Relevant bibliographies by topics / Moreira, Juan, in fiction

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Academic literature on the topic 'Moreira, Juan, in fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Moreira, Juan, in fiction"

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Acree, William G. "On the Heels of Juan Moreira: Lessons for the Cultural History of Reading." PMLA/Publications of the Modern Language Association of America 134, no. 1 (2019): 157–63. http://dx.doi.org/10.1632/pmla.2019.134.1.157.

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Between November 1879 and January 1880, the argentine author Eduardo Gutierrez published a serialized narrative of the life of Juan Moreira in the Buenos Aires newspaper La Patria Argentina. Titled simply Juan Moreira, the heroic tale of the real-life outlaw went like this: Moreira was a good gaucho gone bad, who fought to preserve his honor against the backdrop of modernizing forces that were transforming life in this part of South America. His string of crimes and ultimate downfall resulted from his unjust persecution by corrupt state officials. The success of the serial surpassed all expect
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Dabove, Juan Pablo. "Juan Moreira: Romantic Outlaw, Liberal Hero." Journal of Latin American Cultural Studies 28, no. 1 (2019): 3–22. http://dx.doi.org/10.1080/13569325.2019.1601619.

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Serafini, Aníbal Tulio. "Civilización sobre barbarie en Juan Moreira." Ideas. Revista de filosofía moderna y contemporánea, no. 20 (December 6, 2024): 161–85. https://doi.org/10.69498/ri.2024.20.445.

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Este trabajo propone analizar y discutir la construcción de sentido que, desde cierta noción de civilización asociada al mito político civilización y barbarie, se volvió preeminente en el período histórico argentino constitutivo del Estado nacional moderno entre mediados y finales del siglo XIX. Entendiendo que el rol del mito consiste en asignar sentido a la organización de la realidad donde se despliega, la influencia de esta noción de civilización pareció impregnar la dimensión cultural de la época en general influyendo en las ideas, argumentos y relatos políticos, económicos y sociales, co
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Díaz-Díaz, Oscar Felipe, Julio Parapar, and Juan Moreira. "Validation of Owenia vieitezi Díaz-Díaz, Parapar & Moreira, a polychaete from the coast of Venezuela (Annelida: Oweniidae)." Zootaxa 4729, no. 1 (2020): 145–46. https://doi.org/10.11646/zootaxa.4729.1.11.

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Díaz-Díaz, Oscar Felipe, Parapar, Julio, Moreira, Juan (2020): Validation of Owenia vieitezi Díaz-Díaz, Parapar & Moreira, a polychaete from the coast of Venezuela (Annelida: Oweniidae). Zootaxa 4729 (1): 145-146, DOI: https://doi.org/10.11646/zootaxa.4729.1.11
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DORFMAN, DANIELA. "El retorno de lo excluido. La construcción de Juan Moreira como héroe popular en la literatura argentina." Bulletin of Hispanic Studies 98, no. 10 (2021): 1019–30. http://dx.doi.org/10.3828/bhs.2021.59.

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Aunque el folletín de Juan Moreira (Eduardo Gutiérrez 1879-1880) fue fundamental en el proceso de constitución del gaucho como ícono de oposición popular a la violencia estatal y de demandas populares de inclusión, el carácter popular de Juan Moreira sigue, sin embargo, siendo objeto de debate. Este artículo contrasta posturas respecto de la construcción literaria de la memoria cultural y social de Juan Moreira como héroe popular y de su relación con el Estado, y analiza la constitución del gaucho en significante de lucha, en figura con derecho a chocar con la legalidad que lo excluye. El artí
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Noguera, Lía Sabrina. "La transposición de la literatura y el teatro argentino del siglo XIX al cine del siglo XX: El último centauro o la epopeya de Juan Moreira de Enrique Queirolo." Trasvases entre la literatura y el cine, no. 2 (October 14, 2020): 253–69. http://dx.doi.org/10.24310/trasvasestlc.vi2.8593.

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A partir de la leyenda del gaucho argentino Juan Moreira, en el presente artículo nos proponemos analizar los diferentes atravesamientos artísticos que este cuerpo realiza desde fines del siglo XIX hasta principios del XX: de la novela a la arena del circo y del teatro al cine. Consideramos que en cada cruce y en cada nuevo soporte artístico el cuerpo de Moreira se resignifica y permite construir nuevas identificaciones con los contextos artístico, político y sociales que le son propio. A tales efectos, nos preocuparemos por el estudio de la novela, el drama y su transposición al cine a partir
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Moreira, Juan, and Julio Parapar. "A new species of Sphaerodoridium Lützen, 1961 from Iceland (Polychaeta: Sphaerodoridae)." Zootaxa 3911, no. 1 (2015): 91–105. https://doi.org/10.11646/zootaxa.3911.1.5.

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Clinger, Braden. "Tecnología en los toldos: los autómatas de beber en Juan Moreira." Romance Notes 64, no. 1 (2024): 29–39. http://dx.doi.org/10.1353/rmc.2024.a944319.

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Resumen: Juan Moreira (1879–1880) de Eduardo Gutiérrez gozaba de una alta popularidad en la cultura rioplatense a finales del siglo diecinueve y generó mu chas adaptaciones. Este artículo examina y contextualiza dos apelaciones a la tecnología en un capítulo clave de la novela: “El último asilo”. El capítulo trata de la estancia de Moreira en los toldos del “indio amigo” Simón Coliqueo, y emplea las imágenes del autómata y de la electrocución para representar a los hábitos y las acciones de los indígenas. Proponemos que estas representaciones, más allá de su clara función deshumanizadora, refl
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De Novion, Jacques, Rebecca Lemos Igreja, and Camilo Negri. "O PAPEL DAS ESQUERDAS NO MUNDO." Abya-yala: Revista sobre Acesso à Justiça e Direitos nas Américas 2, no. 3 (2018): 246–60. http://dx.doi.org/10.26512/abyayala.v2i3.23330.

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Entrevista realizada com Constanza Moreira, Consuelo Sánchez, Héctor Diaz Polanco, Juan Carlos Monedero e Michel Wieviorka, por Rebecca Igreja, Camilo Negri e Jacques de Novion, sobre o “Papel das esquerdas na atualidade”.
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Parapar, Julio, and Juan Moreira. "Six new species of the genus Armandia Filippi, 1861 (Polychaeta, Opheliidae) from Lizard Island (Great Barrier Reef, Australia)." Zootaxa 4019, no. 1 (2015): 577–603. https://doi.org/10.11646/zootaxa.4019.1.19.

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Parapar, Julio, Moreira, Juan (2015): Six new species of the genus Armandia Filippi, 1861 (Polychaeta, Opheliidae) from Lizard Island (Great Barrier Reef, Australia). Zootaxa 4019 (1): 577-603, DOI: 10.11646/zootaxa.4019.1.19
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Dissertations / Theses on the topic "Moreira, Juan, in fiction"

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Morini, Liliana. "Juan Moreira - Don Segundo Sombra." Florianópolis, SC, 2008. http://repositorio.ufsc.br/xmlui/handle/123456789/90982.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Literatura.<br>Made available in DSpace on 2012-10-23T17:27:19Z (GMT). No. of bitstreams: 1 256025.pdf: 812592 bytes, checksum: 71385137842789b0a0c333eb92c38944 (MD5)<br>A presente pesquisa tem por objetivo comparar dois personagens da literatura gauchesca argentina, Juan Moreira, do romance homônimo de Eduardo Gutiérrez, e Don Segundo Sombra, do romance também homônimo de Ricardo Güiraldes, obras fundamentais do fim do século XIX a primeira, e inicio do século XX a
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Amorena, Maria Florencia. "Science, art, fiction : l'image chez Juan José Saer." Electronic Thesis or Diss., Paris 8, 2015. http://www.theses.fr/2015PA080143.

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Cette recherche se donne pour objectif d’analyser les images verbales dans l’œuvre de l’écrivain argentin Juan José Saer (Serodino 1937- Paris 2005). Elle s’appuie sur une étude du corpus littéraire ainsi que sur le scénario inédit Las nubes de Magallanes. Elle vise à comprendre dans quelle mesure les images verbales et mentales sont pertinentes dans la construction d’une esthétique et d’une épistémologie saeriennes. A partir d’une analyse des images verbales et mentales dans l’œuvre de Saer, cette étude veut non seulement montrer que description et narration sont intimement liées, mais que le
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Amorena, Maria Florencia. "Science, art, fiction : l'image chez Juan José Saer." Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080143.

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Cette recherche se donne pour objectif d’analyser les images verbales dans l’œuvre de l’écrivain argentin Juan José Saer (Serodino 1937- Paris 2005). Elle s’appuie sur une étude du corpus littéraire ainsi que sur le scénario inédit Las nubes de Magallanes. Elle vise à comprendre dans quelle mesure les images verbales et mentales sont pertinentes dans la construction d’une esthétique et d’une épistémologie saeriennes. A partir d’une analyse des images verbales et mentales dans l’œuvre de Saer, cette étude veut non seulement montrer que description et narration sont intimement liées, mais que le
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Cotto-Ibarra, Brunilda. "Gestualité et systèmes théâtraux dans la fiction de Juan Carlos Onetti." Montpellier 3, 1986. http://www.theses.fr/1986MON30016.

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Etudier l'ecriture de l'auteur uruguayen juan carlos onetti presuppose connaitre les codes qui interviennent dans divers systemes du spectacle, en particulier le langage gestuel. Ecriture "carnavalisee", elle trouve sa place dans les espaces discursifs de la farce et de la parodie. Plusieurs modeles d'analyse sont consideres afin de decrire le phenomene gestuel, spectaculaire, comme espace priviligie de la fiction: l'etude socio-anthropologique de david efron sur les gestes; la kinesique et la proxemique; le concept du "gestus" de bertolt brecht, le theatre de la cruaute d'antonin artaud, le c
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Perez-Illade, Carmen. "Pedro Páramo, tierra yerma moderna : un análisis arquetipico femenino /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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Courtad, James Christian. "The letter as creative perfection : the transition from epistolarity to fiction in the works of Juan Valera /." Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008306.

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Whicker, Jules. "Fiction, deceit and morality in the plays of Juan Ruiz de Alarcón, 1580-1639." Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:50276c64-555f-4584-9956-74a0ef3407b0.

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Alarcón was writing at a time when Spaniards increasingly came to perceive Spain as a nation in decline, and to seek the remedy for their country's malaise in a whole series of economic, political, social, and, in particular, moral reforms. One consequence of this was to intensify the debate concerning effect of the theatre on the moral values of the young, another was to stimulate a renewed interest in the art of war and the martial virtues which were held to have been the source of earlier glories, and yet another was to impel political philosophers and theologians alike to consider anew how
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Kramer, Nicholas Michael. "Writing from the riverbank Juan José Saer and the nouveau roman /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1779835511&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Rincones, Díaz Rosix Emilia. "From Tristan to Don Juan : Romance and courtly love in the fiction of three Spanish American authors." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3408/.

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This thesis is centred on Gabriel García Márquez’s novel El amor en los tiempos del cólera, Álvaro Mutis’ novella La última escala del Tramp Steamer, and Juan Rulfo’s novel Pedro Páramo. Its aim is to analyse how the works of these Spanish American authors are inscribed within the traditions of Tristan, Don Juan and other related stories. Analysis is rooted in three aspects: 1) the study of the language and style conventions in the initial works of romance and courtly love that are developed in the studied works on fiction. 2) It was crucial to see how the authors in question developed paradig
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Oliveira, Paulo Ferraz de Camargo. "As representações temporais na obra de Juan Rulfo." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-15052012-132224/.

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Na década de 1950, vieram à público duas pequenas obras de um autor até então desconhecido. Em 1953, publicava-se o livro de contos Llano en llamas e, dois anos depois, o romance Pedro Páramo. Bastaria essa diminuta produção literária para consagrar aquele que viria a ser tomado como referência para toda uma geração de escritores latino-americanos. Juan Rulfo seria considerado na cena literária do continente da década seguinte, ainda que com ressalvas, como o grande precursor da geração do chamado boom. Questionando essa suposta paternidade e partindo da análise dessas obras literárias ficcion
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Books on the topic "Moreira, Juan, in fiction"

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Gutiérrez, Eduardo. Juan Moreira. Perfil Libros, 1999.

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Moreira, Juan. Juan Moreira. Meliá Cohiba, 2002.

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Oliva, Manuel López. Juan Moreira. Alicial Leal Juan Moreira Estudios Galería, 2002.

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Payró, Roberto Jorge. Divertidas aventuras del nieto de Juan Moreira. Ediciones Barataria, 2007.

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Salcines, Claro Misael. La familia Moreira. Ediciones Loynaz, 2007.

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SUYU, Galería. Siete miradas: Pedro Álvarez, Alicia Leal, Elsa Mora, Juan Moreira, Zaida del Río, Vicente Rodríguez Bonachea, Roberto Fabelo. Galería Suyu, 1998.

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Bethencourt, Francisco Estupiñan. Negro Juan. M.A.R. Editor, 2015.

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Arenas, Joaquín Ortega. Juan: Novela. Editorial Claridad, 1990.

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Pascual, José Vicente. Juan Latino. Comares, 1998.

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Block, Francesca Lia. Missing Angel Juan. HarperCollins, 2008.

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Book chapters on the topic "Moreira, Juan, in fiction"

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Fuentes Rojo, Aurelio. "Payró, Roberto Jorge: Las divertidas aventuras del nieto de Juan Moreira." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13513-1.

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Six, Abigail Lee. "Juan Ignacio Carrasco, Entre nosotros [Amongst Us] (2010)." In Spanish Vampire Fiction since 1900. Routledge, 2019. http://dx.doi.org/10.4324/9780203730683-20.

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Brooks de Vita, Alexis. "The Clockwork Chrysalis: Enslavement Poetry of Juan Francisco Manzano." In Studies in Global Science Fiction. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84208-6_14.

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Six, Abigail Lee. "Juan G. Atienza, “Sangre fresca para el muerto” [Fresh Blood for the Dead Man] (1974)." In Spanish Vampire Fiction since 1900. Routledge, 2019. http://dx.doi.org/10.4324/9780203730683-8.

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Benson, Stéphanie. "Un certain goût pour le noir : le libertin, de Don Juan au tueur en série." In Le goût du noir dans la fiction policière contemporaine. Presses universitaires de Rennes, 2021. https://doi.org/10.4000/14ciu.

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Rocha, Carolina. "Juan Moreira." In Argentine Cinema and National Identity (1966-1976). Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940544.003.0009.

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This chapter is devoted to survey the process of adapting and shooting Juan Moreira, one of the most popular accounts about an outlaw gaucho who ends up defeated by the forces of civilization and progress. I discuss the challenges faced by its director, Leonardo Favio, and the popular success the film received, relying on press releases and film reviews of 1973.
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"ACKNOWLEDGEMENTS." In The Fiction of Juan Rulfo. Boydell and Brewer, 2012. http://dx.doi.org/10.1515/9781846158315-001.

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"Index." In The Fiction of Juan Rulfo. Boydell and Brewer, 2012. http://dx.doi.org/10.1515/9781846158315-011.

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"Introduction: Form and Content, Text and Context." In The Fiction of Juan Rulfo. Boydell and Brewer, 2012. http://dx.doi.org/10.1515/9781846158315-002.

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"Conclusion." In The Fiction of Juan Rulfo. Boydell and Brewer, 2012. http://dx.doi.org/10.1515/9781846158315-009.

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