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Relevant bibliographies by topics / Morgan Collection of Chinese Porcelains

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Academic literature on the topic 'Morgan Collection of Chinese Porcelains'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Morgan Collection of Chinese Porcelains"

1

Teece, Denise-Marie. "Monsoon Winds and Ming Porcelains: Chinese Ceramics and Their Reception in Early Modern South Asia." Muqarnas Online 40, no. 1 (2024): 103–53. http://dx.doi.org/10.1163/22118993_0040_006.

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Abstract This essay will explore the arrival, acquisition, and reception of Chinese ceramics within early modern South Asia, with a focus on the Mughal dynasty (r. 1526–1857) courtly context. The first step in placing South Asian ceramic collecting practices within the broader historical and geographic circulation of porcelains in the Gulf and Indian Ocean worlds is understanding the breadth and nature of South Asian collections. While the Safavid porcelain collections donated by Shah Abbas to Ardabil, and the massive Chinese porcelain collection of the Ottoman courts held today in Istanbul’s

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2

Tenorio, Dolores, Melania Jimenez-Reyes, Eladio Terreros-Espinosa, and Socorro DE La Vega Doria. "A Study of Chinese and Japanese Porcelains from Archaeological Sites of Mexico City, Using INAA." Semina: Ciências Exatas e Tecnológicas 45 (August 6, 2024): e50614. http://dx.doi.org/10.5433/1679-0375.2024.v45.50614.

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This study analyzes porcelain fragments unearthed at multiple archaeological sites in Mexico City, formerly known as New Spain. A collection of 60 samples was successfully categorized into four different groups and analyzed based on the Instrumental Neutron Activation Analysis (INAA) in conjunction with statistical methods. One of the groups included blue-and-white porcelains, which conclusively traced back to the renowned Jingdezhen kilns. Another blue-and-white group was attributed to the Zhangzhou kilns. Notably, it was determined that the Chinese white porcelains, distinguished by their lo

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3

Chopard, Lucie. "Connaître pour apprécier ? Collectionner la porcelaine chinoise religieuse à Paris dans la seconde moitié du XIXe siècle." Histoire de l'art 82, no. 1 (2018): 123–32. https://doi.org/10.3406/hista.2018.3784.

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During the second half of the nineteenth century, collector Ernest Grandidier (1833-1912) reunited thousands of Chinese porcelains in his collection. The books produced after this material, La Céramique chinoise, are important pieces of evidence for the knowledge and taste of the collector, helping to chart the choices he made in the parisian art market. This paper aims to present aspects of current research regarding the perception of those objects by Grandidier, particularly the religious pieces. The identifica-tion and analysis of the sources that Grandidier utilized informs an understandin

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4

Rahardjo, Maria Melita. "How to use Loose-Parts in STEAM? Early Childhood Educators Focus Group discussion in Indonesia." JPUD - Jurnal Pendidikan Usia Dini 13, no. 2 (2019): 310–26. http://dx.doi.org/10.21009/jpud.132.08.

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In recent years, STEAM (Science, Technology, Engineering, Art, and Mathematics) has received wide attention. STEAM complements early childhood learning needs in honing 2nd century skills. This study aims to introduce a loose section in early childhood learning to pre-service teachers and then to explore their perceptions of how to use loose parts in supporting STEAM. The study design uses qualitative phenomenological methods. FGDs (Focus Group Discussions) are used as data collection instruments. The findings point to two main themes that emerged from the discussion: a loose section that suppo

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5

Teece, Denise-Marie. "Green with Envy: Celadons, Circulation, and Emulation in the Red Sea, Persian Gulf and Indian Ocean Worlds." Ars Orientalis 53 (December 15, 2023). http://dx.doi.org/10.3998/ars.4982.

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Much scholarship concerning the maritime ceramic-exchange networks between China and the Red Sea, Persian Gulf, and Indian Ocean worlds has concentrated on the importation of Chinese blue-and-white porcelains and local responses to these wares. Celadon ceramics, however, were among the earliest Chinese wares to be traded—and emulated—within these exchange systems. Foregrounding examples from the collection of the Freer Gallery of Art at the Smithsonian’s National Museum of Asian Art, this article will consider textual evidence, manuscript paintings, archaeological finds, and extant objects, in

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6

Peoples, Sharon Margaret. "Fashioning the Curator: The Chinese at the Lambing Flat Folk Museum." M/C Journal 18, no. 4 (2015). http://dx.doi.org/10.5204/mcj.1013.

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IntroductionIn March 2015, I visited the Lambing Flat Folk Museum (established 1967) in the “cherry capital of Australia”, the town of Young, New South Wales, in preparation for a student excursion. Like other Australian folk museums, this museum focuses on the ordinary and the everyday of rural life, and is heavily reliant on local history, local historians, volunteers, and donated objects for the collection. It may not sound as though the Lambing Flat Folk Museum (LFFM) holds much potential for a fashion curator, as fashion exhibitions have become high points of innovation in exhibition desi

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Dissertations / Theses on the topic "Morgan Collection of Chinese Porcelains"

1

Shao, Leigh-Lin Ning. "Evaluation and critical analysis of the Chinese porcelains in the Whitwell collection Tatham Art Gallery: Pietermaritzburg." Thesis, 2002. http://hdl.handle.net/10413/3734.

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The first chapter is a broad review of the recent history of Chinese porcelain from the Ming period to the present day. It includes remarks on the ceramics town of Jingdezhen and on aspects of materials, construction techniques, glazing and enamelling as well as a brief summary of the types of wares. The second chapter is divided into two parts. The first part introduces the formation of the Tatham Art Gallery and the Whitwell Collection. The second part focuses, firstly, on the blue and white porcelain, secondly, on the enamelled porcelain. The pieces are individually physically examined and

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Books on the topic "Morgan Collection of Chinese Porcelains"

1

Zaidan, Ise Bunka. Tokubetsuten, shika meisai: Ise korekushon no meitō tokubetsuten = Imperial colors : peerless Chinese porcelains from the Ise Collection. Shinchōsha Tosho Henshūshitsu, 2015.

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2

Collection, Frick, ed. Rococo exotic: French mounted porcelains and the allure of the East. Frick Collection, 2007.

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3

Gallery, Japan House, and High Museum of Art, eds. The Burghley porcelains: An exhibition from the Burghley House collection and based on the 1688 inventory and 1690 Devonshire schedule. Japan Society, 1986.

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4

Catalogue of the Morgan Collection of Chinese Porcelains. Franklin Classics, 2018.

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Stephen Wootton Bush Pierpont Morgan. Catalogue of the Morgan Collection of Chinese Porcelains. Creative Media Partners, LLC, 2022.

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6

Laffan, William M., John Pierpont Morgan, and Stephen Wootton Bushell. Catalogue of the Morgan Collection of Chinese Porcelains. Creative Media Partners, LLC, 2018.

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Morgan, John Pierpont, Stephen Wootton Bushell, and William M. Laffan. Catalogue of the Morgan Collection of Chinese Porcelains. Franklin Classics Trade Press, 2018.

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Catalogue of the Morgan Collection of Chinese Porcelains, Issue 1. Creative Media Partners, LLC, 2022.

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9

Morgan, John Pierpont, Stephen Wootton Bushell, and William M. Laffan. Catalogue of the Morgan Collection of Chinese Porcelains, Issue 1. Franklin Classics Trade Press, 2018.

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Morgan, John Pierpont, Stephen Wootton Bushell, and William M. Laffan. Catalogue of the Morgan Collection of Chinese Porcelains, Issue 1. Franklin Classics Trade Press, 2018.

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