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Journal articles on the topic 'Monuments (Historic), France: Paris'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Pryce, Huw. "HARRY LONGUEVILLE JONES, FSA, MEDIEVAL PARIS AND THE HERITAGE MEASURES OF THE JULY MONARCHY." Antiquaries Journal 96 (July 25, 2016): 391–414. http://dx.doi.org/10.1017/s000358151600024x.

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This paper explores the hitherto overlooked influence of France on the archaeological interests and approach of Harry Longueville Jones (1806–70), whose best-known contributions to archaeology centred on Wales. Focusing mainly on the period down to his co-founding ofArchaeologia Cambrensis(1846) and the Cambrian Archaeological Association (1847), it analyses Jones’s engagement with both archaeological monuments and heritage measures in France. The discussion assesses the significance of his recording of medieval churches in and around Paris while resident in the city 1835–42, including an unpu

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Wüstenberg, Jenny. "Berlin's Changing Memory Landscape: New Scholarship in German and English." German Politics and Society 24, no. 2 (2006): 82–88. http://dx.doi.org/10.3167/104503006780681911.

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Claus Leggewie and Erik Meyer, “Ein Ort, an den man gerne geht” Das Holocaust-Mahnmal und die deutsche Geschichtspolitik nach 1989 (Munich: Carl Hanser Verlag, 2005)Karen E. Till, The New Berlin: Memory, Politics, Place (Minneapolis: University of Minnesota Press, 2005)Peter Carrier, Holocaust Monuments and National Memory Cultures in France and Germany since 1989: The Origins and Political Function of the Vél’ d’Hiv’ in Paris and the Holocaust Monument in Berlin (New York: Berghahn Books, 2005)

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Hallman, Diana R. "Napoleonic Commemoration on the Operatic Stage." French Historical Studies 45, no. 2 (2022): 287–317. http://dx.doi.org/10.1215/00161071-9531996.

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Abstract The retour des cendres, the commemorative return of Napoleon's remains in 1840, represented an important gesture of Napoleonic restoration in the July Monarchy, along with the creation of monuments, paintings, histories, plays, and encomiums to the defeated emperor. The monarchy's commemoration expanded to the stage of the Paris Opéra in 1841 with the appearance of La reine de Chypre, the five-act grand opera by Fromental Halévy and Henri de Saint-Georges, which reverberated with sonic, visual, literary, and political allusions to the Napoleonic legend and overt references to the cere

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Droit, E. "Book Review: Holocaust Monuments and National Memory Cultures in France and Germany since 1989: The Origins and Political Function of the Vel'd'Hiv'in Paris and the Holocaust Monument in Berlin." German History 24, no. 3 (2006): 502–3. http://dx.doi.org/10.1177/026635540602400325.

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Karlsgodt, Elizabeth Campbell. "Holocaust Monuments and National Memory Cultures in France and Germany since 1989: The Origins and Political Function of the Vél d’Hiv’ in Paris and the Holocaust Monument in Berlin." Journal of Cold War Studies 17, no. 3 (2015): 260–62. http://dx.doi.org/10.1162/jcws_r_00592.

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Robson, Kathryn. "Holocaust Monuments and National Memory-Cultures in France and Germany since 1989: The Origins and Political Function of the Vél d'Hiv in Paris and the Holocaust Monument in Berlin." French Studies 60, no. 4 (2006): 556–57. http://dx.doi.org/10.1093/fs/knl099.

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Timbert, Arnaud. "Jacques Thiébaut , Nord Gothique , Picardie, Artois, Flandre, Hainaut , Paris, Picard, collection Les Monuments de la France gothique dir. Anne Prache, 2006, 439 pages. ISBN : 2-7084-0738-4, 59 €." Revue du Nord 375-376, no. 2 (2008): V. http://dx.doi.org/10.3917/rdn.375.0611e.

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Thiébaut, Jacques. "Dany Sandron , Picardie Gothique. Autour de Laon et Soissons. Les édifices religieux , Paris, Picard, 2001, in-8°, 448 p., pl., ill., cartes, plans (les Monuments de la France Gothique)." Revue du Nord 362, no. 4 (2005): XIII. http://dx.doi.org/10.3917/rdn.362.0885m.

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Bruner, M. L. "PETER CARRIER. Holocaust Monuments and National Memory Cultures in France and Germany since 1989: The Origins and Political Function of the Vel'd'Hiv' in Paris and the Holocaust Monument in Berlin. New York: Berghahn Books. 2005. Pp. 267. $60.00." American Historical Review 111, no. 1 (2006): 251–52. http://dx.doi.org/10.1086/ahr.111.1.251.

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Niven, Bill. "Review: Peter Carrier, Holocaust Monuments and National Memory Cultures in France and Germany since 1989: The Origins and Political Function of the Vél' d'Hiv' in Paris and the Holocaust Monument in Berlin, Berghahn: New York, Oxford, 2005; 280 pp., 15 illus.; 9781571819048, $75.00/£45.00 (hbk); 9781845452957, $25.00/£15.00 (pbk)." European History Quarterly 38, no. 4 (2008): 644–45. http://dx.doi.org/10.1177/02656914080380040305.

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Rogers, Susan Carol. "Domestiquer l'histoire: Ethnologie des monuments historiques. Edited by Daniel Fabre. Texts collected by, Claudie Voisenat. Mission du Patrimoine Ethnologique, Collection Ethnologie de la France, volume 15. Paris: Editions de la Maison des sciences de l'homme, 2000. Pp. x+222. Fr 130." Journal of Modern History 74, no. 4 (2002): 871–74. http://dx.doi.org/10.1086/376239.

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12

Krasnoff, Lindsay Sarah. "An American in Paris." French Politics, Culture & Society 42, no. 2 (2024): 99–115. https://doi.org/10.3167/fpcs.2024.420205.

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Abstract This reflection on sports diplomacy at the XXXIII Olympiad is a series of snapshots focused through the Franco-American lens and the basketball prism. Paris 2024 illuminated French sports diplomacy, and while the 5x5 men's and women's basketball tournaments shined—notably at the historic United States vs. France gold medal matches—it was about much more than what happened on the hardcourt. Throughout the summer, France communicated, represented, and negotiated about itself. Activation of the French diplomatic network in service of sport empowered ever-closer relationships, including w

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Koehl, M., and F. Roussel. "Procedural modelling for reconstruction of historic monuments." ISPRS Annals of Photogrammetry, Remote Sensing and Spatial Information Sciences II-5/W3 (August 11, 2015): 137–44. http://dx.doi.org/10.5194/isprsannals-ii-5-w3-137-2015.

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The reconstruction of historic or archaeological monuments bases on the architectural knowledge of the architects and the archaeologists. For the 3D modelling, we can use several technologies as the meshing of point clouds, reconstruction by geometrical primitives and more often the completely manual reconstruction based on a geometry measured on the field. The procedural methods of modelling also allow to build, even to reconstruct historic buildings. They are very effective when several primitives are repeated in regular structures. In this paper, we tested the efficiency of a procedural mod

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Naeem, Anila. "17th ICOMOS General Assembly, Paris, France." International Journal of Cultural Property 19, no. 4 (2012): 545–47. http://dx.doi.org/10.1017/s094073911200032x.

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The 17th General Assembly of the International Council on Monuments and Sites (ICOMOS) took place at the UNESCO Headquarters, Paris (France), from 27 November to 2 December 2011, under the high patronage of Irina Bokova, Director General of UNESCO, and Nicolas Sarkozy, President of the French Republic. The events included meetings of the Advisory and Executive Committees, the Scientific Council, International Scientific Committees (ISCs); the Scientific Symposium; and the General Assembly. According to the ICOMOS official report, this conference had a record attendance of 1200 registered parti

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Galili, Anna Jörngården. "Black Lives Matter in Paris 1771 and 2021." Representations 167, no. 1 (2024): 127–54. http://dx.doi.org/10.1525/rep.2024.167.5.127.

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This article reads the contemporary monument conflicts connected to the Black Lives Matter movement in France alongside the erection and destruction of fictional monuments in a bestselling utopian novel from three centuries ago: Louis-Sébastien Mercier’s L’An deux mille quatre cent quarante: Rêve s’il en fût jamais (1771). The article throws light on how contemporary BLM interventions in the cityscape respond to still unresolved issues regarding the meaning of liberté, egalité, and fraternité in relation to colonialism, nationalism, and race; examines the discursive mechanisms behind the histo

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TORIUMI, Motoki, Masahiro MURAKAMI, Osamu GOTO, and Ryuta OHASHI. "A STUDY ON THE COMPREHENSIVE SECURITY PROGRAM FOR OPENED HISTORIC MONUMENTS IN FRANCE." Journal of Architecture and Planning (Transactions of AIJ) 73, no. 627 (2008): 923–30. http://dx.doi.org/10.3130/aija.73.923.

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Houbart, Claudine. "La charte de Venise en France : acteurs, réception, interprétations (1957-1976)." Apuntes. Revista de estudios sobre patrimonio cultural 30, no. 2 (2017): 72–89. http://dx.doi.org/10.11144/javeriana.apc30-2.cvfa.

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Rédigée en 1964 et adoptée un an plus tard par le Conseil international des Monuments et des sites, qui en assurera la diffusion, la Charte de Venise reste aujourd’hui un document largement utilisé dans les milieux patrimoniaux. Cet article, qui se base principalement sur un dépouillement de la revue Les Monuments historiques de la France, complété de la consultation ponctuelle d’archives, s’attache à identifier la nature et la spécificité de l’apport français dans la rédaction et l’interprétation du document, durant la période allant du premier Congrès des architectes et techniciens des mon

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TORIUMI, Motoki, Osamu GOTO, Masahiro MURAKAMI, Ryuta OHASHI, and Ai SEKIZAWA. "A STUDY ON THE CRIME AND DISASTER PREVENTION MEASURES FOR HISTORIC MONUMENTS IN FRANCE." Journal of Architecture and Planning (Transactions of AIJ) 74, no. 646 (2009): 2731–37. http://dx.doi.org/10.3130/aija.74.2731.

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FILIPOVICH, JEAN. "DESTINED TO FAIL: FORCED SETTLEMENT AT THE OFFICE DU NIGER, 1926–45." Journal of African History 42, no. 2 (2001): 239–60. http://dx.doi.org/10.1017/s0021853701007824.

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Mali's Office du Niger was conceived on a monumental scale to produce cotton for the French textile industry after the First World War. Undaunted by the conspicuous absence of both manpower and a viable crop, Émile Bélime, the scheme's originator and presiding genius, believed colonial authorities could compel people from all over French West Africa to settle there. Under pressure from Paris, local administrators became his recruiting agents, forcibly resettling some 30,000 Africans by 1945, when the colonial ministry privately declared the scheme an unqualified failure. In 1960, France recycl

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Athanasiadou. "Historic Gardens and Parks Worldwide and in Greece: Principles of Acknowledgement, Conservation, Restoration and Management." Heritage 2, no. 4 (2019): 2678–90. http://dx.doi.org/10.3390/heritage2040165.

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The International Council on Monuments and Sites (ICOMOS) Florence Charter 1981 on Historic Gardens sets the first guidelines for the definition of a historic garden, in which sites such as large parks, whether formal or landscape, are included. Since then, there is a continuous effort worldwide on issues of historic garden acknowledgement, conservation, restoration and management. Countries with garden and park tradition, such as the U.K., USA, France and others, have several sites registered and protected. Furthermore, historic garden and park associations exist in Italy, Spain and Portugal,

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EGUCHI, Kumi. "STUDY ON THE DISCUSSION ABOUT THE HISTORIC MONUMENTS BY THE COMMISSION OF THE OLD PARIS." Journal of Architecture and Planning (Transactions of AIJ) 76, no. 661 (2011): 635–42. http://dx.doi.org/10.3130/aija.76.635.

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22

Murphy, Kevin D. "The Villa Savoye and the Modernist Historic Monument." Journal of the Society of Architectural Historians 61, no. 1 (2002): 68–89. http://dx.doi.org/10.2307/991812.

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This article argues that the debate over the fate of Le Corbusier's Villa Savoye (1928-1931) in Poissy, France-which was in derelict condition by the 1950s-occasioned an international reconsideration of the architect's work as well as a reconsideration of the French architectural patrimony. The author argues that, while the house has been discussed since the time of its completion in largely formal terms, more recent scholarship has opened up the debate on the material circumstances of its construction and the ideological implications of its design. As part of this new perspective, it is impor

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Bruce, Scott G. "Die Geschichte vom Leben des Johannes von Gorze. Ed. and trans. by Peter Christian Jacobsen. Monumenta Germaniae Historica: Scriptores rerum Germanicarum in usum scholarum separatim editi 81. Wiesbaden: Harrassowitz Verlag, 2015, vii, 629 pp." Mediaevistik 31, no. 1 (2018): 367–68. http://dx.doi.org/10.3726/med012018_367.

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The History of the Life of John, Abbot of the Monastery of Gorze (Hystoria de vita domni Iohannis Gorzie coenobii abbatis) is one of the most important and yet enigmatic saints’ lives from the tenth century. Written in the decades around 1000 by a monk named John of St. Arnulf, this unusual work of hagiography was by no means a best-seller. It survives in a single manuscript (Paris, Bibliothèque nationale de France, Latin 13766) and seems to be incomplete, as the text breaks off rather abruptly and includes no account of John’s abbacy or his death. Even so, it has attracted considerable intere

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Shimano, Satoshi, Shimpei F. Hiruta, Daniel Isaac Sánchez-Chávez, and Tobias Pfingstl. "Coastal mites (Oribatida, Ameronothridae) found far from the coast in moss growing on the Cathédrale Notre-Dame de Paris, France, fifty years after their first discovery in this historic site." Zootaxa 5556, no. 1 (2024): 62–71. https://doi.org/10.11646/zootaxa.5556.1.6.

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Shimano, Satoshi, Hiruta, Shimpei F., Sánchez-Chávez, Daniel Isaac, Pfingstl, Tobias (2024): Coastal mites (Oribatida, Ameronothridae) found far from the coast in moss growing on the Cathédrale Notre-Dame de Paris, France, fifty years after their first discovery in this historic site. Zootaxa 5556 (1): 62-71, DOI: 10.11646/zootaxa.5556.1.6, URL: https://doi.org/10.11646/zootaxa.5556.1.6

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Julien, Elise. "Paris und Berlin nach dem Ersten Weltkrieg: Eine symbolische Nationalisierung der Hauptstädte?" Militaergeschichtliche Zeitschrift 73, no. 1 (2014): 51–88. http://dx.doi.org/10.1515/mgzs-2014-0003.

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Abstract At the end of the First World War, the memories of the conflict which developed in France and Germany diverged widely. However, Paris and Berlin were something else than just a genuine reflection of their respective national context; their status as capital cities gave them common characteristics. Therefore some similar phenomena appear. On the one hand, those cities may offer a national backing to particular memories, which was especially sought. On the other hand, the concentration of marks of memory in those cities tended to consolidate them in an always more exclusively national r

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Kuśnierz-Krupa, Dominika. "Provins as an example of a “live museum”." E3S Web of Conferences 49 (2018): 00065. http://dx.doi.org/10.1051/e3sconf/20184900065.

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The article concerns the history, revalorisation and accessibility of the cultural heritage in the historic town of Provins, located to the southwest of Paris. The town was founded in the early medieval period, and in the 12th and 13th century it was one of the most prominent fair towns in Champagne. Many valuable monuments of that period have survived until the present time, such as the urban layout, the defensive walls, the Cesar tower supposedly relating to the legendary origins of the town dating back to the Roman period, churches and relics of residential buildings. In 2001, the above men

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Gaudelus, Sébastien, Martine Poulain, and Lucile Trunel. "The renovation of the Richelieu building: a future centre for art researchers in Paris." Art Libraries Journal 36, no. 1 (2011): 11–16. http://dx.doi.org/10.1017/s0307472200016734.

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The historic site of the French national library is currently being renovated in order to become a major centre for art documentation and special collections. It will incorporate three separate institutions: the specialist departments of the Bibliothèque nationale de France, the library of the Institut national d’histoire de l’art, and the library of the Ecole nationale des Chartes. Completion of the project is scheduled for 2017.

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Wilkie, Simeon, Jean Ducasse-Lapeyrusse, Ana Paula Arato Gonçalves, et al. "Performance evaluation of patch repairs on historic concrete structures (PEPS): a methodology for in situ and laboratory analyses." MATEC Web of Conferences 361 (2022): 04002. http://dx.doi.org/10.1051/matecconf/202236104002.

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While there have been many studies on the performance criteria of concrete patch repairs, there are few specific studies on the long-term performance of patch repairs designed to preserve the aesthetic significance of the original fabric of culturally significant concrete structures. In order to address this issue, the Getty Conservation Institute (GCI), Historic England (HE) and the Laboratoire de Recherche des Monuments Historiques (LRMH) commenced work on an international collaborative research project, ‘Performance Evaluation of Patch Repairs on Historic Concrete Structures’ (PEPS). Begun

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Wilkie, Simeon, Ana Paula Arato Gonçalves, Paul Gaudette, and Ann Harrer. "Performance evaluation of patch repairs on historic concrete structures (PEPS): preliminary results from an American case study." MATEC Web of Conferences 361 (2022): 04004. http://dx.doi.org/10.1051/matecconf/202236104004.

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While there have been many studies on the performance criteria of concrete patch repairs, there are few specific studies on the long-term performance of patch repairs designed to preserve the aesthetic significance of the original fabric of culturally significant concrete structures. In order to address this issue, the Getty Conservation Institute (GCI), Historic England (HE) and the Laboratoire de Recherche des Monuments Historiques (LRMH) commenced work on an international collaborative research project, ‘Performance Evaluation of Patch Repairs on Historic Concrete Structures’ (PEPS). Begun

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Arato Gonçalves, Ana Paula, Susan Macdonald, Élisabeth Marie-Victoire, Myriam Bouichou, and Chris Wood. "Performance of patch repairs on historic concrete structures: a preliminary assessment." MATEC Web of Conferences 289 (2019): 07001. http://dx.doi.org/10.1051/matecconf/201928907001.

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Carrying out patch repairs to historic concrete buildings and structures needs to be done carefully if their cultural value and significance is to be maintained. This often means repairs using custom designed materials and mixes for compatibility with the original concrete, and with great care paid to good workmanship. But with most repairs, commercial mixes are used which are not compatible with the host concrete but are justified because they adhere well, cure quickly and require limited skills to implement. A research collaboration has been established to test the performance of both approa

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Trévisan, Carine. "«Tous je pourrais les reconnaître et de tous te dire leurs noms...»." Textuel 34/44 56, no. 1 (2008): 167–81. https://doi.org/10.3406/textu.2008.1807.

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L’article porte sur les différentes pratiques de catalogues de noms, plus particulièrement de noms des morts. Il pose, pour hypothèse, que la Première Guerre Mondiale - première guerre où l’on meurt en masse et où, simultanément, un prix de plus en plus grand est accordé à l’individu - a ouvert véritablement l’ère de la liste des noms des morts, et en a fait l’objet d’un culte. Ce culte passe par le souci d’une visibilité de la liste, matérialisée dans des monuments, parfois colossaux, monuments face auxquels on rend régulièrement hommage aux morts. La liste devient le lieu d’une scénographie

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Chennaoui, Youcef. "The Importance of Stakeholder Involvement in Promoting the Cherchell Aqueducts as Tourist Attractions: Current Situation and Prospects." ARCHive-SR 8, no. 2 (2024): 01–11. http://dx.doi.org/10.21625/archive-sr.v8i2.1095.

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The Roman aqueducts in Cherchell, built in the second century AD, are a remarkable engineering achievement that spans over 130 kilometers and has historical significance. Today, the aqueducts have five easily accessible bridges. However, there is a lack of coordination among stakeholders involved in managing the cultural heritage in Cherchell. The 2014 strategic plan aimed to safeguard and enhance archaeological monuments and historic buildings by promoting and advertising the Cherchell aqueducts. The Protection and Enhancement Plan for Archaeological Sites with their protected zones (PPMVSAZP

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Pichon-Meunier, Gaëlle. "L’histoire de la restauration des peintures à la Médiathèque de l’architecture et du patrimoine." Technè 33 (2011): 112–20. http://dx.doi.org/10.4000/12hyc.

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Au sein des archives de la Médiathèque de l’architecture et du patrimoine (MAP) se présentent deux ensembles utiles à l’étude de la restauration des œuvres peintes. D’une part, se trouvent les archives administratives (rapports rédigés par les inspecteurs présentés au cours de la commission des Monuments historiques et les procès-verbaux correspondants, pièces comptables, correspondance entre le conservateur – ex-inspecteur – et le restaurateur), les dossiers de restauration proprement dits et surtout les fonds photographiques.D’autre part, la MAP a entrepris de rassembler les archives d’ateli

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Dias, Nélia. "Dominique Poulot. Une histoire du patrimoine en Occident, xviiie-xxie siècle. Du monument aux valeurs. Paris, Presses universitaires de France, « Le nœud gordien », 2006, 192 p." Annales. Histoire, Sciences Sociales 62, no. 4 (2007): 965–67. http://dx.doi.org/10.1017/s0395264900029346.

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WADA, Yukinobu. "STUDY ON THE PRESERVATION OF AREAS AROUND HISTORIC MONUMENTS IN FRANCE : On the role of architect of French buildings (ABF)." Journal of Architecture and Planning (Transactions of AIJ) 70, no. 596 (2005): 131–38. http://dx.doi.org/10.3130/aija.70.131_4.

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Diaz-Basteris, José, Beatriz Menéndez, Javier Reyes, and Julio C. Sacramento Rivero. "A Selection Method for Restoration Mortars Using Sustainability and Compatibility Criteria." Geosciences 12, no. 10 (2022): 362. http://dx.doi.org/10.3390/geosciences12100362.

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This work proposes sustainability criteria for the selection or design of restoration mortars based on their physical and mechanical properties, durability, price in the French market, and the environmental impact estimated by the global warming potential. A score is assigned to the mortars based on normalized values of their physical and mechanical properties. A total of 24 formulations of restoration mortars were characterized, and their scores were compared. A case study showing the application of the proposed selection method is presented, focused on the restoration of historical monuments

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Gámiz-Gordo, Antonio, Juan Cantizani-Oliva, and Juan Francisco Reinoso-Gordo. "The Mosque-Cathedral of Cordoba: Graphic Analysis of Interior Perspectives by Girault de Prangey around 1839." ISPRS International Journal of Geo-Information 10, no. 3 (2021): 181. http://dx.doi.org/10.3390/ijgi10030181.

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The work of Philibert Girault de Prangey, who was a draughtsman, pioneering photographer and an Islamic architecture scholar, has been the subject of recent exhibitions in his hometown (Langres, 2019), at the Metropolitan Museum (New York, 2019) and at the Musée d’Orsay (Paris, 2020). After visiting Andalusia between 1832 and 1833, Prangey completed the publication “Monuments arabes et moresques de Cordoue, Seville et Grenada” in 1839, based on his own drawings and measurements. For the first time, this research analyses his interior perspectives of the Mosque-Cathedral of Cordoba (Spain). The

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Kōdera, Tsukasa, Tatsuya Saito, Megumi Soda, and Geneviève Aitken. "Introduction." Journal of Japonisme 2, no. 1 (2017): 1–37. http://dx.doi.org/10.1163/24054992-00021p01.

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The exhibition of Japanese prints held at the École des Beaux-Arts in Paris in 1890 is a milestone in the history of Japonisme. Organized by S. Bing in collaboration with a number of Japonistes, the exhibition presented more than 1100 Japanese prints, illustrated books and kakemono. This article reconstructs this historic event in its diverse aspects: clarifying the preparation process, reconstructing the exhibition venue, identifying exhibits, and examining their lenders. All these factors will be placed in a historical context, revealing how meticulously Bing prepared the exhibition and subs

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López-Menchero Bendicho, Víctor Manuel, M. Esther Chávez-Álvarez, M. del Cristo González Marrero, et al. "Nuevas perspectivas en el estudio y documentación de los grabados del Pozo de la Cruz (San Marcial de Rubicón, Yaiza, Lanzarote, España)." Vínculos de Historia Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 12 (June 28, 2023): 192–221. http://dx.doi.org/10.18239/vdh_2023.12.10.

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RESUMENEste trabajo presenta los resultados de la última documentación y estudio de los grabados existentes en el Pozo de la Cruz, que forman parte de las estructuras visibles en el yacimiento arqueológico de San Marcial de Rubicón (Yaiza, Lanzarote, España). Gracias al uso combinado de la fotografía nocturna y de la fotogrametría 3D, y a partir del análisis detallado de dos de sus grabados más singulares, se propone una nueva hipótesis de trabajo que apoya en gran medida la teoría inicial lanzada por sus descubridores a finales de la década de 1980. El objetivo es arrojar luz sobre uno de los

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Le, Bras Gwenaël, Jean-Jacques Geoffroy, Laurent Albenga, and Jean-Paul Mauriès. "The Myriapoda and Onychophora collection (MY) of the Muséum national d'Histoire naturelle (MNHN, Paris)." ZooKeys 518 (August 25, 2015): 139–53. https://doi.org/10.3897/zookeys.518.10223.

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The Myriapoda and Onychophora collection dataset inventories the occurrence records of the collection of myriapods and onychophorans in the Muséum national d'Histoire naturelle, Paris. The dataset currently consists of 202 lots of onychophorans, representing all of those present, and almost ten thousand (9 795) lots of myriapods, representing 33 to 40% of the MNHN Myriapoda collection. This collection, which is of key historic importance, represents the results of two centuries of myriapod and onychophoran studies. The sources of the collection are worldwide, with a high representation for met

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Holyk, Jolana, Nataliia Bagrij, and Ivan Stetsko. "RECONSTRUCTION OF BUILDINGS AS A METHOD OF PRESERVING HISTORICAL BUILDINGS." Urban development and spatial planning, no. 86 (May 31, 2024): 41–56. http://dx.doi.org/10.32347/2076-815x.2024.86.41-56.

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Reconstruction of buildings is an important method of preserving historic buildings, as it allows to combine the preservation of architectural and historical values with the needs of modern life. The preservation of historical and cultural heritage is a key strategic direction for the development of modern cities and a way of self-identification of peoples. Historic buildings, regardless of their functional, constructive and aesthetic qualities, allow us to pass on to future generations the material evidence of the past, the spirit of the era, and the unique atmosphere of cities. Modern urban

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Evans, Stephanie Y. "African American Women Scholars and International Research: Dr. Anna Julia Cooper’s Legacy of Study Abroad." Frontiers: The Interdisciplinary Journal of Study Abroad 18, no. 1 (2009): 77–100. http://dx.doi.org/10.36366/frontiers.v18i1.255.

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In this article, a little-known but detailed history of Black women’s tradition of study abroad is presented. Specifically, the story of Dr. Anna Julia Cooper is situated within the landscape of historic African American students who studied in Japan, Germany, Jamaica, England, Italy, Haiti, India, West Africa, and Thailand, in addition to France. The story of Cooper’s intellectual production is especially intriguing because, at a time when Black women were just beginning to pursue doctorates in the United States, Anna Cooper chose to earn her Ph.D. from the Sorbonne in Paris. In this article,

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Beck, Patrice. "Xavier Barral I Altet (Sous la direction de), Le paysage monumental de la France autour de l'an mil, Paris, Picard, 1987, 797 p., illustrations." Annales. Histoire, Sciences Sociales 45, no. 2 (1990): 456–57. http://dx.doi.org/10.1017/s0395264900064027.

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Murtaza, Hajizada. "PARIS AGREEMENT AND WHY U.S.A WITHDRAWN FROM THE ACCORD." Shanlax International Journal of Arts, Science and Humanities 6, S2 (2019): 70–81. https://doi.org/10.5281/zenodo.2635112.

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<em>The Paris climate agreement, also referred to as the Paris climate accord, Paris climate deal or Paris agreement is a pact sponsored by the United Nations to bring the world’s countries together in the fight against climate change. Countries that sign on to be a part of the pact agreed to limit the century’s global average temperature increase to no more than 2 degrees Celsius (3.6 degrees Fahrenheit) above the levels from the years 1850-1900 (the pre-industrial era). The agreement also states a more rigid goal of limiting temperature increases to only 1.5 degrees Celsius (2.7

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Ueno, Hiroki. "Adam Smith between the Scottish and French Enlightenments." Dialogue and Universalism 32, no. 1 (2022): 127–46. http://dx.doi.org/10.5840/du20223218.

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This paper discusses Adam Smith’s intellectual relationship with the French Enlightenment, with a particular focus on his view of French culture as conveyed in The Theory of Moral Sentiments (1759). Compared to England at that time, eighteenth-century Scotland is considered as having a closer affiliation with France in terms of their intellectual and cultural life during what has been dubbed the Enlightenment. While David Hume was representative of the affinity between the French and Scottish literati, Smith also held an enduring interest in the French philosophy, literature, and other aspects

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Gentet, Philippe, Tam Le Phuc Do, Jumamurod Farhod Ugli Aralov, Oybek Mirzaevich Narzulloev, Leehwan Hwang, and Seunghyun Lee. "From Google Earth Studio to Hologram: A Pipeline for Architectural Visualization." Applied Sciences 15, no. 11 (2025): 6179. https://doi.org/10.3390/app15116179.

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High-resolution holographic visualization of built environments remains largely inaccessible due to the complexity and technical demands of traditional 3D data acquisition processes. This study proposes a workflow for producing high-quality full-color digital holographic stereograms of architectural landmarks using Google Earth Studio. By leveraging photogrammetrically reconstructed three-dimensional (3D) city models and a controlled camera path, we generated perspective image sequences of two iconic monuments, that is, the Basílica de la Sagrada Família (Barcelona, Spain) and the Arc de Triom

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Paszkowski, Zbigniew W., and Magdalena Balcerzak. "FIRE PROTECTION IN RELIGIOUS MONUMENTS: ON THE EXAMPLE OF NOTRE-DAME DE PARIS AND THE CATHEDRAL OF ST. PETER AND ST. PAUL IN NANTES, FRANCE." Space&FORM 2023, no. 54 (2023): 7–30. http://dx.doi.org/10.21005/pif.2023.54.b-01.

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The cases of the fires of Notre-Dame in Paris and St Peter and St Paul in Nantes present the effects of the gradual neglect of monument conservation and their impact on a decrease in safety. The causes and consequences of the fires were described. Differences in the methods of technical protection and reconstruction after a fire have been specified. It was reported that in the Cathedral in Nantes, the wooden truss was replaced with a concrete one, whereas in Notre-Dame the original truss will be recreated. The need to select fire protection and reconstruction methods on a case-bycase basis and

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Coombs, Bryony. "The tapestries of St Anatoile (1502–1506): Burgundian perceptions of a ‘Scottish’ saint and the royal house of Scotland at the turn of the sixteenth century." Innes Review 70, no. 1 (2019): 1–35. http://dx.doi.org/10.3366/inr.2019.0200.

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The town of Salins-les-Bains, France, is renowned for its historic salt-works. During the period 1502–1506 the canons of the collegiate church there commissioned an extraordinary series of fourteen tapestries commemorating the life and miracles of Saint Anatoile. Three of the tapestries are preserved in Paris at the Musée du Louvre, and documents survive recording the original programme of all fourteen tapestries. Of great interest is the stress laid on the Scottish origin of Saint Anatoile, who is described in the tapestries as ‘fils du roi d'Escoce’ (‘son of the king of Scotland’). The impor

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Oluwole, Ajayi. "Beauty and Limitations of Museums as Tools for Social and Cultural Reawakening in Nigeria." Àgídìgbo: ABUAD Journal of the Humanities 7, no. 1 (2019): 9–16. http://dx.doi.org/10.53982/agidigbo.2019.0701.02-j.

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Museum has been described as a powerful cultural centre for the community, a powerful institution which has a lot to add to the development of any nation. It is man-made feature that exists to converse historic collections and commemorate past events for tourists consumption (youell, 1998). Examples of these are louvre Museum in paris, France; Esie national Museum and Ife National Museum (both in Nigeria). As a tourist attraction, it has a lot to do in promoting and ensuring sustainable tourism. It is a common feature in developed countries where several of them may be found in one town no mat

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de Staël, Joséphine. "Training models in Parisian fine jewellery education." Craft Research 14, no. 1 (2023): 9–30. http://dx.doi.org/10.1386/crre_00092_1.

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The Haute Ecole de Joaillerie (HEJ) is the oldest jewellery school in France and lies at the heart of the institution of Parisian fine jewellery. This article examines the use of training models at the HEJ for transmitting technical and spatial expertise, resulting in fine jewellery knowledge that is standardized, evaluated and differentiated on a national and local scale. It reveals how these models connect students with the historic roots of the jewellery industry in Paris, namely the pre-modern craft guilds of goldsmiths, and also with the jewellery houses of the Place Vendôme, which emerge

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