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Journal articles on the topic 'Moon worship in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

முனைவர், தி. பரிமளா /. Dr T. Parimala. "அருள்மிகு ஸ்ரீ கோணம்மாள் அம்மன் வரலாறும் திருவிழாக்களும் (கருப்பட்டி கிராமம்) / Arulmigu Sri Konammal Amman History and Festivals (Karuppatti Village)". பாண்டியன் கோவில் கலைகள் தமிழ் ஆய்விதழ் / Pandian Tamil Journal of Temple Studies 2, № 1 (2021): 27–45. https://doi.org/10.5281/zenodo.5802640.

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<em>Man feared the power of nature and was created to worship nature as God. Worship of deities expanded as village deities, tribal deities, and other deities. Village deities and clan deities are idols. They are not related to the Gods of the Vedas claim. These do not have large buildings, untimely Pujas or big Festivals. This local idolatry is just opposite to a normal one. These deities belong to a clan or a group of people with a small temple and other patterns related to the big temples. It can be called ancestral worship. The deities are revered for their good nature. People crowded ther

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Tomotari, Mikako. "A Study of the Buddhist Stone Reliefs of Mt. Hiko and the Influence of Shugendo in the Kyushu Region." Religion and the Arts 21, no. 4 (2017): 459–89. http://dx.doi.org/10.1163/15685292-02104001.

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Shugendo, which prospered during Japan’s Middle Ages, valued ascetic practices and fused mountain worship with Taoism, Shinto, Buddhism, Animism, astronomy, and medicine. However, since it was transmitted via oral tradition from one generation to the next, limited evidence can be found. Therefore, this essay analyzes 3D imaging data of stone reliefs found at Mt. Hiko, located in the Kyushu region of Japan, to discern whether the carvings depict certain deities and how the Sanskrit characters found in the moon circles represent Shugendo thinking. In addition, it examines how the influence of Sh

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Kuzmina, A. A. "Concept of the Moon in the Yakut Language World View." NSU Vestnik. Series: Linguistics and Intercultural Communication 21, no. 3 (2023): 106–17. http://dx.doi.org/10.25205/1818-7935-2023-21-3-106-117.

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The article defines the concept of the moon in the traditional Yakut world view at the levels of language, myth and ritual. It is common knowledge that the Yakuts are the northernmost Turks who have largely preserved the mental representations of the Southern Siberia Turks’ ethnocultural heritage. National world view features in the nominations of the concept moon related to space and time cultural paradigm, representing the mythopoetic picture of the world, have been established. The archaic features of this concept, set phrases, and oral folk art have been considered. The relevance of this r

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Rajaraman, A. "Aries Lagna Impacts on Yoga for Foreign Visit." International Journal for Research in Applied Science and Engineering Technology 9, no. 10 (2021): 113–16. http://dx.doi.org/10.22214/ijraset.2021.38360.

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Abstract: The history of any art is the basic nail root. In ancient times humans were first seen as the basis of omens and then began to worship the planets as deities due to the effects of the rages of nature. They then began to observe the changes in nature caused by the planets and the consequences. As a result of such research, the planets Sun, Mars and Saturn were divided into evil planets and the planets Moon, Mercury, Guru and Venus were divided into virtuous planets. Based on this they have been doing continuous study of people for centuries. The effects of planetary influences on this

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Raibediuk, Halyna. "The pagan world of Ukrainians in the scientific concept of Ivan Ohiienko and in the poetry of Irina Kalinets: typological aspects." IVAN OHIIENKO AND CONTEMPORARY SCIENCE AND EDUCATION SCHOLARLY PAPERS PHILOLOGY, no. 18 (December 29, 2021): 84–96. http://dx.doi.org/10.32626/2309-7086.2021-18-2.84-96.

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The proposed article explores the ways of timeless communication of the au-thor’s consciousness of Ukrainian theologian Ivan Ohiienko and dissident writer Iryna Kalynets, clarifi es the intersections of their refl ections on the pre-Christian life of the Ukrainian people, characterizes the typology of transposition of pagan world and folklore-mythological narrative versions of the poetess. The similarity of views of both representatives of the analyzed discourse on the animistic world-view and mentality of Ukrainians is revealed, the integral meaning of their de-clared concepts of its pre-Chri

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Ramadan Mohmed Ahmed Harec, Ahmed, Ahmed Fathi Ramadan Abdel Gayed, Ragab Abou Maliha Mohamed Soliman, Umair Bin Yusoff, and Shukiriat Bint Ismail. "THE PROBLEM OF USING ASTRONOMICAL CALCULATIONS TO DETERMINE THE LUNAR MONTHS." International Journal of Advanced Research 13, no. 05 (2025): 239–45. https://doi.org/10.21474/ijar01/20898.

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The sighting of the crescent moon is considered one of the scientific issues of importance in Islamic law, as many of the rulings of worship are linked to it. Fasting is not achieved without the sighting of the crescent moon of Ramadan, and it does not end without the sighting of the crescent moon of Shawwal. Similarly, the rituals of Hajj are linked to the sighting of the crescent moon of Dhul-Hijjah, and other acts of worship begin and end based on the sighting of the crescent moon. From here, the importance of studying the effect of astronomical calculations on the sighting of the crescent

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Ni Made Adnyani. "YOGA CHANDRA TRADISI WATUKARU." Veda Jyotih: Jurnal Agama dan Sains 2, no. 1 (2023): 31–39. http://dx.doi.org/10.61330/vedajyotih.v2i1.51.

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For a Sanatani, to understand the symbolic manifestation of Lord Śiva and his attributes, which is crowned with a crescent moon called Ardha Chandra. This crescent moon has the meaning that a devotee must develop the qualities of the heart which are the crown of a human being. The crown of man lies in his character. Having the character of the moon helps humans achieve happiness (Jagadhita). The development of the Soma (Chandra) element in the body can be obtained by practicing Asana, Pranayama and Mudra. The aims are to know the types of Yoga Chandra in the Watukaru tradition; 2) to know the

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Rameshkumar, M. "Kanniyamman Worship of Irulas." Shanlax International Journal of Tamil Research 6, no. 3 (2022): 46–52. http://dx.doi.org/10.34293/tamil.v6i3.4623.

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Irulas are identified by their dark bodies (Black). The word ‘Erular’ is the oldest form of them. In this word changed in to ‘Irula’ in the medial period. They are live in the Coimbatore area and also the neighboring states of Tamil Nadu. Irulas worshipped nature and their ancestors lived as nomads. The people of Irula community had their own beliefs, traditional stories, festivals and rituals even now they observe their believes. Tell the stories celebrate the festivals and perform rituals. They have several gods according to their community as family deity. However, the festival of Kanniyamm

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I., Karthick. "சாக்த மார்க்கம் போற்றும் பெண்மையின் சிறப்பு / The Virtues of Femininity Eulogized in Shakta Religion". Pandian Journal of Women's Studies 5, SPL 1 (1) (2025): 94–99. https://doi.org/10.5281/zenodo.14744609.

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<em>Puranas say that there are six religions in the Hindu religion. They follow six sects namely Sauram, Ganapatyam, Saivam, Vaishnavam, Saktam and Kaumaram.  Among these, Saktam leads Ambigai worship. Shakthars are the people who worship the mother who is the feminine form of Lord Shiva. These sects worship deities like Parvati, Meenakshi, Kamakshi, Abhirami, Kali etc. as various forms of Goddess Shakti. The trust of this sect is that femininity is the source of everything. Abirami Pattar is one of the very notable devotees of Goddess Abirami. His real name was Subramania Iyer and was bo

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Levin, Michael. "Stove on Gene Worship." Philosophy 68, no. 264 (1993): 240–43. http://dx.doi.org/10.1017/s0031819100040286.

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David Stove's sarcastic dismissal of sociobiology rests on a false dilemma.Cuckoos lay their eggs in reed-warbler nests, and the large gape of cuckoo chicks so readily triggers the feeding reflex of the adult warbler that the warbler chicks go underfed. However, argues Stove, the cuckoos (or the cuckoos' genes) are ‘manipulating’ the warblers, getting them to feed cuckoo chicks, only if the cuckoos (or their genes) consciously intend their behaviour to have this effect: ‘The moon causally influences the tides, but it cannot manipulate them…. [C]ausal influence plus resulting advantage are not

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Ibude, Isaac Osakpamwan. "African Art Music and the Drama of Christian Worship among Baptists in Nigeria." East African Journal of Traditions, Culture and Religion 2, no. 1 (2020): 72–82. http://dx.doi.org/10.37284/eajtcr.2.1.226.

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Church music is purpose-driven and functional art. The search for authentic African experience in Christian worship among Nigerian Baptists brought about the introduction of art music compositions into the drama of worship. The paper discusses the development and contextualisation of Baptist worship by the inclusion of new music(s) written, composed and performed by Africans for the purpose of the liturgy, serving as a voice within the culture. The research adopted an ethnographic research design. Data were collected from published works and recorded art music compositions, content analysis of

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Musthofa, Musthofa. "Model Ibadah dalam Tinjauan Tafsir Izwaji." An-Nuha : Jurnal Kajian Islam, Pendidikan, Budaya dan Sosial 8, no. 1 (2021): 1–15. http://dx.doi.org/10.36835/annuha.v8i1.397.

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Worship according to the view of understanding the science of jurisprudence can be divided into two, namely mahdah worship, worship that is still pure setting of procedures, place and time and gairu mahdah worship, which is a model of worship that is not regulated by procedures, determination of time and place by sharia. The model of mahdah worship is prescribed: (1) bound by place, time and procedure, (2) bound by procedure, (3) bound by time limit on the circulation of the sun/moon. (4) Bound by procedure but not bound by time, place. The model of worship of gairu mahdah is a form of worship

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Torvend, Samuel. "Environment & Art for Worship." Liturgy 11, no. 2 (1993): 114. http://dx.doi.org/10.1080/0458063x.1993.10392207.

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Suhardi, Untung. "Eksistensi Lingga Sebagai Media Pemujaan Hindu Di Desa Linggoasri, Kecamatan Kajen, Kabupaten Pekalongan - Jawa Tengah (Sebuah Tinjauan Perspektif Sejarah)." Widya Aksara : Jurnal Agama Hindu 24, no. 1 (2019): 40–49. http://dx.doi.org/10.54714/widyaaksara.v24i1.47.

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Linga as a type of worship that exists in Hinduism which has begun to be abandoned by followers because it is ancient. The problems presented were about the history of the worship of the phallus and the form of the functions and meaning of the worship of the phallus in the village of Linggoasri, Pekalongan Regency, Central Java. The method uses descriptive analysis with a historical approach. The results of his research are other historical objects that resemble the phallus pair is yoni so, the existence of the phallus and yoni is interpreted as the embodiment of male and female symbols. The p

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Milbrath, Susan. "Decapitated Lunar Goddesses in Aztec Art, Myth, and Ritual." Ancient Mesoamerica 8, no. 2 (1997): 185–206. http://dx.doi.org/10.1017/s095653610000167x.

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AbstractAztec images of decapitated goddesses link the symbolism of astronomy with politics and the seasonal cycle. Rituals reenacting decapitation may refer to lunar events in the context of a solar calendar, providing evidence of a luni-solar calendar. Decapitation imagery also involves metaphors expressing the rivalry between the cults of the sun and the moon. Huitzilopochtli's decapitation of Coyolxauhqui can be interpreted as a symbol of political conquest linked to the triumph of the sun over the moon. Analysis of Coyolxauhqui's imagery and mythology indicates that she represents the ful

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Chen, Yu-Fu. "The art of image worship in China of the 17th century." OOO "Zhurnal "Voprosy Istorii" 2022, no. 10-2 (2022): 266–79. http://dx.doi.org/10.31166/voprosyistorii202210statyi34.

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Image worship, an important thought in Chinese culture and art, is similar to religious belief in some respects. In the Qing Dynasty of China, image worship was employed as a political means to shackle people's thoughts and divide them into different classes, but it also served as a psychological and spiritual consolation for people. This article investigates a series of cultural phenomena related to image worship in the Qing Dynasty. These include “blind image worship”, the “sense of ceremony in image worship”, and the “generalization of image worship”.

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Sleeman, Joy. "Land Art and the Moon Landing." Journal of Visual Culture 8, no. 3 (2009): 299–328. http://dx.doi.org/10.1177/1470412909347669.

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Collins, C. John. "Reading Genesis Well: Navigating History, Poetry, Science, and Truth in Genesis 1-11." Perspectives on Science and Christian Faith 72, no. 4 (2020): 243–44. http://dx.doi.org/10.56315/pscf12-20collins.

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READING GENESIS WELL: Navigating History, Poetry, Science, and Truth in Genesis 1-11 by C. John Collins. Grand Rapids, MI: Zondervan Academic, 2018. 336 pages. Paperback; $36.99. ISBN: 9780310598572. *C. John Collins makes judicious use of C. S. Lewis throughout his book and offers a reading of the early chapters of Genesis that seeks to avoid both an ahistorical fundamentalist interpretation and a dismissive scientism that views Genesis as bad science by ignorant people. Collins identifies himself as a "religious traditionalist," and he seeks to read Genesis in ways that take seriously the or

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Judd, Peter A. "Children and the Art of Worship." Liturgy 4, no. 4 (1985): 42–47. http://dx.doi.org/10.1080/04580638509409869.

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PING, LI, and BAZAR D. TSYBENOV. "EVOLUTION OF THE IMAGE OF THE SKY (“TENGER”) IN DAURIAN CULTURE." Study of Religion, no. 1 (2021): 82–90. http://dx.doi.org/10.22250/2072-8662.2021.1.82-90.

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The article studies the historical transformation of the image of the sky in Daurian culture. The authors analyze the myths and shamanistic rituals of the Daur people. The concept of the sky - “tenger” - refers not only to the sky itself, but also to the tops of deer horns, tree tops, the upper part of human and horse’s heads. The authors compare the Daurian and Buryat shamanistic rituals and reveal many similar points. They come to the conclusion that the ancient people worshiped the image of “tenger” as the sun and the moon. After the Neolithic period, “tenger” worship was expressed in the t

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Md. Thowhidul Islam. "Fasting in Hinduism, Buddhism and Islam: A Comparative Study." MAQOLAT: Journal of Islamic Studies 2, no. 3 (2024): 156–68. http://dx.doi.org/10.58355/maqolat.v2i3.74.

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Voluntary abstinence from food has been a spiritual purification rite in many religions. Penitence, purification and sacrifice are the major aims. Fasting in Hinduism is the denial of the physical needs of the body for the sake of spiritual gains. Hindus observe a period of fasting during the month of ‘Shravan’ (July/August), a holy month with religious festivals such as ‘Janmastami’ (Lord Krishna’s birthday) and ‘Rakhibandhan’ (when sisters tie a ‘rakhi’ on their brothers). Many Hindus also fast all year round on certain days of week for example, on Monday for Lord Shiva and his wife Goddess

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Булах, Тетяна Борисівна. "СУЧАСНІ ПІСНІ ПРОСЛАВЛЕННЯ В WORSHIP-КУЛЬТУРІ". Слобожанські мистецькі студії, № 2 (26 травня 2025): 10–14. https://doi.org/10.32782/art/2025.2.2.

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У межах статті здійснено теоретико-аналітичне осмислення феномену сучасних пісень прославлення в контексті worship-культури як репрезентативної форми сакральної комунікації, характерної для євангельського протестантизму. Автор пропонує інтерпретацію worship-музики як інтегративного духовно-культурного явища, що функціонує на перетині теологічного дискурсу, естетичних практик та соціокомунікативних процесів. Основна увага приділяється аналізу музичного компоненту богослужіння як механізму моделювання колективного релігійного досвіду, кодування догматичних смислів і формування нормативних фреймі

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Murdin, Paul. "Representing the Moon." Culture and Cosmos 08, no. 1 and 2 (2004): 247–70. http://dx.doi.org/10.46472/cc.01208.0241.

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I describe representations of the Moon in western art from an astronomer’s perspective. In particular I analyse 34 lunar paintings by Samuel Palmer. There are at least four kinds of representation of the Moon. They are the iconic, which has only symbolic reference to the natural appearance, the accurate, which attempts to reproduce the natural appearance, the ‘better than accurate’, a representation which conveys more than the natural appearance and the atmospheric, in which the Moon is either iconic or accurate, but which adds to the mood of the picture. Palmer’s pictures are iconic and atmos

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Zhen-tao, Xu. "Work of Art of the Han Dynasty Unearthed in China and Observations of Solar Phenomena." International Astronomical Union Colloquium 91 (1987): 51–56. http://dx.doi.org/10.1017/s0252921100105858.

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In Chinese ancient times the Sun worship was in vogue. Mainly there were two sorts of the worship rites: 1) for rising and setting Sun; 2) for solar eclipses. Many evidences for Sun worship have been found in Chinese ancient books and bone inscriptions (Xu Zhentao et al.1985).The everyday worship to the Sun certainly caused spontaneous observations for solar phenomena. Since the ancients only had a limited knowledge they could not understand what were these phenomena and they, however, created many wonderful myths to describe them. These myths about Solar phenomena have vividly been expressed

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Rohman Karim, Moh Fadllur, та Mahsun Mahsun. "Kriteria Baru Mabims 3-6,4: Upaya Penyatuan Kalender Hijriah di Indonesia Dalam Perspektif Maqāṣid Al-Syarī'ah". Astroislamica: Journal of Islamic Astronomy 3, № 1 (2024): 51–75. http://dx.doi.org/10.47766/astroislamica.v3i1.2735.

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Minister of Religion Brunei Indonesia Malaysia Singapore which is abbreviated to MABIMS. Several things have been agreed upon by the ministers of religion from the four countries, including the criteria for imkān rukyat. The MABIMS criteria regarding the new moon have undergone several changes. The new MABIMS criteria or MABIMS hilal neo-visibility are a hilal height of 3⁰ and an elongation of 6.4⁰. These new criteria are applied to unite Muslims, especially in Indonesia, in the Hijri calendar. The author understands that there is something interesting about the neo-visibility of the MABIMS hi

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Woodward, Robin. "People, Place, Public: The Public Art of Nic Moon." Back Story Journal of New Zealand Art, Media & Design History, no. 4 (September 19, 2018): 19–37. http://dx.doi.org/10.24135/backstory.vi4.3.

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In the realm of public art, New Zealand artist Nic Moon’s practice extends from permanent outdoor sculpture to ephemeral, site-responsive installations and staged public events. Such a range spans the trajectory of contemporary public art, a genre which theorists struggle to define categorically: historical precedents for public art offer no template for the present or for the future. Working in conjunction with mana whenua iwi, local government agencies, art institutions, museums, architects and the community¸ Moon creates large-scale object art as well as temporary and relocatable works, cir

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Sharma, Sapna, and Sonika. "VARIOUS FORMS OF SRI KRISHNA IN THE TRADITIONAL PATTACHITRA STYLE OF ODISHA." ShodhKosh: Journal of Visual and Performing Arts 2, no. 2 (2021): 60–66. http://dx.doi.org/10.29121/shodhkosh.v2.i2.2021.35.

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English - In the historical context of Indian painting, if we see, then the ancient Ajanta and Bagh painting of India were influenced by Buddhism. It also reflects the activities of Indian social life of that time. Ssimilarly, Mughal and Rajput miniature paintings have presented the true from of the society of that time through their painting. Similarly, the paintings of pattachitra style changed their form by mixing these styles. In Odisha, shri Janannath is worshiped in the form of shri Krishna. This famous style arose due to the establishment of Jagannath’s form in Puri during the time of a

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Ursic, Elizabeth. "Imagination, Art, and Feminist Theology." Feminist Theology 25, no. 3 (2017): 310–26. http://dx.doi.org/10.1177/0966735017695953.

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This article explores the importance of imagination and art when developing and working with theology, particularly feminist theology. It begins with a short review of selected periods in Christian history that either supported or warned against the use of imagination and art in classical theological development. Feminist theology has had a different history because since its inception, imagination has been central to the formation and exploration of the field. Imagination and art have continued to develop and promote feminist theological worship, and backlash against feminist theology has als

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Wells, Gary. "The Moon in the Landscape: Interpreting a Theme of Nineteenth Century Art." Culture and Cosmos 16, no. 1 and 2 (2012): 373–84. http://dx.doi.org/10.46472/cc.01216.0259.

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The image of the moon in the rural landscape is such a familiar and common theme in nineteenth century art that we should ask what made this theme so popular, widespread, and persistent. The similarity among these depictions borders on formula: a field or rustic farm, a broad horizon, a full moon rising or a thin crescent moon setting, perhaps a shepherd or field worker silhouetted against the twilight sky. But what made this image so appealing to nineteenth century artists and their audiences? This paper will examine the theme of the moon in the landscape, and will suggest that the persistenc

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Zarkasi, Much Sofwan, and Bening Tri Suwasono. "THE ELABORATION OF SACRED AND PROFANE IN FINE ART WORK ENTITLED "WHEN HANDS AND FEET ARE TALKING”." Acintya Jurnal Penelitian Seni Budaya 16, no. 1 (2024): 13–28. http://dx.doi.org/10.33153/acy.v16i1.6028.

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The article "Sacred and Profane Elaboration in a Work of Art Titled When Hands and Feet Speak" by Much. Sofwan Zarkasi and Bening Tri Suwasono explores the intersection of sacred and profane elements in art, a convergence rarely seen in modern works that typically separate art and religion. This meeting of sacred and profane is grounded in Islamic prophetic values derived from Quranic knowledge. The authors argue that since the purpose of human life is to worship, and art is a part of human activity, art should also encompass the concept of worship. Thus, art becomes a blend of sacred and prof

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Cooper, Levi. "NAPOLEONIC FREEDOM OF WORSHIP IN LAW AND ART." Journal of Law and Religion 34, no. 1 (2019): 3–41. http://dx.doi.org/10.1017/jlr.2019.15.

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ABSTRACTNapoleon's most famous innovation in his legendary military career was the use of the daunting Grande Armée with an emphasis on speed, maneuverability, and maintaining the offensive. Yet Napoleon understood that while skirmishes were won or lost on the battlefield, the real war lay in public perception. To that end, Napoleon used art and cultural treasures as part of his arsenal in order to create the perception of victory, regardless of the outcome of any particular campaign. Examining contemporary French artistic representations of Napoleon granting freedom of worship to religious gr

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Um, Sungwon. "A Study on the Kim Moon-jip’s Impressionistic Poetics." Barun Academy of History 23 (December 31, 2024): 275–95. https://doi.org/10.55793/jkhc.2024.23.275.

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This study examines the development of Impressionist criticism in the 1930s and its characteristics and limitations by focusing on Kim Moon-Jip. The critical view of Kim Moon-Jip can be summarized in two points: the emphasis on the Choseon-style “tradition” centered on the aspect of “language,” and the advocacy of “critical art” or “creative criticism” that emphasizes the creativity and artistry of criticism. First, the important point in Kim Moon-Jip’s criticism is that he linked the issue of “tradition” to the issue of “language.” In other words, our literature lacks tradition because there

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Ahmed, Sabti. "The Hadeeths of The Lunar And Solarium Prayers And How To Perform Their Prayers." Islamic Sciences Journal 11, no. 7 (2023): 134–59. http://dx.doi.org/10.25130/jis.20.11.7.6.

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    ABSTRACT  The eclipse and the lunar eclipse signify the greatness of God Almighty in the events of this universe, So God sent His messengers to warn people and fulfill their religion and meet their inevitable day. He sent with them clear verses to be evidence of His existence, glory and majesty, and His authority, and to scare them with His torment. We send messengers except as evangelizers and evangelists, so whoever believes and is righteous, there is no fear for them, nor do they grieve . These sun verses and the moon, the Almighty said: omn verses th

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Østergaard, Edvin. "Moon Music: A Composition of Art and Science in Dialogue." Leonardo 43, no. 3 (2010): 223–28. http://dx.doi.org/10.1162/leon.2010.43.3.223.

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Leonardo da Vinci's careful descriptions of the reflection of light by the moon inspired the author to compose a piece for choir on ways of perceiving the moon. In The Two Moons, Leonardo's words are contrasted with two additional texts: facts from a textbook on astronomy and a poem by Denise Levertov. The author discusses the challenge of transforming text and idea into musical sound. Further he discusses exploring natural phenomena by means of parallel efforts in art and science.

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Kalalo, Jefry, Crestio Yesaya Baranoi, and Rivo Ronaldo Ingkiriwang. "Teologi Oratorium sebagai Liturgi Ibadah Kreatif-Konstruktif di Jemaat Gmibm Pniel Tumobui." Jurnal Ilmiah Religiosity Entity Humanity (JIREH) 7, no. 1 (2025): 329–37. https://doi.org/10.37364/jireh.v7i1.444.

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The purpose of this research is to explore, describe, and examine the theological essence in the Oratorium liturgy worship. The focus of the research is on the Oratorium liturgy at the Gmibm Pniel Tumobui congregation. Research on the Oratorium liturgy uses qualitative research with data collection techniques, namely observation, interviews, and literature review. The results showed that Oratorium liturgical worship is a form of Christian worship that emphasizes the meeting place between God and the congregation. Existence-essence in Oratory theology as a form of gratitude for the work of salv

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Rosidy, Tony Anwar, and Sultan Prasasti. "THE ART INCULTURATION OF THE CATHOLIC CHURCH OF THE SACRED HEART OF JESUS GANJURAN AND ITS IMPLICATIONS ON THE SPIRITUALITY OF THE PEOPLE." International Journal of Heritage, Art and Multimedia 4, no. 15 (2021): 33–45. http://dx.doi.org/10.35631/ijham.415003.

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The connection between art and religion is found in several places. The Catholic Church of the Sacred Heart of Jesus Ganjuran, Yogyakarta is proof of the cohesion between art and religion in Indonesia. Inculturation is the process of adapting Catholic teachings with local culture, one of which is with art. This study aims to describe the cultural unquenching that occurred in the Catholic Church of the Sacred Heart of Jesus Ganjuran Yogyakarta and its implications on the spirituality of the people. This study uses descriptive qualitative methods with phenomenological approaches. The results sho

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Abdo Kddaf Ahmad ALkad, Abdo Kddaf Ahmad ALkad. "(The relationship of the hearts' work with the apparent worship .. Tasilah study in the light of the Prophetic Sunnah)." journal of king abdulaziz university arts and humanities 27, no. 2 (2019): 73–91. http://dx.doi.org/10.4197/art.27-2.3.

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In this research, the researcher presents his topic and aims to establish the concept of A legitimate concept, which is: a statement that the apparent worship (such as prayer, fasting and reading the Holy Quran and others) It must be carried out during the work associated with hearts (such as Fidelity to God and help God to do worship, and fear of non-acceptance, And hope the reward of Allah Almighty and thanks to the Almighty for His slaves). All this in accordance with the guidance of the Prophet, to improve the Role models and Guidance, Sayyid al-Abbad (peace and blessings of Allaah be upon

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Park, Youngjun, and Sunyoung Kim. "A Study on Public Perception of Fairness in Arts Support Project: Focused on the Case of Arts Council Korea Grants for Art Project." Korean Society of Culture and Convergence 45, no. 3 (2023): 275–90. http://dx.doi.org/10.33645/cnc.2023.03.45.03.275.

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In Jun 2021 Moon Joon-yong, a media artist and the son of president Moon Jae-In received 69million won from the Arts Council Korea. This caused a social debate about the fairness of art support project. The research of the fairness perception of artists has been conducted. However the public perception of fairness has been insufficiently analyzed. Therefore, this study tries to analyze the public perception of fairnesss thereby finding solutions to social conflicts. A mixed research method was adopted for this research. The results of this study is the perception of fairness can be changed acc

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Fitra, Tasnim Rahman. "FIKIH KALENDER HIJRIAH UNIFIKATIF." istinbath 17, no. 2 (2018): 359–78. http://dx.doi.org/10.20414/ijhi.v17i2.96.

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Abstract: The idea of ??a Hijri’s unification calendar emerges in response to the lack of uniformity of the Hijri concept of calendar which affects the difference of beginning of the month, especially with regard to worship. Therefore, it needs an in-depth study of the Unificative Hijriah Calendar from the point of view of jurisprudence (fikih), namely the study of the use of reckoning (hisab), the understanding of matlak and the beginning of the day which are all dominated by differences in the understanding of the sharia foundation in al-Qur`an and Hadith. The method used is an inventory of

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Hu, Rui Bo, Xiao Song Zhang, Kun Qian Wang, and Xin Yu Suo. "Metaphors in the Patterns of Sun, Moon, and Star of Southwest Ethnic Minorities." Advanced Materials Research 971-973 (June 2014): 2725–28. http://dx.doi.org/10.4028/www.scientific.net/amr.971-973.2725.

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Starting with the patterns of southwest ethnic minority, I analyzed the components of those patterns and found that metaphors’universal existence in them. This article targets the study of metaphors in patterns of sun, moon, and star, which are divided into three categories: mystery and fantasy, light and hope, worship and power. Therefore, it comes to the conclusion that the metaphors in patterns reveal the national psychology and the aspiration for deities’ bless, at the same time, exert great mental influence upon the development and improvement of the ethnic minorities.

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Forget, Bettina. "Women With Impact: Taking One Small Step into the Universe." Leonardo 54, no. 1 (2021): 63–70. http://dx.doi.org/10.1162/leon_a_01985.

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Out of 1,578 cataloged and named craters on the Moon, only 32 are named after women. That is a scant 2%. To highlight the underrepresentation of women in science, the author created two connected art projects. The initial project, Women With Impact, is a series of drawings of Moon craters named after women. Building on this oeuvre is One Small Step, a participatory project that invites prominent female astronomers to perform a meditative walk while wearing 3D-printed shoe soles that create a small Moon crater with each step.

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Steinhoefel, Antje. "Art and Astronomy in the Service of Religion Observations on the Work of John Russell (1745–1806)." Culture and Cosmos 08, no. 0102 (2004): 437–48. http://dx.doi.org/10.46472/cc.01208.0265.

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John Russell’s lunar images have so far been neglected and misunderstood by both historians of art and of astronomy. On the one hand this is due to the fact that the images do not come within many current definitions of the notion of art, particularly when the function of art is seen as an agency of subjective experience. Ironically, the reverse of this argument explains why historians of astronomy neglected Russell’s moon images. Compared with the more technical look of lunar maps, equipped with latitude and longitude grids as well as legends, Russell’s ‘photo-realistic’ pastels came across a

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Kac, Eduardo. "Space Art: My Trajectory." Journal of Posthuman Studies 6, no. 1 (2022): 4–18. http://dx.doi.org/10.5325/jpoststud.6.1.0004.

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Abstract This essay traces the author’s trajectory in space art. It starts in 1986, when he first conceived of a holographic poem to be flown to deep space (scheduled for liftoff in 2023), and continues into the twenty-first century through several works, including Inner Telescope, realized with the cooperation of French astronaut Thomas Pesquet aboard the International Space Station (ISS) in 2017. The author discusses his theoretical and practical involvement with space-related materials and processes. Special attention is given to his space artwork Adsum, conceived for the Moon.

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Goldring, Elizabeth. ""Desert Sun/Desert Moon" and the SKY ART Manifesto." Leonardo 20, no. 4 (1987): 339. http://dx.doi.org/10.2307/1578529.

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Clifton, James. "Truly a Worship Experience? Christian Art in Secular Museums." Res: Anthropology and aesthetics 52 (September 2007): 107–15. http://dx.doi.org/10.1086/resv52n1ms20167746.

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Bausch, Michael. "Celebrating the Possibilities: Media Art in Preaching and Worship." Liturgy 23, no. 3 (2008): 27–35. http://dx.doi.org/10.1080/04580630802003602.

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Bradley, David T., Erica E. Ryherd, and Lauren M. Ronsse. "The state of the art in worship space acoustics." Journal of the Acoustical Society of America 139, no. 4 (2016): 2118. http://dx.doi.org/10.1121/1.4950304.

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Protas, Maryna. "Jeff Koons’ Moon Odyssey: The Return of Post-Minimal Sculpture." ARTISTIC CULTURE. TOPICAL ISSUES, no. 20(1) (April 22, 2024): 116–23. http://dx.doi.org/10.31500/1992-5514.20(1).2024.306920.

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The two-year epic of sending a sculpture by Jeff Koons to the Moon on an expedition aboard the Odysseus spaceship is almost over: the module with the world’s first authorized public sculpture on the surface of another extraterrestrial body of the Solar System made a landing but overturned, entering the phase of hibernation. It is not yet clear whether and when it will be possible to directly land the sculpture on the surface of the Earth’s satellite. However, despite the obstacles of its inhospitable field conditions, the project has, in addition to the orbital conquistador mission, two other

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Papsheva, G. O., and O. N. Matveeva. "SYMBOLS OF HEAVEN OBJECTS IN MASTERPIECE BY N.S. GUMILEV: MOON’s SYMBOLS." Bulletin of Udmurt University. Series History and Philology 32, no. 5 (2022): 1072–78. http://dx.doi.org/10.35634/2412-9534-2022-32-5-1072-1078.

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In this article there are the main symbolical meanings of the moon in N. Gumilev's poetry as parts of ‘cosmism’ model. The main semantic groups are represented, similar and opposite meanings of the moon are compared, influence of the biographic facts on interpretation of national folklore is defined, individual and author's concept of lunar "Pale maiden" is proved, the especial importance of travelling as way of world’s researching is showed. The static data defining quantity of mentions of the moon in the poetry are interpreted. The hypothesis of further observations of heavenly bodies and ot

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Ioannis, Michaloudis, and Matthew van Roden. "Spirited Skies project: Silica Aerogel in Art and Design Applications." MRS Advances 2, no. 57 (2017): 3491–97. http://dx.doi.org/10.1557/adv.2017.349.

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ABSTRACTThis comparative study on two interdisciplinary artistic practices aims to improve public perception of scientific research and to facilitate informed decision making regarding climate change and how it affects everyday life. It also hopes to break down (or bridge?) the isolated silos of Art and Science, by emphasizing the role of imagination as a tool of creation and innovation in the new economies of the 21st century. Notwithstanding the ephemeral appearance of the super-light nanomaterial silica aerogel used by Ioannis Michaloudis (Michalous) in his sculptures, the longevity of some

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