century. But why is Notre-Dame de Paris central to these debates? The answer appears to lie in its function as a mnemonic device for Paris and the French nation. This paper focuses on the four literary pieces published by Victor Hugo in the period between 1823 and 1832 – ‘Le Bande Noir’ (‘The Black Band’), ‘Note sur la Destruction des Monuments en Fran
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Ponce Gregorio, Pedro. "La forme du temps à Moscou." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.582.

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Resumen: Sería el 2 de septiembre de 1931, mediante carta privada remitida por un tal B. Breslow en calidad de Representante Comercial de la URSS en Francia, cuando Le Corbusier recibe la invitación a participar en el concurso del que sería para muchos el edificio esencial del país, el Palacio de los Soviets de Moscú. Un edificio que en consecuencia, además de encarnar la voluntad de las masas trabajadoras rusas, debía convertirse de manera análoga, allí donde ya se hallaba construida la catedral de El Salvador, en el monumento artístico-arquitectónico de la todavía maltrecha capital soviética
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Doroz-Turek, M., and M. Barański. "After a Great Fire. The Problem of Roof Recovery in Historic Buildings." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0544.

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<p>The great fire of the Notre Dame Cathedral in Paris pointed public interest to the conservation issues. General expectation is to reconstruct the roof as wooden structure. Final decision will be undertaken by French architectural conservation experts, who analyses a state of preservation of affected by fire the upper parts of the building. Great fires and wars caused numerous destruction of these important historic monuments. Since the XIX century we have plenty roof reconstruction completed as an iron, a steel, or a reinforced concrete structures. Modern concept of historic conservat
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Alayón González, José Javier, Mariolly Dávila Cordido, and Odart Graterol Prado. "Reconstrucción de una pirámide borrada. Análisis de la Capilla Mortuoria encargada por Lucie Delgado-Chalbaud en Caracas, Venezuela, 1951." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1081.

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Resumen: Este trabajo analiza, por diversos medios, el proyecto de la capilla mortuoria con dos tumbas para el expresidente militar Carlos Delgado-Chalbaud y su padre. El encargo, no realizado, fue el único que, tras varias tentativas, pudo ejecutarse en Caracas, Venezuela. Le Corbusier archivó este proyecto como un “Monument”, y dentro de su trayectoria solo estuvo precedido por otro de carácter funerario dedicado al Mariscal F. Foch en la Porte Maillot de París y, posteriormente, diseñará su propia tumba en Cap Martin. Esto convierte al proyecto de Caracas, prácticamente desconocido, en un c
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