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Relevant bibliographies by topics / Moroccon Pottery

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Academic literature on the topic 'Moroccon Pottery'

Author: Grafiati

Published: 25 July 2024

Last updated: 26 July 2024

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Journal articles on the topic "Moroccon Pottery"

1

Linstädter, Jörg, and Gregor Wagner. "The Early Neolithic Pottery of Ifri Oudadane, NE Morocco – Qualitative and Quantitative Evidence." Journal of African Archaeology 11, no. 2 (November 11, 2013): 155–96. http://dx.doi.org/10.3213/2191-5784-10242.

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This paper presents the Early and Late Neolithic pottery of Ifri Oudadane, a littoral shelter in Northeast Morocco containing both Epipalaeolithic as well as Neolithic deposits. The transition is indicated by the appearance of domesticated plant and animal species, pottery and diverse changes in lithic technology. A domesticated lentil dated to 7.6 ka cal BP may mark the onset of this transitional process. With the help of 22 14C-ages the Early Neolithic deposit can be subdivided in three phases (ENA, ENB, ENC). In addition, the ENC phase contained the remains of a sporadic Late Neolithic occupation. Pottery decoration of the initial ENA phase (7.6–7.3 ka cal BP) is dominated by single Cardium impressions forming horizontal and vertical bands of impressions arranged vertical, horizontal or oblique. The successive ENB phase represents the main occupation phase between 7.1 and 6.6 ka cal BP. By means of statistical methods its assemblage, which consists of 243 vessel units, could be further subdivided (ENB1, ENB2). While ENB1 (7.1–6.9 ka cal BP) is still characterised by single Cardium impressions, the transition to ENB2 is marked by the appearance of Cardium and, later, comb impressions made using rocker stamp technique as well as a few impressions of points and spatulas, striations and modelled applications. Thus the pottery assemblage of Ifri Oudadane offers insights into the first occurrence of pottery in Mediterranean Northwest Africa and opens up the possibility for an internal classification of the Early Neolithic.

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2

Fregel, Rosa, Fernando L. Méndez, Youssef Bokbot, Dimas Martín-Socas, María D. Camalich-Massieu, Jonathan Santana, Jacob Morales, et al. "Ancient genomes from North Africa evidence prehistoric migrations to the Maghreb from both the Levant and Europe." Proceedings of the National Academy of Sciences 115, no. 26 (June 12, 2018): 6774–79. http://dx.doi.org/10.1073/pnas.1800851115.

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The extent to which prehistoric migrations of farmers influenced the genetic pool of western North Africans remains unclear. Archaeological evidence suggests that the Neolithization process may have happened through the adoption of innovations by local Epipaleolithic communities or by demic diffusion from the Eastern Mediterranean shores or Iberia. Here, we present an analysis of individuals’ genome sequences from Early and Late Neolithic sites in Morocco and from Early Neolithic individuals from southern Iberia. We show that Early Neolithic Moroccans (∼5,000 BCE) are similar to Later Stone Age individuals from the same region and possess an endemic element retained in present-day Maghrebi populations, confirming a long-term genetic continuity in the region. This scenario is consistent with Early Neolithic traditions in North Africa deriving from Epipaleolithic communities that adopted certain agricultural techniques from neighboring populations. Among Eurasian ancient populations, Early Neolithic Moroccans are distantly related to Levantine Natufian hunter-gatherers (∼9,000 BCE) and Pre-Pottery Neolithic farmers (∼6,500 BCE). Late Neolithic (∼3,000 BCE) Moroccans, in contrast, share an Iberian component, supporting theories of trans-Gibraltar gene flow and indicating that Neolithization of North Africa involved both the movement of ideas and people. Lastly, the southern Iberian Early Neolithic samples share the same genetic composition as the Cardial Mediterranean Neolithic culture that reached Iberia ∼5,500 BCE. The cultural and genetic similarities between Iberian and North African Neolithic traditions further reinforce the model of an Iberian migration into the Maghreb.

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3

Martínez Sánchez, Rafael M., Juan Carlos Vera Rodríguez, Jesús Gámiz Caro, Salvador Pardo-Gordó, Guillem Pérez-Jordà, and Leonor Peña-Chocarro. "Reflections on the Other Side. A Southern Iberia Origin for the First Pottery Production of Northern Morocco?" Open Archaeology 7, no. 1 (January 1, 2021): 1054–65. http://dx.doi.org/10.1515/opar-2020-0174.

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Abstract This work is a starting point for rethinking the role of the Iberian Peninsula in the neolithisation of northern Morocco. It focuses on the similarities and divergences between the first pottery productions and their decorations in both territories. This relationship is supported by the existence of an accurate chronological gradation between the first evidence of Neolithisation in Iberian Peninsula and that of northern Morocco which suggests a north–south direction. We also present arguments on the possible links between the early ceramics from the north of Morocco and those from the south of Iberia, providing a first approach to an issue that will need to be carefully analysed in future research.

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4

Malykh, S. E. "POTTERY OF THE TUNISIAN NABEUL: ANCIENT TRADITIONS AND MODERNITY." Journal of the Institute of Oriental Studies RAS, no. 1 (11) (2020): 178–85. http://dx.doi.org/10.31696/2618-7302-2020-1-178-185.

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The article examines the pottery production of the Tunisian city of Nabeul, the administrative center of the province of Cap Bon, located in the north-eastern part of the country, on the Mediterranean coast. Modern Nabeul is situated on the site of the ancient city of Neapolis. A common occupation of local residents — pottery — is due to the large deposits of marl clays available in the district. The origins of this craft originate in the first centuries of our era, when the Romans founded their city on the site of a small Greek trading settlement and brought here their traditions of pottery. Archaeological surveys in Nabeul and its environs have revealed the existence of several pottery workshops engaged in the manufacture of both large ceramic containers — amphorae, and fine tableware imitating the Roman Terra sigillata. From here, Nabeul ceramics spread throughout the Mediterranean and was discovered in archaeological sites in Libya, Egypt, Spain, Britain and other regions. This phenomenon illustrates trade relations between various provinces of the Roman Empire. Nabeul’s modern pottery production, oriented both to the domestic market and tourists, also focuses on the production of large forms and richly ornamented tableware, the decor of which generally reflects the style of Islamic glazed ceramic products, but is more closely related to the style of modern Arabic ceramics of the Maghreb countries, especially Morocco. Also, Tunisian modern ceramics shows similarities in form, ornament and color palette with modern provincial ceramics in Spain, especially Andalusia, and probably has common roots.

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5

Arnold, Dean E. ": The Early Medieval Pottery Industry at Al-basra, Morocco . Nancy L. Benco." American Anthropologist 91, no. 1 (March 1989): 258. http://dx.doi.org/10.1525/aa.1989.91.1.02a00830.

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6

Stempfle, Sabrina, Jörg Linstädter, Klaus G. Nickel, Abdeslam Mikdad, and Patrick Schmidt. "Early Neolithic pottery of Ifri n'Etsedda, NE-Morocco – Raw materials and fabrication techniques." Journal of Archaeological Science: Reports 19 (June 2018): 200–212. http://dx.doi.org/10.1016/j.jasrep.2018.02.042.

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7

Graves, Margaret S. "‘A Certain Barbaric Originality’: Moroccan Pottery as Viewed by British Travel Writers of the Nineteenth Century." Journal of North African Studies 12, no. 4 (December 2007): 501–16. http://dx.doi.org/10.1080/13629380701419608.

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8

Nakamura, Leonard. "Creativity and economic growth: theory, measures, and potentials for Morocco." Journal of Intellectual Capital 19, no. 3 (May 14, 2018): 480–86. http://dx.doi.org/10.1108/jic-12-2017-0165.

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Purpose The current era of globalization is dominated by the rise of investments in intangible capital rather than tangible capital – the ascendance of creativity over plant and equipment. This brief paper is motivated by the possibility that emerging market economies such as Morocco might take greater advantage of new tools and policies designed for this new era. The paper aims to discuss these issues. Design/methodology/approach To begin, the author discusses the transformation of the global economy and the consequences of the transformed global economy for economic thinking and measurement. The author refers to both old and new literature on the measurement of intangible investment and capital. Findings Then, the author discusses the rising role of creativity and cultural difference in the development of these new economic forces, using the example of the Harry Potter book series. Originality/value The author then considers how cultural enhancement serves multiple purposes for a nation. Finally, the author turns to some of the possible implications of these economic forces for Morocco, stressing that these implications are speculative.

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9

Lahcen Balli, Adil Atifi, Mohamed Hlimi, Bachir Hamri, and Youssef Achenani. "Experimental Study and Energy Optimization of a Prototype Furnace for the Pottery-Ceramic Industry." Journal of Advanced Research in Fluid Mechanics and Thermal Sciences 98, no. 2 (September 29, 2022): 44–57. http://dx.doi.org/10.37934/arfmts.98.2.4457.

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In the current context of global warming linked to a significant consumption of energy and the emission of considerable amounts of greenhouse gases, it is imperative to optimize the thermal operation of industrial furnaces to reduce consumption and protect our environment. The article focuses on the heat treatment of pottery-ceramic products in a prototype furnace to improve energy efficiency. And thus, the fuel consumption and the corresponding carbon dioxide emissions. In order to make a judicious choice of the best indicator that characterizes the energy efficiency (efficiency and power) and after simplifying the firing process we precede to a parametric identification; this was being done from the measurements made on the process. We propose a prototype gas furnace and we are doing a comparative study of randomly charging and with supports for the firing of ceramic products whose objective is the determination of the optimal operating conditions with respect to an energy criterion taking into account the quality of the product. In this work an experimental analysis with a specific energy consumption (SEC) of 1.15-1.38 kJ/kg prototype furnace is presented and compared to the experimental tests carried out at the traditional furnace of 6.75 kJ/kg used in the pottery-ceramic industry in Morocco. The results of this study show that for firing using supports canals leads to a product of good quality and with reduced consumption between four to six times less of that used by the traditional furnace. On the other hand, the finding of the study show that the prototype furnace emits 402.48 kgCO2eq less compared to traditional furnace (5875kgCO2eq) which allow us to reduce the harmful emissions.

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10

Graves, Margaret S. "Visual Culture as Historical Document: Sir John Drummond Hay and the Nineteenth-Century Moroccan Pottery in the National Museum of Scotland." British Journal of Middle Eastern Studies 36, no. 1 (April 2009): 93–124. http://dx.doi.org/10.1080/13530190902749614.

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Dissertations / Theses on the topic "Moroccon Pottery"

1

Johnson, Robert E. "Creative Solutions for Environmental Issues in Morocco and the Mediterranean Region." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin153563618700368.

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2

Loviconi, Dalila. "La faience de Fés XXIe -XVIIe siècle : période Alaouite - Langage et décoration." Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3113.

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Dans cette étude que je présente, j'ai pris pour appui l'objet céramique de Fès en tant que référence contextuelle depuis l'époque contemporaine de 2012 jusqu'au XVIIe siècle. L'analyse croisée des sources textuelles et des productions, tant sur le terrain que dans les collections muséales ou privées, nous permet de faire toute la lumière sur les productions céramiques de Fès sur plus de trois siècles. La première partie est consacrée aux aspects politiques et sociaux de la réorganisation des corporations artisanales qui ont conditionné les productions sur plus d'un siècle et demi. La deuxième partie porte sur la sémiologie du décor dans la céramique de 1835 à 1675 (période alaouite). Sont d'abord étudiées les formes issues des fonctions alimentaires et des codes sociaux, puis les éléments du décor qui concourent avec la part des nombres, à l'agencement des dessins transcrits selon des codes cachés. Les conclusions de la thèse reposent sur la caractéristique de codes spirituels présents dans les productions anciennes et qui ont disparu au contact des codes de l'économie et de l'industrie européennes
In this research, I have focused on the ceramic object from Fes as a contextual reference in the contemporary era from 2012 back to the XVII th century. The analysis crossed together with texts and production sources, both on site and with museums or private collections, enlightens us about Fes's ceramic productions over the last three centuries. The first part is dedicated to politic and social factors of the changes in the organization of the art crafts corporations that influenced the productions for over a century and a half. The second part carries on semiology of the decor on ceramic from 1835 back to 1675 (Alawite period). First the research covers the shapes inspired from alimental functions and social codes, then on the elements corresponding to numbers, and transcripts drawn according to some hidden codes. The thesis concludes on the specificities of spiritual codes in ancient productions that have gradually disappeared upon the arrival of the European industrial and economic codes

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Books on the topic "Moroccon Pottery"

1

The early medieval pottery industry at al-Basra, Morocco. Oxford, England: B.A.R., 1987.

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2

A. G. A. van Dongen. Objets mobiles: Visies op Marokkaans gebruiksaardewerk. Rotterdam: Museum Boijmans Van Beuningen, 1998.

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3

Hakenjos, Bernd. Marokkanische Keramik. Stuttgart: Edition Hansj"org Mayer, 1988.

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4

Hakenjos, Bernd. Marokkanische keramik. Stuttgart: edition Hansjörg Mayer, 1988.

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5

Hakenjos, Bernd. Marokkanische Keramik. Stuttgart: H. Mayer, 1988.

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6

Vossen, Rüdiger. Marokkanische Töpferei: Töpferorte und -zentren : eine Landesaufnahme (1980) = Poterie marocaine : localités de potiers et centres de poterie : un inventaire sur tout le pays (1980). Bonn: R. Habelt, 1986.

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7

Marokkanische topferei=Poterie marocaine: Topferorte und -zentren eine landesaufnahme (1980). Bonn: Rudolf Habelt, 1986.

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8

Klaus, Minges, Barbatti Bruno, and Museum Bellerive Zürich, eds. Berber: Teppiche und Keramik aus Marokko. [Zürich]: Museum Bellerive Zürich, 1996.

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9

Benco, Nancy L. Organization and technology of pottery production in early medieval Morocco. 1986.

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10

Group, The Pottery Research. The 2000 Import and Export Market for Pottery in Morocco. 2nd ed. Icon Group International, Inc., 2001.

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Book chapters on the topic "Moroccon Pottery"

1

Bouachera, Rachida, Mariam El Aoud, Rachida Kasimi, Mounsif Ibnoussina, Yassine Taha, Hicham El Boudour El Idrissi, and Rachid Hakkou. "Recycling Way of Sludge in Handcraft Pottery (Marrakesh, Morocco)." In Recent Advances in Environmental Science from the Euro-Mediterranean and Surrounding Regions (2nd Edition), 2265–69. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-51210-1_355.

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2

Remmal, Toufik, Halima Jounaid, Fouad Amraoui, Soukaina Bedda, and Assia Laroussi. "Geological, Physico-Chemical Characterization and Estimation of Clay Reserves Exploited in Pottery in Draa-Tafilalet Region (Morocco)." In Recent Research on Geotechnical Engineering, Remote Sensing, Geophysics and Earthquake Seismology, 15–19. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-48715-6_4.

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3

Martín, Alfredo Mederos, Thomas X. Schuhmacher, Juan Manuel Vargas Jiménez, Charles Bashore Acero, and Lorena Garvin Arcos. "The painted pottery from the Chalcolithic mega-site of Valencina de la Concepción (Seville, Spain) and its possible relationship with Gar Cahal, northern Morocco." In Metal Ages / Âges des métaux, 14–39. Archaeopress Publishing Ltd, 2023. http://dx.doi.org/10.2307/jj.15135880.6.

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Conference papers on the topic "Moroccon Pottery"

1

Sarr, Bilal, Luca Mattei, and Yaiza Hernández Casas. "Asentamientos fortificados en el Rif Oriental (siglos VIII-XV). Nuevos datos sobre Ghassasa y Tazouda (Nador, Marruecos)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11519.

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Fortified settlements in Eastern Rif (eighth-fifteenth centuries): new data on Ghassasa and Tazouda (Nador, Morocco)The present paper attempts to aproximate to the archaeological research of two of the most relevants fortified settlements of the Medieval Rif (north of Morocco), Ghassasa and Tazouda. Reviewing the written sources –Ibn Ḥawqal, al-Bakrī, al-Idrīsī, Ibn Ḥayyān, al-Bādisī, etc.– and comparing the data they offer with the archaeological records of surface, we report here the recent hypothesis deduced from the analysis of their emerging structures and pottery, trying to trace some new information of the fortification process in the Rif since Early Medieval centuries to the fifteenth century and to detect the development of the interrelations and influences by the commercial exchanges between twice Mediterranean coasts: North African and al-Andalus. So, we offer the planimetry of both settlements, Ghassasa and Tazouda, which haven´t been documented before, and also some typologies of Magrib’s medieval pottery founded there, contributing with an original research to the study of medieval urbanism in Magrib al-Aqṣā and the role that they take on the trade routes existing between Bilād al-Sūdān, to Siŷilmāsa, and al-Andalus.

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