Academic literature on the topic 'Mood (Psychology) – Fiction'

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Journal articles on the topic "Mood (Psychology) – Fiction"

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Gittel, Benjamin. "In the Mood for Paradox? Das Verhältnis von Fiktion, Stimmung und Welterschließung aus mentalistischer und phänomenologischer Perspektive." Journal of Literary Theory 12, no. 2 (2018): 300–320. http://dx.doi.org/10.1515/jlt-2018-0017.

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Abstract It is widely acknowledged that responses to fiction can be divided into two categories: emotions or moods. Research on the paradox of fiction, however, solely focused on emotional responses to fiction. This paper analyses the different potentials of the mood concept with regard to the paradox of fiction: its potential to avoid the paradox on the one hand and its potential to rise a new paradox of fiction, a paradox of fiction for moods, on the other. To this end, the paper distinguishes two different meanings of the everyday concept of mood and two different paradigms in the research
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Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina, and Ekaterina O. Shmeltser. "Technology of poetry presentation via Emoji Maker platform: pedagogical function of graphic mimesis." CTE Workshop Proceedings 7 (March 20, 2020): 264–80. http://dx.doi.org/10.55056/cte.359.

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The article deals with the technology of visualizing fictional text (poetry) with the help of emoji symbols in the Emoji Maker platform that not only activates students’ thinking, but also develops creative attention, makes it possible to reproduce the meaning of poetry in a succinct way. The application of this technology has yielded the significance of introducing a computer being emoji in the study and mastering of literature is absolutely logical: an emoji, phenomenologically, logically and eidologically installed in the digital continuum, is separated from the natural language provided by
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3

Paul Roquet. "Ambient Literature and the Aesthetics of Calm: Mood Regulation in Contemporary Japanese Fiction." Journal of Japanese Studies 35, no. 1 (2009): 87–111. http://dx.doi.org/10.1353/jjs.0.0050.

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Dr., Devender Singh. "R. K. Narayan and His Characters : A Perspective." International Journal of Advance and Applied Research 4, no. 18 (2023): 1–6. https://doi.org/10.5281/zenodo.8042552.

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Let's now have a look at what R. K. Narayan had to say about the common trend among fiction authors who created works during the crucial period of the nationalist struggle. According to Narayan, the subject of literature has become "inescapably political" during this time of nationalist struggle. The comic mood, atmospheric sensitivity, psychological component probing, human soul crisis and most importantly the detached observation which together make up the content of fiction were thrown to the side. When we take into account Raja Rao and Mulk Raj Anand's works, how amazingl
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Nikoriak, Nataliia. "“Yaremchuk: The Incomparable World of Beauty” (2024): The Literary Potential of a Non-Fiction (Cinema) Text." Pitannâ lìteraturoznavstva, no. 110 (December 31, 2024): 293–317. https://doi.org/10.31861/pytlit2024.110.293.

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In terms of the discourse of the literary potential of non-fiction (cinema) texts, the article under discussion presents a detailed analysis of the biographical documentary “Yaremchuk: The Incomparable World of Beauty” (2024) directed by Artem Hryhorian. It points out that in order to artistically reconstruct the history of personal and creative growth of the famous Bukovynian singer and folk artist, the first Ukrainian pop star, the lead singer of the VIA “Smerichka” Nazariy Yaremchuk, the filmmakers have skillfully combined a number of non-fictional sources in the film. In particular, these
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Issakhanova, M. M., A. A. Mustafayeva, and B. M. Aitbayeva. "Counterfactualism in Kazakh and Turkish." BULLETIN of the L.N. Gumilyov Eurasian National University.Political Science. Regional Studies. Oriental Studies. Turkology Series. 145, no. 4 (2023): 195–204. http://dx.doi.org/10.32523/2616-6887/2023-145-4-195-204.

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Counterfactualism is used in interdisciplinary fields such as philosophy, logic, psychology, history, child development, and linguistics. Counterfactualism enters the empirical study of the philosophy of language. In linguistics, counterfactuals are conditional sentences that cannot be implemented. In philosophy, impossible, counterfactual worlds are increasingly being discussed and thought experiments are being carried out with them. It is necessary to extend the theory of possible worlds to real, concrete, but impossible worlds. Conditional counterfactuals are expressions used with sentences
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Rigoli, Francesco. "Political motivation: A referent evaluation mathematical model." Journal of Social and Political Psychology 9, no. 1 (2021): 8–23. http://dx.doi.org/10.5964/jspp.5539.

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Mathematical modelling is popular in cognitive psychology because it enables clear and formal descriptions of the processes at play; yet, this approach has rarely been applied to political psychology. Here we adopt mathematical modelling to develop a theory of political motivation, which is a central concept in political psychology. The theory assumes that, in certain contexts, individuals entertain a set of representations of society, for example of the past, present and future (but also of fictive societies such as utopias). To each representation of society, an incentive value is attached w
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Ayesha Dar. "ON THE RELATIONSHIP BETWEEN LITERATURE AND PSYCHOLOGY." International Journal of Applied Research in Social Sciences 4, no. 8 (2022): 284–92. http://dx.doi.org/10.51594/ijarss.v4i8.382.

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This research paper analyzes the relationship between Literature and Psychology and how they are connected with each other in order to portray the characters more beautifully. Psychology plays a very important role in the literature whether we talk about the one who writes the story or the one who reads it. It makes a strong connection between a writer and a reader. The author is not just influenced by society, he influences society. This study explores the significant role psychology plays in literature, the relationship between these two subjects, and how psychology helps an author to write
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Newman, Michael. "Characterization as Social Cognition in Welcome to the Dollhouse." Film Studies 8, no. 1 (2006): 53–67. http://dx.doi.org/10.7227/fs.8.7.

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One key aspect of characterization is the construction of character psychology, the attribution to fictional representations of beliefs and desires, personality traits, and moods and emotions. Characters are products of social cognition, the human propensity for making sense of others. However, they are also products of artists who fashion them to appeal to our nature as social beings. Through an analysis of Todd Solondz‘s Welcome to the Dollhouse (1995), this paper describes three processes of social cognition which are crucial for audiovisual characterization: folk psychology, causal attribu
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Schmidt, Barbara, Luise Warns, Meike Hellmer, Natalie Ulrich, and Johannes Hewig. "What Makes Us Feel Good or Bad." Journal of Individual Differences 39, no. 3 (2018): 142–50. http://dx.doi.org/10.1027/1614-0001/a000258.

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Abstract. Affective science calls for methods to induce mood in an engaging and ecologically valid way. We present a method employing a naturally occurring scenario that fits these criteria: a job interview. Participants got positive or negative feedback from a fictive expert to induce positive or negative mood. After mood induction, we assessed participants’ decision making behavior in the so-called information sampling task (IST). Results show that our mood induction successfully changed valence, dominance, and state self-esteem ratings, while there were no differences in arousal ratings. De
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Books on the topic "Mood (Psychology) – Fiction"

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Frankel, Alona. The moon and the stars. HarperFestival, 2000.

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ill, Varley Susan, ed. Badger's bad mood. Arthur A. Levine Books, 1998.

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Watson, Douglas E. A Moody fellow finds love and then dies: A novel. Outpost19, 2014.

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ill, Durand Delphine, ed. Big Rabbit's bad mood. Chronicle Books, 2009.

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Snicket, Lemony. The bad mood and the stick. Little, Brown Books for Young Readers, 2017.

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Patterson, Rebecca. Latha mòr na glaodhaich! Acair Earr, 2013.

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McDonald, Megan. Judy Moody: Was in a Mood. Candlewick Press, 2002.

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McDonald, Megan. Judy Moody was in a mood. Candlewick Press, 2000.

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Wight, Tamra. The three grumpies. Bloomsbury Children's Books, 2003.

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Brown, Tameka Fryer. A cold plum lemon pie bluesy mood. Viking, 2013.

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Book chapters on the topic "Mood (Psychology) – Fiction"

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Miller, Gavin. "Evolutionary psychology." In Science Fiction and Psychology. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620603.003.0001.

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This chapter explores the importation into science fiction of evolutionary psychology, including earlier schools such as Social Darwinism and sociobiology. Social Darwinism motivates an anti-utopian tendency to forecast a state of future decadence that can be arrested only by the re-activation of dormant evolutionary mechanisms. This pattern may be familiar enough from H.G. Wells’s The Time Machine (1895) and Robert Heinlein’s The Moon is a Harsh Mistress (1966), but is less easily perceived in Octavia Butler’s sequence, Parable of the Sower (1993) and Parable of the Talents (1998), which pred
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Reports on the topic "Mood (Psychology) – Fiction"

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Makhachashvili, Rusudan K., Svetlana I. Kovpik, Anna O. Bakhtina, and Ekaterina O. Shmeltser. Technology of presentation of literature on the Emoji Maker platform: pedagogical function of graphic mimesis. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/3864.

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The article deals with the technology of visualizing fictional text (poetry) with the help of emoji symbols in the Emoji Maker platform that not only activates students’ thinking, but also develops creative attention, makes it possible to reproduce the meaning of poetry in a succinct way. The application of this technology has yielded the significance of introducing a computer being emoji in the study and mastering of literature is absolutely logical: an emoji, phenomenologically, logically and eidologically installed in the digital continuum, is separated from the natural language provided by
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