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Journal articles on the topic 'Monuments italiens'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Tribouillard, Stéphanie. "Tombeaux « réels », tombeaux fictionnels, tombeau poétique : statut, fonctions et déclinaisons du monument funéraire dans Corinne ou l’Italie." Elseneur 23 (2008): 55–78. https://doi.org/10.4000/13p19.

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Dans Corinne ou l’Italie, roman-voyage qui est aussi l’histoire d’une passion malheureuse, la lecture des monuments, et parmi eux des tombeaux romains, napolitains puis florentins, se trouve déterminée par le trajet sentimental des personnages. Tombeaux réels de l’espace italien et tombeaux fictionnels s’entremêlent : le tombeau du père d’Oswald informe l’arrivée endeuillée à Rome du fils bourrelé de remords. Source d’une consolation esthétique et poétique, incarnation d’une continuité multiséculaire, les tombeaux romains sont la quintessence du monument pour la poétesse Corinne. Le tombeau ca

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Caponigri, Felicia. "Malleable monuments and comparative cultural property law: The Balbo monument between the United States and Italy." International Journal of Constitutional Law 19, no. 5 (2021): 1710–37. http://dx.doi.org/10.1093/icon/moab136.

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Abstract Still standing in situ today, the Balbo monument in Chicago has presented an especially monumental challenge for the Chicago community, including members of the Italian American community in Chicago. This article considers the laws which regulate cultural heritage in the separate territories of Italy and the United States, cultural property law and historic preservation law, respectively, in light of archival research on the behind-the-scenes maneuvers of the Balbo monument’s installation. In certain circumstances, historic property is not the same as cultural property, even though hi

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3

Bovo, Martine. "Igiaba Scego’s Roma negata: The ethical nomadism of a second generation migrant writer." Letras de Hoje 54, no. 4 (2019): 512. http://dx.doi.org/10.15448/1984-7726.2019.4.33259.

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Igiaba Scego (Rome 1974-) appartient à la seconde génération d’auteures italo-somaliennes. L’article se concentre sur son essai Roma negata, Percorsi postcoloniali nella città publié en 2014, et montre que l’itinérance dans la ville de Rome proposée par l’auteure n’a rien d’une simple visite touristique mais relève d’une démarche éthique visant à informer les Italiens de la persistance, encore de nos jours, d’un héritage du colonialisme dans leur sensibilité, et leur vécu quotien. La déambulation de Scego dans Rome s’apparente au nomadisme qui rappelle la culture maternelle, et focalise l’atte

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Chamoux, Par F. "La Cyrénaïque, des origines à 321 a.C., d'après les fouilles et les travaux récents." Libyan Studies 20 (January 1989): 63–70. http://dx.doi.org/10.1017/s0263718900006592.

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En 1953, j'avais exprimé le voeu que les antiquités de la Cyrénaïque, que les archéologues italiens avaient si remarquablement étudiées entre 1912 et 1942, fussent à nouveau l'objet de recherches régulières, dès que les épreuves dues à la guerre auraient été surmontées. Ce voeu a été pleinement exaucé. Dès la fin des hostilités, comme j'avais pu le constater sur place en janvier–février 1946, puis en mai–juin 1947, l'Administration militaire britannique avait pris en charge la sauvegarde des monuments et des sites. L'oeuvre réalisée par les responsables successifs de cette administration, à tr

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Monteiro, Michelli Cristine Scapol. "A América como consagração." Revista de História, no. 178 (July 10, 2019): 1–41. http://dx.doi.org/10.11606/issn.2316-9141.rh.2019.141992.

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Ettore Ximenes (Palermo, 1855/Roma, 1926) foi um escultor italiano de grande notoriedade internacional nas primeiras décadas do século XX. Autor do Monumento à Independência do Brasil, situado em São Paulo, sua maior obra escultórica, Ximenes construiu uma trajetória de grande relevo na América, desde que ganhou o concurso para o Monumento ao General Belgrano, em Buenos Aires, em 1898. Nos Estados Unidos, Ximenes realizou esculturas em homenagem a italianos célebres, como os monumentos a Giovanni da Verrazzano e a Dante Alighieri, encomendados por Carlo Barsotti, editor do jornal Il Progresso

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Vadimovich Griger, Maxim, Enzhe Midhatovna Dusaeva, and Igor Vladimirovich Vostrikov. "CREATING A MEMORY OF A SAINT: FRANCIS OF ASSISI IN ITALIAN MONUMENTAL PROPAGANDA OF THE 19TH-21ST CENTURIES." Humanities & Social Sciences Reviews 7, no. 5 (2019): 663–66. http://dx.doi.org/10.18510/hssr.2019.7578.

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Purpose: This article explores the mechanisms of constructing cultural memory in Italy in the 19th – 21st centuries on the example of the history of the erection of monuments dedicated to St. Francis of Assisi. They are interested only in the monuments placed in urban areas. This way they analyze “appropriation” of St. Francis by secular society. It is explained why this medieval saint became the hero of the national cultural pantheon of united Italy and in 1939 the holy Patron of Fascist Italy. Methodology: We studded the monuments putting them in historical and cultural context, search

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Ramos, Eloisa Helena Capovilla da Luz. "As cidades e seus monumentos: um estudo sobre a imigração italiana em Buenos Aires e Caxias do Sul 1910 - 1954 - 2016." Almanack, no. 17 (December 2017): 224–27. http://dx.doi.org/10.1590/2236-463320171708.

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Resumo O texto faz um estudo sobre dois monumentos à imigração italiana - o Monumento a Cristóvão Colombo, em Buenos Aires/AR e o Monumento Nacional ao Imigrante, em Caxias do Sul/BR, ambos erigidos em espaços urbanos e ligados à presença italiana nestes dois países Sul-americanos. Sendo portadores dessa identidade, os dois monumentos representam não só as comunidades que os ergueram e a sua vontade, mas carregam consigo lembranças e homenagens de quem os doou. Tais monumentos, ao mesmo tempo em que são espaços de memória e lugares de rememoração, pertencem ao patrimônio cultural de seus paíse

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Baldassar, Loretta. "Migration Monuments in Italy and Australia: Contesting Histories and Transforming Identities." Modern Italy 11, no. 1 (2006): 43–62. http://dx.doi.org/10.1080/13532940500492241.

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Rather than focusing on how Italians share the neighbourhood with other groups, this paper examines some of the intra-group processes (i.e. relations between Italians themselves) that produced various monuments to Italian migration in Australia, Brazil and Italy. Through their distinct styles and formulations, the monuments reflect diverse and often competing elaborations of the migrant experience by different generations at local, national and transnational levels. The recent increase in the construction of such monuments in Australia is linked to the gradual disappearance of ‘visibly’ Italia

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Zamparutti, Louise. "The Basovizza monument: Constructing memory and identity." Research in Social Change 11, no. 3 (2019): 25–38. http://dx.doi.org/10.2478/rsc-2019-0013.

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Abstract The Foiba di Basovizza monument in northeast Italy commemorates victims of mass killings instigated by communist partisans at the end of World War II. These killings are known as “foibe” in the Italian literature. This word has come to signify the “ethnic cleansing” of Italians by Yugoslavians, despite evidence indicating that the majority of victims of these killings were from Slovenia and Croatia and that the killings were politically motivated. The Foiba di Basovizza was designated a national monument in Italy in 2007 and the narrative of “ethnic cleansing” it presents has been acc

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Guarrera, Fabio. "El Monumento como instrumento de identidad nacional." Arquitextos, no. 33 (February 17, 2019): 49–60. http://dx.doi.org/10.31381/arquitextos.v0i33.1859.

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Entre 1860 y 1950 la arquitectura italiana tuvo la tarea de construir la imagen moderna de una nación joven. Se les pedía a los arquitectos de apoyar la política para construir, a través de la arquitectura, edificios que transmitieran mensajes de identidad, sociales y colectivos. Este proceso ha sido particularmente fuerte en el período del fascismo (1922-1943), o sea, la época de Benito Mussolini. A través de mensajes fuertes y profundamente unidos a la antigua tradición romana, el fascismo buscaba construir una identidad compartida para garantizar la durac

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Guarrera, Fabio. "monumento como instrumento de identidad nacional." Arquitextos, no. 33 (February 28, 2023): 49–60. http://dx.doi.org/10.31381/arquitextos33.1859.

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Entre 1860 y 1950 la arquitectura italiana tuvo la tarea de construir la imagen moderna de una nación joven. Se les pedía a los arquitectos de apoyar la política para construir, a través de la arquitectura, edificios que transmitieran mensajes de identidad, sociales y colectivos. Este proceso ha sido particularmente fuerte en el período del fascismo (1922-1943), o sea, la época de Benito Mussolini. A través de mensajes fuertes y profundamente unidos a la antigua tradición romana, el fascismo buscaba construir una identidad compartida para garantizar la durac

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Arifi, Arben, and Luan Tetaj. "The Monastery of Deçan and the Attempts to Appropriate It." Journal of International Cooperation and Development 3, no. 2 (2020): 60. http://dx.doi.org/10.36941/jicd-2020-0015.

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The Monastery of Deçan is a monument of cultural heritage in Deçan-Kosova. The monastery was built in the 14th century, and is listed at the UNESCO monuments list. The monastery of Deçan is considered one of the most important cultural and monumental building pertaining to the medieval period in Kosova and in the region in general. The paper deals especially with the historical aspect of its existence as well as its architectonic properties. The architecture of monastery of Deçan is characterized by Byzantine elements, but one can also observe Roman Italian elements in its architecture. The at

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Woldemaram, Hirut. "Linguistic Landscape as standing historical testimony of the struggle against colonization in Ethiopia." Linguistic Landscape. An international journal 2, no. 3 (2016): 275–90. http://dx.doi.org/10.1075/ll.2.3.04wol.

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Ethiopia is Africa’s oldest independent country and its second largest in terms of population. Apart from a five-year occupation by Italy, which is considered as a war time, the country has never been colonized. The Linguistic Landscape (LL) of Addis Ababa, the capital city of Ethiopia and the seat of the African Union, prominently depicts that important history. Erected in the main squares of the city, the various monuments serve as standing testimonies of the struggle, victory and important figures pertaining to Italian fascist invasion of Ethiopia. Moreover, there are different institutions

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Manola, Maria. "Contribution of the Venetian Monuments of Rhodes to Cultural Tourism and the Local Development of the Island." Open Journal for Research in Economics 5, no. 1 (2022): 35–42. http://dx.doi.org/10.32591/coas.ojre.0502.02035m.

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This article examines the contribution of Italian monuments to the local development of the island of Rhodes. It is an island with tradition which is undoubtedly famous for its history as well as for the manners and customs that represent the contribution of culture to local sustainability. This particular island provides rich cultural as well as natural resources that contribute to tourism development. Our theme is connected to the active role played by the cultural heritage created by the Venetians, the Genoese and the Knights and which the Italians preserved, highlighted and utilized in the

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15

Pane, Andrea. "Las raíces de la Carta de Venecia." Loggia, Arquitectura & Restauración, no. 27 (June 17, 2015): 8. http://dx.doi.org/10.4995/loggia.2014.3946.

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<p>El texto ahonda en el contexto de posguerra italiano que generó la redacción de la Carta de Venecia, investigando en la discusión que surgió en torno a los centros históricos italianos, muchos de ellos bombardeados gravemente durante la Segunda Guerra Mundial, cuyo futuro se debatía en aquel entonces entre la protección y la apertura al planeamiento urbano. El artículo revisa el rol desempeñado por los principales promotores de esta carta internacional de protección de monumentos, Piero Gazzola y Roberto Pane, junto con otros protagonistas de la escena italiana e internacional como Ra

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Dragoni, Patrizia, and Antonija Mlikota. "Uništeni talijanski spomenik „Ara ai Caduti Dalmati” u Zadru." Ars Adriatica 8, no. 1 (2018): 179–94. http://dx.doi.org/10.15291/ars.2761.

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The article deals with a monument commemorating the Dalmatian soldiers fallen in World War I, erected in the Croatian coastal city of Zadar in 1928. It was totally destroyed during and demolished after World War II. As a result of joint research in Croatia and Italy, this article presents the project of the Zadar Monument, those who participated in its construction, and the connections between the four Roman imperial sculptures (now located in the Archaeological Museum of Zadar) and the Italian Monument in Zadar, explaining the reason why some of the older citizens in Zadar still refer to this

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Vites, Silvia Maria. "Ripartenza postbellica in due mostre a Roma, in Palazzo Venezia, negli anni 1944 e 1945." ACME 76, no. 1-2 (2024): 7–24. http://dx.doi.org/10.54103/2282-0035/23015.

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Il presente articolo si propone di spiegare il contesto storico-artistico e il significato politico di due esposizioni dell’immediato dopoguerra svolte a Palazzo Venezia, il quartier generale di Mussolini. Esse sono la Mostra dei capolavori della pittura europea (XV-XVII secoli), che ha luogo dall’agosto 1944 al febbraio 1945, e la Mostra d’arte italiana a Palazzo Venezia, inaugurata a maggio e conclusa nell’ottobre 1945. La prima è organizzata e promossa dal Governo Militare Alleato, la seconda dall’Associazione Nazionale per il Restauro dei Monumenti Danneggiati dalla Guerra, fondata e diret

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Frei, Cheryl Jiménez. "Columbus, Juana and the Politics of the Plaza: Battles over Monuments, Memory and Identity in Buenos Aires." Journal of Latin American Studies 51, no. 03 (2019): 607–38. http://dx.doi.org/10.1017/s0022216x18001086.

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AbstractIn 2013, Argentina's then-President Cristina Fernández de Kirchner sparked controversy for her decision to replace a monument of Christopher Columbus in Buenos Aires with one of nineteenth-century mestiza revolutionary Juana Azurduy. This article examines the history and iconography of these monuments, exploring the intersections between public space, art, politics and memory. It argues that these monuments — one representing Argentina's previously maligned Italian immigrant heritage, the other its forgotten indigenous culture — demonstrate how fundamental struggles over national ident

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Fabbrizzi, Fabio. "Giovanni Tortelli, Roberto Frassoni. Musealizzazione dell’Aula meridionale del battistero della basilica patriarcale, Aquileia." Firenze Architettura 25, no. 2 (2022): 62–73. http://dx.doi.org/10.36253/fia-13493.

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Ad Aquileia, il lavoro dei due architetti bresciani, allievi ed eredi di alcuni tra i più importanti maestri della lezione italiana dell’allestimento e della museografia, appare nella sua appropriatezza, come la chiusura di una virtuosa circolarità che partendo proprio dal rilievo, dalle indagini storiche ed archeologiche, nonché dalle esigenze diagnostiche e conservative, riesce a far diventare le rovine del monumento, quindi la dimensione più tangibile della sua testimonianza, un fatto vitale e non un’entità semplicemente da conservareIn Aquileia, the work of the two architects from Brescia,

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Maniou Fotini, Roιdo Mitoula, Laloumis Dimitrios, and Olga-Eleni Astara. "Cultural entrepreneurship opportunities and new technologies regarding the Italian monuments of the island of Kos." World Journal of Advanced Engineering Technology and Sciences 12, no. 2 (2024): 115–22. http://dx.doi.org/10.30574/wjaets.2024.12.2.0243.

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The period of the Italian Occupation was an important chapter in the traditions and cultural heritage of the Dodecanese, as it led to the development of a particular culture. The effects of this period are still felt today. This paper briefly studies Italian architecture in the Dodecanese and, specifically, in Kos during the Italian occupation (1912-1943). Reference is made to the main monuments/buildings of the period and their use then and now. The aim of this paper is to highlight the cultural heritage of the Italians on the island of Kos and to examine the possibilities of its exploitation

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Hodzhakulieva, Bahar A. "FROM THE HISTORY OF STUDYING MATERIAL OBJECTS OF THE UNESCO WORLD HERITAGE SITE." EKONOMIKA I UPRAVLENIE: PROBLEMY, RESHENIYA 8/4, no. 139 (2023): 71–76. http://dx.doi.org/10.36871/ek.up.p.r.2023.08.04.009.

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The article discusses a range of issues related to the relevance of the study of historical monuments of a global scale, which are rich in the territory of Turkmenistan. The role of UNESCO in the study, protection and promotion of these objects is emphasized. On the example of the monument of ancient Nisa, the capital of the Parfian state, the aspects of cooperation between UNESCO and Turkmenistan are studied. Based on the analysis of a number of sources, the role of famous orientalists, archaeologists in the research of Old and New Nisa is shown. Considerable attention is paid to modern archa

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Amenzadeh, R. "PIETRO DELLA VALLE'S JOURNEY TO AZERBAIJAN AND PERSIA IN 1614 - 1626 (ARCHITECTURAL NOTES)." Deutsche internationale Zeitschrift für zeitgenössische Wissenschaft 46 (December 15, 2022): 31–35. https://doi.org/10.5281/zenodo.7442013.

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The close interaction of the artistic cultures of the East and the West, the inclusion of Azerbaijan in the world system of the Silk Road since ancient times is an outstanding achievement of the epochs. The inexhaustible desire of Western European travelers to visit the unexplored corners of the East dates back to ancient times. Among them Italians have a significant place, including Giosafat Barbaro, Ambrogio Contarini, Piero Querini, Archangelo Lamberti, Diego de urra Conca, Veccetti brothers, etc. "Walking far to the East" (V. V. Bartold) the Italians reached as far as the headqua

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Maria Manola. "Italian monuments in Kos- present situation and tourist interest and the role of ICTs in their promotion." World Journal of Advanced Engineering Technology and Sciences 12, no. 2 (2024): 098–114. http://dx.doi.org/10.30574/wjaets.2024.12.2.0242.

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The present study has to do with the Italian architecture in the Dodecanese and specifically on the island of Kos. The departure of the Italians bequeathed to the island a rich architectural work, which is a valuable capital for its tourist industry. It is the result of thirty-one years of Italian rule and is an important and special part of the island's cultural heritage. After a quantitative survey carried out in November 2023 with questionnaires distributed on the island, it was shown that the Italian monuments have been utilized to a satisfactory extent, so that today they provide the visi

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Gameson, Richard. "The Medieval Books of Durham." Bulletin du bibliophile N° 369, no. 1 (2019): 11–29. http://dx.doi.org/10.3917/bubib.369.0023.

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Le fonds de la bibliothèque médiévale de la cathédrale de Durham est le plus riche qui nous soit parvenu de toutes les institutions bénédictines d’Angleterre. Ses nombreux catalogues, rédigés entre les xi e et xv e siècles, montrent non seulement la croissance inexorable de la collection, mais aussi la pertinence de son organisation et de son exploitation à travers les âges. Les origines de la communauté de Durham remontent à celle fondée sur l’île de Lindisfarne en 635, ainsi les ouvrages les plus anciens de la collection remontent aux origines du christianisme en Northumbrie, voire au-delà a

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Doyle, Waddick. "Why Dallas was Able to Conquer Italy." Media Information Australia 43, no. 1 (1987): 49–52. http://dx.doi.org/10.1177/1329878x8704300116.

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In some future cultural history of Italy, the early 1980s may appear as a seminal point in that tendency known as Americanisation. Its characteristic monuments will be seen as McDonalds in the Piazza di Spagna in Rome (1985), the Dandy-burger in Piazza Maggiore in Bologna (1984) or that entirely American chain of fast food known as Italy, Italy. This transformation of the architectural face of Italian cities would not have been possible, cultural historians will remark, without a transformation of the eating habits of at least some Italians and perhaps even their perception of the very nature

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Rogov, Mikhail A. "SPECULUM HUMANAE SALVATIONIS IN THE MONUMENTAL PAINTING OF EAST PRUSSIA: VISUAL INTERTEXTUALITY." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series 1 (2023): 210–27. http://dx.doi.org/10.28995/2686-7249-2023-1-210-227.

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This research is dedicated to two rare cycles of monumental painting from the second half of the 14th century, in the interior of Königsberg (Kaliningrad) Cathedral and St. Catherine’s Church in Arnau (Rodniki, Kaliningrad region). Although these monuments are almost completely lost, their reconstruction based on available photo documents, sketches, and descriptions carries a special value towards understanding the visual intertextuality of the Speculum humanae salvationis iconographic program in the symbolic context of the architectural space of the two churches. Contrary to the monumental cy

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Tomasella, Paolo. "La partecipazione degli architetti, scultori e impresari italiani alla costruzione dei monumenti ai caduti della Grande Guerra nella Romania interbellica." Studia Universitatis Babeș-Bolyai Historia Artium 66, no. 1 (2021): 155–79. http://dx.doi.org/10.24193/subbhistart.2021.06.

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"The Participation of Italian Arhitects, Sculptors and Entrepreneurs in the Construction of the Heroes’ Monuments Fallen in the First World War in Interwar Romania. Seasonal or permanent migration from Italian regions to Romania in the 19th and 20th centuries involved a variable number of unskilled workers but also personalities (artists and sculptors), many Venetians and Friulians, who left clear, tangible evidence, of their stay and the results of their work on the Romanian territory. With the end of the First World War and with the outbreak of Greater Romania, the need to build memorials de

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Pchelov, Evgeny. "The Horseman of the Seal of Ivan III: Sources of Visual Image." ISTORIYA 14, no. 6 (128) (2023): 0. http://dx.doi.org/10.18254/s207987840027125-6.

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The article analyzes the image of a rider defeating a dragon on the front side of the seal of Ivan III of the 1490s. This image has a number of characteristic features, including a special method of sitting on a horse and holding a spear. These features are not characteristic of the old Russian art of the XV century, however, they find analogues in the works of art of the Italian Quattrocento. They go back to the ancient tradition of depicting a horseman armed with a spear, which Renaissance masters could get acquainted with by the example of the monumental monuments of Rome. Thus, the master

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Danchenko, Mariia. "Cultural Specificity of the European Novel on the Periphery: Sophie von La Roche and Pietro Chiari." NaUKMA Research Papers. History and Theory of Culture 7 (August 7, 2024): 130–38. http://dx.doi.org/10.18523/2617-8907.2024.7.130-138.

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The article explores the eighteenth-century novels of Germany and Italy defined as the countries of European periphery, as cultural and stylistic phenomenon. The study focuses on the difference in perception and reflection of English and French novelistic tradition, expressed in the novelistic tropes, clichés and plots, which were adapted by German and Italian authors from English and French novels. The objective of the research is to highlight the specificity of the novel of European periphery as cultural phenomenon, distinct and distant from the headline stylistic and cultural trends. The ne

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Manola, Maria, Anna-Irini Tsatalbassoglou, and Kleopatra Geronymou. "The Cultural Monuments of the Italians in Rhodes and Their Use Today." Open Journal for Studies in Arts 6, no. 1 (2023): 1–10. http://dx.doi.org/10.32591/coas.ojsa.0601.01001m.

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The island of Rhodes forms an exceptionally popular destination, which hosts thousands of visitors every year. Its natural beauty, together with its rich local history, have contributed to that, as it has been a landmark of many historical events. Great is the contribution of the Italian buildings in Rhodes’ current image and function, which were constructed under the Italian occupation of the island during 1912-1948. The present paper is referring to the significance of the Italian monuments in Rhodes. Through a historical retrospection that has to do with the construction of the Italian buil

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Ugrekhelidze, Irina. "Georgian men’s dress of XVII century." Linguistics and Culture Review 5, S4 (2021): 1161–75. http://dx.doi.org/10.21744/lingcure.v5ns4.1753.

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The article raises the issue of the importance of the work of Cristoforo de Castelli, an Italian missionary, Patrice of the Order of Theatine, in the study of Georgian historical costume. The sketches made by the author during his work in Georgia are analyzed, according to which it is possible to identify the types of clothes. According to the drawings, the clothes of different strata of the population are compared with the clothes of historical figures depicted in the monumental paintings of Georgian monuments of the same period and the clothes of the characters depicted in the illustrations

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Ugrekhelidze, Irina. "Comparative analysis of the paintings of the Italian missionary Cristoforo de Castelli and the sources of Georgian fine art." Scientific Herald of Uzhhorod University Series Physics 2024, no. 55 (2024): 1677–86. http://dx.doi.org/10.54919/physics/55.2024.167ub7.

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Relevance. The article raises the issue of the importance of the work of Cristoforo de Castelli, an Italian missionary, Patrice of the Order of Theatine, in the study of Georgian historical costume.Purpose. The sketches made by the author during his work in Georgia are analyzed, according to which it is possible to identify the types of clothes.Methodology. According to the drawings, the clothes of different strata of the population are compared with the clothes of historical figures depicted in the monumental paintings of Georgian monuments of the same period and the clothes of the characters

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Noelle, Louise. "Comunicare L'Architettura. I: Venti Monumenti Italiani." Anales del Instituto de Investigaciones Estéticas 14, no. 56 (1986): 247. http://dx.doi.org/10.22201/iie.18703062e.1986.56.1318.

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Triulzi, Alessandro. "Adwa: from monument to document." Modern Italy 8, no. 1 (2003): 95–108. http://dx.doi.org/10.1080/1353294032000074106.

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SummaryTo the Italian historian the Battle of Adwa in March 1896 has offered a field of interpretation which has been heavily marked by the events that occurred between (and within) the two countries—Ethiopia and Italy—before and after the battle. Adwa has been variously depicted by Italian historiography of the liberal period as a major military defeat, a political mistake by Crispi's expansionist government and the result of deep contrasts within the newly born state over the ‘colonial burden'. Fascist historiography painted Adwa as proof of liberal decay and political inefficiency. Adwa's n

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Meister, Jan B. "Antike und moderne Propaganda." Historische Zeitschrift 312, no. 3 (2021): 587–613. http://dx.doi.org/10.1515/hzhz-2021-0013.

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Zusammenfassung Die Propaganda des faschistischen Italiens setzte die Antike prominent in Szene. Diese Instrumentalisierung der Antike in moderner Propaganda hatte sehr konkrete Rückwirkungen auf das Bild, das man sich von der Antike machte. Teilweise direkt unter dem Eindruck faschistischer Propaganda begannen damals Altertumswissenschaftler, moderne Propaganda in der Antike zu erkennen: Antiken Texten und Monumenten wurde nun eine ganz andere Wirkungskraft und -absicht zugeschrieben als noch in den Jahrzehnten zuvor. Die zeitbedingten Anachronismen sind offenkundig, doch die faschistische In

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Ciampi, Gabriele. "Moving to Map and Mapping to Move: The East Africa Colonial Itineraries of the IGMI Archives and Library as a Special Genre in Cartography." Aethiopica 18 (July 7, 2016): 22–55. http://dx.doi.org/10.15460/aethiopica.18.1.736.

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Colonial Itineraries represent an informative product that has its origins in the innovative military organization of Revolutionary and Napoleonic France. Italian Colonial Itineraries were the outcome of exploration and intelligence activities carried out by selected military units in unknown lands. The knowledge of the places was an essential precondition of conquest and its stabilization. The major feature of the itineraries is the juxtaposition of a reconnaissance map to a list of detailed information concerning every short stretch of route covered: running times, road conditions, climate,

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Calderón Roca, Belén. "La gestión de la ciudad histórica en la Roma fascista 1: la instrucción sobre restauro urbano a través de la obra de Gustavo Giovannoni." Boletín de Arte, no. 28 (March 25, 2018): 253–77. http://dx.doi.org/10.24310/bolarte.2007.v0i28.4486.

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La dicotomía existente en el contexto italiano respecto a la instrucción de la arquitectura (canalizada hacia la restauración arquitectónica) entre la Scuola di Applicazione per gli Ingegneri y el Istituto di Belle Arti constituyó el germen de las máximas del restauro urbano. Hay que destacar la importancia de dos personalidades clave en este aspecto: Gustavo Giovannoni y Marcello Piacentini (al cual dedicaremos una segunda fase de este artículo). Escritor prolífico, la obra del arquitecto-urbanista-historiador de la arquitectura resultó decisiva para consolidar un método y una disciplina sobr

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Manfio, Juliana Maria, and Maíra Inês Vendrame. "A construção de uma história pública da imigração italiana no Sul do Brasil." Anos 90 31 (May 1, 2024): e2024002. https://doi.org/10.22456/1983-201x.129056.

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O presente artigo centra a análise nas comemorações do Centenário da Imigração Italiana ocorridas no Rio Grande do Sul na década de 1970, momento em que foi instituído pelo Governo do Estado o Biênio da Colonização. Nosso objetivo é compreender, através das atividades comemorativas e iniciativas de determinados atores sociais, as ressignificações da memória e a constituição de uma História pública da imigração italiana. Para isso, iremos utilizar como fontes especialmente jornais e fotografias. O reforço de aspectos que marcavam a identidade do grupo italiano passou a ser destacado através de

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Etinhof, Olga E. "‘The Mother of God Eleousa’ from a private collection—Italian icon of the mid (?) 13th century." Journal of Visual Theology 6, no. 2 (2024): 431–44. http://dx.doi.org/10.34680/vistheo-2024-6-2-431-444.

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The paper inquires into the dating and provenance of a particular ‘Mother of God Eleousa’ from a Muscovite private collection. Is this icon a work of Italian or Byzantine art? The icon went through commercial restoration in Moscow, which could have distorted its paint-ing and complicated the tasks of its dating and attribution. Numerous interventions and tint-ing, especially on the damaged face of the Mother of God, were clearly visible as early as the win-ter of 2021–2022; now most of these have been removed, although still not completely. The aim of that restoration was probably to create th

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Вевюрко, И. "Journal «Apocrypha. Apocrypha. Revue International des Littératures apocryphes»." Библия и христианская древность, no. 4(16) (November 15, 2022): 168–80. http://dx.doi.org/10.31802/bca.2022.16.4.006.

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В седьмом номере «Апокрифы» опубликованы статьи на французском, англииском, итальянском и немецком языках. В центре внимания исследователей находятся следу-ющие апокрифические сюжеты, памятники и группы текстов: традиция апостола Фомы (Поль - Гюбер Пуарье), тайное Евангелие Марка (Ален ле Булюэк), «Псевдо-Климентины» (Бернар Пудерон), «Откровение Ездры», «Видение Ездры» и «Откровение Седраха» (Флавио Нуволоне), «Тюбингенская теософия» (Пьер Франко Беатрис), «Гомеровский центон» (Андре-Луи Рей), физический облик апостола Петра в «Церковной истории» Никифора Каллиста (Кристофер Мэтьюз), традиция

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Borghi, Alessandro, Paola Cadoppi, and Giovanna Antonella Dino. "Heritage Stone 2. The Dora-Maira Unit (Italian Cottian Alps): A Reservoir of Ornamental Stones Since Roman Times." Geoscience Canada 43, no. 1 (2016): 13. http://dx.doi.org/10.12789/geocanj.2016.43.084.

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The Dora-Maira Unit is a geological unit cropping out in the inner part of the Cottian Alps and belonging to the Penninic Domain of the Western Alps (northwestern Italy). It consists of a Paleozoic basement and its Mesozoic carbonate cover, metamorphosed under eclogite facies conditions in the Cenozoic. Due to the complexity of the rock associations and the textural-metamorphic transformations, the Dora-Maira Unit has been a source of ornamental stones over the centuries, and still represents a reservoir of material locally employed for historical and contemporary buildings. Several varieties

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Ferreira Neto, Orlando Marcondes. "Caminhando em solo clássico – Karl Philipp Moritz em Roma: literatura e imaginação histórica." Rapsódia, no. 16 (December 12, 2022): 126–51. http://dx.doi.org/10.11606/issn.2447-9772.i16p126-151.

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Nesse artigo abordamos aspectos do pensamento e da sensibilidade histórica de Karl Philipp Moritz. Para tanto, tomamos como fio condutor o topos do “solo clássico”, enfatizado por Moritz no livro a Viagem de um alemão à Itália de 1786 a 1788: um diário de viagem em cartas (Reisen eines Deutschen in Italien in den Jahren 1786 bis 1788: Reisebericht in Briefen). No contexto das viagens formativas à Itália realizadas na década de 1780 por intelectuais e poetas alemães, o termo “solo clássico” (klassische Boden) denota uma relação que Moritz – assim como Goethe, Herder e outros autores de narrativ

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Quatember, Ursula. "The Bouleuterion and its environs in Early Imperial Aphrodisias." Journal of Roman Archaeology 32 (2019): 516–28. http://dx.doi.org/10.1017/s104775941900028x.

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Research on the remains of the monumental city center of Aphrodisias has been ongoing for over a century. After an Italian mission began here in 1937,1 work was intensified from 1961 under the direction of K. T. Erim of New York University and has continued since 1990 under R. R. R. Smith.2 While many of the projects have yielded results for the High Imperial, late-antique and Byzantine periods, our knowledge of the Late Hellenistic and Early Imperial monuments outside the temple area remains scant. The layout of urban spaces such as the Agora or the “South Pool Complex” is owed to the Early I

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Dirkse, P., and H. I. M. Defoer. "Het grafmonument van Jan van Scorel." Oud Holland - Quarterly for Dutch Art History 100, no. 3-4 (1986): 171–96. http://dx.doi.org/10.1163/187501786x00430.

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AbstractJan van Scorel was the only one of the painters of note of the I6th ard I7th centuries to whom an imposing monument was erected. He owed this not to his fame as a painter, but to his capacity as Canon of the Chapter of St. Mary's, Utrecht, an office conferred on him by Pope Adriaen vl in I628. The monument was already lost during the first stage of the demolition of the church in I712 and was known only from descriptions by Arnold Buchelius, notably that in his Monumenta of I592 (Note I), while the inscriptions on it are also mentioned by Van Mander (Note 2). The description in Bucheli

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Cordiviola, Alfredo. "Um catálogo americano: a coleção de Ramusio / An American Catalogue: Ramusio’s Collection." Caligrama: Revista de Estudos Românicos 26, no. 1 (2021): 145. http://dx.doi.org/10.17851/2238-3824.26.1.145-161.

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Resumo: Publicados em Veneza em meados do século XVI, os três volumes de Delle Navigationi et viaggi, compilados, traduzidos ao italiano e anotados por Giovanni Battista Ramusio, reúnem em um único monumento bibliográfico um amplo conjunto de crônicas de viagens e de mapas. Mesmo sem ter participação direta nas empresas expansionistas e colonizadoras promovidas nesse século pelos impérios ibéricos, Veneza manteve uma importante relação com esse sistema-mundo que estava surgindo, propiciando o trabalho de cartógrafos, editores, cosmógrafos, tradutores e tratadistas que divulgaram e consolidaram

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Golan, Romy. "Vitalità del negativo/Negativo della vitalità." October 150 (October 2014): 113–32. http://dx.doi.org/10.1162/octo_a_00203.

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Vitalità del negativo nell'arte italiana 1960/70, an exhibition that occupied the ground floor of the monumental Palazzo delle Esposizioni from November 30, 1970, to January 31, 1971, revived an ideologically loaded site in Rome under the mantle of contemporary art. Curated by Achille Bonito Oliva, it featured thirty-four Italian artists from a wide range of schools and mediums: painters from the Scuola di Piazza del Popolo (the Roman school of Pop); members of the ′60s Milanese group Azimut; kinetic environments by Padua's Gruppo N and Milan's Gruppo T; artists from Arte Povera; and other, mo

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Borri, Antonio, and Marco Corradi. "Architectural Heritage: A Discussion on Conservation and Safety." Heritage 2, no. 1 (2019): 631–47. http://dx.doi.org/10.3390/heritage2010041.

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This paper presents a study carried out in the Italian region of Umbria, after the 2016 Central Italy earthquake. The aim is to address the problem of the conservation and protection of architectural heritage in Italy. The application of retrofitting strategies, while improving the seismic performance of historic—and frequently listed by conservation bodies—buildings, will not significantly alter their appearance, will be reversible, and fall within the principle of minimum intervention (minimal (least) intervention (or conservative repair)). These issues were evaluated in the paper by conside

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Stanley-Price, Nicholas. "Memorial sculpture in the Protestant Cemetery at Rome. New discoveries and an inventory of identified works." Opuscula. Annual of the Swedish Institutes at Athens and Rome 15 (November 15, 2022): 189–219. http://dx.doi.org/10.30549/opathrom-15-06.

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The funerary sculpture in the Protestant Cemetery in Rome, the heart of Catholicism, has been little studied. A new inventory of monuments lists over 130 works for which the sculptor, architect or bronze foundry, either Italian or non-Italian, has been identified. Many new identifications, often based on previously unrecorded inscriptions, have brought to light the work of well-documented foreign sculptors who had settled in Rome either temporarily or permanently. Several elaborate monuments were evidently commissions from wealthy relatives or friends of the deceased, but a greater number were

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Pereira, Syrléa Marques. "“Substitutos da presença”: imigrantes italianos(as), retratos e fotografias." Cadernos CERU 32, no. 2 (2021): 165–77. http://dx.doi.org/10.11606/issn.2595-2536.v32i2p165-177.

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O artigo observa a “grande migração” italiana para o Brasil, a partir de fotografias conservadas por imigrantes ao longo de suas vidas. Esses “fragmentos da realidade” revelam marcas culturais de um outro tempo, experiências e trajetórias de vida. Às(aos) historiadoras(es) cabe a tarefa de fazer perguntas a esses “documentos/monumentos”. Assim, são apresentadas premissas teóricas para compreensão dessas fontes enquanto artefatos e suportes de memória; e a História Oral como abordagem para a análise das narrativas tecidas pelos(as) proprietários(as) das imagens. Percebeu-se que as fotos se cons

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Eduardo, Blanes Pérez. "Dice Cabrero: "…yo he visto en Italia una cosa muy distinta…". Monumentalidad exterior frente a monumentalidad interior a través de la Casa Sindical = Cabrero says: "...I have seen a very different thing in Italy..." Exterior monumentality against inner monumentality through the Trade Union house." rita_ Revista Indexada de Textos Académicos, no. 6 (October 5, 2016): 70–77. https://doi.org/10.24192/2386-7027(2016)(v6)(02).

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Dos arquitectos, uno italiano y otro español, Libera y Cabrero, acuden a la ciudad de Roma, uno para quedarse y confrontarse con la ciudad y el peso de su Historia y otro para no olvidarla ante cada proyecto que surgiese a lo largo de su trayectoria. Frente a una misma realidad, respuestas semejantes cohabitan en dos contextos diferentes que dan como respuesta dos arquitecturas que sitúan la idea de monumentalidad en el edificio público como concepto intrínseco a través de dos discursos paralelos. Esta condición del edificio público monumental d

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