Relevant bibliographies by topics / Moore, Wyatt A

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Academic literature on the topic 'Moore, Wyatt A'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Moore, Wyatt A"

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Gardner, Joel, Thad Sitton, and James H. Conrad. "Every Sun That Rises: Wyatt Moore of Caddo Lake, including "Building the Last Caddo Bateau"." Journal of American Folklore 100, no. 396 (1987): 246. http://dx.doi.org/10.2307/540938.

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Hatley, Donald W. "Bittersweet Earth. Edited by Ellen Gray Massey, and Every Sun that Rises: Wyatt Moore of Caddo Lake. Edited by Thad Sitton and James H. Conrad." Forest & Conservation History 31, no. 4 (1987): 201–2. http://dx.doi.org/10.2307/4005092.

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Marc’hadour, Germain. "H.A. Mason, Sir Thomas Wyatt: A Literary Portrait. Selected Poems, with Full Notes. Bristol Classical Press, 1986. Pp. (8), 344." Moreana 27 (Number 103), no. 3 (1990): 87–88. http://dx.doi.org/10.3366/more.1990.27.3.18.

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Books on the topic "Moore, Wyatt A"

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Moore, Wyatt A. Every sun that rises: Wyatt Moore of Caddo Lake, including "Building the last Caddo bateau". University of Texas Press, 1985.

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2

Conrad, James H., and Thad Sitton. Every Sun That Rises: Wyatt Moore of Caddo Lake. de Gruyter GmbH, Walter, 2014.

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Every Sun That Rises: Wyatt Moore of Caddo Lake. Univ of Texas Pr, 1986.

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Book chapters on the topic "Moore, Wyatt A"

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Gasper, Julia. "Sir Thomas Wyatt and the Essex Rebellion." In The Dragon and the Dove. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198117582.003.0003.

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Abstract No Elizabethan history play deals with subject-matter more recent or more dangerous than The Famovs History of Sir Thomas Wyat, which was printed in 1607 and, according to its title-page, was ‘Written by Thomas Dickers, and John Webster’. Both its overt and covert subjects, the Wyatt rebellion of 1554 and the Essex rebellion, were highly sensitive political issues. It comes closer than any other Elizabethan play, even the censored and abandoned Sir Thomas More, to representing the reigning monarch on the stage, and it includes an insurrection of a far more serious nature than the one
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Braden, Gordon. "Thomas Wyatt." In Petrarchan Love and the English Renaissance. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192858368.003.0001.

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Abstract Wyatt contributed to a growing fashion for Italianate culture in the court of Henry VIII by translating and imitating the vernacular poetry of Petrarch, primarily his sonnets. These English versions subtly transplant the highly inward lyricism of the Italian poems into an implied world more like that of a Renaissance court with its political tensions and seductive eroticism. Wyatt inflects his Petrarchan models with a new insistence on a fidelity and constancy to resist the pressures of that world, as well as a vindictive anger when such expectations are not met. In his greatest poem,
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Lerer, Seth. "Transitions." In The Oxford History of Poetry in English. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198830696.003.0002.

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This chapter explores the ways in which writers of the early sixteenth century responded to and developed the inheritance of Chaucer’s Middle English lyric voice and vocabulary and, in the process, adapted that material to new Tudor literary and social contexts. Building on recent scholarship about manuscript transmission and early printing, the chapter reassesses the textual condition of a writer such as Thomas Wyatt: read in its manuscript contexts, his verse seems, to our eyes, much more ‘medieval’ than it might be in the modernisations of the printer Richard Tottel. In addition, the chapte
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Hainsworth, Peter. "Translating Petrarch." In Petrarch in Britain. British Academy, 2007. http://dx.doi.org/10.5871/bacad/9780197264133.003.0021.

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This chapter examines the translations of Petrarch's poetry in English. It discusses different translations of Petrarch from the early Renaissance period to the twentieth century including the works of Sir Thomas Wyatt, the Earl of Surrey and Robert M. Durling. It also describes the author's own translation and explains the rationale and problems behind his own version and situates these within the broader context of the British preference for the more ‘concrete’ poetry of Dante, Michelangelo and Montale.
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Gil, Daniel Juan. "Career." In The Oxford History of Poetry in English. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198830696.003.0009.

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This chapter develops a sociological account of the emergence of the literary ‘career’ in which composing literature becomes legible as a social role that brings status and recognition in its own right. The key change that makes this possible is the emergence of a new social function for English literature, namely, to confer upon readers a distinctive cultural status based on their taste and cultural refinement. This ‘cultural capital’ is based on readers’ ability conspicuously to consume and produce a super-literary language that is differentiated from ordinary uses of language. This cultural
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Galusky, Wyatt. "Technology, Responsibility, and Meat." In Philosophy, Technology, and the Environment. The MIT Press, 2017. http://dx.doi.org/10.7551/mitpress/9780262035668.003.0014.

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Wyatt Galusky examines the role of technology in producing meat for human consumption. He rehearses the litany of arguments against industrialized animal agriculture, as well as the arguments in defense of in-vitro (laboratory produced) meat. But Galusky complicates the idea that technology solves the problems of factory farming by considering meat as a technology, not just a product of it. He does this in order to understand meat as human creation that involves a network of relationships among technologies, humans, and the natural world. When we view meat as technology we highlight the worldv
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Attridge, Derek. "The Rhythms of the English Dolnik." In Critical Rhythm. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823282043.003.0008.

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This essay starts by illustrating the difference between accentual-syllabic meter in English and the popular form of four-beat verse, or dolnik, by means of a comparison between poems by Thomas Wyatt in both forms. Some of the characteristics of dolnik are discussed, including its easily felt rhythmic base and its expressive flexibility, illustrated by the rhythms of Gerard Manley Hopkins’s “Inversnaid.” To allow for a fuller description of dolnik meter than has hitherto been available, a distinction is drawn between two types of dolnik, one fundamentally duple in its rhythm and the other trip
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Irons, Charles F. "White Memory and White Violence at Elon University." In Rhetoric, Public Memory, and Campus History. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781638040200.003.0007.

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This essay documents the challenge of addressing incidents of violence with a fragmentary and contradictory historical record, as well as the irony of continuing to center white perspectives by focusing on the perpetrators of anti-Black violence at Elon College. There is unequivocal evidence linking Jacob A. Long, the brother of Elon’s founding President William S. Long, to the 1870 lynching of Reconstruction-Era leader Wyatt Outlaw, but nothing on the President himself. Moreover, the institution’s fourth president, William Harper, published anti-Black screeds and orchestrated a posse to appre
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9

Davies, Brett. "Cowboys, Aliens, and Sixtysomethings: Age and Nostalgia in Kasdan’s Later Films." In ReFocus: The Films of Lawrence Kasdan. Edinburgh University Press, 2024. https://doi.org/10.3366/edinburgh/9781399524070.003.0007.

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Lawrence Kasdan’s films in the 1990s and 2000s tended toward “the nostalgia mode.” Wyatt Earp (1994) is a throwback to the golden age of Westerns, French Kiss (1995) is a Riviera-set romantic comedy, Mumford (1999) is a Capra-esque comedy-drama, and Dreamcatcher (2003) is a sci-fi B-movie. While serving as nostalgic entertainments, this chapter contends that these movies reflect similar themes to those at the center of Kasdan’s more socially conscious pictures: the tribulations of white (usually male) professionals as they attempt to assert control in hostile environments; and altruism is valu
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Eisen, Cliff. "Night and Day, the Musical." In The Oxford Handbook of the Hollywood Musical. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780197503423.013.21.

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Abstract The late 1930s and early 1940s witnessed an upsurge in historical biopics, sometimes based on European figures such as Marie Antoinette and Marie Curie, but more often than not based on the lives of Americans, including cowboys and frontiersmen, politicians and military figures, inventors, writers, athletes and criminals, including Wyatt Earp, Jesse James, Abraham Lincoln, Thomas Alva Edison, Edgar Allan Poe, Lou Gehrig, and John Dillinger, among others. At the end of the war, some cultural figures, especially composers whose works were seen as particularly American and that could con
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Reports on the topic "Moore, Wyatt A"

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Hoffman, Wyatt. AI and the Future of Cyber Competition. Center for Security and Emerging Technology, 2021. http://dx.doi.org/10.51593/2020ca007.

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As states turn to AI to gain an edge in cyber competition, it will change the cat-and-mouse game between cyber attackers and defenders. Embracing machine learning systems for cyber defense could drive more aggressive and destabilizing engagements between states. Wyatt Hoffman writes that cyber competition already has the ingredients needed for escalation to real-world violence, even if these ingredients have yet to come together in the right conditions.
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